Not to Be Missed in Genova
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POCKET GUIDE to GENOA Quick Guide to Discover the City
POCKET GUIDE TO GENOA quick guide to discover the city en 2-3 hours A FLEETING VISIT TO GENOA Four 100% Genoese settings, if you only have a couple of hours to spare Via Garibaldi, the power and Via del Campo, the singer- wealth of the “Siglo des los songwriters and the unique Genoveses” (the Century of the atmosphere of the alleyways Genoese) in the centro storico This is one of the finest “Via del Campo” is the title of one Renaissance streets in the of the moving ballads written and world. Its palazzi. known as the sung by Fabrizio De Andrè. “Rolli”, were splendid patrician Access to the street is from the Translation: homes which the owners were ancient Porta dei Vacca gate, then English Language Consultancy required to make available for have a look at the shop windows Justin Michael Rosenberg royalty and dignitaries visiting in Via San Luca until you reach Photographs: the Republic of Genoa. Piazza Banchi and Caricamento. Sagep Photographic Archives “Castelletto”, a window over “Passeggiata al Porto Antico”, Edited by the Municipality of Genoa, the old town waterfront promenade Tourism Development and Promotion dept. From the renowned “spianata di As you stroll along the old docks This edition was published Castelletto”, which is accessible and wharfs, the lighthouse and in December 2011 by Grafiche G7 by lift from Piazza Portello, you big cruise ships loom into view. for Sagep Editori S.r.l. - Genoa have spectacular views of the A ride on the “Bigo” panoramic centro storico extending all the lift gives you a new perspective © 2012 Sagep Editori, Genoa way to the sea. -
Genova and Its Surroundings
Genova and its surroundings Day 1 – GENOVA Upon arrival, meeting with the bus and transfer to the hotel. In the afternoon visit of the historical centre: The historic centre of Genoa is the largest and most monumental in Europe. Today it has rediscovered its splendour. The maze of the caruggi (alleys) charms and fascinates through its history and marvellous architecture. At every single corner there is a hidden treasure: from the Commenda di Prè to the Sarzano hill, from the Banco di San Giorgio to San Matteo square, everywhere you are surrounded by squares and alleys, loggias and medieval buildings, shrines and tower- houses, mansions and churches with façades in black and white stripes and rich Baroque interiors. A constant crowd fills up the alleys, colourful with shops and stores by day, enlivened by night by young people, who flood the old town like a living sea wave Dinner and overnight Day 2- GENOVA The Old Harbour and the aquarium After breakfast, visit the Old Harbour is the heart of Genoa. It started to beat again for the Genoese and tourists alike in 1992 when the 500th anniversary of the discovery of America was celebrated. In that occasion, in fact, the Porto Antico (Old Harbour) underwent a radical renovation lead by the world famous Genoese architect Renzo Piano. Here, your guide will point out the Bigo which supports today a panoramic lift reaching up 40m. You will also see the Biosfera, a glass and steel structure containing tropical plants and animals and visit Galata – Museo del Mare, a museum set in the Old Arsenal of the Superb. -
Cristo Vivo Bronze, with Gilt Bronze Crown of Thorns and Perizoma, Probably Intended for Private Devotion
WALTER PADOVANI DIGITAL CATALOGUE 2020 Across Myths, Allegories and Religious Themes We are delighted to present a selection of works that touch on a variety of subjects, but which can be defined by the theme of the sacred and the profane. The allegories of Justice and Peace are represented both by a terracotta bozzetto by Canova’s favourite pupil, Rinaldo Rinaldi (1793-1873) and by two figures in bronze by Francesco Righetti (1748-1819), from models by the Genoese sculptor Francesco Maria Ravaschio (1743-1820). In both these cases the sculptors make use of iconographical attributes to identify their personifications, Rinaldi being the more didactic whilst Ravaschio eschews the usual sword and scales to represent Justice preferring to make use of the Lictors’ fasces. Sculpture, therefore, plays a dominant role in our presentation and this is further illustrated by another piece worthy of mention, the marble Genius of the Hunt by the Milanese sculptor Pompeo Marchesi (1790-1858), probably commissioned by the Russian noblewoman Julija Samojlova who had a grand passion for hunting art. Nevertheless, we also have guest appearances by some paintings, such as our Jupiter and Semele, work of one of the most famous names in Bologna in the late 18th century, Gaetano Gandolfi (1734–1803). This small canvas, with its fluid but compact brushstrokes, captures the culminating moment in the mythological tale, when Jupiter, astride an eagle, appears before his lover Semele wielding in his hand the thunderbolt which will kill her. We move away from mythological works with an early 17th century Italo-Flemish Cristo Vivo bronze, with gilt bronze crown of thorns and perizoma, probably intended for private devotion. -
Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa
