CHORISTERS1 GUILD LETTERS Volume 9 1957-1958 Number 1

Total Page:16

File Type:pdf, Size:1020Kb

CHORISTERS1 GUILD LETTERS Volume 9 1957-1958 Number 1 i 4 CHORISTERS1 GUILD LETTERS Volume 9 1957-1958 Number 1 Choristers! Guild Box 211 Santa Barbara, California - WE DEDICATE OURSELVES ANEW Minister: It is a good thing to give thanks unto the Lord, and to sing praises unto Thy name, 0 Most High; to show forth Thy lovingkindness in the morning and Thy faithfulness every night. Chorister: I will praise Thee, 0 Lord, with all my heart. I will show forth Thy marvelous works, I will be glad and rejoice in Thee. I will sing praises to Thy name, 0 Most High. A Braver: We thank Thee, Lord, for the privilege of worshipping and praising Thee; for the privilege and blessing of a song in our hearts; for careful work and preparation that develops that song in beauty and content to be worthy of Thee in Thy house. We thank Thee, too, for Thy divine apportionment that gives to all men everywhere and at all times the opportunity to serve Thee and. Thy Church with the gifts Thou hast bestowed upon us. May Thy Holy Spirit dwelling within us make our lives a living song of praise unto Thee. --- Amen. Minister: The ministry of music is not to be entered into lightly. To lead the people in sincere expressions of praise and prayer requires dedication of self. But the rewards of such service are self-respect and a deeper sense of the nearness of God. Do you dedicate yourselves to the principles for which your choir and your church stand: faithful- ness to duty, thoughtfulness of cAhers, and loyalty to Christ? Chorister: I do so dedicat-) Minister: Ministering in the namL of our Lord Jesus Christ, and of this church in which you serve Him, I place upon you the responsibility of the office of a chorister. 0 Lord, Author of all things true and beautiful, bless these Thy servants, and lead them in their worshipping that their lips may praise Thee, their thoughts glorify Thee, and their lives honor Thee, through Jesus Christ our Lord. Amen. Chorister: God of all lovely sound, grant us a share in Thy great harmonies of earth and air. Make us Thy choristers that we maybe worthy to offer music unto Thee. Amen. Minister: May the Lord Jesus Christ keep you steadfast in your purpose, and faithful in your endeavor, now and always. May the consciousness of His presence be and abide with you forever. Amen. - 1 - RELIGIOUS TRAINING IN THE CHOIR The ultimate consideration in the choir program is not music, but character. No matter how excellent the music and its performance may be, that is not enough for the church choir. Through the preparation and presentation of fine music, the children must grow not only in character, but in Christian character. It is true that there is no better way than choir participation to learn self-control and cooperation. It is also undeniable that the regular responsibility of ac- tive worship participation enriches and matures the worship experience of the child. But our responsibility does not end there. Not only must we seize every opportunity to guide the character development of the child, but a definite pro- gram of Christian education should be an integral part of the regular rehearsal procedure. "The Christian Church, true to the insight of its Leader, believes that life, to be meaningful and significant, must be centered in God. The Church School therefore believes that it has the distinctive and indispensible task in modern life - -to give an understanding of the Christian religion as it comes to us in history, especially in the Bible; to present a clear grasp of the beliefs and ideals which make up the Christian faith; to enable young people to see what is the Christian way of life; and to help them enter intelligently, consciously, and purposefully into that way of life." This clearly defined goal of the First Methodist Church School of Evanston, Illinois, sums up as well what should be the objective of every Children's Choir. To the conscientious choirmaster, the whole church school is his charge. The choir is not a group apart from the school, but an integral part, that be- cause of its additional opportunities has correspondingly equal obligations. If the church school has an intelligent and carefully integrated program of Christian education, the director can build his musical program around that schedule. If the church school is disorganized and ineffectual, the director should throw active support into the inauguration of a comprehensive plan. By far the best systematic program of progressive Christian education I have ever seen is the one outlined several years ago for the First Methodist Church of Evanston in its Curriculum Guide, which was made available in printed form to all church members, especially parents. Not only was there a detailed course of study, with suitable