Gajapati Rama Chandra Dev (I) As “Abhinav Indradyumna”
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Buddhism During the Bhaumakara Period: a Case of Study on Social Life in Odisha
International Journal of Social Science Citation: IJSS: 8(1): 11-18, March 2019 DOI: 10.30954/2249-6637.01.2019.3 ©2019 New Delhi Publishers. All rights reserved Buddhism during the Bhaumakara Period: A case of study on Social life in Odisha Manas Kumar Rout History Department, Ravenshaw University, Cuttack, Odisha, India Corresponding author: [email protected] ABSTRACT In this paper I try to highlight on the Buddhist faith and believe in ancient period. Especially Bhaumakara dynasty regime what is the social condition of the society specific reference to Buddhism. Many of the inscriptional and literary sources tell about social system of Odisha during the Bhaumakara Period. Many of the scholars study it but anybody not clearly mention which of the question raise this paper. The Bhaumakara grant tells various titles like Paramsaugata, Parambhattarak, Tathagata etc¹ but the scholar and historian analysis it the Bhuamakaras are followed and patronized Buddhism but many of the land grant goes to Brahmans. It is clear that the Brahmans are staying and maintain high class in the society. If In Odisha the Brahman are lived with a high standard living style so after the Bhaumakara fallen the Somyavamsi king Yayati I why calling the ten thousand Brahman from the Kanauj²? Another question is that if he calling for the Aswamedha sacrifice then why he donate village for the permanent settlement? The Study of Buddhist literature says that the One Buddhist monk defeated to Brahman on the Gospel (Sastra) discussion. After this gospel discussion five hundred Brahman converted from Brahmanical faith to Buddhist faith³. This paper is the based on the study of literarily and inscription sources and to get the answer to cast system during the period and increasing of the Buddhist follower. -
History of Medieval Odisha - Religious Perspective
ISSN 0970-8669 Odisha Review he history of religion in medieval Odisha from controversies to establish their own theories. T12th Century AD onwards is of immense Ramanuja was the Alvar, who was the successor importance. Different religious cults flourished side of Yamunamuni. The philosophy of Ramanuja is by side and every faith had its culmination in the called Visistadvaita. From the commentary on cult of Jagannath. There are three distinct features. Brahmasutra, the keynote of his entire work can First, the continuance of the cosmopolite be summed up. Himself a devotee of Visnu, he homogeneity in the midst of diversity. Second, derived his metaphysical doctrines from the predominance and supremacy of Vaisnavism as Upanisads and Brahmasutras. R. G. Bhandarkar a major religion of Odisha as well as the erection opines that, the Vaisnavism of Ramanuja is the of remarkable religious structures. Third, the Vasudevism combined with the Narayaniya and inspired influence of the saints of Odisha. The role Visnu elements. of Ramanuja and Chaitanya created a magnificent chapter of dedication and devotion in Odisha. Most of the historians agree that Ramanuja visited Odisha between 1122 to 1137 Medieval period in Odisha was a great AD. His visit to Odisha was a great event indeed. age of religious achievements. The suitable P. Mukherjee states that Ramanuja visited Puri History of Medieval Odisha - Religious Perspective Rajashree Patnaik geographical location and the favourable cultural atmosphere of Odisha have provided opportunity to preach his faith, as a part fulfillment of his since ancient times for the growth and progress mission. The religious history of Odisha reveals of various religious cults like; Buddhism, Jainism, the fact that, popularity of any religion used to Saivism, Saktism and Vaisnavism. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome. -
Sculptural Art of Jains in Odisha: a Study
