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John-Murray-Translation-Rights-List
RIGHTS TEAM John Murray Press Rebecca Folland Rights Director - HHJQ Translation Rights List - Autumn 2019 [email protected] +44 (0) 20 3122 6288 NON-FICTION General Non-Fiction 7 Joanna Kaliszewska Head of Rights - John Murray Press Current Affairs, History & Politics 8 Deputy Rights Director - HHJQ [email protected] Popular Science 18 +44 (0) 20 3122 6927 Popular/Commercial Non-Fiction 25 Hannah Geranio Senior Rights Executive - HHJQ Travel 27 [email protected] Recent Highlights 31 FICTION Nick Ash Literary Fiction Rights Assistant - HHJQ 37 [email protected] General Fiction 47 Crime & Thriller 48 Hena Bryan Rights Assistant - JMP & H&S Recent Highlights 52 [email protected] JOHN MURRAY PRESS For nearly a quarter of a millennium, John Murray has been unashamedly populist, publishing the absorbing, SUBAGENTS provocative, commercial and exciting. Albania, Bulgaria & Macedonia Anthea Agency [email protected] Seven generations of John Murrays fostered genius and found readers in vast numbers, until in 2002 the firm be- Brazil Riff Agency [email protected] came a division of Hachette, under the umbrella of Hodder & Stoughton. China and Taiwan Peony Literary Agency marysia@peonyliterary agency.com IMPRINTS Czech Republic & Slovakia Kristin Olson Agency [email protected] At John Murray, we only publish books that take us by sur- prise. Classic authors of today who were mavericks of their Greece OA Literary Agency time – Austen, Darwin, Byron – were first published and [email protected] championed by John Murray. And that sensibility continues today. Hungary, Croatia, Serbia, Slovenia Katai and Bolza Literary Agency [email protected] (Hungary) Two Roads publish about 15 books a year, voice-driven [email protected] (Croatia, Serbia, Slovenia) fiction and non-fiction – all great stories told with heart and intelligence. -
The Eland Catalogue, No. 14
Welcome to the Eland Catalogue, No. 14 In 1982, John Hatt set up Eland. His office was his attic, perched at the top of his house on a grid of 19th-century terraced streets. Thus was Eland born, earning its identity from a South London street named after a large African antelope, which had been nicknamed by a Dutch-African back in the 17th-century, half-remembering the German slang for an elk. Only later did we find out that there had been an old Devonian family of bookseller-publishers called Eland, who worked in the close of Exeter Cathedral, a football stadium in Leeds and an Anglo-Saxon manor in Yorkshire that survived the Norman conquest. But it is to the large, docile, spiral-horned antelope that we owe our brand name. They sound fine animals these African Elands. A bull can stand six feet tall at the shoulder and weigh over two thousand pounds, so can pretty much barge his way through anything in his path, especially when backed up by the rest of the herd. Unlike publishers they tend to avoid lunch, preferring to eat at dawn and dusk and digest with a siesta in the middle of the day. When the herd moves in the night, they create a distinctive castanet-like chorus from the clack of their hooves. For tens of thousands of years the Bushmen have honoured the Eland as a trickster god, who assists in trance, dance and spirit travel. The Eland has now and then been domesticated (their milk keeps well) but they are essentially nomadic, which is true for those who work at Eland, who have spent as much of their time as journalists, writers, editors, dog-whisperers and dragoman-guides as behind a desk. -
John Murray Press Translation Rights List
1 John Murray Press CONTACTS Translation Rights List - Spring 2019 Rebecca Folland Rights Director - HHJQ [email protected] FICTION +44 (0) 20 3122 6288 Literary Fiction 4 Joanna Kaliszewska Deputy Rights Director - HHJQ Head of Rights - John Murray Press General Fiction 8 [email protected] +44 (0) 20 3122 6927 Crime & Thriller 12 Grace McCrum Rights Manager Recent Highlights - Fiction 15 [email protected] +44 (0) 20 3122 6237 NON-FICTION Amy Hawkins Senior Rights Executive [email protected] Current Affairs, History & Politics 18 +44 (0) 20 3122 6684 MBS & Self-Help Hannah Geranio 26 Rights Executive [email protected] Popular Science 31 +44 (0) 20 3122 6137 Nick Ash Business & Coaching 36 Rights Assistant [email protected] Travel 40 Faith 42 Recent Highlights - Non-Fiction 50 2 3 Literary Fiction Literary Fiction THE AUNT WHO WOULDN’T DIE NOBBER Shirshendu Mukhopadhyay Oisín Fagan ‘A chaotic, furious, extraordinary Bengali confection A wildly inventive and audacious debut novel from ... Irresistible’ Philip Hensher, The Spectator Books of the author of Hostages the Year An ambitious noble and his three serving men At eighteen, Somlata married into the Mitras: a travel through the Irish countryside in the stifling once noble Bengali household whose descendants summer of 1348, using the advantage of the have taken to pawning off the family gold to keep plague which has collapsed society to buy up up appearances. When Pishima, the embittered large swathes of property and land. They come matriarch, dies, Somlata is the first to discover her upon Nobber, a tiny town, whose only living aunt-in-law’s body - and her sharp-tongued ghost. -
