THE DUKE ROBILLARD BAND (USA) Neue CD „Calling All Blues“

Total Page：16

File Type：pdf, Size：1020Kb

21. bis 29. März 2015 Eine Veranstaltung der THE DUKE ROBILLARD BAND (USA) Neue CD „Calling all Blues“ So, 22. März 2015 Kulturfabrik (Stieberstraße 7, 91154 Roth) 20 Uhr, bestuhlt VVK 23 €/AK 24 €/ZAC 18,70 € Dieser Mann wird sehnlich erwartet: Duke Robillards verletzte Hand, die ihm seinen Bluestageauftritt im letzten Jahr zunichtemachte ist verheilt und er kann heuer endlich in Roth dem Blues huldigen. Er spielt fast 200 Gigs im Jahr und mit fast jedermann aus der Topliga des Musikerzirkels. Auch mit Bob Dylan auf dessen „Time Out Of Mind“. Er gründete die legendären Roomful of Blues, die mit Big Joe Turner und Eddie Cleanhead Vinson auf Tour gingen. Egal ob Jazz, Rock, Funk, Fünfzigerjahre-Chicago-Blues oder Slowblues: Robillard ist unbestritten einer der handwerklich fähigsten Gitarristen der Gegenwart. 1948 als Michael Robillard in Rhode Island geboren, zog es den jungen Gitarristen schon früh ins Musikgeschäft. 1967 gründete er mit Pianist Al Copley die erfolgreiche R&B-Combo Roomful of Blues. Nach dreizehn Jahren überließ er seinen Platz dort Ronnie Earl, um Leadgitarrist für Robert Gordon zu werden. Danach war er kurzzeitig Mitglied der Legendary Blues Band. 1981 gründete er die Duke Robillard Band, die sich bald in Duke Robillard & The Pleasure Kings umbenannte. 1990 stieg Robillard als Ersatz für Jimmie Vaughan bei den Fabulous Thunderbirds ein. Bob Dylan, Jay McShann und Jimmy Witherspoon nahmen Robillards Gitarrenkünste im Studio und auf der Bühne in Anspruch. Seit Mitte der 90er-Jahre ist Robillard vor allem als Solokünstler mit seiner eigenen Band unterwegs und hat über dreißig Platten veröffentlicht, darunter Blueswerke wie „Blues For Modern Man“ (1999) oder „Blue Mood“ (2004). Robillard gewann in den Jahren 2000 und 2001 den W.C. Handy Award als „Best Blues Guitarist". Nach seinem 2011er-Album „Low Down & Tore Up“ mit klassischem Rhythm’n‘Blues der 40er und 50er und „Independently Blue“ (2013), das alle Elemente des frühen Rock’n’Roll beinhaltet, wird Robillard sein neues Album „Calling all Blues vorstellen. Duke Robillard: Gitarre #Brad Hallen: Bass #Bruce Bears: Orgel, Piano #Marc Teixeira: Schlagzeug www.dukerobillard.com Pressekontakt und weitere Informationen: Karin Probst, Tel. 09171/848-714, [email protected]; Kulturfabrik, Stieberstr. 7, 91154 Roth; www.bluestage.de; www.kulturfabrik.de TEXT- und BILDMATERIAL zum DOWNLOAD auf http://bluestage.de/index.php?id=57 .