textbooks for all ages from the nursery through the High School Fellowship, but for each department and subject there was a splendid reading list for the students, and another for the parents. The church also maintains a library of slides, recordings and films for class use. The subject study for the seventh grade, for instance, was the life of Christ. Besides the weekly outline and the basic text (Jesus, the Carpenter's Son - -So - phia Fahs) the following books were recommended for correlated reading: For Junior High Young People The Story of Jesus for Young People -- W.R. Bowie By An Unknown Disciple The Junior Bible -- Edgar J. Goddspeed Jesus -- Mary E. Lyman The Hidden Years -- John Oxenham The Children's Bible -- Sherman and Kent For Parents and Teachers The Teachings of Jesus -- Harvie Branscomb Our Discovery of Jesus -- W.E. Bundy Jesus, A New Biography -- S.J. Case A Life of Jesus -- Basil Mathews The Ethical Teachings of Jesus -- Ernest F. Scott The Literature of the New Testament -- Ernest F. Scott Audio-visual aids available for class use were: A Certain Nobleman (Cathedral Films) A Voice in the Wilderness (Cathedral Films) Men of Faith (Cathedral Films) The Blind Beggar of Jerusalem (Cathedral Films) Who is My Neighbor (Cathedral Films) The Great Commandment - 2 - A GOOD START IS HALF THE BATTLE September Plans for University Park Methodist Church -- Bob Scoggins At our recent "all-staff retreat", we designated September as Church Music Month during which time the total ministry through music will receive emphasis. In brief outline form, these are some of the detailed plans. 1.Prepare a brochure on "The Ministry of Music", describing the opportun- ities offered by the church. 2.Place posters (made by young people) telling about choir for each age, in Church School classrooms. 3.Place through the church, in the narthex, Educational Building, Recrea- tional Areas, etc., six large, professionally made posters. 4.Prepare displays for window cases in the Educational Building -- a large one showing the visual set-up of the Choir program; a small one displaying the materials used in teaching. 5.Write articles for the weekly Church Newspaper (with main headlines) prior to Choir Registration and Choir Dedication dates. 6.General letter mailed with brochure, to all church families, emphasizing "A Choir for Every Family -- Every Family in a Choir." 7.Personal letters, with information about the appropriate choir, mailed to entire Church School enrollment with an invitation to join. 8.Choir mothers' meetings; also regular monthly meetings of Music Committee. Visitation program begins. 9.September 7 -- Choir Registration and Orientation Day for all Children's Choirs -- plans and policies to be explained to the parents, and questions answered. Light refreshments. During this time children to be entertained in recreational area with an hour of film fun. 10.Plan two "Kick-off" dinners -- one for Adult Choir, and one for High School Choir; installation of officers at the dinner:. 11.Family Night Series on Sunday, offering a course for adults on "Getting to Know, the Hymnal". Congregational Hymn-practice on midweek Family Night. 12.Last Sunday in September ALL CHOIRS DEDICATION SERVICE at both morning services. All Children and Youth Choir members attend the last half of the second session of the church school. 13.Detailed information Sunday by Sunday during September. First Sunday -- Circulars to be passed throughout the Church School classes. Circulars to show pictures of appropriate choir robe with informa - tion about the particular choir, and a reminder that Choir Registration is the following Saturday. Second Sunday -- Yellow card "Are You Interested?" to be distributed in the pew racks and mentioned to the congregation. Third Sunday -- Music Committee members, members of Choir Guild to make complete Music Survey throughout the Church School at both sessions. Fourth Sunday -- Teachers to make mention to classes about the Choir program and refer to announcement written on blackboard in each classroom. Fifth Sunday -- Circulars to be distributed throughout each Church School class as a last reminder about joining choir. This circular to show a chorister diagrammed on a cross and saying, "Join a Choir," "Sing and Serve." This last Sunday mention to be made from the pulpit at all three worship services about the choir program. - 3 - (Continued from Page 3) Choir Schedule Monday Chorister Girls (4th, 5th, 6th grades) 4:00-5:00 p,m. Wednesday Cherub Choir (5 year olds and 1st grade) 2:45-3:30 p.m. Caroler Choir, I and II (2nd and 3rd grades) Girls' Ensemble (selected) 3:30-4:30 p.m. Altar Choir (9th through 12th grades) 4:30-6:00 p.m. Thursday Wesley Boys' Choir 4:15-5:15 p.m. I (4th, 5th, 6th grades) II (7th and 8th grades) Chapel Girls' Choir (7th and 8th grades) 4:15-5:15 p.m.
