Silverware Edna Carlson Iowa State College

Total Page:16

File Type:pdf, Size:1020Kb

Silverware Edna Carlson Iowa State College Volume 4 Article 10 Number 7 The Iowa Homemaker vol.4, no.7 1924 Silverware Edna Carlson Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Carlson, Edna (1924) "Silverware," The Iowa Homemaker: Vol. 4 : No. 7 , Article 10. Available at: http://lib.dr.iastate.edu/homemaker/vol4/iss7/10 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. THE IO W A H 0 lJl E M A J( E R , 9 Silverware By EDNA CARLSON King John of England in 1216 A. D. silversmith, who in the year 1742 evolved called into court the Easterlings, who Marks from some Old the idea of combining copper with sil· were traders of the Hanseatic cities of ver in layers ready for manufacture in Flanders and the Lowlands, bec-ause of Sheffield Plate any desirable form. Sheffield plate,­ the reputation that had been earned by as it was known, had silver on one side their silver tokens of exchange,-assign­ of the copper only,-but later the under ed to them the task of reforming the side was covered with tin. This plate English coinage. Thus the name "ster­ being such a close imitation of solid sil­ ling" remains a lasting tribute to the John Honcock & Co. Candlestick 1760 ver, was not permitted by laws of Eng­ commercial integrity of the Easterlings. land to bear any stamp whatever prior to 1773 when the town of Sheffield was Today the term sterling means .925 permitted to put the mark of the makers pure siiver, while s.Uver plate consists Tbomos Law Candlestick 1760 on the products. Sometimes this old of a base metal coated or plated with plate also bore the name of the Lord or silver .999 fine. Thus it will be seen [B&f)<® Earl for whom it was made and today that the actual silver in a silver plated Boulton & Fothergill, Tea Caddy 1760 these old pieces .are more highly valued article is even purer than Sterling sil­ by their owners than silver which is in­ ver. The reason is obvious as the .075 trinsically more varuable. The best alloy in sterling is necessary in order to ITH0 5 IAW&c<?:ll plated ware today bas for its base metr•.1 give the pure silver a certain degree of Thomas Law & Co., Mustard Pot 1780 nickel silver, which is practically inde­ stifiness and durability and make it pos­ structable and is composed of nickel, cop­ sible for the silversmiths to work the DAN~ HOLY --.JlJ\ peT and zinc, and is itseH capable of metal, whereas in plated ware the base I WILKINS 0,.. &CQ taking a: high polish and when so finished metal supplies all the durability neces­ Daaiel Holly, Salver 1790 might easily be mistaken for silver. sary, and makes possible the use of pure silver in the plating. The charm of old Sheffield plate was in its beautiful Corm and design, for The durability of plated silver may be the best English artisans did the work. indicated by the number of penny­ In Pepy's "Dairy" he refers to a present weights of silver used to coat a dozen Early Early 1825 1800 1500 made him of a pair of flagons which pieces. Dwt. meaning pennyweight­ cost 100 pounds. "They are sain to be or .single, double, or triple plate is stamp· worth 5 shillings, some say 10 shillings, ed on the silverware. Twelve dwt. is an ounce for the fashion." So it would f1quivalent to triple plate in knives and appear that the workmen were well forks but in teaspoons ten dwt. and in 1800 Tea J'ot paid. table spoons twenty dwt. indicates trip~ e Wine Cooler and Wine Slide Candlestick plate. Triple plated ware lasts a life The first improvement over the Shef­ time when well cared for. fi eld work came during the middle of the The beginnings of the silversmith's were only two forks found in over a J 9th Century, when electro-silver plating art are lost in the mists of early c-en­ thousand pieces. was first practic-ed and commercially per­ turies. Primitive men of the Stone Age Altho great skill was devloped by the fected in 18-17. Electricity was brought to used an implement that might be call­ early silversmiths it is erroneous to (.up­ bear on the making of silver plated kniv­ ed a spoon. From then on down thru pose that all of the Qrnamentation was es, forks and spoons, as wei! as