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Unit 1 Is the Introduction. No Lecture Note Unit 2 Thai Architecture
1 Unit 1 is the introduction. No lecture note Unit 2 Thai Architecture Composition General concept of architecture- the art of shaping of space (physical, perceptual / conceptual and behavioral space) Outstanding characteristics of Thai arts/ architecture Influential factors and design concept of Thai architecture General Concept of Architecture Outstanding Characteristics of Thai Arts/ Architecture Thai art is very much influenced by nature and environment of Thai society. It’s outstanding characteristics include: - Its delicate beauty; this character reflects the character and mind of Thai people which can be perceived in created arts. - Most traditional arts in Thailand are created to promote Buddhism or are created from Buddhist faiths and beliefs. Thai architecture Thai architecture is defined as art of building or construction. In Thai context, buildings include houses and residences, buildings in monastery or temples such as Ubosot, Vihara, Stupa and Chedi, palatial buildings or palaces, halls, pavilions, and others. Architectural designs and functions vary by geographies and can be categorized by functions: (1) residences (e.g. houses, mansions, royal residences, palaces, grand palaces); and (2) monasteries or architecture that relates to religion (e.g. Ubosot, Vihara, monk’s residences, scripture halls, bell towers, drum towers, Stupa, Chedi). Background of architectural development of uumanity Architecture is not just a science of construction but it is a kind of ―Visual Art‖ Visual art is defined as plastic or tangible art which means that it has the following compositions: - stable form and size - ordered and well- planned structure - mass as well as massive 2 - space - proportion - unity - purpose - creativity - artistic value - serving human desires, physically and mentally (mind & imagination) Development of humanity architecture Human had been living in caves, cliffs, mountains, or other kinds of natural protecting areas. -
Cormorant DW Formats
Review article on Jeremias van Vliet, The Short History of the Kings of Siam, JSS LXIV, 2 (July 1976), pp. 207-236. Jeremias van Vliet, The Short History of the Kings of Siam, translated by Leonard Andaya from a transcription by Miriam J Verkuijl-van den Berg, edited by David K Wyatt, Bangkok, The Siam Society, 1975 iv, 97 pp. For a number of years historians concerned with early Ayutthaya have been aware that a chronicle version older than anything else extant had been compiled in Dutch by the early 17th-century VOC representative in Ayutthaya, Jeremias van Vliet, and its publication has been eagerly awaited for light it might shed on points which remain obscure in other texts. Now The Siam Society has provided in very attractive format a transcription of van Vliet’s original text with an English translation and a certain number of notes on the historiographic problems of the text and its relationship to other sources1. Van Vliet’s chronicle begins with a very interesting version of the history of the peninsula and lower Menam basin before the founding of Ayutthaya. Here van Vliet relates several stories which were current concerning the first king of Siam in ancient times - that he was a son of a Chinese emperor and had come to the peninsula abut 2000 years before, that he was a brahman named Phrommathep, and that Siam was founded by the Buddha himself. A long time later, about 300 years before van Vliet’s day, another son of a Chinese ruler, Chao Ui, arrived on the peninsula and became the Thao U Thong who founded Ayutthaya. -
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities Charn Panarut A thesis submitted in fulfilment of The requirements for the Degree of Doctor of Philosophy Department of Sociology and Social Policy Faculty of Arts and Social Sciences The University of Sydney 2018 Statement of Authorship This dissertation is the copyrighted work of the author, Charn Panarut, and the University of Sydney. This thesis has not been previously submitted for any degree or other objectives. I certify that this thesis contains no documents previously written or published by anyone except where due reference is referenced in the dissertation itself. i Abstract This thesis is a contribution to two bodies of scholarship: first, the historical understanding of the modernisation process in Siam, and in particular the role of sport in the gradual pacification of violent forms of behaviour; second, one of the central bodies of scholarship used to analyse sport sociologically, the work of Norbert Elias and Eric Dunning on sport and the civilising process. Previous studies of the emergence of a more civilised form of behaviour in modern Siam highlight the imitation of Western civilised conducts in political and sporting contexts, largely overlooking the continued role of violence in this change in Siamese behaviour from the pre- modern to modern periods. This thesis examines the historical evidence which shows that, from around the 1900s, Siamese elites engaged in deliberate projects to civilise prevalent non-elites’ aggressive conducts. This in turn has implications for the Eliasian understanding of sports and civilising process, which emphasises their unplanned development alongside political and economic changes in Europe, at the expense of grasping the deliberate interventions of the Siamese elites. -