Recommended publications
  • 300 Fun Facts About Hunterdon County
    In Celebration of Hunterdon County’s Tricentennial 300 Fun Facts A special thanks to County Historian John Kuhl, the Creator of This Collection Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org The present day counties of Morris, Sussex, Warren, and the northern half of Mercer, all sit on land that once was Hunterdon’s. The northern portion split off in 1739, the Mercer section in 1838. Hunterdon County 1714 -2014 300 Years of History www.hunterdon300th.org The frigate U.S.S. Philadelphia ran aground on the approaches to Tripoli harbor in today’s Libya. It was burned in 1804 by a U.S. Navy raid to deny its use to the enemy. It was built of oak and hickory timber from Hunterdon. Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org Lambertville was long the center of the county’s manufactories. From the Civil War to 1872, its railroad shops there built 17 4-4-0 steam locomotives that ran on the Belvidere-Delaware RR line. Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org From Civil War days through WW I Hunterdon’s black walnut forests were highly prized by the federal government for rifle stocks and wooden airplane propeller blades. Their delicious nuts are a bonus for cookie and cake bakers. Hunterdon County 1714 -2014 300 Years of History www.hunterdon300th.org William Griffith of Three Bridges was featured on 1937 ABC radio as the inventor of pink lemonade. Wind had blown the fat lady’s pink tights into his vat of circus lemonade.
    [Show full text]
  • Choir School News • 3 Memories of John Scott from the Choir School Community
    Can- Dom- tate ino Choir School News A Newsletter for Alumni & Friends of Saint Thomas Choir School WINTER/SPRING 2016 ©2016 Studios Ira Lippke John Gavin Scott (1956-2015) This edition of the Choir School News is in thanksgiving for the life and witness of John Scott. Here, alumni, parents, colleagues and friends share memories and reflections of his extraordinary impact on this community. Through John’s gifts, people not only experienced music of the highest caliber, but were also drawn deeper into the mystery of God. For all of us, John’s death was a terrible shock. It has caused us to reflect on how fragile life can be. Even as we have moved forward at the Choir School, we continue to miss him and entrust him to God’s care and protection. I invite you to share in our common life through these pages. –Charles F. Wallace, Headmaster IN MEMORIAM EXCERPTS FROM FATHER MEAD’S HOMILY AT JOHN SCOTT’S FUNERAL Evensong and a recital of Buxtehude. I asked John, who was then forty-seven but had been at St. Paul’s since his mid-twenties, would he be interested in coming to Saint Thomas? He would be interested, he replied, but that if I would please understand he would like not to have to apply. Very well; would he give me his resume? Yes, he would. This was pure John. As John prepared to leave St. Paul’s, Her Majesty Queen Elizabeth made him a Lieutenant of the Victorian Order (LVO) for his distinguished services to the Crown at London’s great cathedral, where John led the music for many royal and state occasions – not to mention the daily round of choral evensongs and other liturgies.
