The U.S. Vs. Laxness
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Jack Costello - in the Mix - Volume 7 (Les Expérience Technoïdes) (XXL Mix) Mixed by Jack Costello
Jack Costello - In The Mix - Volume 7 (Les Expérience Technoïdes) (XXL Mix) Mixed by Jack Costello Style: Tech-House, Techno, Minimal, Minimal-Techno BPM: 125 - 145 Tracks: 67 Playtime Total: 06:14:23 Recording Date: 22.06.2019 (C) & (P) by StereoFunk Studio in Assosiation with I’m in Love with the Deejay. For Promotion Only! Reproduction Or Other Commercial Use Of This Recording In Whole Or In Part Is Prohibited! Tracklist: Dubfire - The End To My Beginning (Original Mix) Billy Kenny - Just Came For The Music (Rave Mix) Sebjak, Fahlberg - Kindergarten Disco (Original Mix) David Tort & Dj Ruff - Wild Girl (Original Mix) Matt Lange feat. Kerry Leva - In Me (Extended Mix) Alan Fitzpatrick & Wheats - M27 (Wheats Extended Edit) FISHER (OZ) - You Little Beauty (Extended Mix) Dosem - All Locations (Extended Mix) yotto - Walls (Joris Voorn Extended Mix) Dido - Give You Up (Mark Knight Remix) Booka Shade - Trespass 2019 (Mark Knight Extended Mix) Energy 52 - Caf del Mar (Tale Of Us Renaissance Remix) Pretty Pink - Woodtales (Extended Mix) Gorgon City - Delicious (Extended Mix) FISHER (OZ) - Losing It (Extended Mix) Siege - Thinking (Original Mix) Mathias D. - Last Time (Original Mix) Kastis Torrau & Donatello - Synthesis (Olivier Weiter Remix) Jack Back vs. Cevin Fisher - 2000 Freaks Come Out (Original Mix) DJ PP - To The Bass (Original Mix) Green Velvet, Doorly & Hauswerks - My Frequency (Original Mix) DJ Lora - 20 Girls (Mark Knight Extended Edit) Booka Shade - Trespass 2019 (Mark Knight Extended Mix) Felix Kröcher - Provident (Victor Ruiz Remix) Milani & The Cabas - Ashfield (Original Mix) Jam & Spoon - Stella (Kölsch Remix) Boris Brejcha & Samantha Nova - Blue Violet Crimson (XXX) (Original Mix) Westend - Beet It (Original Mix) Carl Cox - Dr. -
Visakha Puja: Celebration of the Day of Vesak
Visakha Puja: Celebration of the Day of Vesak By Prof. Dr. Phra Dharmakosajarn Rector, Mahachulalongkornrajavidyalaya University Bangkok, Thailand Definition Visakha Puja, or the Day of Vesak, is the festival celebrating the birth, enlightenment and parinibbana (passing away) of the Lord Buddha. It falls on the full moon day of the month of Visakha or Vesak, the sixth lunar month, (which usually falls during the period May in the Gregorian calendar). Significance According to the Theravada tradition, the three most important events in the life of the Buddha – his birth, his achievement of enlightenment and his entry into of parinibbana – all occurred on the full moon day of Visakha. Aspects of the Dharma relating to the birth, enlightenment and parinibbana of the Buddha include gratitude, the Four Noble Truths and mindfulness. Historical Life of the Buddha The Buddha was born in Lumbini Park, between the cities Kapilavastu and Devadaha of the Sakya Kingdom, in present – day Nepal, on the morning of Friday, the fifteenth waxing day of the sixth lunar month, 623 BCE, 80 years before the beginning of the Buddhist Era. He exchanged the household life for that of an ascetic and after much strenuous effort attained full enlightenment at Uruvela in the kingdom of Magadha, present – day Bodhgaya, India, on the morning of Wednesday, the fifteenth waxing day of the sixth lunar month, 45 years before beginning of the Buddhist Era. After his enlightenment, he taught those who were able to receive his teaching and countless men and women achieved enlightenment. The Buddha achieved parinibbana, that is, he passed from this world, at the age of 80 on Tuesday, the fifteenth waxing day of the sixth lunar month in the Sala Park of the Malla near the town of Kusinara in the Malla Kingdom, present day Kushinagar, Uttar Pradesh, India. -
In the Stream of Blessings: Ordained Buddhist Women in Britain