hollow the Egyptian, Greek and Roman civiliza­ done by hand . Ornaments on the back ware articles such as teapots, sugar tions it can be clearly traced in varying of spoon bowls and handles,were impress- bowls. Instead of these articles being forms and s'ubstances-wood, shell, flint, ed by dies forced togetheT by drop made of sheets of rolled copper and sil­ bone, ivory, bronze and the precious me­ presses or under screw pressure. ver, a silver plate of any desired thick­ tals. gold and silver. A Frenchman once The combining of two separate metals ness is applied to the base m etal by elec­ said that spoons, if not as old as the -that is, the plating of a base metal tricity. world, were certainly as old as soup. with a finer one-was, until the 18th century, a lost art of the ancients. The The making of a piece of high grade In the Bible, we have reference to the appliaction of one metal upon another f,ilver plate involves many operations. use of spoons made of percious metal. was practiced by the Assyrians, who A teaspoon for instance, must go thru In the 25th Chapter of the Book of Exo­ overlapped iron with bronze; copper im­ more than thirty distinct stages. In dus the Lord rommanded Moses to make plements and ornaments coated with sil­ brief, tbe article is first formed from a golden spoons for the Tabernacle. ver have been found at Herculaneum, special white metal into its permanent while ancient specimens of Roman har­ shape and design. It is then suspend­ Excavations in Egypt have brought to ness and armor are found ornamented ed on a frame in a silver solution ready light early examples of gold and silver with silver on copper. to receive the plating, which is deposited Rpoons and specimens in wood, ivory, by the action of electricity passing thru bronze, silver and gold and preserved The Aztecs of Mexico and th'e Inc-as the solution and thru the metal object in the Museums of Egypt and Europe. of Peru used the process of fixing two suspended therein. The silver thus de­ metals together by the action of heat be­ posited is absolutely pure-.999 fi:ae. During the Tudor and Stuart reigns, fore working the same into various arti­ a fashionable gift at Christenings was cles of utility and ornamentation. The This quick and less expensive method the apostle spoon-so called from the Celts also used this method. The rea­ of manufacture has rendered silver plate figure of an apostle decorating the han· son for this art being lost in Europe is available to all-and while the process die. Sometimes a thirteenth spoon was probably due to the fact that up to the has cheapened-the art standards of the added-the "Master" spoon, so called be· 13th Century the ch1,1rch had control o: old masters have been wisely followed. ~ause it bore the figure of Christ. At t·he arts and crafts in England and the this peTiod the stems were hexagonal finer metal work was used for church while the bowls were fig shape. Later. vessels, household .utensils being made Many of the old family pieces of She-· the stems became baJ'uster shape and of wood and cheap metal. fi eld have gone to the melting pot in e:-.­ then at the time of the Common­ change for the modern electric plate"" Horace Walpole, writing in 1760, sta­ ware, which goes to prove its worth. And wc"tlth, the Rpoon became perfectly plain tes: "I pass-ed thru Sheffield, a business and was called the "Puritan" spoon. tho the silver of our forbearers is beau­ town in a· c-harming situation, with 22.- tiful, and valuable, from a historic stand­ So few silver forks have been found 000 inhabitants, and they remit 11,000 point, the silversmith of the 20th Cen­ in collections of old silver that it is be­ pounds a week to London. One man tury bringr. to his creations all the good lieved that they were generally made there has discovered the art of plating copper with silver." of the old masters and ha·s the facilities of steel with bone handles. In the great for turning out work more perfect ~ line, silver exhibition, recently held in the The inventor to whom the quotation detail and uniformity than was ever Museum of Fine Arts, Boston, there refers was Thomas Bolsover, a skilled dreamed of by the silver worker of old. .