Where Will It
Programme A5 pages 1-23 ARTWORK_Layout 1 22/07/2014 15:35 Page 1 3 – 12 October 2014 cheltenhamfestivals.com _ _ Is Democracy at Risk? What Future for Words? Celebrity Culture: Where Will it All End? Is Technology Changing our Brains? What Will the Buildings of the Future Look Like? A Good School For All? Feeding the World or Farmageddon? What Does the Next Century Hold? Does Privacy Exist Anymore? What is the Lure of the Dystopia? _ _ _ _ _ _ _ Brave New Worlds_ Programme A5 pages 1-23 ARTWORK_Layout 1 22/07/2014 15:35 Page 2 Programme A5 pages 1-23 ARTWORK_Layout 1 22/07/2014 15:35 Page 3 page 003 Box Office 0844 880 8094 Welcome_ Thank you to our partners and supporters cheltenhamfestivals.com Title Partner In Association with Principal Partners Contents_ A warm welcome to the 2014 More than anything, it is the unwavering Cheltenham Literature Festival – support of our fantastic audiences that page 004 - 017 jointly supported this year for the makes Cheltenham so special. As a Behind the programme first time by The Times and The not-for-profit organisation, Cheltenham Find out what’s new and Sunday Times. I am pleased to Festivals must actively raise 96% of discover our event introduce you to this year's our funding every year to bring the arts collections programme, which over the course and sciences live to audiences, Global Banking Partner of 10 days, I hope, will inspire, support emerging talent, and deliver page 018 - 021 challenge, surprise and entertain educational programmes. -
Ca T Alo Gue N O . 13
CatalogueCover2018_Catalogue Cover2015 08/08/2018 17:27 Page 1 Naples ’44 My Early Life ‘a nearly extinct integrity, an eccentric An Intelligence Officer in the Italian Labyrinth The Ginger Tree WINSTON CHURCHILL OSWALD WYND NORMAN LEWIS passion for quality and a wonderful survivor. We are all in Eland’s debt.’ COLIN THUBRON CATALOGUE NO. 13 NO. CATALOGUE A Year in Marrakesh Full Tilt The Innocent Anthropologist Notes from a Mud Hut Ireland to India with a Bicycle PETER MAYNE NIGEL BARLEY DERVLA MURPHY The Way of the World Travels on my Elephant Travels with Myself Two men in a car from Geneva to the Khyber Pass and Another Five Journeys from Hell NICOLAS BOUVIER MARK SHAND MARTHA GELLHORN Eland Publishing, 61 Exmouth Market, London EC1R 4QL www.travelbooks.co.uk Welcome to the Eland Catalogue, No. 13 In 1982, John Hatt set up Eland. His office was his attic, perched at the top of his house on a grid of 19th-century terraced streets. Thus was Eland born, earning its identity from a South London street named after a large African antelope, which had been nicknamed by a Dutch-African back in the 17th-century, half-remembering the German slang for an elk. Only later did we find out that there had been an old Devonian family of bookseller-publishers called Eland, who worked in the close of Exeter Cathedral, a football stadium in Leeds and an Anglo-Saxon manor in Yorkshire that survived the Norman conquest. But it is to the large, docile, spiral-horned antelope that we owe our brand name. -
SUMMER | AUTUMN 2016 a General View from the Remains of the Urubha Hotel Over the Old Fishing Port in Mogadishu, Somalia
Sales & Marketing Kathleen May | [email protected] Publicity Alison Alexanian | [email protected] PUBLISHERS All Other Enquiries [email protected] 41 Great Russell Street • London • WC1B 3PL | 020 7255 2201 www.hurstpublishers.com | fbook.com/hurstpublishers | @HurstPublishers COVER IMAGE SUMMER | AUTUMN 2016 A general view from the remains of the Urubha hotel over the old fishing port in Mogadishu, Somalia. © John Cantile/Getty Images HURST CONTENTS Founded in 1969, Hurst is an independently owned non-fiction publisher specialising in GENERAL INTEREST — 1 books on global affairs, particularly politics, AFRICA — 14 religion, conflict, international relations and MIDDLE EAST & ISLAMIC WORLD — 20 area studies in Europe, Africa, the Middle CRITICAL MUSLIM — 34 East and Asia. Hurst releases approximately CONFLICT CLASSICS — 35 90 new titles each year and publishes WAR & SECURITY STUDIES — 36 internationally. SOUTH ASIA — 38 NEW IN PAPERBACK — 43 RECENT HIGHLIGHTS — 48 INDEX — 52 DISTRIBUTION — 53 MAILING LIST Hurst sends out new title announcements via email. To join the mailing list please visit: www.hurstpublishers.com/mailing-list Review and inspection copies To request press review copies, please visit: The Global Appeal of Islamic State www.hurstpublishers.com/review-copies/ Olivier Roy To request academic inspection p. 21 copies for possible course adoption, please visit: www.hurstpublishers.com/academic- inspection-copies/ Foreign RIGHTS Please direct all foreign rights enquiries to Michael Dwyer: [email protected] HURST PUBLISHERS 41 Great Russell Street London WC1B 3PL Tel: +44 (0)20 7255 2201 The Despot’s Accomplice @HurstPublishers How the West is Aiding and Abetting the Decline of Democracy www.hurstpublishers.com Brian Klaas p. -
