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Dalmatia Tourist Guide
Vuk Tvrtko Opa~i}: County of Split and Dalmatia . 4 Tourist Review: Publisher: GRAPHIS d.o.o. Maksimirska 88, Zagreb Tel./faks: (385 1) 2322-975 E-mail: [email protected] Editor-in-Chief: Elizabeta [unde Ivo Babi}: Editorial Committee: Zvonko Ben~i}, Smiljana [unde, Split in Emperor Diocletian's Palace . 6 Marilka Krajnovi}, Silvana Jaku{, fra Gabriel Juri{i}, Ton~i ^ori} Editorial Council: Mili Razovi}, Bo`o Sin~i}, Ivica Kova~evi}, Stjepanka Mar~i}, Ivo Babi}: Davor Glavina The historical heart of Trogir and its Art Director: Elizabeta [unde cathedral . 9 Photography Editor: Goran Morovi} Logo Design: @eljko Kozari} Layout and Proofing: GRAPHIS Language Editor: Marilka Krajnovi} Printed in: Croatian, English, Czech, and Gvido Piasevoli: German Pearls of central Dalmatia . 12 Translators: German – Irena Bad`ek-Zub~i} English – Katarina Bijeli}-Beti Czech – Alen Novosad Tourist Map: Ton~i ^ori} Printed by: Tiskara Mei}, Zagreb Cover page: Hvar Port, by Ivo Pervan Ivna Bu}an: Biblical Garden of Stomorija . 15 Published: annually This Review is sponsored by the Tourist Board of the County of Split and Dalmatia For the Tourist Board: Mili Razovi}, Director Prilaz bra}e Kaliterna 10, 21000 Split Gvido Piasevoli: Tel./faks: (385 21) 490-032, 490-033, 490-036 One flew over the tourists' nest . 18 Web: www.dalmacija.net E-mail: [email protected] We would like to thank to all our associates, tourist boards, hotels, and tourist agencies for cooperation. @eljko Kuluz: All rights reserved. No part of this publication may be used or repro- Fishing and fish stories . -
Tourist Guide CROATIA Accommodation Galleries
Tourist guide CROATIA accommodation galleries APP apartments museums camps theatres T ä restaurants A tourist agencies L taverns sport L winerys marines cafes diving centres agrotourism riding clubs Publisher: TURISTIČKE BROŠURE Address: Zagreb Tel./Fax 01 376 0516 E-mail: [email protected] [email protected] http: www.visitcroatia.net Zagreb, 2018.g. 2 11 12 13 10 1 14 16 19 4 15 17 3 2 18 20 5 6 7 8 9 COUNTIES: 1 Zagreb and the City of Zagreb 11 Međimurje 2 Karlovac 12 Varaždin 3 Istria 13 Koprivnica-Križevci 4 Primorje-Gorje 14 Bjelovar-Bilogorje 5 Lika-Senj 15 Sisak-Moslavina 6 Zadar 16 Virovitca-Podravina 7 Šibenik-Knin 17 Požega-Slavonia 8 Split-Dalmatia 18 Brod-Posavina 9 Dubrovnik-Neretva 19 Osijek-Baranja 10 Krapina-Zagorje 20 Vukovar-Srijem 3 CONTENTS City of ZAGREB 13 Brtonigla 51 Rijeka 93 Zagreb Buje 52 Bakar 97 County 30 Buzet 54 Kostrena 97 Bregana 32 Fažana 55 Kraljevica 97 Donja Bistra 32 Funtana 55 Jadranovo 98 Dugo Selo 32 Grožnjan 56 Dramalj 98 Ivanić Grad 33 Kanfanar 57 Crikvenica 100 Jastrebarsko 34 Kaštelir-Labinci 57 Selce 102 Krašić 35 Ližnjan 57 Novi Vinodolski 103 Križ 35 Kršan 57 - Otok Krk Lučko 35 Plomin 58 Baška 104 Pisarovina 35 Labin 58 Dobrinj 104 Samobor 36 Marčana 60 Krk 105 Sesvete 37 Medulin 61 Malinska 107 Sve. Ivan Zelina 37 Motovun 62 Njivice-Omišalj 108 Sveta Nedjelja 38 Novigrad 63 Punat 109 Velika Gorica 39 Oprtalj 65 Vrbnik 110 Vrbovec 41 Pazin 65 - Otok Cres 111 Zaprešić 42 Poreč 66 - Otok Lošinj 113 Karlovac Pula 69 - Otok Rab 116 County 44 Rabac 74 Čavle 118 Draganić 45 Raša -
Transcending Borders, Transforming Identities Travelling Icons and Icon Painters in the Adriatic Region
© Margarita Voulgaropoulou Transcending Borders, Transforming Identities Travelling Icons and Icon Painters in the Adriatic Region Margarita Voulgaropoulou Abstract The presence of Greek artists has been consistently attested in the broad Adriatic area from the Late Middle Ages through the entire Early Modern period. Renowned for their ability to work in both the Byzantine and Western iconographic traditions, Greek icon painters appealed to an extensive patronage network that transcended ethnic, socio-economic, and confessional boundaries. The high demand for icons from such a vast demographic resulted into a notable rise in the import of works of Orthodox art in the Adriatic markets, and culminated in the establishment of flourishing icon-painting workshops along the Italian and Dalmatian coasts. Keywords: Icon painting, Orthodoxy, Venice, Dalmatia, Istria, Boka Kotorska, Apulia ***** In his life of Cimabue Giorgio Vasari writes: “It happened that in those days certain Greek painters came to Florence, having been summoned by those who governed the city, for no other purpose than that of introducing there the art of painting, which in Tuscany long had been lost.”1 According to Vasari, young Cimabue closely studied the paintings created by these Greek artists, and even worked alongside them, only to later turn away from their Byzantine manner, and develop his own artistic style. Vasari also comments that these “Greek painters” cared little for advancing the art re•bus Issue 9 Spring 2020 23 © Margarita Voulgaropoulou of painting, and produced -
82220947012.Pdf
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España Caletta, Josko Music and Musical Life on Dalmatian Islands: Processions, Carnivals, Haka-musaka, Viroza party... Musical Traditions of Bol, the Island of Brac Trans. Revista Transcultural de Música, núm. 14, 2010, pp. 1-18 Sociedad de Etnomusicología Barcelona, España Available in: http://www.redalyc.org/articulo.oa?id=82220947012 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative TRANS - Revista Transcultural de Música - Transcultural Music Revie... http://www.sibetrans.com/trans/a17/music-and-musical-life-on-dalmati... Home PRESENTACIÓN EQUIPO EDITORIAL INFORMACIÓN PARA LOS AUTORES CÓMO CITAR TRANS INDEXACIÓN CONTACTO Última publicación Números publicados < Volver TRANS 14 (2010) Convocatoria para artículos: Music and Musical Life on Dalmatian Islands: Processions, Carnivals, Haka-musaka, Viroza party... Musical Traditions of Bol, Explorar TRANS: the Island of Brac Por Número > Por Artículo > Josko Caletta Por Autor > Abstract The author is following and observing the (musical) life in the small picturesque town of Bol on the Dalmatian island of BracË . The (traditional) musical life in the small urban and rural communities on the Dalmatian islands is still significantly present through a variety of traditional customs, both secular and sacral, and various vocal, instrumental and dance forms. Besides older layers of musical tradition, abandoning the old and creating, constructing and accepting the new musical idioms is the principal Share | characteristic of their music making. -
51. Međunarodna Smotra Folklora / 51St International Folklore Festival 51
MSF2017_A_Korice kataloga_160x235_01_FIN_PRI.pdf 1 13.7.2017. 16:34:01 C M Y CM MY CY CMY K MSF2017_A_Korice kataloga_160x235_01_FIN_PRI.pdf 2 13.7.2017. 16:34:01 51. Međunarodna C M smotra folklora Y st CM 51 International MY CY CMY Folklore Festival K 19. – 23. 7. 2017. Zagreb, Hrvatska Baština Banovine i Pounja POD POKROVITELJSTVOM HRVATSKOGA SABORA / UNDER THE AUSPICES OF THE CROATIAN PARLIAMENT Međunarodna smotra The International Folklore folklora u Zagrebu Festival Međunarodna smotra folklora održava se u The International Folklore Festival has Zagrebu od 1966. godine. Prikazuje i afirmira traditionally been held in Zagreb since tradicijsku kulturu i folklor brojih domaćih i 1966. The Festival’s objective is to present stranih sudionika. Nastavlja dugu tradiciju and affirm the status of traditional culture smotri Seljačke sloge, kulturne, prosvjetne i and folklore of its numerous local and dobrotvorne organizacije Hrvatske seljačke international participants. The event stranke između dvaju svjetskih ratova. U continues the old tradition of festivals suvremenoj Hrvatskoj Smotra postaje dio organized by the Peasant Concord, a cultural, svjetskog pokreta za očuvanje kulturne educational and humanitarian organisation baštine koji prati programe UNESCO-a. of the Croatian Peasant Party from time in Odlukom Ministarstva kulture Republike between the two World Wars. In modern-day Hrvatske i Grada Zagreba, 2014. proglašena Croatia, the International Folklore Festival je festivalskom priredbom nacionalnog has become part of the global movement značenja. led by the UNESCO that aims to safeguard intangible cultural heritage. In 2014, the Croatian Ministry of Culture and the City of Zagreb pronounced it as a festival of national significance.