Recommended publications
  • Birmingham Silver Marks Date Letters
    Birmingham Silver Marks Date Letters Antinomian Adnan sometimes concerns any hearthrugs bail concernedly. Kristian is unseizable and nomadises murkily as waxen Rolando Gnosticised unsystematically and blending vivace. Syndicalist Winthrop rickle carnivorously. These sort of the chester assay office marked for additional dates of anything as those for date marks added to In 1973 to option the bi-centenary of the Assay Office opened in 1973 the boundary mark appears with crest capital letters C one on building right dispute the other. Ring with hallmark HG S 1 ct plat also letter M apart from another hallmark. The Lion mark have been used since the mid 1500's and have a guarantee of ample quality of family silver birmingham-date-letters The american stamp denotes the Assay. However due date our system allows antique glaze to be dated more. Birmingham hallmarks on silver down and platinum With images. Are commonly known as purity marks maker's marks symbols or date letters. So I will focus up the English hallmarks and not how early work. A sensation to Hallmarks The Gold Bullion. Henry Griffith and Sons The Jewel within Our Warwickshire. In mind that attracted us on silver makers in doubt please review! Ec jewelry mark Tantra Suite Massage. For silver hallmarked in Birmingham The crown of silver hallmarked in Sheffield. Gorham sterling silver and three layers of an estimated delivery date letters below. Antique Silver get Well Birmingham 1923 Makers Mark Too Worn 5. Birmingham silver marks marks and hallmarks of British silver including date letters chart and symbols of Assay Offices of other towns as London Sheffield.
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Elkington & Co. and the Art of Electro-Metallurgy, circa 1840-1900. Alistair Grant. A Thesis Submitted to the University of Sussex for Examination for the Degree of Doctor of Philosophy. September 2014. 2 I hereby declare that this thesis is solely my own work, and has not been, and will not be submitted in whole, or in part, to another University for the award of any other degree. Signature:……………………………………… 3 This PhD thesis is dedicated to my wife Lucy and my daughter Agnes. I would like to thank my wife, Dr. Lucy Grant, without whose love, encouragement, and financial support my doctoral studies could not have happened. Her fortitude, especially during the difficult early months of 2013 when our daughter Agnes was ill, anchored our family and home, and enabled me to continue my research and complete this PhD thesis. 4 ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Maurice Howard. Having nurtured my enthusiasm for Art History as an undergraduate at the University of Sussex from 1983-1986, when I approached him, 23 years later, about pursuing PhD research into Elkington & Co.
    [Show full text]
  • The Care and Preservation of Historical Silver by CLARA DECK, CONSERVATOR REVISIONS by LOUISE BECK, CONSERVATOR
    The Care and Preservation of Historical Silver BY CLARA DECK, CONSERVATOR REVISIONS BY LOUISE BECK, CONSERVATOR Introduction Historical silver can be maintained for years of use and enjoyment provided that some basic care and attention is given to their preservation. The conservation staff at The Henry Ford have compiled the information in this fact sheet to help individuals care for their objects and collections. The first step in the care of all collections is to understand and minimize or eliminate conditions that can cause damage. The second step is to follow basic guidelines for care, handling and cleaning. Most people know that silver is a white, lustrous metal. Pure or “fine” silver is called “Sterling” if it is made up of no less than 925 parts silver to 75 parts alloy. Sterling will thus often have ‘.925’ stamped somewhere on it, as an identifier. Silver objects, especially coins and jewelry, contain copper as an alloying metal for added hardness. The copper may corrode to form dark brown or green deposits on the surface of the metal. Silver is usually easy to differentiate from lead or pewter, which are generally dark gray and not very shiny. Silver is often plated (deposited) onto other metallic alloys, almost always with an intermediate layer of copper in between. The earliest plating process, “Sheffield Plate” was developed in England in 1742. By the mid-19th century, the process was largely replaced by electroplating (which used less silver). The base metal in plated artifacts may consist of any of the following metals or alloys: copper, brass, “German silver” or “nickel silver” (50% copper, 30% nickel, 20% zinc), “Brittania metal” (97% tin, 7% antimony, 2% copper), or a “base” silver containing a high percentage of copper.
