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All Or Write: P.O
Tangtewqpd i 8 . - • .. lil • M -• * •'•-- . in if § H i Visit Tanglewoods Neighbor . White Pines at Stockbridge, the only luxury condominium in Stockbridge. You'll find us a short walk down the road among whispering pines; sunny, rolling meadows; quiet, cool woodlands ... a truly uncommon condominium community on 95 acres of a turn-of-the- century estate. Half our luxurious, contemporary units have been completed in and around the original French Provincial buildings. (A very few of these are available for immediate occupancy.) A third of the remaining 34 units . duplex country villas . will also be ready this summer. White Pines homeowners are already enjoying their on-site private recreation facilities . year-round swimming pool, Har-Tru tennis courts, exercise facilities, sauna and lakefront beach. We invite you to visit our furnished model, open seven days a week. Featured in Sfye JfeUf JJork Sinter For information, call or write: P.O. Box 529 White Hawthorne Street Stockbridge, MA 01262 (413)637-1140 Pines Our sales agent is: country estate Reinholt Realty condominiums Main Street, Lenox (413) 637-1251 or Main Street, Stockbridge (413) 298-3664. at Stockbridge Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Vice-Chairman J. P. Barger, Vice -Chairman Mrs. John M. Bradley, George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. -
Download Booklet
ForEward PYOTR IL’YICH TCHAIKOVSKY (1840-1893) PIANO CONCERTO NO. 1 About 20 years ago I watched my first concerto and share the excitement of childhood with you, NUTCRACKER SUITE on TV – it was Tchaikovsky’s First Piano the listener! Concerto played by Emil Gilels from 1959. It hit me: the power, the energy, the sheer scale Heartfelt thanks to Marco Assetto, Bob and of this piece! I decided I wanted to play it, but Elisabeth Boas, Sir Vernon and Lady Ellis, Sir it took time until I felt ready. A few years George and Lady Iacobescu, Sir Harvey and Piano Concerto No. 1 in B-Flat Minor, Op. 23 later, whilst studying at the Guildhall School Lady McGrath, Sara Naudi, Andrew and 1 I. Allegro non troppo e molto maestoso [20.39] of Music and Drama with Ronan O’Hora, I felt Samantha Popper for believing in me and 2 II. Andantino semplice [6.51] this was the time to approach the piece. After making this project happen! 3 III. Allegro con fuoco [7.18] a few good months of practicing, I started performing it in concerts. One of my most Alexandra Dariescu Nutcracker Suite, Op. 71a (arr. Mikhail Pletnev) fulfilling performances took place at the 4 I. Tempo di marcia viva [2.01] Royal Albert Hall with the Royal Philharmonic 5 II. Dance of the Sugar Plum Fairy: Andante ma non troppo [2.00] Orchestra. When the opportunity arose to record 6 III. Tarantella [1.23] 7 IV. Intermezzo [4.24] my first concerto disc, I knew it had to be this one. -
The Double Keyboard Concertos of Carl Philipp Emanuel Bach
The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg ment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
Elliott Carter Works List
W O R K S Triple Duo (1982–83) Elliott Carter Collection, Paul Sacher Foundation Basel ORCHESTRA Adagio tenebroso (1994) ............................................................ 20’ (H) 3(II, III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):BD/ 4bongos/glsp/4tpl.bl/cowbells/vib/2susp.cym/2tom-t/2wdbl/SD/xyl/ tam-t/marimba/wood drum/2metal block-pft-strings (also see Symphonia: sum fluxae pretium spei) Allegro scorrevole (1996) ........................................................... 11’ (H) 2.picc.2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-perc(4):timp/glsp/xyl/vib/ 4bongos/SD/2tom-t/wdbl/3susp.cym/2cowbells/guiro/2metal blocks/ 4tpl.bl/BD/marimba-harp-pft-strings (also see Symphonia: sum fluxae pretium spei) Anniversary (1989) ....................................................................... 6’ (H) 3(III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym-pft(=cel)-strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Boston Concerto (2002) .............................................................. 19’ (H) 3(II,III=picc).2.corA.3(III=bcl).3(III=dbn)-4.3.3.1-perc(3):I=xyl/vib/log dr/4bongos/high SD/susp.cym/wood chime; II=marimba/log dr/ 4tpl.bl/2cowbells/susp.cym; III=BD/tom-t/4wdbls/guiro/susp.cym/ maracas/med SD-harp-pft-strings A Celebration of Some 100 x 150 Notes (1986) ....................... 3’ (H) 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(1):glsp/vib-pft(=cel)- strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Concerto for Orchestra (1969) .................................................. -
Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support. -
E on the Cover on the Cover
on the cover on the cover Sibling Revelry By Patricia Crane e Anyone with a brother or sister can tell you: the sibling relationship is delicate, equal parts Ratray Luke photo: fraught and rewarding. If they’re too far apart, Christian Steine photo: siblings can feel like strangers; too close, and the competition can be fierce. Spend five London National Gallery, photo: minutes in a car with two kids in their “I’m telling Mom!” phase, and you can attest to the high emotions and singular energy that exist between siblings. Richard and John Contiguglia Orli Shaham Gil Shaham But take that unique relationship and mix in some prodigious creative talent, and you have the makings of a dynasty. The modern landscape of Classical music teems with siblings following in the footsteps Bryn Terfel of Fanny and Felix Mendelsohn and the Meat Loaf at the Met? Strauss brothers. Today’s sibling collaborations Terfel turns 50! run the gamut—from exclusive partnerships to pursuing individual careers and collaborat- By Bob Chapman photo: DG Adam Barker DG Adam photo: ing on special projects. Bryn Terfel continues to seek new artistic Together literally all their lives, identical twins challenges. One of the few non-tenor male Richard and John Contiguglia are the most opera singers to have achieved worldwide fame, the Welsh bass-baritone took on the Bryn Terfel famous duo-pianists playing today. Making Mari and Hakon Samuelsen their world debut in 1962, they’ve spent their role of Tevye, Russian-Jewish peasant farmer, joint career bringing oft-forgotten duo-piano in Fiddler on the Roof in the U.K. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