    [Show full text]
  • John Ferneley Catalogue of Paintings
    JOHN FERNELEY (1782 – 1860) CATALOGUE OF PAINTINGS CHRONOLOGICALLY BY SUBJECT Compiled by R. Fountain Updated December 2014 1 SUBJECT INDEX Page A - Country Life; Fairs; Rural Sports, Transport and Genre. 7 - 11 D - Dogs; excluding hounds hunting. 12 - 23 E - Horses at Liberty. 24 - 58 G - Horses with grooms and attendants (excluding stabled horses). 59 - 64 H - Portraits of Gentlemen and Lady Riders. 65 - 77 J - Stabled Horses. 74 - 77 M - Military Subjects. 79 P - Hunting; Hunts and Hounds. 80 - 90 S - Shooting. 91 - 93 T - Portraits of Racehorses, Jockeys, Trainers and Races. 94 - 99 U - Portraits of Individuals and Families (Excluding equestrian and sporting). 100 - 104 Index of Clients 105 - 140 2 NOTES ON INDEX The basis of the index are John Ferneley’s three account books transcribed by Guy Paget and published in the latter’s book The Melton Mowbray of John Ferneley, 1931. There are some caveats; Ferneley’s writing was always difficult to read, the accounts do not start until 1808, are incomplete for his Irish visits 1809-1812 and pages are missing for entries in the years 1820-1826. There are also a significant number of works undoubtedly by John Ferneley senior that are not listed (about 15-20%) these include paintings that were not commissioned or sold, those painted for friends and family and copies. A further problem arises with unlisted paintings which are not signed in full ie J. Ferneley/Melton Mowbray/xxxx or J. Ferneley/pinxt/xxxx but only with initials, J. Ferneley/xxxx, or not at all. These paintings may be by John Ferneley junior or Claude Loraine Ferneley whose work when at its best is difficult, if not impossible, to distinguish from that of their father or may be by either son with the help of their father.
    [Show full text]
  • Recollections of Men and Horses
    *tfk^^B^ M fc ! m^m fc ^ A^-U JOHN A. SEAVERNS h TUFTS UNIVERSITY LIBRARIES 3 9090 013 419 433 Medicine Webster Family Library of Veterinary at Gummings School of Veterinary Medicine Tuits University 200 Vv'estboro Road NoitiiGratton, MA 01536 RECOLLECTIONS OF MEN AND HORSES Photo by Harry L. Brown A^ Z^fi*f*iJ^^riC RECOLLECTIONS OF MEN AND HORSES BY HAMILTON BUSBEY AUTHOR OF "the TROTTING AND THE PACING HORSE IN AMERICA," "HISTORY OF THE HORSE IN AMERICA," ETC. PROFUSELY ILLUSTRATED NEW YORK : DODD, MEAD AND COMPANY 1907 1 y? Copyright, 1907, Bv HAMILTON BUSBEY Published Marchy igo^ PREFACE At the close of 1904 Hon. James Wilson, Secretary of Agriculture, reported that the value of farm products In the United States for that year was $4,900,000,000—nearly double the gross earnings of the railroads added to the value of the production of all the mines of the country for the same period. This official statement opened the eyes of feverish municipalities to the Importance of agricultural life. The value of horses owned by farmers Is placed at $1,150,000,000. In 1905 horses Increased In num- ber to 17,000,000, and In value to $1,200,000,000. The type of the farm horse has been elevated by the dissemination of blood, the virtue of which was proved by the sharpest of physical tests. For genera- tions the progressive farmer has striven to excel in the creation of an animal combining activity with strength, and his trial ground has been the road and oval at the County or District Fair.
