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The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Five Guys Names Moe Song List
Five Guys Names Moe Song List A Chicken Ain't Nothin' But A Bird B flat After The Lovin A Kiss To Build A Dream On Ain't That A Kick In The Head! Ain't Misbehavin' Ain't Nobody Here But Us Chickens All Of Me All My Tomorrows All Shook Up All The Way Always Angel Eyes Angelina (From The Pizzaria) Anniversary Waltz (Oh how we danced) Anything Goes Are You Lonesome Tonight? As Time Goes By At Last Azure Te' (Paris Blues) Automobile (She Loves My) Baby Won't You Please Come Home? Basin Street Blues/ 5 Ft. 2 Big Ten Inch Beyond The Sea Buona Serra Buzz Me Baby Bye Bye Blackbird Bye Bye Love Black Cadilac/Kansas City Black Magic Woman Blue Light Boogie Blue Moon Blue Spanish Eyes Blue Suede Shoes Brother Beware Brown Eyed Girl Bowlegged Woman Caldonia... Chicago (a toddlin' town) Choo Choo Ch-Boogie Come Dance With Me Come Fly With Me Come Rain Or Come Shine Crazy Critical Condition-.(J. Sapienza) Daddy's Little Girl Day-O ( The Work Song ) Don't Be Cruel (You know I can be found) Don't Get Around Much Anymore Don't Let The Sun Catch You Cryin' Drownin' On Dry Land...slow Early In The Morning Embraceable You Everybody Loves Somebody Sometime Fever Fly Me To The Moon Five Guys Named "MOE' Frim Fram Song God Bless The Child t Georgia Gigolo Girl From Ipanema G. I. Jive G.L.O.R.I.A. Gloria Guess I'll Hang My Tears Out To Dry Help Me Make It Through The Night Honey Child Honky Tonk Woman How About You How Little We Know I Don't Know Why ( I Love You Like I DO ) I Feel Good I Get A Kick Out OF You I Left My Heart In San Francisco In My Chevrolet ( J. -
Griffith Family Papers, 1907-1950, Bulk 1913-1945
Griffith family Papers, 1907-1950, bulk 1913-1945 Kim L. Dixon 2010-12-15 Anacostia Community Museum Archives 1901 Fort Place, SE Washington, D.C. 20020 [email protected] http://www.anacostia.si.edu/Collections/ArchiveCollection Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 2 Scope and Contents note................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Biographical, 1907-1950 .......................................................................... 4 Series 2: Music Collection, undated......................................................................... 6 Series 3: Photographs, circa 1914-1940s.............................................................. 14 Griffith family papers ACMA.06-004 Collection Overview Repository: Anacostia Community Museum Archives Title: -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Griffith Family
Griffith Family Finding Aid to the Griffith Family Papers, 1907-1950, Anacostia Community Museum Archives by Kim L. Dixon January 2010 Contact Information Anacostia Community Museum Archives Smithsonian Institution 1901 Fort Place, SE Washington. D.C. 20020 202.633.4853 (phone) 202.287.2422 (fax) www.ACMarchives.si.edu Table of Contents Collection Overview .............................................................................................. 1 Administrative Information .................................................................................... 1 Biographical Note .................................................................................................. 2 Scope and Content Note ....................................................................................... 2 Subjects ................................................................................................................ 2 Series Description/Container List .......................................................................... 3 Series I: Biographical Files 1907—1950 (0.50 linear ft.) ................................... 3 Sub series 1.1: Correspondence ................................................................... 3 Sub series 1.2: Financial Records ................................................................. 4 Sub series 1.3: General ................................................................................. 4 Sub series 1.4: Miscellaneous ....................................................................... 4 Series II: Music -
Guide to the Fletcher and Horace Henderson Music and Photographs