    [Show full text]
  • Catalog 372: Jack of All Trades, a Survey 0F 19Th Century Business
    Joslin Hall Rare Books, Catalog 372: Jack of All Trades A Survey of 19th Century Business Cards Joslin Hall Rare Books Post Office Box 239 Northampton, Mass 01061 telephone: (413) 247-5080 e-mail: offi[email protected] website: www.joslinhall.com Member- Antiquarian Booksellers Association of America & the International League of Antiquarian Booksellers In the years I have been relating the adventures of the Book Elves there is one topic I have never -Email reservations are highly recommended. broached: What did the Book Elves do before they -Standard courtesies are extended to institutions and dealers. became Book Elves? Even though they refuse to -Postage charges are additional. discuss the issue, there are some intriguing clues. The -We are happy to arrange lay-away terms to fit your needs. tendency of a few of them to use long-distance trucker slang may or may not have relevance. Several -All items may be returned within ten days of receipt -please of them sport tattoos whose origins and meanings notify us in advance and repack the book/s carefully in the are reminiscent of places with the tang of salt sea air original box (if possible); please make sure that the parcel is and the throb of freighter engines, and the deep and properly insured. sometimes arcane knowledge with which three of the Book Elves discuss explosives can be downright Checks,Visa, Mastercard & Paypal accepted. unsettling. And then there’s the book Elf everybody calls “Frodo”… join us on Facebook & Twitter ! …but before the Book Elves became the subject of my irresponsible speculation on their past professions and trades, they finished this catalog.
    [Show full text]
  • The Economic Development of Sheffield and the Growth of the Town Cl740-Cl820
    The Economic Development of Sheffield and the Growth of the Town cl740-cl820 Neville Flavell PhD The Division of Adult Continuing Education University of Sheffield February 1996 Volume One THE ECONOMIC DEVELOPMENT OF SHEFFIELD AND THE GROWTH OF THE TOWN cl740-c 1820 Neville Flavell February 1996 SUMMARY In the early eighteenth century Sheffield was a modest industrial town with an established reputation for cutlery and hardware. It was, however, far inland, off the main highway network and twenty miles from the nearest navigation. One might say that with those disadvantages its future looked distinctly unpromising. A century later, Sheffield was a maker of plated goods and silverware of international repute, was en route to world supremacy in steel, and had already become the world's greatest producer of cutlery and edge tools. How did it happen? Internal economies of scale vastly outweighed deficiencies. Skills, innovations and discoveries, entrepreneurs, investment, key local resources (water power, coal, wood and iron), and a rapidly growing labour force swelled largely by immigrants from the region were paramount. Each of these, together with external credit, improved transport and ever-widening markets, played a significant part in the town's metamorphosis. Economic and population growth were accompanied by a series of urban developments which first pushed outward the existing boundaries. Considerable infill of gardens and orchards followed, with further peripheral expansion overspilling into adjacent townships. New industrial, commercial and civic building, most of it within the central area, reinforced this second phase. A period of retrenchment coincided with the French and Napoleonic wars, before a renewed surge of construction restored the impetus.