    [Show full text]
  • Spring 2012 Volume 66, Number 1 Page 2 Agmazine Spring 2012
    AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Spring 2012 Volume 66, Number 1 Page 2 AGMAzine Spring 2012 The American Guild of Musical Artists Celebrating AGMA’s 1430 Broadway, 14th Floor New York, New York 10018-3308 (212) 265-3687 Fax: (212) 262-9088 www.MusicalArtists.org 75th Anniversary Lawrence Tibbett, Founding President Jascha Heifetz, Founding Vice President James Odom, President John Coleman, 1st Vice President Gregory Stapp, 2nd Vice President Sara Stewart Schumann, 3rd Vice President Maren Montalbano, 4th Vice President J Austin Bitner, 5th Vice President Keith Miller, Treasurer Louis Perry, Recording Secretary Alan S. Gordon, National Executive Director Gerry Angel, Director of Operations General Counsel Bruce Simon Cohen, Weiss, & Simon (212) 563-4100 Chicago Counsel Barbara J. Hillman Cornfield and Feldman (312) 236-7800 Special Counsel Gail Lopez-Henriquez Freedman & Lorry (215) 925-8400 Associate Executive Deborah J. Allton-Maher Directo r [email protected] (800) 543-2462 Western Counsel John C. Russum [email protected] (310) 215-9554 New York Area James Fayette Dance Executive [email protected] (800) 543-2462 Area Representation Mid-Atlantic Eleni Kallas National Director of Organizing and Training [email protected] (301) 869-8266 San Francisco Nora Heiber National Dance Executive [email protected] (415) 552-2800 Editor Denise Baker MMRC Liaison Karen Grahn AGMAzine Spring 2012 Page 3 CONTENTS PrESidENT ’S MESSagE rEPOrT Ask Not... (Sorry, Mr. President) .........................................4 NaTiONal ExECuTivE dirECTOr ’S rEPOrT AGMA and Actors’ Equity Make Peace ..............................5 arEa NEwS Area 1: New York .............................................................6 p.
    [Show full text]
  • Lifelong Influences of Being a Chorister
    Durham E-Theses Lifelong Inuences of Being a Chorister: a Phenomenological Study DONG, LAN How to cite: DONG, LAN (2018) Lifelong Inuences of Being a Chorister: a Phenomenological Study, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12843/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk LIFELONG INFLUENCES OF BEING A CHORISTER A PHENOMENOLOGICAL STUDY Lan Dong A thesis submitted for the degree of Doctor of Philosophy School of Education Durham University June 2018 Choral music is not one of life’s frills. It’s something that goes to the very heart of our humanity, our sense of community, and our souls. You express, when you sing, your soul in song. When you get together with a group of other singers, it becomes more than the sum of the parts.
    [Show full text]
  • The Kennel Club Registration Printed: 03/02/2020 09:51:25 SLEM Tests February 2020 Page: 1 of 37
    Report: r_dna_test The Kennel Club Registration Printed: 03/02/2020 09:51:25 SLEM Tests February 2020 Page: 1 of 37 Below is a list of Kennel Club registered dogs of the breed specified above, together with their sire and dam, giving the date that they were DNA tested for the recessively inherited disease specified above. The result of the test can be either CLEAR (no copies of the mutant gene), CARRIER (one copy of the mutant gene) or AFFECTED (two copies of the mutant gene). Note that the progeny of a clear sire and clear dam will also be clear (hereditarily clear), and the progeny of two hereditarily clear, or one hereditarily clear and one tested clear dog will also be hereditarily clear. Further information on this scheme can be obtained from The Kennel Club Dog Name Reg/Stud No DOB Sex Sire Dam Test Date Result BREED: BORDER TERRIER A WEE DEOCH AN DORIS WITH NITHDEE AP00646203 02/01/2012 B TYTHROP TAP ON WOOD FOR RAVENSIDE CROALCHAPEL MISS ELLIE 20/10/2017 CLEAR ABISU BRAMBLE AT02071003 26/05/2016 B REXLANDS COCK ROBIN BENATTIVO ABIBA FOR ABISU 25/10/2017 CLEAR ABISU LEWIS AV02136802 07/05/2018 D REXLANDS COCK ROBIN ABISU ANYA 27/07/2018 CLEAR ABISU PATRIOT AV02136804 07/05/2018 D REXLANDS COCK ROBIN ABISU ANYA 27/07/2018 CLEAR ABISU RUMPOLE AV02136805 07/05/2018 D REXLANDS COCK ROBIN ABISU ANYA 27/07/2018 CLEAR ABISU TANSY AT02143005 06/05/2016 B REXLANDS COCK ROBIN ABISU ANYA 31/10/2017 CLEAR ACHNAGAIRN PRIM N'PROPER 2094DE 26/11/2014 B COBSTONEWAY RIVER MAGIC ACHNAGAIRN WILD CARD 29/11/2017 CLEAR ACHNAGAIRN RED CARD 0219DE 04/10/2012