Fall 2021 Adult OMNIBUS
FALL 2021 RAINCOAST OMNIBUS Adult This edition of the catalogue was printed on May 13, 2021. To view updates, please see the Fall 2021 Raincoast eCatalogue or visit www.raincoast.com Raincoast Books Fall 2021 - Adult Omnibus Page 1 of 438 Creative Thinker's Rethink Book 52 Exercises to Train Your Ability to See Connections Others Don't by Dorte Nielsen and Katrine Granholm Highly creative thinkers are good at seeing connections. By enhancing your ability to see connections, you can enhance your creativity. Based on this observation, a solid theory and the latest neuroscience, this exercise book is for people who want to become better creative thinkers. This book gives you: 52 exercises to enhance your creativity Opportunity to think, rethink and think again Fun training for your brain Hands-on training in generating ideas Fun for everybody age 6-99 Creative Thinker's Rethink Book trains your ability see and make connections - the underlying mechanism that helps you to think creatively. The exercises in this book forces you to go beyond the obvious - to think and rethink - again BIS Publishers and again. It is not a theory book. It's a hands-on exercise book to boost your On Sale: Oct 5/21 creativity and innovative thinking. Working with these exercises will help you 6 x 9 • 112 pages to come up with fresh thinking, original ideas and unexpected innovative 9789063696122 • $28.99 • pb solutions. Self-Help / Creativity Series: The Creative Thinker You can use this book as a creative morning booster, a warm up before working creatively, for everyday creativity training or just as a fun activity. -
WRAP THESIS Dixon 1991.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/35766 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Representations of the East in English and French Travel Writing 1798-1882 with particular reference to Egypt Representations of the East in English and French Travel Writing 1798-1882 with particular reference to Egypt by John Spencer Dixon M.A. for The degree of PhD at The University of Warwick in the Graduate School of Comparative Literary Theory and Literary Translation September 1991 Table of Contents 1) Introduction 1 2) Chapter 1: The Orientalist Debate 18 1) The Problem of Terminology 2) An Outline of Western thought and Ideology in the nineteenth century (i) The Scientific Spirit (ii)The Self-Other Dichotomy in the Context of East-West Relations A: The Western Sense of Self B: The Orient as the West's Other 3) Chapter 2: Visual and Literary Representations of the Orient 50 4) Chapter 3: The Decline of 'The Orient' as Pure Fantasy 74 1) Napoleon's Expedition to Egypt 2) Earlier Western Interest in the East 3) Aspects of Late-Eighteenth-Century Thought relevant to Travel Writing 4) Europe and the Age of Mohammed Ali 5) Chapter 4: Travel Writers in the First Half of the Nineteenth Century 113 1) The British View of the East (i)The Curious Case of Lady Hester Stanhope (ii)Other British Travellers in the Age of Mohammed Ali 2) The French View of the East French Travel Writing in the Age of Mohammed Ali 6) Chapter 5: British Travellers After Mohammed All 149 7) Chapter 6: The Egypt of Gautier. -
Made in Italy': Self and Place in Late-Twentieth Century Travel Writing
Relocation Narratives 'Made in Italy': Self and Place in Late-Twentieth Century Travel Writing Lynn Ann Mastellotto PhD University of East Anglia School of Literature, Drama and Creative Writing August 2013 2 Abstract At the intersection of life writing and travel writing, relocation narratives form a distinct subgenre of contemporary travel memoirs concerned with the inter-subjective and intra-subjective experiences of travellers who become settlers in foreign locales. Lured by the dream of the ‘good life’ abroad, transnational writers detail their post-relocation experiences in autobiographical accounts that seek to educate and entertain global readers about what it means to accommodate to a new life in a new land. This study examines the entwined processes of identity (re)formation and place attachment represented in recent relocation trilogies set in Italy, highlighting the tension between reality and illusion in the pursuit of la dolce vita in the adopted homeland. Focusing on Frances Mayes’s popular Tuscan texts, Annie Hawes’s Ligurian trilogy, and Tim Parks’s memoirs set in Verona, the study addresses how their accommodation over a period of long-term foreign residency is represented in multipart nonfiction accounts. Are their memoirs of ‘becoming Italian’ merely an exercise in social distinction that appropriates Italian ‘authenticity’ and packages it for global tastes? Or does dwelling in cultural difference over time lead to the development of an intercultural competence that is one aspect of an engaged form of cosmopolitanism? A close reading of the language, stylistics, and form of relocation narratives reveals a tension between colonial and cosmopolitan orientations as strategies for cultural representation.