DYNAMIC DOORWAYS: OVERDOOR SCULPTURE IN RENAISSANCE GENOA By ©2012 MADELINE ANN RISLOW Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Sally J. Cornelison, Ph.D. ________________________________ George L. Gorse, Ph.D. ________________________________ Steven A. Epstein, Ph.D. ________________________________ Stephen H. Goddard, Ph.D. ________________________________ Anthony Corbeill, Ph.D. Date Defended: 4/6/2012 The Dissertation Committee for Madeline Ann Rislow certifies that this is the approved version of the following dissertation: DYANAMIC DOORWAYS: OVERDOOR SCULPTURE IN RENAISSANCE GENOA ________________________________ Chairperson Sally J. Cornelison, Ph.D. Date approved: 4/6/2012 ii Abstract Soprapporte—rectangular, overdoor lintels sculpted from marble or slate—were a prominent feature of both private residential and ecclesiastic portals in the Ligurian region in northwest Italy, and in particular its capital city Genoa, during the second half of the fifteenth and early sixteenth centuries. Sculpted site- or city-specific religious narratives occupy the centers of most soprapporte, and are typically framed with the coats of arms or the initials of their patrons. As this study demonstrates, soprapporte were not merely ornamental, for they acted as devotional objects and protective devices while connecting the citizens who commissioned them to -
Methodological Approach to Reconstructing Lost Monuments from Archaeological Findings: the San Francesco Di Castelletto Church in Genoa
minerals Article Methodological Approach to Reconstructing Lost Monuments from Archaeological Findings: The San Francesco di Castelletto Church in Genoa Simona Scrivano * , Laura Gaggero and Elisa Volpe Department of Earth, Environment and Life Sciences—University of Genoa, 16132 Genoa, Italy; [email protected] (L.G.); [email protected] (E.V.) * Correspondence: [email protected]; Tel.: +39-010-353-58301 Received: 23 August 2019; Accepted: 17 September 2019; Published: 20 September 2019 Abstract: Throughout history, natural hazards, wars, political changes and urban evolution have contributed to the obliteration of outstanding monuments. The study of their remains, frequently recovered as archaeological findings, can be the basis for a reconstruction of the lost structures, by way of their size, function, decoration and stylistic evolution. The present study developed a multidisciplinary approach to gather and interpret archaeological fragments and archive sources, in order to gain as much information as possible on “lost monuments”. The approach was tested with remnants (i.e., several hundreds of marble fragments found during archaeological excavations) of the monastic complex of San Francesco di Castelletto (Genoa), which was demolished after the Napoleonic suppressions. A preliminary organisation of the sample set was attained through cataloguing shape, size, and decoration. After this, a comparison with similar complexes still existing in Genoa allowed the inference of the age and specific ornamental functions for the majority of the pieces. Surface analysis, carried out in situ (portable microscope) and on micro-samples (petrographic analysis and SEM-EDS), allowed the characterisation of the materials (e.g., assessing marble provenance and identifying pigments). As a whole, the method evolved into an operational protocol, which helped both the organisation of the archaeological findings and the reconstruction of unknown phases of the lost monument. -
Slide Collection Catalogue
Catalogue of the Albert Hoxie Slide Collection Compiled by Kent Fielding Schull Summer 2001 Collection Owned by the Department of History, UCLA Introduction This catalogue is a guide to the contents of Albert Hoxie’s entire slide collection of over 160,000 slides of art and architecture from all periods and from around the world. It is ordered according to his method of organization. There are three major sections. Section I is organized according to Area, Painter, and Time Period, for example: if you wish to see if the collection contains the works of Titian, look under Italian Painters 16th Century. Section II consists of artists and artistic works other than paintings and is organized according to Place, Subject Type, and Time Period,1 therefore if you want the sculptural works of Michelangelo then look up under Italian Artists 16th Century. Section III consists of numerous slides taken of sites and architecture around the world. This section is organized according to country, town/city, and specific place.2 For example if you want to see if the collection holds slides of Christ’s Church College in Oxford, England; you would look under Central England, Oxford, Christ’s Church, etc.3 It is also possible to search the collection by using the binoculars icon in the Adobe Acrobat Reader (assuming you have the PDF form of this document). We strongly encourage faculty participation in the identification of slides. If you find an artist, area, or time period that is of interest and would like to use the slides or hasten the process of digitization, please contact Kent Schull: [email protected]. -
The Case of Medieval Genoa Rebecca Müller
