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WDR 3 Jazz & World, 8. Februar 2019 Archie Shepp & Attica Blues Orchestra/ Fire Music – der Saxofonist Archie Shepp 22:04 – 24:00 Stand: 28.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Bert Noglik Redaktion: Tinka Koch Laufplan 1. Attica Blues K.: Archie Shepp 7:58 ATTICA BLUES Archieball Records ARCH 1301 ORCHESTRA CD: I Hear The Sound 2. Arms K.: Amina Claudine Myers 7:31 ATTICA BLUES wie Titel 1 ORCHESTRA 3. Blues For Brother G. K.: Archie Shepp 6:52 Jackson wie Titel 1 ATTICA BLUES ORCHESTRA 4. Come Sunday K.: Archie Shepp 6:36 ATTICA BLUES wie Titel 1 ORCHESTRA 5. The Cry Of My People K.: Archie Shepp 6:42 ATTICA BLUES wie Titel 1 ORCHESTRA 5. Ballad For A Child K.: Archie Shepp 5:04 ATTICA BLUES wie Titel 1 ORCHESTRA 7. Mama Too Tight K.: Archie Shepp 6:54 ATTICA BLUES wie Titel 1 ORCHESTRA 8. Mr. Syms K.: John Coltrane 7:38 ARCHIE SHEPP SEXTET Impulse! IMP 12182; LC: 00236 CD: Four For Trane 9. Malcolm, Malcolm- K.: Archie Shepp 4:48 Semper Malcolm Impulse! IMP 11582; LC: 00236 ARCHIE SHEPP CD: Fire Music Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 8. Februar 2019 Archie Shepp & Attica Blues Orchestra/ Fire Music – der Saxofonist Archie Shepp 22:04 – 24:00 Stand: 28.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de 10. Mama Rose K.: Archie Shepp 8:34 ARCHIE SHEPP Enja Records ENJA 4050 2; LC: 03126 CD: Soul Song 11. Main Street Medina K.: Archie Shepp/ El Gourd 3:59 ARCHIE SHEPP Archieball Records 0501 QUARTET & DAR GNAWA CD: Kindres Spirits 12. Blues For 52nd Street K.: Archie Shepp 5:22 ARCHIE SHEPP & MAL Enja Records ENJA 9141-2; LC: 10386 WALDRON CD: Left Alone 13. The Reverse K.: Archie Shepp 4:14 (ALTERNATE VERSION 1) Archieball Records ARCH 0701 ARCHIE SHEPP GROUP CD: Gemini & CHUCK D 14. Drivin' Miss Daisy K.: Archie Shepp 4:28 ARCHIE SHEPP & Archieball Records ARCH 1102 JOACHIM KÜHN CD: Wo!Man 15. Déjà Vu K.: Archie Shepp 5:08 ARCHIE SHEPP Timeless Records SJP 386; LC: 05326 QUARTET CD: Black Ballads 16. Angel Eyes K.: Matt Dennis, Earl Brent 7:56 ARCHIE SHEPP wie Titel 15 QUARTET Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 .

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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
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