    [Show full text]
  • 2008 International List of Protected Names
    LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities _________________________________________________________________________________ _ 46 place Abel Gance, 92100 Boulogne, France Avril / April 2008 Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : ) des gagnants des 33 courses suivantes depuis leur ) the winners of the 33 following races since their création jusqu’en 1995 first running to 1995 inclus : included : Preis der Diana, Deutsches Derby, Preis von Europa (Allemagne/Deutschland) Kentucky Derby, Preakness Stakes, Belmont Stakes, Jockey Club Gold Cup, Breeders’ Cup Turf, Breeders’ Cup Classic (Etats Unis d’Amérique/United States of America) Poule d’Essai des Poulains, Poule d’Essai des Pouliches, Prix du Jockey Club, Prix de Diane, Grand Prix de Paris, Prix Vermeille, Prix de l’Arc de Triomphe (France) 1000 Guineas, 2000 Guineas, Oaks, Derby, Ascot Gold Cup, King George VI and Queen Elizabeth, St Leger, Grand National (Grande Bretagne/Great Britain) Irish 1000 Guineas, 2000 Guineas, Derby, Oaks, Saint Leger (Irlande/Ireland) Premio Regina Elena, Premio Parioli, Derby Italiano, Oaks (Italie/Italia)
    [Show full text]
  • 2009 International List of Protected Names
    Liste Internationale des Noms Protégés LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities __________________________________________________________________________ _ 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] 2 03/02/2009 International List of Protected Names Internet : www.IFHAonline.org 3 03/02/2009 Liste Internationale des Noms Protégés La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : ) des gagnants des 33 courses suivantes depuis leur ) the winners of the 33 following races since their création jusqu’en 1995 first running to 1995 inclus : included : Preis der Diana, Deutsches Derby, Preis von Europa (Allemagne/Deutschland) Kentucky Derby, Preakness Stakes, Belmont Stakes, Jockey Club Gold Cup, Breeders’ Cup Turf, Breeders’ Cup Classic (Etats Unis d’Amérique/United States of America) Poule d’Essai des Poulains, Poule d’Essai des Pouliches, Prix du Jockey Club, Prix de Diane, Grand Prix de Paris, Prix Vermeille, Prix de l’Arc de Triomphe (France) 1000 Guineas, 2000 Guineas, Oaks, Derby, Ascot Gold Cup, King George VI and Queen Elizabeth, St Leger, Grand National (Grande Bretagne/Great Britain) Irish 1000 Guineas, 2000 Guineas,
    [Show full text]
  • A TEACHER's PRAYER Lord, I Thank Thee for the Chance to Work at A
    A TEACHER'S PRAYER Lord, I thank Thee for the chance to work at a task that makes the hours so full. Let me use those hours to guide the precious lives entrusted to my care in ways of good- ness. Help me to be calm in the face of disturbance, kind to all regardless of circumstance, tolerant when under- standing is lacking, and faithful in duties great and small. I pray for the strength of mind and body to do what is expected of me without losing my willing spirit. For- give the mistakes I made this day, and give me wisdom to correct them. In the name of the Great Teacher, I pray. Amen. --Frances H Butler MY CODE I have to live with myself, and so I want to be fit for myself to know. I want to be able, as days go by, Always to look myself straight, in the eye. I don't want to stand, with the setting sun, And hate myself for the things I've done. I want to go out with my head erect; I want to deserve all men's respect: But here in the struggle for fame and pelf, I want to he able to like myself. I don't want to look at myself and know That I'm bluster and bluff and empty show. I never can fool myself, and so Whatever happens, I want to be Self-respecting and conscience free. Author unknown. CHORISTERS' GUILD LETTERS Volume XII 1960-61 September Number 1 Ruth Krehbiel Jacobs, Founder A.