Guide to the Fletcher and Horace Henderson Music and Photographs NMAH.AC.0797 Grace Chiang 2014 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 5 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Horace and Fletcher Henderson Music, 1954 - 1955............................... 6 Series 2: Photographs.......................................................................................... 217 Series 3: Horace and Fletcher Henderson's Personal Papers............................. 218 Series 4: Horace Henderson Audio Tapes......................................................... -
MCA Discography
MCA-1 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA Discography Note: When MCA discontinued Decca, Uni, Kapp and their subsidiary labels in late 1972, they started the new MCA label by consolidating artists from those old labels into the new label. Starting in 1973, MCA reissued hundreds of albums from all of those labels with new catalog numbers under the new MCA imprint. They started these reissues in the MCA-1 reissue series, which ran to MCA-299. MCA MCA-1 Reissue Series: MCA 1 - Loretta Lynn’s Greatest Hits - Loretta Lynn [1973] Reissue of Decca DL7 5000. Don't Come Home A Drinkin'/Before I'm Over You/If You're Not Gone Too Long/Dear Uncle Sam/Other Woman/Wine Women And Song//You Ain't Woman Enough/Blue Kentucky Girl/Success/Home You're Tearin' Down/Happy Birthday MCA 2 - This Is Jerry Wallace - Jerry Wallace [1973] Reissue of Decca DL7 5294. After You/She'll Remember/The Greatest Love/In The Misty Moonlight/New Orleans In The Rain/Time//The Morning After/I Can't Take It Any More/The Hands Of The Man/To Get To You/There She Goes MCA 3 - Rick Nelson in Concert - Rick Nelson [1973] Reissue of Decca DL7 5162. Come On In/Hello Mary Lou, Goodbye Heart/Violets Of Dawn/Who Cares About Tomorrow-Promises/She Belongs To Me/If You Gotta Go, Go Now//I'm Walkin'/Red Balloon/Louisiana Man/Believe What You Say/Easy To Be Free/I Shall Be Released MCA 4 - Sousa Marches in Hi-Fi - Goldman Band [1973] Reissue of Decca DL7 8807. -
MCA 1300 Jazz Heritage Series
MCA 1300 Series Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 1300 Jazz Heritage Series: Note: This series features reissues of old jazz material, most of which predates stereo. Most of these releases before 1365 (and some after) are mono or rechanneled stereo. MCA 1300 - Louis and the Good Book - Louis Armstrong & His All-Stars with The Sy Oliver Choir [1980] Reissue of Decca DL 8741. Nobody Knows the Trouble I’ve Seen/Shadrack/Go Down Moses/Rock My Soul/Ezekiel Saw De Wheel/On My Way//Down By The Riverside/Swing Low, Sweet Chariot/Sometimes I Feel Like A Motherless Child/Jonah And The Whale/Didn’t It Rain/This Train MCA 1301 - Young Louis “The Side Man” (1924-1927) - Louis Armstrong in Various Bands [1980] Reissue of Decca DL 9233. Words - Fletcher Henderson And His Orchestra/When You Do What You Do - Fletcher Henderson And His Orchestra/Lucy Long - Perry Bradford’s Jazz Phools/I Ain't Gonna Play No Second Fiddle - Perry Bradford’s Jazz Phools/Static Strut - Erskine Tate's Vendome Orchestra/Stomp Off And Let's Go - Erskine Tate's Vendome Orchestra/Georgia Bo Bo - Lil’s Hot Shots/Drop That Sack - Lil’s Hot Shots//Easy Come, Easy Go Blues - Jimmy Bertrand's Washboard Wizards/Blues Stampede - Jimmy Bertrand's Washboard Wizards/I'm Goin' Huntin' - Jimmy Bertrand's Washboard Wizards/If You Wanna Be My Sugar Poppa - Jimmy Bertrand's Washboard Wizards/Weary Blues - Johnny Dodds Black Bottom Stompers/New Orleans Stomp - Johnny Dodds Black Bottom Stompers/Wild Man Blues - Johnny Dodds Black Bottom Stompers/Melancholy - Johnny Dodds Black Bottom Stompers MCA 1302 - Rhythm is our Business 1934-1935 - Jimmie Lunceford and His Orchestra [1980] Reissue of Decca DL 9237. -
Print Version (Pdf)
Special Collections and University Archives UMass Amherst Libraries Eric Bascom Collection of Jazz Recordings 1921-1978 14 boxes (10 linear feet) Call no.: MS 882 About SCUA SCUA home Credo digital Scope Inventory Phonographs Piano rolls Admin info Download xml version print version (pdf) Read collection overview When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose. The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player. See similar SCUA collections: Jazz Performing arts Background on Eric Bascom When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. -
About Five Guys Named Moe
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community.