Copy Link

Recommended publications

The Duke Robillard Band (Usa) „Indepently Blue” – Cd-Präsentation
29. März bis 6. April 2014 Eine Veranstaltung der HIGHLIGHT THE DUKE ROBILLARD BAND (USA) „INDEPENTLY BLUE” – CD-PRÄSENTATION So, 30. März Kulturfabrik (Stieberstraße 7, 91154 Roth) 20 Uhr, bestuhlt VVK 22,80 €/AK 24 €/ZAC 18,60 € Es führt kein Weg an diesem Gitarristen vorbei. Er spielt fast 200 Gigs im Jahr und mit fast jedermann aus der Topliga des Musikerzirkels. Auch mit Bob Dylan auf dessen „Time Out Of Mind“. Er gründete die legendären Roomful of Blues, die mit Big Joe Turner und Eddie Cleanhead Vinson auf Tour gingen. Egal ob Jazz, Rock, Funk, 50er-Jahre-Chicago-Blues oder Slowblues: Robillard ist unbestritten einer der handwerklich fähigsten Gitarristen der Gegenwart und nun zum ersten Mal in Roth zu erleben. 1948 als Michael Robillard in Rhode Island geboren, zog es den jungen Gitarristen schon früh ins Musikgeschäft. 1967 gründete er mit dem Pianisten Al Copley die erfolgreiche R&B-Combo Roomful of Blues. Nach dreizehn Jahren überließ er seinen Platz dort Ronnie Earl , um Leadgitarrist für Robert Gordon zu werden. Danach war er kurzzeitig Mitglied der Legendary Blues Band . 1981 gründete er die Duke Robillard Band, die sich bald in Duke Robillard & The Pleasure Kings umbenannte. Nachdem die Band 1984 einen Plattenvertrag bei Rounder Records bekam, veröffentlichte sie eine Reihe von Alben und trennte sich 1990 wieder. Im selben Jahr ersetzte Robillard Jimmie Vaughan bei den Fabulous Thunderbirds . Bob Dylan, Jay McShann, Jimmy Witherspoon nahmen Robillards Gitarrenkünste im Studio und auf der Bühne in Anspruch. Seit Mitte der 90er- Jahre ist Robillard vor allem als Solokünstler mit seiner eigenen Band auf Tour und hat über dreißig Platten veröffentlicht, darunter Blueswerke wie „Blues For Modern Man“ (1999) oder „Blue Mood“ (2004).
[Show full text]
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Beneﬁt It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
[Show full text]
INSIDE THIS ISSUE: Performance Schedules and Blues News from The
June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time.
[Show full text]
George Lesiw Recognized As One of the Most Prolific and Versatile
George Lesiw Recognized as one of the most prolific and versatile jazz performers on the Connecticut music scene, guitarist George Lesiw has made his surge a topic of conversation and interest amongst the Northeast audience. Lesiw combines the true improvisational essence and language of jazz, the daring electricity of rock-fusion and the gritty fire of blues. Known as a bandleader and sideman for some time now, Lesiw initiates a spark of rock-fusion with a combination of the emotional fire of the blues sprinkled with funk, soul and R& B, making him a desired performer in music venues across the state and beyond. Whether playing a straight-ahead jazz gig with his quartet at Bar 140 in Shelton, Connecticut or wailing his blues with his new blues project, Black Snake Boots, at Connecticut’s premier blues clubs, Black- Eyed Sally’s in Hartford, or playing original jazz fusion music on the main stage of the Long Beach Jazz Festival in California, one thing remains constant – Lesiw exemplifies a passion, virtuosity, versatility and fire to his music like no other. His most recent performances include a duo residency with Lee-Ann Lovelace at Crave, a Latin fusion restaurant and night club in Ansonia. Once a month, he leads the popular blues jam at Café Nine in New Haven. Twice a month, he leads the jazz jam at Bar 140 in Shelton, Connecticut. Lesiw was also the main guitarist with “A Nordic Sound Jazz Orchestra” (2016-17). In 2017, his band “Black Snake Boots” was a finalist at the 2017 Connecticut Blues Challenge.
[Show full text]
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio.
[Show full text]
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums.
[Show full text]
Heard the News? the Old Louisville Blues Festival!