In the Stream of Blessings: Ordained Buddhist Women in Britain Caroline Starkey Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Philosophy, Religion, and History of Science December 2014 2 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ©2014 The University of Leeds and Caroline Starkey The right of Caroline Starkey to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements This thesis would not have been possible without the support, guidance, and advice of a number of people and institutions. Firstly, I would like to express my gratitude to the Arts and Humanities Research Council, the University of Leeds, and to the Spalding Trust, each of whom provided vital funding. The School of Philosophy, Religion, and History of Science at the University of Leeds was extremely supportive, providing me with space to work, funding for conferences, and a collegiate atmosphere. A very special and truly heartfelt thank you is due to both of my academic supervisors – Professor Kim Knott and Dr Emma Tomalin. I am grateful for their attention to detail, their thought-provoking questions, and the concern that they showed both for my research and for me as a researcher. -
Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
General Assembly Official Records Fifty-Fourth Session
United Nations A/54/PV.79 General Assembly Official Records Fifty-fourth session 79th plenary meeting Wednesday, 15 December 1999, 10 a.m. New York President: Mr. Gurirab ...................................... (Namibia) The meeting was called to order at 10.15 a.m. We do not have an eternal city here on Earth. The Apostle to the Gentiles has warned us it is so. Human life Tribute to the memory of Franjo Tudjman, President of is indeed ephemeral. Nonetheless, certain lives are the Republic of Croatia eternal — those who live on in the memories of human beings, who have stood out because of their brilliant and The President: Before taking up the items on our constructive actions. agenda, it is my sad duty to pay tribute to the memory of the late President of the Republic of Croatia, His Mr. Franjo Tudjman's life was one of these. He was Excellency Mr. Franjo Tudjman, who passed away on a man of science and culture. He has left to posterity Friday, 10 December 1999. On behalf of the General many works on contemporary history, international Assembly, I request the representative of Croatia to convey relations and military arts. A man of conviction and our condolences to the Government and the people of commitment, he gained renown very early on during the Croatia and to the bereaved family of Mr. Tudjman. I invite Second World War in the struggle for independence of representatives to stand and observe a minute of silence in his country. History will remember him as he was — the tribute to the memory of Mr. -
Rebirth in Theravāda Buddhism and Dr. Ian Stevenson's Research Study
Rebirth in Theravāda Buddhism and Dr. Ian Stevenson’s Research Study Usa Wongsangkul1, Phramaha Nantakorn Piyabhani1, Sanu Mahatthanadull1 International Buddhist Studies College1 Mahachulalongkornrajavidyalaya University [email protected] Received: 2020-03-18; Revised: 2021-06-08; Accepted: 2021-06-12. ABSTRACT Although Buddhism has become increasingly popular in the West, we should focus on using the ideas of rebirth and kamma, the language spoken by the Buddha (Sanskrit: karma) as an additional means to enhance moral education and spiritual development. The purpose of this article is to discuss the concepts of rebirth in Theravāda Buddhism and Dr. Ian Stevenson’s research study. First, the author explains the terminology and defi nitions related to rebirth according to the Buddha’s teaching. The article discusses Dr. Ian Stevenson’s research work relating to memories of previous lives, , his research methods and the results. I also present the opinion of Dr. Ian Stevenson and other researchers on belief in rebirth and scientifi c investigation. This article suggests an application of the concept of rebirth for use in peaceful living. Keywords: rebirth, reincarnation, kamma, saṃsāra 38 The Journal of International Buddhist Studies College ISSN: 2465-5546 Vol.7 No.1 (January–June 2021) Introduction While the idea of cyclic rebirth or samsāra in Buddhism, does not sit well with the Western scientifi c point of view, the rebirth process is like the transference of a fl ame from one candle to the other. Though one candle ceases to exist, the fi re is never extinguished.1 The concepts of rebirth and kamma are so central to Buddhist theory and practice. -
Three Icelandic Outlaw Sagas