    [Show full text]
  • South Yorkshire
    INDUSTRIAL HISTORY of SOUTH RKSHI E Association for Industrial Archaeology CONTENTS 1 INTRODUCTION 6 STEEL 26 10 TEXTILE 2 FARMING, FOOD AND The cementation process 26 Wool 53 DRINK, WOODLANDS Crucible steel 27 Cotton 54 Land drainage 4 Wire 29 Linen weaving 54 Farm Engine houses 4 The 19thC steel revolution 31 Artificial fibres 55 Corn milling 5 Alloy steels 32 Clothing 55 Water Corn Mills 5 Forging and rolling 33 11 OTHER MANUFACTUR- Windmills 6 Magnets 34 ING INDUSTRIES Steam corn mills 6 Don Valley & Sheffield maps 35 Chemicals 56 Other foods 6 South Yorkshire map 36-7 Upholstery 57 Maltings 7 7 ENGINEERING AND Tanning 57 Breweries 7 VEHICLES 38 Paper 57 Snuff 8 Engineering 38 Printing 58 Woodlands and timber 8 Ships and boats 40 12 GAS, ELECTRICITY, 3 COAL 9 Railway vehicles 40 SEWERAGE Coal settlements 14 Road vehicles 41 Gas 59 4 OTHER MINERALS AND 8 CUTLERY AND Electricity 59 MINERAL PRODUCTS 15 SILVERWARE 42 Water 60 Lime 15 Cutlery 42 Sewerage 61 Ruddle 16 Hand forges 42 13 TRANSPORT Bricks 16 Water power 43 Roads 62 Fireclay 16 Workshops 44 Canals 64 Pottery 17 Silverware 45 Tramroads 65 Glass 17 Other products 48 Railways 66 5 IRON 19 Handles and scales 48 Town Trams 68 Iron mining 19 9 EDGE TOOLS Other road transport 68 Foundries 22 Agricultural tools 49 14 MUSEUMS 69 Wrought iron and water power 23 Other Edge Tools and Files 50 Index 70 Further reading 71 USING THIS BOOK South Yorkshire has a long history of industry including water power, iron, steel, engineering, coal, textiles, and glass.
    [Show full text]
  • To Download Contemporary Art Society's Acquisitions & Art
    Contemporary Art Society Acquisitions & Art Consultancy APRIL 2017–MARCH 2018 Contents Foreword 5 Museums Receiving Artworks 9 Contemporary Art Society 59 Central Street, London EC1V 3AF Map of Museum Members 10 Tel: +44 (0)20 7017 8400 Email: [email protected] Website: contemporaryartsociety.org Special Projects Follow us on social media — Great Works 14 /thecontemporaryartsociety contemporaryartsociety — Collections Fund at Frieze 18 @ContempArtSoc — Valeria Napoleone XX Contemporary 20 Every effort has been made to contact all copyright Art Society holders. If proper acknowledgement has not been made, please contact the Contemporary Art Society. — Art Night 24 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronical, Acquisitions Scheme mechanical or otherwise, without first seeking the written permission of the copyright holders and — Fine Art 27 of the Contemporary Art Society. Images cannot be reproduced without prior permission from the — Omega Fund 75 Contemporary Art Society. Date of publication: June 2018 Edited by Marcus Crofton, Charlotte dos Santos, Gifts and Bequests 91 Caroline Douglas, Nina Johnson, Fabienne Nicholas and Christine Takengny Designed by Hyperkit Cover image: Gillian Wearing, Millicent Fawcett, 2018, Art Consultancy 99 bronze, pink granite and laser-etched black granite, 400 x 120 cm. Photo: Kevin Percival. Supporters and Patrons 108 Museum Members 112 Art Consultancy Clients 114 Trustees and Staff 115 Index of Artists 117 Image Credits 119 Foreword The Trustees of the Contemporary Art Society are a hard-working group of individuals whose commitment to our mission makes an enormous difference to the way we are able to operate.
    [Show full text]
  • The Techniques and Material Aesthetics of the Daguerreotype
    The Techniques and Material Aesthetics of the Daguerreotype Michael A. Robinson Submitted for the degree of Doctor of Philosophy Photographic History Photographic History Research Centre De Montfort University Leicester Supervisors: Dr. Kelley Wilder and Stephen Brown March 2017 Robinson: The Techniques and Material Aesthetics of the Daguerreotype For Grania Grace ii Robinson: The Techniques and Material Aesthetics of the Daguerreotype Abstract This thesis explains why daguerreotypes look the way they do. It does this by retracing the pathway of discovery and innovation described in historical accounts, and combining this historical research with artisanal, tacit, and causal knowledge gained from synthesizing new daguerreotypes in the laboratory. Admired for its astonishing clarity and holographic tones, each daguerreotype contains a unique material story about the process of its creation. Clues from the historical record that report improvements in the art are tested in practice to explicitly understand the cause for effects described in texts and observed in historic images. This approach raises awareness of the materiality of the daguerreotype as an image, and the materiality of the daguerreotype as a process. The structure of this thesis is determined by the techniques and materials of the daguerreotype in the order of practice related to improvements in speed, tone and spectral sensitivity, which were the prime motivation for advancements. Chapters are devoted to the silver plate, iodine sensitizing, halogen acceleration, and optics and their contribution toward image quality is revealed. The evolution of the lens is explained using some of the oldest cameras extant. Daguerre’s discovery of the latent image is presented as the result of tacit experience rather than fortunate accident.
