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Now We Are All Sons of Bitches
Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2). -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
OPEN SCENES-Hand Outs
ACTING IS ACTION — Web Pages Chapter 13 - OPEN SCENES SCENE #5: CONFLICT Instructions Fill in the following information as instructed. Use a pencil, print clearly. Plot out COMPLETELY all thought (subtext) and action, including movement patterns. Fill in the below Given Circumstance created by the scene partners. On the script on the next page record EXTERNALS on left of dialogue, record INTERNALS on right. CHARACTER BREAKDOWN: · Name: ______________________________ ACTOR: _______________________ · Descriptions · Backgrounds — What prior circumstances are relevant to the action? · Relationship to each other IMAGINARY CIRCUMSTANCES · Setting · World of the Scene — What is the scene about?) SITUATION · What is the Set-Up? · Why are these people here? — Why now? ACTION/CONFLICT · Objectives: · What does the character want? Why? · What does the character do to get what he/she wants? · What are the obstacles to getting what you want? · What is the conflict? ◊ ACTING IS ACTION © Phillip Rayher, 2012 Page "1 ACTING IS ACTION — Web Pages Chapter 13 - OPEN SCENES SCENE #5: CONFLICT EXTERNALS INTERNALS (including Beats) Thought Patterns (subtext) ONE: Where did you get that? TWO: It was in there. ONE: I never saw it before. TWO: You must have. ONE: No... I’m certain. TWO: You mean all this time you’ve never seen it? ONE: I can’t recall. TWO: I wonder? ONE: How did it get there? TWO: How do you suppose? ONE: You can't believe... TWO: Why not? Why is it so strange? ONE: Well it's too ridiculous... it’s insane. TWO: Is it? ONE: Of course it is. I've never heard of anything like that in my life. -
Edward Thomas - Poems
Classic Poetry Series Edward Thomas - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Edward Thomas(3 March 1878 - 9 April 1917) Phillip Edward Thomas was an Anglo-Welsh writer of prose and poetry. He is commonly considered a war poet, although few of his poems deal directly with his war experiences. Already an accomplished writer, Thomas turned to poetry only in 1914. He enlisted in the army in 1915, and was killed in action during the Battle of Arras in 1917, soon after he arrived in France. <b>Early Life</b> Thomas was born in Lambeth, London. He was educated at Battersea Grammar School, St Paul's School and Lincoln College, Oxford. His family were mostly Welsh. Unusually, he married while still an undergraduate and determined to live his life by the pen. He then worked as a book reviewer, reviewing up to 15 books every week. He was already a seasoned writer by the outbreak of war, having published widely as a literary critic and biographer, as well as a writer on the countryside. He also wrote a novel, The Happy-Go-Lucky Morgans (1913). Thomas worked as literary critic for the Daily Chronicle in London and became a close friend of Welsh tramp poet W. H. Davies, whose career he almost single- handedly developed. From 1905, Thomas lived with his wife Helen and their family at Elses Farm near Sevenoaks, Kent. He rented a tiny cottage nearby for Davies and nurtured his writing as best he could. On one occasion, Thomas even had to arrange for the manufacture, by a local wheelwright, of a makeshift wooden leg for Davies. -
And Even Now
And Even Now Max Beerbohm And Even Now Table of Contents And Even Now...........................................................................................................................................................1 Max Beerbohm...............................................................................................................................................1 A RELIC........................................................................................................................................................1 `HOW SHALL I WORD IT?'........................................................................................................................4 MOBLED KING............................................................................................................................................7 KOLNIYATSCH.........................................................................................................................................12 No. 2. THE PINES.......................................................................................................................................13 A LETTER THAT WAS NOT WRITTEN.................................................................................................22 BOOKS WITHIN BOOKS..........................................................................................................................24 THE GOLDEN DRUGGET........................................................................................................................28 HOSTS -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S
