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Kurt F. Pantzer Collecting Papers, 1832-1983 (M007)

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M007 Kurt F. Pantzer Collecting Papers, 1832-1983, n.d. | Indianapolis Museum of Art Archives By Rebecca Pattillo Collection Overview Title: Kurt F. Pantzer Collecting Papers, 1832-1983, n.d. Collection ID: M007 Primary Creator: Pantzer, Kurt F. (Kurt Friedrich) (1892-1979) Extent: 17.54 linear feet Arrangement: This collection has been divided into seven series and three subseries: Series I: J.M.W. Turner Artwork Series II: Other Artists Series III: Book Collecting Series IV: Exhibitions Series V: Correspondence Series VI: Research Material Subseries a: J.M.W. Turner Subseries b: Catalogs and Publications Subseries c: Places Series VII: Cooper Notebooks **Photographic prints and negatives that were originally filed with the manuscript material have been separated and moved from the document boxes to photo boxes. IMA Archives Separation Sheets have been placed where the photographic material was originally filed in Series V, VI, and VII. Due to the large amount of photographic material contained within Series I, II, and III, individual Separation Sheets were not created at the time of separation. Instead, the photo folders containing separated photographic material have been labeled with titles that match the document folders from which the material was removed. This same procedure was followed when separating oversized items from Series I and II.** Date Acquired by the IMA Archives: October 24, 2014 Languages: English, German, French, Italian IMA Archives Kurt F. Pantzer Collecting Papers, 1832-1983 1 Scope and Contents of the Materials The Kurt F. Pantzer Collecting Papers document the fine art and book collecting of the Indianapolis businessman and civic leader who was known for having the largest collection in America of artworks by British artist Joseph William Mallard (J.M.W.) Turner (1775-1851). The archival collection was given to the Curatorial Department of the Indianapolis Museum of Art with Pantzer’s art collection in the 1970s and was transferred to the archives in October of 2014. The collection has been divided into seven series and three subseries which are described below. Series 1: J.M.W. Turner Artwork, 1895-1983, n.d. includes correspondence, catalogs, clippings, purchase and shipping documents, and other materials related to the acquisition and research of specific Turner works in Pantzer’s collection. Boxes 1 through 7 are arranged alphabetically by title of the artwork. The remaining boxes 8 and 9 are organized chronologically and contain documents pertaining to general collecting, acquisition, and research. Included are folders regarding Dr. Thomas Monro (1759-1833), an early patron of Turner and his fellow artistic contemporaries, known as the “Monro Circle.” Series 2: Other Artists, 1866-1980 contains correspondence, catalogs, clippings, purchase and shipping documents, and other materials related to the acquisition and research of non-Turner artists. Included amongst the artists are Turner contemporaries and copyists, as well as artists not related to Turner. The series is arranged alphabetically by artist. Series 3: Book Collecting, 1949-1975 includes correspondence, purchase documents, and auction catalogs relating to Pantzer’s acquisition of books for his extensive personal library. The series is arranged chronologically. Folder labels include the title of the book and author or the auction sale from which the book was obtained. Folder labels containing the auction title also include the auction’s lot numbers of interest to Pantzer on the physical folder but have been excluded from the finding aid content listing. This series does not include physical copies of books obtained, only the documentation and evidence of his purchases. Many of these books, especially those relating to J.M.W. Turner, were gifted to the IMA Stout Reference Library in 1979. Series 4: Exhibitions, 1946-1977 contains correspondence, exhibition ephemera, loan agreements, and shipping and insurance documents for Turner artworks owned by Pantzer that were loaned to museums for exhibition. It is arranged chronologically by exhibition date. Series 5: Correspondence, 1954-1979 consists of correspondence with various art historians, enthusiasts, curators, museums directors, art dealers, and fellow collectors. It is arranged alphabetically by last name, followed by four folders of general correspondence from 1955-1977. Series 6: Research Material, 1832-1980, n.d. Pantzer amassed a large collection of reference material including clippings, ephemera, court documents, correspondence, travel guides, and publications that he termed “Turnerabilia.” His collection of research material is organized into three subseries: J.M.W. Turner, Catalogs and Publications, and Places. IMA