• Abstract and Figures
• Public Full-text

53. KOILIBLIKAS / 2018 53. koiliblikas Summer, 2018 English version Koiliblikas (Moth) is the newsletter of Estonian Textile Artists’ Association (ETAA). The newsletter has been published since 1992 and it covers the news in the creative life of Estonian textile artists. Since 2009 Koiliblikas has been available online on the website of ETAA http://www.tekstiilikunst.ee/ etkl_koi.html Cover photo: ETAA Annual exhibition THREE at Haapsalu Town Gallery Photo Marilyn Piirsalu 1 53. KOILIBLIKAS / 2018 53. KOILIBLIKAS / 2018 AWARDS Textile Artist of the Year Mare Kelpman and Kaire Tali. Young Textile Artist of the Erika Tammpere and Taso Photos: Sander Koit/ERR Year Heleri Aleksandra Sits. Tammpere. art supplies, which every nominee got a piece of. Abakhan Nominents and winners of Annual Textile Annual Textile Awards shared their gift cards with the artists who work with Awards fabrics. Nominees for the „Textile Deed of the Year” award The Estonian Textile Artists’ Association annualy grants got gift cards to Zelluloos paper shop, and the publishing Textile Artist of the Year awards for exceptional textile creations. house, Varrak, sent us a variety of field-specific literature. Mare Kelpman On the 18th of January 2018 the 7-strong panel met in the Ehalill Halliste Every nominee got their pick of the literary litter. A great big Estonian Museum of Applied Arts and Design (EMAAD). Kirill Safonov thank you to everyone who supported the event, and we The panel consisted of: Kaire Tali, 2016 Textile Artist of the Krista Leesi hope they’ll continue doing so in the future! Year; Kärt Ojavee, 2016 Young Textile Artist of the Year; Ljudmilla Swarczevskaja Vano Allsalu, Estonian Artist’s Union; Kai Lobjakas, EMAAD; Ülle Raadik Erika Tammpere, awarded for a lifetime of work got a special Tüüna-Kristin Vaikla, Estonian Association of Interior gift of extra spun green yarn, as a bit of an investment Young Textile Artist Architects; Tiina Kolk, journalist, and Harry Liivrand, Art towards her future work. We’re already expecting her Heleri Alexandra Sits critic. to show her latest piece in December, during our yearly Ingrid Helena Pajo exhibition in Võru. Dila Demir The Panel recognized our Association with high praise – truly some interesting authors to be seen! The fact that Tiina Kolk wrote a piece reviewing the last year in textile art Recognition of Life’s Work we’ve got several high-level agents in relatively unique fields Erika Tammpere in the February issue of Diivan. was noted. Presentation of the nominees’ portfolios were projected on the wall. By a unanimous vote, Kai Lobjakas Textile Deed of the Year Congratulations to everyone! was elected as the representative of the judges. She led the Eva-Liisa Kriis “Loom Hunter” process amicably and, at the end, confirmed the votes cast Ene Pars, Reet Talimaa, Anu Raud "Weave Let’s make sure to make note of each other and recognize yourself into the history" with her own signature. I was the independent presenter of those who work hard outside these events as well – after all, a Kadi Pajupuu, Marilyn Piirsalu textile instal- the authors and presentation materials, and I feel the entire colleague’s commendation encourages future endeavors. lation "7 Waterfalls" event passed without a hitch, if we ignore for a moment Kaire Tali + 15 tapestry artists "Vaba Tahe 20" how sore my throat got from all that talking... Kaire Tali Valtrik Pihl "Worlds’ largest knitted flag of Estonia" I’m glad that our profession makes it possible to focus and Ave Matsin, Astri Kaljus "Vilma wool labo- dedicate to so many interesting and varied activities. One ratory" could also say that getting nominated alone is worthy of 6 schoolmates, "RXII. Collage. 21 years respect. Unfortunately our association doesn’t have the later" Display of Eva-Liisa Kriis proffessional activity. She has made a finances necessary to give out generous monetary rewards, Rediscovering of the textile craft of writer great job in investigating and saving old looms. so I turned to some probable sponsors instead. AS Vunder https://kultuur.err.ee/679054/galerii-ja-video-tekstiili- Leida Kibuvits (1907-1976) supported us with 50 euro prepaid cards and a sack full of kunstnikud-tunnustasid-aasta-parimaid-tegijaid 2 3 53. KOILIBLIKAS / 2018 53. KOILIBLIKAS / 2018 TEEMA who can remain poetic when explaining how to raise sheep to some officials. The moral of her stories is never excessi- vely condescending, instead you just find yourself thinking back to them several times later on in life. Anu is much like a storyteller, who can weave her words into her works, and even a simple piece can transform into a novel’s worth of information. All you really need to do is open your mind, and the images themselves will be spoken into your