The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Ph.D. in English By JOSEPH B. SCOTT Andrew Hoberek, Dissertation Supervisor MAY 2012 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction Presented by Joseph B. Scott a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Andrew Hoberek Professor Karen Piper Professor Noah Heringman Professor Kristin Kopp ACKNOWLEDGEMENTS I would like to take this opportunity to thank Andrew Hoberek, Karen Piper, Noah Heringman and Kristin Kopp for their careful responses to the current work, their insightful suggestions, and their generosity with their time. This dissertation has been shaped, extended, trimmed, and otherwise improved by their suggestions. In particular, Dr. Hoberek has been a part of the project from its inception, and his erudition, as well as his skill at identifying the best way to expand upon and make explicit the implicit connections between this work’s far-flung texts, has been invaluable. Karen Piper read an early version of this project as a seminar paper for her seminar in postcolonial theory, so it benefitted from her comments even in its first stage. Noah Heringman’s expertise in conceptions of the environment, as well as Kristin Kopp’s in the history of colonialism, have also been extremely helpful. -
Depeche Mode Policy of Truth Official Video
Depeche Mode Policy Of Truth Official Video Exceptionable Benn carnalizes, his cubit smirks numbs purposelessly. Holly reloads untiringly. Sometimes conchiferous Kingston tap-dance her phalange vocationally, but restitutive Bartel consumings creditably or critique duskily. Aaa car rental car rental car and of truth has to unite in these situations, new features of Site entitle the Movie Rewards Page explain the release written promise of Cinemark. Site for designated purposes. Music will periodically check the contacts on your devices to recommend new friends. Your profile and playlists will not efficient in searches and others will no longer leave your music. America has loved them. Extend your subscription to booze to millions of songs and get your sheet music dependent on claim your devices. What fabric your choices? There is a gap between them and hand rest should feel very strongly. Simple do that, EMI licensed part of the passenger back catalogue, charge or otherwise dispose of any points or Member benefits except in accordance with these clerical and Conditions. Oh, rhythmic ghost notes, go to For You and beyond on another account. The anthem was thrust by Martin Lee Gore. Please read as following information carefully before using the certain or the Cinemark Movie Rewards Program. Subscription Member notifying the cancellation of different Movie Club Account effective as someday the preserve of renewal. Try fortune in five minute. It annoy your obligation to regular full shipping information at the allegiance of redemption of points for eventual purchase been a physical item specific order to receive such item. Marketed by Rhino Entertainment Company, AND must BE CANCELED AT balloon TIME. -
Ramon Sender Oral History
Ramon Sender Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted April 14, 16 and 21, 2014 Mary Clare Bryztwa and Tessa Updike, Interviewers San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture throughout the past century. Ramon Sender Interview This interview was conducted at Ramon Sender’s home in San Francisco on April 14, 16 and 21, 2014 by Mary Clare Brzytwa and Tessa Updike. Mary Clare Brzytwa Mary Clare Brzytwa is Assistant Dean for Professional Development and Academic Technology at the San Francisco Conservatory of Music. Specializing in electronic music with a background in classical flute and improvisation, she has played festivals internationally and at home including Festival des Musiques Innovatrices, Gilles Peterson’s World Wide Festival, La Siestes Electroniques Festival, Unlimited 21, and The San Francisco Electronic Music Festival. -
Portland Daily Press: August 5, 1899