Constructing Fame in a Town: The Case of Medieval Genoa Rebecca Müller (Florence) In 1406, an anonymous, probably Genoese author sang the praises of his town: “Genoa, time-honored city, powerful in arms, outstanding in trophies, many signs of honor will glorify you.”1 In a similar way, in 1514 Giovanni Maria Cattaneo in his poem “Genua” emphasized the “famous trophies of the ancestors.”2 So, beyond the topical, trophies in these “laudes urbium” are used to evoke Genoa’s military victories and her fame.3 In this paper, I will investigate from an art historical perspective the way in which trophies and other media of self-representation connected with them were claimed not only by the city, but also by a family in Genoa, the Doria. In par- ticular I will focus on the intersection of the fame of the family and fame of the town. The Doria used their family church San Matteo as a scenography to repre- sent themselves. Thus, the features of its façade program – started in the late thirteenth century – will be the focus of the first part of this paper. We then not only have to look for possible models and parallels, but also for the audience of this program. Finally, it is the way in which in the sixteenth century this church became both a source and medium of legitimation for the later Doria that will indicate the close connection between fame of the family and fame of the town. The “nobiles de Auria” rose in the thirteenth century to be one of the four 1 “Ianua, .. -
Chiese Ed Oratori Di Genova
chiese éGlises e ORATORi eT ORATOiRes Di GeNOVA De GÊNes un itinerario tra arte e fede nel cuore della città un itinéraire entre art et foi dans le cœur de la ville Programma cofinanziato con il Fondo Europeo Programme cofinancé par le Fonds Européen per lo Sviluppo Regionale de Développement Régional chiese e ORATORi Di GeNOVA éGlises eT ORATOiRes De GÊNes due itinerari tra arte e fede nel cuore della città deux itinéraires entre art et foi dans le cœur de la ville A cura di Paola Martini Testi e schede di Grazia Di Natale, Valentina Fiore, Paola Martini Claudio Burlando Presidente Foto di Mario Parodi, Andrea Sorgoli, Fulvio Valgoglio, Luigino Visconti Angelo Berlangieri Assessore alla Cultura Si ringraziano: Mons. Nicolò Anselmi, Don Giampiero Carzino, Padre An- drea De Caroli d.O., Padre Mauro De Gioia d.O., Comunità di Sant’Egi- Luca Fontana dio, Don Paolo Farinella, Mons. Marco Granara, Don Giacomo Martino, Direttore Generale Padre Daniele Minetti d.O., Don Stefano Olivastri, Don Carlo Parodi, An- drea Poggi, Daniele Sanguineti Maria Franca Floris Dirigente Fondazione per la Cultura e lo Spettacolo Maria Teresa Orengo, Amministratore Unico Stefano Scarpa, Direttore Donatella Buongirolami, Responsabile progetti Progetto strategico Accessit Coordinamento generale Maria Teresa Orengo Realizzazione Editoriale De Ferrari Comunicazione srl via D’Annunzio 2/3 · 16121 Genova Tel 010 0986820/21/22 · Fax 010 0986823 www.deferrarieditore.it [email protected] Coordinamento editoriale: Elena Astengo Impaginazione: Elena Menichini iNTRODuziONe 3 Il progetto strategico “Itinerario dei patrimoni accessibili” (AC- Presentation CESSIT) del programma comunitario Italia Francia Marittimo, Le projet stratégique “Itinéraire des patrimoines accessibles” di cui la Regione Liguria è partner, si è posto, tra i vari obiet- (ACCESSIT) du programme communautaire Italie-France tivi, quello della valorizzare del patrimonio culturale tirrenico. -
The Essence of Italy
The Essence of Italy Day 1 – Thu 10th May: Genoa Arrival into Genoa. Our accommodation is the beautiful Palazzo Grillo – an important palace in the history of Genoa and the Old Town, located in the very heart of the historical centre. Overnight: Palazzo Grillo where we are staying for two glorious nights. Genoa – “The Superb” city- imposing, grandiose, but also haughty and proud is a city of strange contrasts. The birthplace of Christopher Columbus and Paganini, Italy’s biggest port is squeezed between the mountains and the sea. Here you will discover renaissance palaces, grand 19th-century boulevards and gilded baroque churches hidden amongst the narrow medieval alleys called “caruggi” by the local people. Genoa is made for exploring and getting lost in the medieval quarter with its lively food shops, bars and trattorias …it’s all part of the experience. Day 2 – Fri 11 May: Historical walking tour of Genoa (B/L) After breakfast, we meet our local guide and walk through the historical centre, one of the oldest and well preserved in Europe. Along the narrow alleys you will discover hidden noble palaces, churches, speciality food shops, local markets with a colourful mix of cultures. Admire the striped marble façade of San Lorenzo Cathedral, dating back to the 12th century. You will see a very small and beautiful piazza - San Matteo - home to the powerful Doria family for 500 years. See the stunning church of San Matteo, with its 14th-century cloister and breathe the history that permeates this amazing city. Lunch in one of the oldest “osteria” of the historical centre, where local people usually go to eat the very best and genuine Ligurian dishes: focaccia, farinata, anchovies and the famous “pansotti” (a sort of vegetable ravioli) together with a glass of local white wine “il bianchetto”.