1973-Iceland.Pdf
-----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society. -
Programnotes Brahms Double
Please note that osmo Vänskä replaces Bernard Haitink, who has been forced to cancel his appearance at these concerts. Program One HundRed TwenTy-SeCOnd SeASOn Chicago symphony orchestra riccardo muti Music director Pierre Boulez Helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, October 18, 2012, at 8:00 Friday, October 19, 2012, at 8:00 Saturday, October 20, 2012, at 8:00 osmo Vänskä Conductor renaud Capuçon Violin gautier Capuçon Cello music by Johannes Brahms Concerto for Violin and Cello in A Minor, Op. 102 (Double) Allegro Andante Vivace non troppo RenAud CApuçOn GAuTieR CApuçOn IntermIssIon Symphony no. 1 in C Minor, Op. 68 un poco sostenuto—Allegro Andante sostenuto un poco allegretto e grazioso Adagio—Allegro non troppo, ma con brio This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. Comments by PhilliP huscher Johannes Brahms Born May 7, 1833, Hamburg, Germany. Died April 3, 1897, Vienna, Austria. Concerto for Violin and Cello in a minor, op. 102 (Double) or Brahms, the year 1887 his final orchestral composition, Flaunched a period of tying up this concerto for violin and cello— loose ends, finishing business, and or the Double Concerto, as it would clearing his desk. He began by ask- soon be known. Brahms privately ing Clara Schumann, with whom decided to quit composing for he had long shared his most inti- good, and in 1890 he wrote to his mate thoughts, to return all the let- publisher Fritz Simrock that he had ters he had written to her over the thrown “a lot of torn-up manuscript years. -
By Chau-Yee Lo
Dramatizing the Harpsichord: The Harpsichord Music of Elliott Carter by Chau-Yee Lo “I regard my scores as scenarios, auditory scenarios, for performers to act out their instruments, dramatizing the players as individuals and partici- pants in the ensemble.”1 Elliott Carter has often stated that this is his creative standpoint, his works from solo to orchestral pieces growing from the dramatic possibilities inherent in the sounds of the instruments. In this article I will investigate how and to what extent this applies to Carter’s harp- sichord music. Carter has written two works for the harpsichord: Sonata for Flute, Oboe, Cello, and Harpsichord was completed in 1952, and Double Concerto for Harpsichord and Piano with Two Chamber Orchestras in 1961. Both commissions were initiated by harpsichordists: the first by Sylvia Marlowe (1908–81) and the Harpsichord Quartet of New York, for whom the Sonata was written, the latter by Ralph Kirkpatrick (1911–84), who had been Carter’s fellow student at Harvard. Both works encapsulate a significant development in Carter’s technique of composition, and bear evidence of his changing approach to music in the 1950s. Shortly after completing the Double Concerto Carter started writing down the interval combinations he had frequently been using. This exercise continued and became more systematic over the next two decades, and the result is now published as the Harmony Book.2 Carter came to write for the harpsichord for the first time in the Sonata. Here the harpsichord is the only soloist, the other instruments being used as a frame. In particular Carter emphasizes the wide range of tone colours available on the modern harpsichord, echoing these in the different musi- cal characters of the other instruments. -
Oscar-Komponist James Horner I Samarbeid Med Norsk Stjernesøskenpar
17-03-2015 15:15 CET Oscar-komponist James Horner i samarbeid med norsk stjernesøskenpar Den Oscar-vinnende kompinisten James Horner har blitt lokket vekk fra storskjermen og tilbake til konserthallen, takket være det norske stjernesøskenparet Mari og Håkon Samuelsen. Sammen har de overbevist Horner om å skrive hans første konsertstykke på over 30 år - en konsert for violin, cello og orkester kalt "Pas de Deux". Opptaket fra verdensremieren i Liverpool i November kommer på deres debutalbum som slippes på Mercury Classic 25. mai 2015. Horner er tidligere kjent for stykker som Titanic, Braveheart og Avatar, og dette er det første verket komponisten har skrevet for fiolin og cello, samt det første bestillingsverket i rekken fra Mari Silje og Håkon Samuelsen. I sommer inngikk stjernesøskenparet Mari Silje og Håkon Samuelsen en langsiktig eksklusiv albumavtale med Mercury Classics. I november 2014 fremførte de for første gang Horner-verket "Pas de Deux" i Philharmonic Hall i Liverpool. Verket ble fremført med Royal Liverpool Philharmonic Orchestra og dirigent Vasily Petrenko på orkesterets 175-års jubileum og åpningskonsert i deres nyrenoverte konserthus. Produsent for albumet er Simon Rhodes (kjent fra Skyfall, Harry Potter og Avatar samt Grammy- vinnenende album med Berlin Philharmonikerne). "Vi hadde aldri trodd vi skulle få til dette. Det føles fantastisk," sier fiolinist Mari Samuelsen. "Det er en drøm som har blitt virkelighet," samtykker hennes cellistbror Håkon. Søskenparet har opptrådt mye hver for seg, og siden de var i tidlig tyveårene har de jobbet som en duo. I 2004 grunnla de den årlige julekonserten i Vang kirke med Prinsesse Märtha Louise som nå er sendt i over 116 millioner hjem verden over.