THE NEWSLETTER OF THE KENTUCKIANA BLUES SOCIETY “...PRESERVING, PROMOTING AND PERPETUATING THE BLUES.” Louisville, Kentucky Incorporated 1989 August/September 2004 Heard the news? The spirit of Garvin Gate lives on! Central Park Café Presents… The Old Louisville Blues Festival! Friday and Saturday, October 15th and 16th Fourth and Ormsby Streets For further details, watch this newsletter and the KBS website, www.kbsblues.org. Interested local bands and solo artists, vendors and volunteers contact Mike Suttles 502-479-9289 [email protected] IN T HIS ISSUE KBS News and Contacts…………..….….. 2 Best Self-Produced CD Contest…………... 8 Letter From the Prez………………..……. 3 Book Review, “Blues Traveling”……….... 9 WC Handy Blues & Barbecue Festival…. 4-5 Kentuckiana Blues Calendar………….…… 10 11 New Music Reviews………………………. 6-7 Clubs, Membership & Radio Info………….. BLUES NEWS August/September 2004 1 August/September 2004 KBS Board of Directors Volume 16 Number 11 Rocky Adcock Roger Wolford EDITOR Emeritus Emeritus Natalie Carter Bob Brown Nelson Grube CONTRIBUTORS Bob Brown Natalie Carter Brenda Major Keith S. Clements Keith Clements Martha McNeal Peter “Blewzzman” Lauro Brenda Major Bob Cox Gary Sampson Martha McNeal Terry Craven Steve Walls Paul Schneider Steve Walls Patricia Gilbert Debbie Wilson Address Change? Lynn Gollar If you move, let us know your change of address. The Post Office does not forward bulk mail. CALL FOR INFORMATION ABOUT: Affiliated Member The views expressed by the authors and adver- GENERAL INFO tisers are their own. Contributions
[Show full text]
Wavelength (September 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1983 Wavelength (September 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1983) 35 https://scholarworks.uno.edu/wavelength/35 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. N E W I N E ISSUE NO. 35 • "I'm not sure, but I'm almost positive, You don't want to that all music came from New Orleans." miss Lafayette's Ernie K-Doe, 1979 Festivals Acadiens, eight celebrations rolled into one to Features showcase and savor the Ivan Neville . .................. 8 Acadian culture. Sample the delectable Lenny Zenith . ................ 11 Cajun cuisine, tap your Festivals Acadiens............. 13 foot to Acadian music, walk back through the centuries into the Columns Cajun mystique. Letters ........................ 3 Come join the fun in September . .................... 4 the heart of French Louisiana, where we Art. ......................... 15 have the recipe for Caribbean . ................... 17 joyful living! Cajun ....................... 19 For more information contact the Lafayette Reviews ........... .. ......... 20 Convention and Listings . ..................... 24 Visitors Commission, C/assifieds . .................. 29 P. 0. Box 52066, Dept. WL, Lafayette, LA Last Page . ................... 30 7050513181232-3808. Allons a Festivals Acadiens September 17- 18, 1983 r r r ;- dsf r ; '/2 Price ~~5~ J r rqq<;.- · r r j Select from Thousands of Lps NEW· OUT-OF-PRINT r COLLECTOR'S ITEMS r ) Publisher, Nauman S.
[Show full text]
CBS Newsletter November-2017
November 2017 BLUES NEWS CBS OFFICERS AND BOARD ELECTIONS November 13th, 2017 Cleveland Blues Society 11/10/2017 1 Inside this OCTOBER JAM i s s u e : October Jam Band 2-3 ANTHONY LOVANO’S Blues You Should Know 6-9 SUPERNATURAL BAND By Bob AT THE MUSIC BOX SUPPER CLUB Upcoming Jams 5 Schnuck Announcment 10 Do you have an idea for an article?—email Elaine [email protected] Anthony Lovano on Drums, been hosting jams of his own all around Newsletter town, and for the past three years at Coaches Tim Matson on Guitar, Place every Tuesday. His dad was a big Contributors Art Jenson on Bass and influence, where he gained exposure to John Coltraine, Miles Davis, Elvin Jones, McCoy News Director:...Elaine DeStephano Reginald Redd on Sax Tyner, Stanley Turrentine,and Wayne Shorter Cleveland native and fine drummer, Anthony at a young age. All this led to his current love Layout Editor: ……………….Kris Diehl Lovano, has been blessed with a wonderful for BE BOP JAZZ. Here locally, he points out family background beginning with his dad , Columnists: ……………..…..Bob Frank his guitarist Tim Matson is "his guy" on Tony "Big T " Tony Lovano, who he played guitar. Anthony feels" he is blessed to play Photographers: with right up until his passing in early 1986, music" and it is " his true love". What does he …………………....Elaine DeStephano and his brother, national recording jazz look for when playing and jamming? "A great saxaphone artist Joe Lovano. Anthony has groove!". Currently he has been digging on been a Blues Society member since the the music of Robin Ford.