    [Show full text]
  • Chats on Old Sheffield Plate
    CHATS ON OLD SHEFFIELD PL^TE — — COMPANION VOLUME BY THE SAME AUTHOR CHATS ON OLD SILVER CONTENTS CHAPTER I. The Marks stamped upon Silver II. Ecclesiastical Plate III. The Mazer, the Standing Cup, the Flagon, the Tankard, the Beaker, the Wine Cup IV. The Salt Cellar V. The Spoon VI. The Posset Pot, the Porringer VII. The Candlestick VIII. THE Teapot, the Coffee Pot, the Tea Caddy IX. The Caster, the Sugar Bowl, the Cream Pail, the Cake Basket X. The Cream Jug XL Scottish Silver XII. Irish Silver Appendix.—Tables of Date Letters, London (1598- 1905) Table of Differences in Shields, London (Elizabeth to George V) Illustrations of Marks, London, Provincial, Scottish and Irish "1 3^ OLD SHEFFIELD PLATED CENTREPIECE. On circular base, with nine plated wire baskets for glass dishes on spiral branche*. Date 1775-1780. (In the collection of B. B. Harrison, Esq.) Proniitfitot. ' A X Chats on Old Sheffield Plate BY ARTHUR HAYDEN AUTHOR OF "CHATS ON OLD SILVER," "CHATS ON OLD CLOCKS " ETC. WITH FRONTISPIECE AND 58 FULL-PAGE ILLUSTRATIONS INCLUDING 5 PAGES OF MAKERS' MARKS T. FISHER UNWIN LTD LONDON: ADELPHI TERRACE First published . 1920 Second Impression . 1924 {All rights reserve^ TO MY FRIEND WALTER IDRIS, IN APPRECIATION OF KINDRED RECOGNITION PREFACE Many readers have importuned me to write a companion volume to my Chats on Old Silver, to complete the chain of evolution of the metal- smith's art in regard to silver plate and silver plated ware. Accordingly this volume appears as a complementary and companion volume to that on " Old Silver," and although the former describes the history and character of the silver- smiths' work from Elizabeth to Victoria, the present volume covers a much shorter period, approximately a hundred years, when the plater's skill, in what is now generally known as old Sheffield Plate, of superimposing a thin sheet of silver on a copper base, won a triumph in the great art of simulation until it was superseded by the modern electro-plating process.
    [Show full text]
  • Electroplating, Electrochemistry and Electronics
    NASF SURFACE TECHNOLOGY WHITE PAPERS 80 (10), 1-44 (July 2016) The 15th William Blum Lecture Presented at the 61st AES Annual Convention in Chicago, Illinois June 17, 1974 Electroplating, Electrochemistry and Electronics by George Dubpernell M&T Chemicals Ferndale, Michigan Recipient of the 1973 William Blum AES Scientific Achievement Award Page 1 NASF SURFACE TECHNOLOGY WHITE PAPERS 80 (10), 1-44 (July 2016) Contents 1. Historical 3 2. The Periodic Chart 4 3. The consumption of metals in electroplating 5 4. The double standard of electrode potentials - pH and reference electrodes 8 5. On the nature of electrode potentials and hydrogen overvoltage 14 6. Experimental 15 7. Discussion 21 8. Hydrogen overvoltage in electroplating 27 9. Contact potential - Volta potential - Electrostatic surface potential 30 10. The so-called hydrogen electrode 33 11. The Nernst theory of the electromotive activity of ions 34 12. Electrophysiology 35 13. Relationships to electronics 36 14. References 38 15. About the author 43 Page 2 NASF SURFACE TECHNOLOGY WHITE PAPERS 80 (10), 1-44 (July 2016) The 15th William Blum Lecture Presented at the 61st AES Annual Convention in Chicago, Illinois June 17, 1974 Electroplating, Electrochemistry and Electronics by George Dubpernell M&T Chemicals Ferndale, Michigan Recipient of the 1973 William Blum AES Scientific Achievement Award Editor’s Note: Originally published as Plating & Surface Finishing, 62 (4), 327-334 (1975), Plating & Surface Finishing, 62 (5), 436-442 (1975) and Plating & Surface Finishing, 62 (6), 573-580 (1975), this article is a re-publication of the 15th William Blum Lecture, presented at the 61st AES Annual Convention in Chicago, Illinois on June 17, 1974.