    [Show full text]
  • Ascot March Sale 2017 March Sale Horses in Training, Point to Pointers & Breeding Stock 23 March 2017
    Ascot Ascot March Sale 2017 March Sale Horses in Training, Point to Pointers & Breeding Stock 23 March 2017 MRS DANVERS winner of Cornwallis Stakes, Gr. 3 & St Hugh’s Fillies’ Stakes, Listed sold 2016 Tattersalls Ireland Ascot February Sale by Whitcoombe House Stables for £1,000 Contact Office for Tattersalls Ltd Ascot Sales | Cheltenham Sales Brunell Road, Leominster Enterprise Park, Leominster, HR6 0LX Tel: +44 (0) 1568 617724 Fax: +44 (0) 1568 617728 [email protected] [email protected] www.tattersalls.ie Terrace House, Newmarket, Suffolk CB8 9BT Tel: +44 (0) 1638 665931 Fax: +44 (0) 1638 660850 [email protected] www.tattersalls.com Tattersalls, Europe’s Leading Bloodstock World’s Leading National Hunt Auctioneers Auctioneers at... Ascot www.tattersalls.ie The First Yearling Sale at the World’s Greatest Ascot June Sale Racecourse Tuesday 6 June N.H. End of season Consignments, Point to Pointers & Flat Horses in Training Ascot Yearling Sale cord B Re rea 12 September Impressive gains | ki 16 n featuring the £150,000 Tattersalls October Auction Stakes 0 g made in 2016 2 £110,000+ r e Nominations Close 24 March n NH Horses in Training t i u underlines the enter online at www.tattersalls.com s r + n strength and depth n £85,000 s r Flat Horses in Training u i n the Ascot June t e 2 r £75,000+ 0 g Sale provides Point to Pointers 1 6 n i k | a R e e r c B o r d Increased Buyer representation both Nationally and from Overseas clients.
    [Show full text]
  • LEAD ME, LORD Tradition, Quality, Innovation, Style
    CHURCH MUSIC QUARTERLY MARCH 2021 LEAD ME, LORD Tradition, Quality, Innovation, Style. We offer four brands of organ each with their own identity, sounds, appearance, technology and style. All our brands share valuable characteristics such as technological innovation and the best sound quality, which is never a compromise. All provide the player with a unique playing experience. A great heritage and tradition are our starting points; innovation creates the organ of your dreams. Makin | Copeman Hart | Johannus | Rodgers www. .co.uk For more details and brochures please telephone 01706 888100 CONTENTS 5 WELCOME 33 REDISCOVERING THE PIANO AT 90 Martin How reflects upon what he 6 IN ACTION has learnt on returning to the piano. At look at the RSCM’s Big Christmas Carol Service 10 36 HYMN MEDITATION Gordon Giles considers Mothering 8 WHAT’S ON Sunday through Frederik Kaan’s Highlights of RSCM events across ‘God of Eve and God of Mary’. the UK, March to July 2021 39 STAFF PROFILE 10 MY SAVIOUR HANGS CMQ talks to Sarah King and UPON THE CROSS Emma Huxley about their work David Davies provides a wide range of at the RSCM. liturgical organ music for Holy Week. 40 READERS’ LETTERS 16 16 FURNYSSHED WITH WELL SINGING CHILDREN 42 REGIONAL Andrew Gant explores chorister MANAGERS recruitment in earlier times. Meet the RSCM’s eight new Regional Managers. 20 PATHWAYS TO GROWTH 45 FOR SUCH Hugh Morris writes about the A TIME AS THIS RSCM’s new education plan. Helen Bent thinks about RSCM courses under the ‘new normal’ and beyond. 20 23 INSPIRING NEW MEMBERS Andrew Kirk and Tim Williams 48 OBITUARIES provide advice on recruiting and retaining choristers.
    [Show full text]