[Show full text]
BIOGRAPHY Rudy Rotta, a Devil of a Guitarist Now Famous Throughout The
BIOGRAPHY Rudy Rotta, a devil of a guitarist now famous throughout the blues world, served his musical apprenticeship in Lucerne (Switzerland) where his family moved in the early 60s. Aged 18, already with an enormous blues culture and a technique to match, he returned to Italy, where he began the tough life "on the road" of the bluesman. After some compromises and doubts, he strung together an almost endless series of live performances as a promising frontman. His aggressive but disciplined style, the sheer speed of his fingers over the six strings and his singing talent soon made him famous outside Italy, playing at the leading European festivals. Guitarist, singer and excellent songwriter, he is now considered by the specialist European and US press one of the best bluesmen in the world. Together with his phenomenal band, he was a great success (as US commentators have reported) on the ULTIMATE R&B CRUISE of the Mediterranean, in the company of artists of the caliber of Luther Allison, Buckwheat Zyde-co, Katie Webster, John Mooney e John Mayall (who was so impressed he played piano from start to finish at a concert given by Rudy and his band). This led to the prestigious invitation to the Kansas City Blues Festival together with Al Green, Taj Mahal and Brian Setzer, in front of twenty thousand adoring US fans, who voted him Europe's top act. Rudy then went on to record live in Kansas City at the Grand Emporium, the top blues venue in the USA, releasing the CD "Live in Kansas City" (Acoustic Music Records).
[Show full text]
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr.
[Show full text]
JBSL Presskit2021.Pdf
THE BAND CORE MUSICIANS Joe Bell Guitar & Vocals Frankie Starr Guitar & Vocals Doug Johns Bass Guitar Chuck Orange Drums GUEST MUSICIANS Joe Hunter Piano Joe Miller Trumpet Dave Sterner Sax AWARD WINNING SWING, JUMP BLUES, SOUL & FUNK joebell.com Book the Band ank or y r su ort an e’ sî y at e gig! - Joe Concert Schedule Merchandise ACCOLADES Scene Magazine Music Awards On Festival bills, in nightclubs, concert halls and theaters, Joe Bell and the Lizards have spent Multiple winner for: over two decades entertaining blues, jazz, rock and soul fans on the North Coast and around Best Blues Band the country. A critically acclaimed, award winning group, and legendary among all types of Best Swing Band folks known to frequent venues where live music delights the soul, when they take the stage, Finalist for Best Vocalist they truly funk up the place, ﬁ lling the room with their rootsy, feel good energy. Cleveland Free Times Music Awards Multiple winner for: Beginning in 1989, with Joe’s college years and hundred’s of solo acoustic gigs behind him Best R&B Act - JB got the itch to start a band. He named them The Swing Lizards, because of JB’s a nity Best Blues Band for swing (Joe’s Grandfather - Joe Kayser, was a big band leader in Chicago and gave a young Best Swing Band Finalist for Best Vocalist Gene Krupa his ﬁ rst legitimate gig) and based in Cleveland - the Rock and Roll Hall of Fame city - The Lizard’s current sound is a eclectic hybrid of swing, jump blues, soul and funk.
[Show full text]