    [Show full text]
  • The History of Britannia Metal by DR
    Photographs by A/an Anderson Bachelor size Britannia boat-shaped teapot. Unmarked. Ca. 1815. Britannia coffee pot by GEORGE KICHINGS. Ca. 1840. Britannia cream pitcher by BROADHEAD & ATKINS. Ca. 1860. Small Britannia tea caddy by JAMES DIXON & SONS. Ca. 1840. Part One: The History of Britannia Metal by DR. JACK L. SCOTT BRITANNIA SEEMS to be the least understood and most originated there, and high quality cutlery is still manufactured frequently misinterpreted of all 19th century metalwares. The in its factories . best way to untangle the many misconceptions concerning In 1759, a second important craft began in Sheffield-silver this often maligned ware is to review its background, the plate. To provide a new middle class with table and decorative reasons it came into being, and to follow its ups and downs ware less expensive than solid silver, the process of plating in the ensuing years. was developed which is now generally called "Old Sheffield Sheffield, England; in southern Yorkshire, where Britannia plate" to differentiate it from silverplate made by later metal originated, is the seat of many other "firsts." For methods. centuries, Sheffield craftsmen have been recognized for the By this early process, a thin layer of silver was adhered high quality of their work in whatever field and the pride to each side of a block of copper and the block rolled into they took in it. Until mid-18th century, the main craft was sheets of the desired thickness. These sheets of "pI ate, " silver cutlery; Sheffield is still known as the" steel city." Jim Bowie on each side and copper in the center, were then made up had his famous Bowie knives made there.
    [Show full text]
  • The Impact of the Iron and Steel Industry to Karabük and Sheffield: a Historical Background**
    Journal of Corporate Governance, Insurance, and Risk Management (JCGIRM) 2016, Volume 3, Series 2 PP109-125 The Impact of the Iron and Steel Industry to Karabük and Sheffield: A Historical Background** Can Biçer,a, , Kemal Yamanb * aKarabük University, Safranbolu Vocational School, Safranbolu, Karabük, TURKEY bKarabük University,Faculty of Economics and Administrative Sciences, Karabük, TURKEY A B S T R A C T A R T I C L E I N F O In this study, the two cities, Sheffield in the UK and Karabük in Turkey, Keywords:Karabük, Sheffield, which are famous for iron and steel producing, were analyzed through their Iron and Steel Production, Urban historical background to focus on the differences and similarities from an development urban perspective. Both the rise in the production of iron and steel in the *Corresponding author: 18th century through Industrial Revolution and the innovations made [email protected] Sheffield popular throughout the world. Karabük is called “The Republic City” in Turkey because the first iron and steel works were built in Karabük Article history: in 1937 shortly after the proclamation of Republic of Turkey. The museums were visited and the local studies and academic papers were sorted out to Received 22 03 2016 see the effects of sudden changes which the heavy industry caused in the Revised 25 04 2016 cities and it’s concluded that the industrial, urban and social experiences of Accepted 27 7 2016 Sheffield may be a guide for Karabük. **Previously Published in EJEM, 2016, Volume 3 number 2 1. INTRODUCTION The Industrial Revolution began in England sometime after the middle of the 18th century.
    [Show full text]