CONGRESSIONAL RECORD— Extensions of Remarks E1852 HON
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CONGRESSIONAL RECORD— Extensions of Remarks E1492 HON. DENNIS J. KUCINICH HON. DALE E. KILDEE HON. ROBERT HURT HON. DENNIS J
E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Material on This Site May Be Quoted Or Reproduced for Personal and Educational Purposes Without Prior Permission, Provided Appropriate Credit Is Given
COPYRIGHT / USAGE Material on this site may be quoted or reproduced for personal and educational purposes without prior permission, provided appropriate credit is given. Any commercial use of this material is prohibited without prior permission from The Special Collections Department - Langsdale Library, University of Baltimore. Commercial requests for use of the transcript or related documentation must be submitted in writing to the address below. When crediting the use of portions from this site or materials within that are copyrighted by us please use the citation: Used with permission of the University of Baltimore. If you have any requests or questions regarding the use of the transcript or supporting documents, please contact us: Langsdale Library Special Collections Department 1420 Maryland Avenue Baltimore, MD 21201-5779 http://archives.ubalt.edu Saturday and Sunday. August 7 - 8. 1976 Charles Center and Hopkins Plaza AFRAM-EXPO 76 STEERING COMMITTEE The Honorable William Donald Schaefer Mrs. Marguerite Campbell Mrs. Lenora Johnson Mayor of the C ity of Baltimore Community Relations Specialist Urban Services Agency Mayor's Office Baltimore, Maryland Mr. Lenwood Ivey, General Chairman Baltimore, Maryland Executive Director Mrs. Louise Johnson Urban Services Agency Mr. Lou Cavallaro President City of Baltimore Department of Parks Black Women's City of Baltimore Consciousness Raising Mr. Norman E. Ross Baltimore, Maryland Project Director Dr. John Crew, Superintendent Cultural Arts Program Baltimore City Public Schools Mrs. Enolia McMillan, President Urban Services Agency Baltimore, Maryland Baltimore N.A.A.C . P. 1390 West North Avenue Mrs. Marie Henderson Mr. Dennis Ferrell Baltimore, Maryland Program Coordinator Baltimore Black Promotional Council Mayor's Coordinating Council Chairman, NAACP Community Mr. -
Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz
Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S First published online February Dr. Billy Taylor, “America’s Classical Music,” and the Role of the Jazz Ambassador TOM ARNOLD-FORSTER The idea of jazz as “America’s classical music” has become a powerful way of defining the music, asserting its national and artistic value, and shaping its scholarly study. The present article pro- vides a history of this idea through a close analysis of its primary theorist and most visible spokes- person, Dr. Billy Taylor. It argues that the idea was not a neoclassical and conservative product of the s, but had important roots in the Black Arts imperatives of the later s and early s. It suggests that Taylor initially made the idea work inventively and productively in a variety of contexts, especially through his community arts project Jazzmobile, but that these con- texts diverged as his public profile was stretched thin across and beyond the United States. The idea’s disintegration into clichéd ubiquity in the mid-s then provides a critical perspective on the idea of the “jazz renaissance,” and an opportunity to consider the role of the jazz ambas- sador in the context of debates about African American intellectuals. “America’s classical music” has been a prominent answer to the persistent question of what jazz is. It challenges the drugs-and-brothels imagery that has long lingered around the music, and it rejects, perhaps too confidently, the notion that jazz is essentially enigmatic. In , the critic Grover Sales published Jazz: America’s Classical Music, which portrayed a grand artistic heritage. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Harlem School of the Arts and Jazzmobile Join Forces for Their 50Th Anniversaries Pioneering Harlem Institutions “Turn Up” Jazz with Nyc School Students
For Press Inquiries: Byron McCray [email protected] | 212.926.4100 ext 335 Thysha M. Shabazz, Shabazz Communications [email protected] | 757.450.3655 HARLEM SCHOOL OF THE ARTS AND JAZZMOBILE JOIN FORCES FOR THEIR 50TH ANNIVERSARIES PIONEERING HARLEM INSTITUTIONS “TURN UP” JAZZ WITH NYC SCHOOL STUDENTS NEW YORK – (April 28, 2015) - Harlem School of the Arts (HSA) and Jazzmobile will join forces to present an inaugural event on Monday, May 4, 2015 at 10:00am: “TURN UP …This is Jazz!,” a dynamic jazz music lecture demonstration and performance for invited kindergarten and middle school classes from around New York City. These schools are served by Jazzmobile and HSA’s arts education programs which combined reach over 3,500 school children each year. “TURN UP ....This is Jazz!” presentation will feature musicians, students and faculty from the Harlem School of the Arts as well as Jazzmobile professional artists. This year’s special concert guided by HSA Jazz and Contemporary Studies Chair D.D. Jackson features the youngest Hammond artist in their 80 year history Matthew Whitaker joined by other talented members of the HSA Advanced Jazz Combo, and HSA alumnus and former Jazzmobile Emerging Jazz Artist Solomon Hicks! Visiting School Classes will enjoy the music in an interactive exploration of the role of improvisation, group communication, the individual instruments, and some of the history of this unique American art form we call Jazz!" Artists/Performers: Curator/Host: D.D. Jackson The Band: Matthew Whitaker & Friends, with: Matthew Whitaker, Piano/Organ Gabrielle Garo, Flute/Alto Sax Dominique Gervais, Drums “King” Solomon Hicks, Guitar Both institutions are celebrating their 50th Anniversary. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
Congressional Record
September 12, 2016 CONGRESSIONAL RECORD — Extensions of Remarks E1253 clearly poignant as his horn vibrates through merce’s Award for Excellence, The Con- recorded over eighty albums as a sideman and through the intricate passage with preci- spicuous Service Award from the New York with a wide variety of jazz artists including sion. This explosive gem sets the tempo to re- State Council on the Arts, The New York City Jimmy Owens, Abdullah Ibrahim, Idris Muham- mind us that he [Owens] is more than capable Arts and Business Council’s Encore Awards, mad, Malachi Thompson and Freddy Cole. to form this collection of standards in a way Citibank’s Community Service Award, the New Ford joined Jerry Gonzalez’s pioneering Fort that hasn’t been done before.’’ York City Service Award, and several citations Apache Band in 1990: an ensemble of Puerto Mr. Speaker, it was Jimmy Owens who from Mayors Edward Koch, David Dinkins and Ricans and African-Americans, who enriched challenged me to bring Jazz into the legisla- Michael Bloomberg. the linkages between jazz and Afro-Latin tive arena, for consideration as a national But Jazzmobile’s greatest achievement is rhythms. Ford composed the title tracks for asset that must be preserved and promoted. that it serves as the model for thousands of their recordings, Crossroads, Pensativo and Jimmy Owens is a living national jazz treasure jazz-based organizations, from Pittsburgh’s Firedance, which garnered three Grammy of international acclaim and I urge all mem- Manchester Craftsman’s Guild, San Fran- nominations from 1994 to 1996. In late nine- bers to join me in commending him for his cisco’s SF JAZZ Center, to Jazz at Lincoln ties, Ford led two groups, The Black Art Sax magnificent contributions. -
Summerstage Season Announcement June 3 2021 Press Release
Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music. -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,..