THREE ICELANDIC OUTLAW SAGAS THREE ICELANDIC OUTLAW SAGAS THE SAGA OF GISLI THE SAGA OF GRETTIR THE SAGA OF HORD VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2004 Selection, introduction and other critical apparatus © J. M. Dent 2001 Translation of The Saga of Grettir and The Saga of Hord © J. M. Dent 2001 Translation of The Saga of Gisli © J. M. Dent 1963 This edition first published by Everyman Paperbacks in 2001 Reissued by Viking Society for Northern Research in 2004 Reprinted with minor corrections in 2014 ISBN 978 0 903521 66 6 The maps are based on those in various volumes of Íslensk fornrit. The cover illustration is of Grettir Ásmundarson from AM 426 fol., a late seventeenth-century Icelandic manuscript in Stofnun Árna Magnússonar á Íslandi, Reykjavík Printed by Short Run Press Limited, Exeter CONTENTS Preface ............................................................................................ vii Chronology .................................................................................... viii Introduction ..................................................................................... xi Note on the Text .......................................................................... xxvi THE SAGA OF GISLI ..................................................................... 1 THE SAGA OF GRETTIR ............................................................. 69 THE SAGA OF HORD ................................................................ 265 Text Summaries ........................................................................... -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
Tracklist for Tomhall
I. TRACK VORSCHLÄGE für eine musikalische Runderneuerung im Barfüsser, Schwäbisch Hall 1 Vorwort Im folgenden eine Liste von vielen Tracks, die die letzten Monate und Jahre in den großen Clubs liefen, teils dort wieder „ausgelutscht“, teils brandaktuell. Da sie in SHA aber noch nicht angekommen waren, wirst du wohl alle davon Problemlos in das Programm aufnehmen können. Vorraussetzung und Bedingung für diese Liste ist: Wirf alle Tracks in den Mülleimer, die seit über einem halben Jahr laufen, teils sogar jeden Abend bis mehrmals am Abend. Und dazu gehört auch „The Drill“, auch wenn das dein Lieblingstrack ist. Du solltest hier genügend Musik haben, für das gesamte nächste Jahr… Und ich kann beliebig viele Traxx nachreichen, denn ich entsorge meine eigenen Tracks stets nach ca. 3-6 Monaten, weil sie dann langweilig werden bzw. sehr viele neue geniale Sachen nachrücken… Ich habe dir viele der Tracks bereits in eine Reihenfolge gesetzt, wie man sie in einem Set spielen könnte (allerdings nur mal so schnell sortiert)… Das heißt, Tracks mit ähnlichem Klangbild und Groove beieinander wobei diese Eigenschaften sich über das Set dann langsam verändern. In der Regel beginnen die Sets weicher und nehmen dann in (gefühlter) Geschwindigkeit und/oder Härte zu. Das heißt natürlich nicht, dass man die Sets unbedingt in dieser Reihenfolge so spielen muss (das sollte man nämlich genau nicht tun), sondern es ist ein Leitfaden für dich, wenn du sie zum ersten Mal durchprobierst… TRACK VORSCHLÄGE 0 Alan van Stormcastle Page 1 of 11 2 Electro House (3 Sets) In der Szene wird oftmals zwischen Electro House und Elektro unterschieden, wobei (ganz grob gesagt) ersterem der eher weiche Mainstream zugeordnet wird und letzteres durch hohe Kompressionsraten hart klingt. -
The Burmese Monk
Through the Looking-Glass An American Buddhist Life Bhikkhu Cintita Copyright 2014, Bhikkhu Cintita (John Dinsmore) This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Unported Licence. You are free to copy, distribute and transmit the work, Under the following conditions: • Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). • Noncommercial — You may not use this work for commercial purposes. • No Derivative Works — You may not alter, transform, or build upon this work. With the understanding that: • Waiver — Any of the above conditions can be waived if you get permission from the copyright holder. • Public Domain — Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. • Other Rights — In no way are any of the following rights affected by the license: • Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations; • The author's moral rights; • Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. • Notice — For any reuse or distribution, you must make clear to others the license terms of this work. Publication Data. Bhikkhu Cintita (John Dinsmore, Ph.D.), 1949 - Through the Looking Glass: An American Buddhist Life/ Bhikkhu Cintita. 1.Buddhism – Biography. © 2014. Cover design by Kymrie Dinsmore. Photo: Ashin Paññasīha and Ashin Cintita with lay devotees in Yangon in 2010. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,