International Journal of Humanities And Social Sciences (IJHSS) ISSN (P): 2319-393X; ISSN (E): 2319-3948 Vol. 6, Issue 4, Jun - Jul 2017; 115 - 126 © IASET SCULPTURAL ART OF JAINS IN ODISHA: A STUDY AKHAYA KUMAR MISHRA Lecturer in History, Balugaon College, Balugaon, Khordha, Odisha, India ABSTRACT In ancient times, Odisha was known as Utkal, which means utkarsh in kala i.e., excellent in the arts. Its rich artistic legacy permeates through time, into modern decor, never deviating from the basics. Each motif or intricate pattern, draws its inspiration from a myth or folklore, or from the general ethos itself. Covered by the dense forests, soaring mountains, sparkling waterfalls, murmuring springs, gurgling rivers, secluded dales, deep valleys, captivating beaches and sprawling lake, Odisha is a kaleidoscope of past splendor and present glory. Being the meeting place of Aryan and Dravidian cultures, with is delightful assimilations, from the fascinating lifestyle of the tribes, Odisha retains in its distinct identity, in the form of sculptural art, folk art and performing art. The architectural wonders of Odisha must be seen in the Jain caves, which speak about the fine artistry of Odisha’s craftsmen, in the bygone era. The Odias displayed their remarkable creative power, in the Jain sculptural art. While they built their caves like giants, they sculptured the caves like master artists. The theme of these sculptures was so varied, for the artist and his imagination so deep that, as if, he was writing an epic on the surface of the stone. KEYWORDS: Art, Architecture, Sculpture, Prolific INTRODUCTION Odisha has a rich and unique heritage of art traditions, beginning from the sophisticated ornate temple architecture, and sculpture to folk arts, in different forms. -
Sakti Cult in Odisha
Odisha Review ISSN 0970-8669 akti, the cradle of the phenomenal existence Sof beings, plays a vital role not only in India but also in the whole world. She is the source of cosmic evolution and the controller of all forces and potentialities of nature. She is the immediate cause of the perceptible world and all the beings are in Her domain. As such, to know Her in the entirety is to know Her reality. To add more, Saktism is the worship of Sakti or the female principle, the primary factor in the creation, sustenance and dissolution of the universe. The term Sakti represents divinity in general and stands for the energising power of some divinity in Sakti Cult in Odisha Dr. Sanjaya Kumar Mahapatra particular. Being feminine in gender She has long Sakti cult played an important role in the been associated with the various male deities as socio-religious life of the Odishan people. The their energy but in Saktism the energy of each archeological as well as literary sources prove the God becomes personified as his consort, and thus, prevalence of Sakti cult in Odisha to an early age. if a god is separated from his consort or Sakti, he Both in paintings and engravings of Odishan rock art several instances of bisected triangles is powerless and inert. To justify this statement, resembling female genital have been Sankaracharya, the propounder of monistic encountered1. Repeated occurrences of such theory, in the Saundaryalaharî has eulogised the symbols in the different rock shelters amply greatness of Sakti in the following manner: suggest the popularity of the primordial mother Sivah saktya yukto yadi bhavati saktah prabhavitum cult or the cult of fecundity during the pre-historic na ced evam devo na khalu kusalah spanditumapi; ata stvam aradhyam Hari-Hara-Virincadibhir api period. -
Sengupta, Sohini (2012) Being Hungry, Becoming Free: Marginality, Identity and Livelihoods in Rural Western Orissa
Sengupta, Sohini (2012) Being hungry, becoming free: marginality, identity and livelihoods in rural Western Orissa. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15641 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Being Hungry, Becoming Free: Marginality, Identity and Livelihoods in Rural Western Orissa SOHINI SENGUPTA Thesis submitted for the degree of PhD in Anthropology 2012 Department of Anthropology and Sociology School of Oriental and African Studies University of London 1 2 Abstract This thesis is a description of lives from a remote area of India. It is based in a village and its neighbourhood, in a place called Borasambar in western Orissa. Here, in the not so distant past there existed a network of interconnected kingdoms, stretching outwards from the valleys of the Mahanadi River into the dense forests of Central India. People who live in these rural, erstwhile forest areas suffered great poverty and deprivation after a brief period of agrarian expansion and prosperity in the late nineteenth century and before state welfare expenditure arrived to provide a new perspective towards poverty. -
