Archie Shepp Four for Trane Mp3, Flac, Wma

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Archie Shepp Four For Trane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Four For Trane Country: Europe Released: 1997 Style: Avant-garde Jazz, Post Bop MP3 version RAR size: 1809 mb FLAC version RAR size: 1645 mb WMA version RAR size: 1758 mb Rating: 4.2 Votes: 298 Other Formats: WMA MMF MP1 VQF ASF VOC AHX Tracklist 1 Syeeda's Song Flute 8:26 2 Mr. Syms 7:38 3 Cousin Mary 7:11 4 Naima 7:06 5 Rufus (Swung, His Face At Last To The Wind, Then His Neck Snapped) 6:23 Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Phonographic Copyright (p) – MCA Records Remastered At – MCA Music Media Studios Credits Alto Saxophone – John Tchicai Art Direction – Hollis King Bass – Reggie Workman Composed By – Archie Shepp (tracks: 5), John Coltrane (tracks: 1 to 4) Design [Graphic] – Christine Lee Drums – Charles Moffett Liner Notes [Original] – Leroi Jones Photography By – Chuck Stewart Producer [Original] – Bob Thiele Recorded By [Engineer] – Rudy Van Gelder Reissue Producer – Michael Cuscuna Remastered By [Digitally] – Eric Labson* Tenor Saxophone – Archie Shepp Trombone – Roswell Rudd Trumpet – Alan Shorter Notes Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 10, 1964. Originally issued as Impulse AS-71. This reissue digitally remastered at MCA Music Media Studios, using 20-bitSuper Mapping. ℗ 1997 MCA Records, Inc. Barcode and Other Identifiers Barcode (Printed): 0 1110-51218-2 8 Barcode (Scanned): 011105121828 Label Code: LC 0236 Rights Society: BIEM/GEMA Other: F: BM720 Other versions Category Artist Title (Format) Label Category Country Year Archie Four For Trane (LP, AS-71 Impulse! AS-71 US 1964 Shepp Album) 1 C 052-90 Archie Four For Trane (LP, EMI, 1 C 052-90 Germany 1969 802 Shepp Album, RE) Columbia 802 Archie Four For Trane (LP, AS-71 ABC Impulse! AS-71 US Unknown Shepp Album, RE, Gat) Archie Four For Trane (LP, AS-71 Impulse! AS-71 US 1964 Shepp Album, M/Print, Gat) Archie Four For Trane (CD, 32XD-623 Impulse! 32XD-623 Japan 1987 Shepp Album, RE, RM) Related Music albums to Four For Trane by Archie Shepp Archie Shepp - Kwanza John Coltrane / Archie Shepp - New Thing At Newport Archie Shepp - Lover Man Archie Shepp - Yasmina / Poem For Malcolm Archie Shepp - Fire Music Archie Shepp - Horace Parlan - Swing Low Archie Shepp - Blasé Archie Shepp / Bill Dixon - Consequences Archie Shepp - On This Night Archie Shepp And Roswell Rudd - Live In New York.

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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
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Trombone people loved it, because we were picking up the beat' trombonists in every era and genre - performers who (Rogovoy 2001). Players such as the Dirty Dozen Brass have cumulatively expanded the possibilities for trom- Band's Kirk Joseph have amplified the sousaphone to bone range, sound quality capabilities and performance emulate many characteristics of the electric bass guitar. speed in ways completely unanticipated and unimagin- able in European art music. It is here, in the popular Bibliography sphere, that the trombone has made its most expressive Bevan, Clifford. 1978, The Tuba Family. London; Faber impact as an instrument with unique vocal and emo- and Faber, tional qualities. Rogovoy, Seth, 2001, 'Dirty Dozen Updates New Orleans The 'tailgate' trombone style, critical to the sound of Street-Band Music' Berkshire Eagle (30 November), Dixieland collective improvisation, was developed sub- http;//www.rogovoy,com/150.shtml stantially in the second and third decades of the twenti- Schafer, William J. 1977. Brass Bands and New Orleans eth century by Edward 'Kid' Ovf and Jim Robinson. Jack Jazz. Baton Rouge, LA; Louisiana State University Teagarden, Jimmy Harrison, Vic Dickenson, Benny Press, Morton and Dicky Wells extended the melodic and rhythmic capabilities of the trombone in the 1920s and Discography 1930s in the transition to swing. Band leader trombon- Dirty Dozen Brass Band, The, My Feet Can't Fail Me Now. ists like Glenn Miller and Tommy Dorsey developed the Concord Jazz 43005. 1984: USA, trombone's role as a lyrical lead
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Marion Brown Three for Shepp Mp3, Flac, Wma
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Sendung, Sendedatum
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Cecil Taylor Archie Shepp Bill Dixon Paul Bley
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Archie Shepp Blasé Mp3, Flac, Wma
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