Archives Kurt F. Pantzer Collecting Papers, 1832-1983 2 Subseries a: J.M.W. Turner, 1832-1980, n.d. includes research material relating directly to J.M.W. Turner including estate court documents, 19th century letters between Turner contemporaries, documents about Turner collecting and pricing, ephemera and correspondence regarding the Turner Society in London, notebooks by A.J. Finberg with sketches of Turner works, and research on Turner’s first major patron, Dr. James Monro. Known as a leading expert on Turner, Panzter was often asked to give opinions and editing comments for upcoming Turner scholarship. Within this series are publications by Gerald Wilkinson and George Hardy that Pantzer proofread and annotated for correction. This series is arranged chronologically. Photo Box 4, Folder 20 entitled “Unidentified photographs and negatives, n.d.” has been housed within Series VI, subseries a: J.M.W. Turner, though it likely includes works by other artists. Subseries b: Catalogs and Publications, 1857-1975 consists of catalogs and publications relating to art sales and research. Included are very early auction catalogs used for provenance research. They are arranged chronologically. Subseries c: Places, 1957-1960, n.d. contains Pantzer’s collection of travel ephemera from Europe, most commonly areas that were subjects of Turner’s paintings. Included in this series are postcards, maps, travel guides, and two folders of colored print engravings of views in Switzerland. The folders are arranged alphabetically by location. Series 7: Cooper Notebooks, 1847-1977, n.d. includes the original Cooper Notebooks, correspondence regarding the notebooks, as well as related research. These notebooks, created by Hannah Cooper, were serendipitously discovered by Pantzer in 1968 at a Massachusetts antiquarian book store. Cooper was the niece of Londoner Charles Stokes (1785-1853), a collector and personal acquaintance of J.M.W. Turner. Upon Stokes’ death, he bequeathed his collection of 150 Turner drawings to Cooper. She subsequently exchanged these drawings for eighty-three other drawings done by Turner, transactions which she recorded in the first two volumes of the notebooks. The remaining four volumes are a detailed compilation by Cooper of Stokes’ authoritative catalogue of Turner’s engraved works. Biographical Note Born August 21, 1892, Kurt F. Pantzer was a prominent Indianapolis lawyer heavily involved in public affairs, politics, and cultural humanities. He attended Wabash College and received art and law degrees from Harvard University between 1909 and 1920. His first job as a lawyer was in New York with the firm Winthrop & Stimson from 1920 to 1922. Pantzer returned to Indianapolis where he made a living as a lawyer with the firm Barnes, Hickman, Panzter and Boyd. In 1926 he married Katharine Ferriday, with whom he had three children: Katharine F. Pantzer, Kurt F. Pantzer, Jr., and Eric Pantzer. His success as a lawyer gave him the financial means to become an authoritative collector of works by English artist Joseph Mallord William (J.M.W.) Turner (1775-1851) who produced some 20,000 paintings, drawings, and sketches during his lifetime. Of this vast body of work, Pantzer amassed a collection of 38 Turner watercolors, 3,000 Turner engravings, 7 Turner life portraits, a Turner library of 500 volumes, as well as correspondence of both Turner and his contemporaries. IMA Archives Kurt F. Pantzer Collecting Papers, 1832-1983 3 Pantzer’s collection of supporting Turner items such as letters, manuscripts, and portraits made up what he affectionately called “Turnerabilia.” This included extending his collection beyond Turner; he sought Turner predecessors, contemporaries, and followers. Turner’s principal champion, art critic John Ruskin (1819-1900), was also a collecting interest of Pantzer’s. Included in the Pantzer Collecting Papers are Ruskin letters and research, as well as those of Ruskin’s students, who were instructed as copyists of Turner’s works (Ruskin felt the best way to learn from the then deceased master was to emulate his style). The copies they produced, as well as artworks in the style of Turner, were also of interest to Pantzer. He took particular notice of an especially skilled copyist and student of Ruskin, Isabella Jay (1842/3-1919), after he discovered that a painting he purchased listed as a genuine Turner was actually created by Isabella Jay. Pantzer bought Jay’s original records of her Turner copies that she painted and sold (included in Series II: Other Artists). Jay was not in the business of selling her copies as Turner forgeries, rather they were merely facsimiles of his work; not until later were her pieces sold under the guise of Turner originals. Throughout his collecting, Pantzer corresponded regularly with art dealers, historians, curators,
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