Contribution of the Somavamsis to the Odishan Culture: a Critical Analysis
EUROPEAN ACADEMIC RESEARCH Vol. II, Issue 11/ February 2015 Impact Factor: 3.1 (UIF) ISSN 2286-4822 DRJI Value: 5.9 (B+) www.euacademic.org Contribution of the Somavamsis to the Odishan Culture: A Critical Analysis Dr. ABHIJIT SAHOO Lecturer in History KIIT School of Social Sciences (KISS) India Introduction: The two hundred years rule of the Somavamsis form a magnificent era, in the cultural heritage of Odisha. For the first time Kalinga, Utkala, Kongoda and Kosala were unified and brought under one political authority. The uniform pattern of administration, removed disorder and confusion throughout the state and paved the way for a cultural synthesis leading to the emergence of a unique Odia culture. The Odishan temple architecture took a concrete form during the Somavamsis and the kingdom basked in the golden glow of peace and prosperity. Their multiple activities in various fields ushered in a new epoch in the political and cultural history of Odisha and for that they have remained immortal in the minds of the Odishan people.1 The Somavamsis are also known as the Panduvamsis in the archives of history. They belonged to the family of Moon (Chandra) and were Kshatriya by race. In ancient times, the Kshatriya traced their origin either from the Sun or Moon. Similarly, the Somavamsis took credit of belonging to the lunar family. The Somavamsis were, perhaps, the direct descendants of the Pandava dynasty and so, they are also known as the Panduvamsis. They ruled over Mekala, identified with the modern Maikal range in Madhya Pradesh. The history of the Panduvamsis before fifth century A.D. -
Hymns to Jagannatha JAYADEVA
Orissa Review * May - 2005 Hymns to Jagannatha JAYADEVA Translations by Dr. Subas Pani Jayadeva lived in the twelfth century and is the literature. The ten avataras are also presented in well-known author of the musical epic Sri sculptures on the outer walls of the sanctum of Geetagovinda. He hailed from the Kenduli village the Srimandira. These have been revealed to us in the Prachi valley between Bhubaneswar and only recently after the de-plastering of the temple Puri. He spent most of his life at Puri and surface. The monastery established by Jayadeva composed the songs of Sri Geetagovinda as is also known as the Dasavatara Matha and is musical offerings to Lord Jagannatha. Padmavati, situated near the Gundicha temple to the east of his beloved wife, danced to the songs sung and the Saradhabali, the open grounds in front of the choreographed by Jayadeva. The composition former. Many of the avatara sculptures can still was probably performed first on the twin be found in this temple today. occasions of the dedication of the Srimandira and The main dramatic theme of Sri the coronation of Kamaamava as the crown Geetagovinda relates to the dalliance of Radha prince in 1142 AD during the reign of and Madhava on the banks of Yamuna and their Chodagangadeva, the founder of the great Ganga secret love play. Yet throughout the twenty-four Empire in the east coast of India. Jayadeva, a songs and seventy-two slokas, the thread of deep great scholar and composer was a devotee first devotion runs like a subterranean stream. -
Medieval Orissa and Women: a Special Focus on Sex Trade