mind’s eye. Her tapestries are full of birds, homes, churches, people. They’re truly alive in a significant way and full of little tidbits here and there which encapsulate the time in which they were conceived. You inadvertently find yourself walking through the worlds they contain, with a sense of wonder and discovery. Though the stories behind her pieces are always different, they do contain recurring themes. All of them have an un- derlying message of defending your homeland, its nature and its culture. There’s something which in some way is near and dear to every person’s heart, irrespective of their nationality or path in life. Everyone can find something in Anu’s works which they might consider „theirs”. I found se- veral, for example the 2018 piece „Linnulaul” (Bird Song), which immediately evokes the image of crunching snow under the striped traditional dresses of some women from Kihnu, a hint of the sun breaking through the clouds all accompanied by the singing of birds. I can almost smell the rugged snow during deep winter, and feel myself waiting for spring to arrive. The 2002 piece „Põllukummardajad” (Worshippers of the Field) is also dear to me. I immediately smell the slightly moist soil felt during the early 1990s, when I helped Anu with a potato harvest in Kihnu. We were told to wear some traditional clothing because apparently regu- lar jeans weren’t adequate for manual labor in a field. The piece „Pole kodus” (Not at Home) which was completed in and guided tours are finally behind us, so now is the best 2014 is brimming with the pain felt at those who leave their Anu Raud. Landscapes of My time to enjoy the exhibition in a relatively calm environ- childhood home, but also describes the idea of a changing ment, the exhibition will, after all, remain open for quite Fatherland world. During my childhood we would just place a broom in some time now. I was truly happy that I could visit during front of the door to signify an empty house. Now, of course, The exhibition in the gallery of Estonian National Museum a truly quiet moment, when I could look at the carpets at we lock the doors, even though rural areas are full of empty (ERM) opened on the 109th anniversary of ERM, on the my own pace. Such a ceremonial and grand exhibition! The houses where the only evidence of their former occupants silence let me immerse myself in the tapestries, while the 14th of April, and will remain open until the 11th of Novem- is some flowers and bushes full of berries. The 1997 piece incredible sensory and thought experiences that lay therein ber 2018. Personal exhibition dedicated to the 75th birtday „Ahjusoe” (Warmth of the Fireplace) is the perfect symbol, stared right back at me. It’s an ideal spot for introspection of the textile artist, professor emeritus and academic Anu as it became a tradition to lean my back against the oven and immersion, as each piece seems to have a strong living Raud. There are about 50 tapestries on display from the pe- to feel either the welcoming chill during hot summer days, aura to it. The name of the exhibition, a portmanteau of riod of 1968-2018. or the rustic heat of an oven during winter times. Staring at „Fatherland” and „Landscape” is itself an inseparable ele- Curator and producer: Reet Mark the incandescent red carpet I find myself back in those days, ment of Anu Raud’s life. Anu’s been the definitive keeper Designer: Ene-Liis Semper with my back against that same oven. Displayed of course of virtues for several generations of textile artists. Looking are also the monumental pieces „Kogujad,” „Rehi,” and at her works brings me back to many defining moments Anu Raud is a textile artist, tenured teacher, an academic „Isamaastik,” each of which Anu could talk about for hours. during my studies – my internship in Kihnu, working at a at heart who still remains the warm and hospitable owner I could name more pieces which affected me personally, but textile department in Tallinn, the summer spent at Kääriku of Kääriku farmhouse, whose doors are always open to her the important thing is to find something that speaks to you farm before writing my thesis. It’s no wonder that now, du- friends and colleagues. The exhibition is abound with pieces personally, as the viewer. from both public and private collections. Anu wanted as ring these easygoing summer days of the Estonian Textile Artists’ Association, I find myself here, sharing my ideas, many privately owned tapestries to be displayed as pos- The exhibition is a story told in pictures about life, traditio- discovering new experiences in the ERM’s Heimtal museum sible, which of course caused the entire display to expand nal art and nature, which can be enjoyed as a silent film, just and admiring the in-progress works at the studio.

Load more

  18

Copy Link