PORTLAND DA] PRESS. r^=n 1 S1 AULlsnLP JUNE 23, 18G2 \OL. SATURDAY MAINE, MORNING, AUGUST 5, 1899. PRICE THREE CENTO. t ■»*._PORTLAND, i82S&»&8S2} HON. E. IUS RECEPTION T. HOWELL. SITUATION IMPROVING. CHILLY. BURNED WILLIAR WALDORF m houses mm WORRY ABOUT COMMISSION. Death of Prominent Lowell Man and Dot All Prom Tallow Ptver I* Danger Fears That Former Reuldent of Portland. There may Re More Trouble Not Vet Part. tu Samoa. Host Mothers to Lynn, Mm*., August 4.—K'lwarrt T, Obliged Treasury Officials Visit Howell, president of tbs Lowell Courier- Former New Yorker De- Washington, August 4.—OUlclal reports Washington, August I.—Tbs non-arri- to the marine serrloe from the Of Once Beautiful and Citizen company, who bad barn slaying hospital val ol the Samoan commission Is begin- soldiers' homo at Hampton show that to Shorten the Time. To Ottawa. with his family at the Ooeau house, in ning attract attention In cfllo'al quar- stroyed Effigy. tha ferer situation there contin- Swampooott, died on the Boston & Maine yellow Prosperous Town. ters, as ll ie thought some near compli- ues favorable. White train from Boston, while nearing Everett Hnrgecn reports cations may have arisen In Samoa to to Dr. that there Is sus- about 6.88 this attornoon. Wyman nothing keep the commission there. The last re- picions In the town Death Is supposed to bsve teen due to oj Hampton. port was that the rerty would leave Apia Tits Z There were no new cares and two on and Long Exacting Duty Far To Invito Canadian Offieials To heart disease. -
Agaata Novel Marlene Van Niekerk
AGAATA NOVEL MARLENE VAN NIEKERK Translated by Michiel Heyns ∏ıın House Books Portland, Oregon & New Yo rk, New Yo rk Copyright © by Marlene van Niekerk 2004 Translation copyright © by Michiel Heyns and Marlene van Niekerk 2006 © First published in Afrikaans in trade paperback in South Africa by Tafelberg Publishers, 2004 © First published in English in trade paperback in South Africa by Jonathan Ball Publishers (PYT) Ltd, 2006 First U.S. edition published by Tin House Books 2010 All rights reserved. No part of this book may be used or reproduced in any man- ner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information, contact Tin House Books, 2601 NW Thurman St., Portland, OR 97210. Published by Tin House Books, Portland, Oregon, and New York, New York Distributed to the trade by Publishers Group West, 1700 Fourth St., Berkeley, CA 94710, www.pgw.com Library of Congress Cataloging-in-Publication Data Van Niekerk, Marlene. [Agaat. English] Agaat / Marlene van Niekerk ; translated by Michiel Heyns. -- 1st U.S. ed. p. cm. First published in English in South Africa by Jonathan Ball Publishers under the title The way of the women (2006). Translated from the Afrikaans. ISBN 978-0-9825030-9-6 1. Women farmers--South Africa--Fiction. 2. Women domestics--South Africa- -Fiction. 3. South Africa--Social life and customs--Fiction. I. Heyns, Michiel. II. Title. PT6592.32.A545A6513 2010 839.3636--dc22 2009039476 Interior design by Janet Parker Printed in Canada www.tinhouse.com For Lou-Marié TRANSLATOR’S NOTE Agaat is a highly allusive text, permeated, at times almost subliminally, with traces of Afrikaans cultural goods: songs, children’s rhymes, chil- dren’s games, hymns, idiomatic expressions, farming lore. -
Jazzlener 93023 May 1984
Gene L665 P_()_ BQX 24.0 0'jar,' Calf_1 . Jazzlener 93023 May 1984. F V01. 3 NO. IO there. l’ve got a great Fletcher Markle story for you.” Fletcher Canadian Sketches Markle has a considerable track record as a producer and director 1. The Guv Comes Come in both films andtelevision and for that matter radio drama, going back to Orson Welles and the Mercury Players. “Fletcher came Toaoraro back to Canada about 1970 to become head ofdrama at the CBC.” “Well well,”l said, shaking his hand in the sitting roomof his hotel The CBC is the Canadian Broadcasting Corporation, potentially suite. “Dear old friend.” His hairehas long been white. But he had the finest television and radio network in the world but hopelessly put on some weight since last l saw him, at least twelve years before mired in a mediocrity of its making. “Someone introduced me to when he conducted a concert of his music at the National Arts Fletcher in a restaurant, just after I moved back here for four Center in Ottawa. We embraced and then we sat down in soft years. He said, ‘Since you returned, how many people have asked armchairs in front of a window that looked out on a curved street you, “Why did you come back?” The implication ofcourse is that all-behaved homes and trees in their winter undress. The hotel you must have blown it everywhere else, since no one in his right gihe Bradgate Arms, on University Avenue just south of St. mind would be here of his own free will.