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 1 January 2018 | ISSN: 2320-2882 Medieval Orissa and Women: a special focus on sex trade Sankarsan Malik Lecturer, Dept of History Berhampur University Ganjam, Odisha _________________________________________________________________________________________ Abstract : During medieval period Orissa achieved great success in the field of trade and commerce. Oriya traders were expert in the maritime trade. But the decline of Hindu dynasty in later part of sixteenth century brought many changes in the politics of Orissa. Economic condition of the state also started declining. Then the emergence of the Europeans traders in the coastal Orissa during seventeenth century encouraged the trade and commercial activities of the region but could not help to revive the economic condition of Orissa. On other hand the presence of European traders in the coastal town of Orissa encouraged flesh trade. Oriya girls basically from poor family became the major item of this sex business. Foreign traders also started investing money on this bossiness and exported Oriya girls to the other part of the country as well as Europe. It is not like that before the arrival European traders in Orissa Oriya girls were not involved into this business. The institution of prostitution was always there in medieval Orissa. The literatures of the period have given clear description regarding the existence of the sex business in the Oriya society. Kings were appointed dancing girls known as courtesan in their court for the entrainment purpose but these courtesans apart from dancing in the court they were also engaged into the prostitution work. Prostitution was a common practice during medieval Orissa. -
Syllabus for the History Student's
1 SYLLABUS FOR THE HISTORY STUDENT’S (AS PER C.B.C.S. STRUCTURE) (2016-2017) BERHAMPUR UNIVERSITY BERHAMPUR – 760007 GANJAM, ODISHA (NAAC ACCREDITED GRADE-A) 2 DETAIL SYLLABUS FOR THE HISTORY HONOURS STUDENT’S AS PER C.B.C.S. STRUCTURE (2016-2017) 1. Core Course—14 Courses(Papers)-06 Credits Each 2. Generic Elective-02 Courses (Papers)-06 Credits Each 3. Discipline Specific Elective-04 Courses (Papers)-06 Credits Each 4. Skill Enhancement Course-02 Courses-02 Credits Each BERHAMPUR UNIVERSITY BERHAMPUR – 760007 GANJAM, ODISHA (NAAC ACCREDITED GRADE-A) 3 SEMESTER WISE C.B.C.S. COURSE STRUCTURE: B.A (HISTORY HONOURS) Berhampur University 2016 – 2017 Semester Name of the course Title of the course (paper ) Credits 1 2 3 4 History of India-I Social Formations and Cultural C.C – 1 Patterns of the Ancient World 6 C.C – 2 6 Refer Syllabus of the selected 1st Semester G.E.-Subject-I--P.I subject 6 (Subject to be chosen 2 by the student) AECC – 1 Environmental Studies - - Total 20 History of India—II Social Formations & Cultural 6 C.C – 3 Patterns of Odisha 6 2nd Semester C.C – 4 G.E.-Subject-I-P –II Refer Syllabus of the selected 6 AECC – 2 subject 2 MIL Communication - - Total 20 6 C.C – 5 History of India-III (C.750-1206) 6 C.C – 6 Rise of Modern West-I 6 C.C – 7 History of India-IV (1206-1550) 3rd Semester G.E–Subject-2-P.I Refer Syllabus of the selected (Subject to be chosen subject 6 by the student) SEC – 1 English Communication 2 - - Total 26 C.C – 8 Rise of Modern West-II History 6 C.C – 9 of India-V (C.1550-1605) 6 th History of India-VI -
The Music Academy, Madras 115-E, Mowbray’S Road
THE JOURNAL THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC VoLXXIX 1958 Parts I-1V silt si i m iiwfer m farmfo u “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; where my Bhaktas sing, there be I, Narada ! ” EDITED BY V. RAGHAVAN, m .a ., p h .d . 1959 PUBLISHED BY THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription :—Inland Rs. 4 : Foreign 8 sh. Post paid. A11 correspondence should be addressed to Dr. V. Raghavan, Editqr,Journal of the Music Academy. * Articles on musical Subjects,are accepted for publication; on the understandihg that they .are contributed solely to the Journal of the Music Academy. • n All’manuscripts should be legibly written or preferably typewrit ten (double spaced—on one side of the paper only) and should be signed by the writer giving his address in full. ^ All .articles and communications intended for publication should reach the office at least one month before the date of publication (ordinarily the 15th of the* 1st month in each quarter). n The Editor of the. Journal is not responsible for the views expres sed by individual contributors. v All advertisements intended for publication should, reach the office not later than the 1st of the first month of each quarter. All books, moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan, Editor. *• f ADVERTISEMENT CHARGES COV&R PA G ES: Full Page Half page A.• f Back (outside) Rs.