Travel to Bangkok
Travel to Bangkok Stig Albeck Download free books at Bangkok © 2008 Stig Albeck & Ventus Publishing ApS Translation: Jan Thorhauge All rights and copyright relating to the content of this book are the property of Ventus Publishing ApS, and/or its suppliers. Content from ths book, may not be reproduced in any shape or form without prior written permission from Ventus Publishing ApS. Quoting this book is allowed when clear references are made, in relation to reviews are allowed. ISBN 978-87-7061-316-3 1st edition Pictures and illustrations in this book are reproduced according to agreement with the following copyright owners Stig Albeck, Gorm Albeck & Brian McMorrow. The stated prices and opening hours are indicative and may have been subject to change after this book was published. Bangkok Contents 4 Bangkok Bangkok General Taksin became the new king, but he was Bangkok dethroned in 1782 and Rama I moved his court and his administration to Bangkok on the other www.bangkoktourist.com side of the Chao Phraya River. By doing so, he made Bangkok the new capital of the country. Historical outline Rama I, who founded the Chakri-dynasty, which is still The settlement of present-day Thailand began in power, considered Bangkok an easier place to about 2,000 years ago with waves of migration defend against potential enemies than both Ayutthaya from China. For many centuries, the area was and Thonburi, because the Burmese would have to characterized by minor states and scattered cross the relatively wide Chao Phraya River. systems of government. Some major states did exist during this period, however, especially the The construction of a number of canals was Khmer Empire, which was founded in the 9th initiated. -
Travel to Thailand
STIG ALBECK TRAVEL TO THAILAND DOWNLOAD FREE TRAVEL GUIDES AT BOOKBOON.COM NO REGISTRATION NEEDED Thailand Stig Albeck Download free ebooks at BookBooN.com Thailand © 2008 Stig Albeck & Ventus Publishing ApS Translation: Jan Thorhauge All rights and copyright relating to the content of this book are the property of Ventus Publishing ApS, and/or its suppliers. Content from ths book, may not be reproduced in any shape or form without prior written permission from Ventus Publishing ApS. Quoting this book is allowed when clear references are made, in relation to reviews are allowed. ISBN 978-87-7061-286-9 1st edition Pictures and illustrations in this book are reproduced according to agreement with the following copyright owners Stig Albeck, Gorm Albeck & Brian McMorrow. The stated prices and opening hours are indicative and may have been subject to change after this book was published. Download free ebooks at BookBooN.com Thailand Contents Contents A Visit to Thailand 6 A. Bangkok 7 B. Kanchanaburi 28 C. Ayutthaya 29 D. Lop Buri 35 E. Sukothai Historical Park 38 F. Si Satchanalai 41 G. Kamphaeng Phet 43 H. Tak 44 I. Mae Sot 46 J. Lampang 49 K. Lamphun 52 L. Chiang Mai 54 M. Chiang Rai 62 Facts about Thailand 70 Phrase book 82 Download free ebooks at BookBooN.com 4 Thailand A visit to Beijing Download free ebooks at BookBooN.com 5 Thailand A Visit to Thailand A visit to Thailand www.tourismthailand.org Many people begin their visit to the marvelous country of Thailand by flying to Suvarnabhumi - Enjoy the tasty Thai cooking which will treat you the international airport of Bangkok. -
Thai Architecture Composition
1 Thai Architecture Composition Outstanding Characteristics of Thai Arts/ Architecture Thai art is very much influenced by nature and environment of Thai society. It‘s outstanding characteristics include: - Its delicate beauty; this character reflects the character and mind of Thai people which can be perceived in created arts. - Most traditional arts in Thailand are created to promote Buddhism or are created from Buddhist faiths and beliefs. Thai architecture Thai architecture is defined as art of building or construction. In Thai context, buildings include houses and residences, buildings in monastery or temples such as Ubosot, Vihara, Stupa and Chedi, palatial buildings or palaces, halls, pavilions, and others. Architectural designs and functions vary by geographies and can be categorized by functions: (1) residences (e.g. houses, mansions, royal residences, palaces, grand palaces); and (2) monasteries or architecture that relates to religion (e.g. Ubosot, Vihara, monk’s residences, scripture halls, bell towers, drum towers, Stupa, Chedi). Background of architectural development of humanity Architecture is not just a science of construction but it is a kind of ―Visual Art‖ Visual art is defined as plastic or tangible art which means that it has the following compositions: - stable form and size - ordered and well- planned structure - mass as well as massive - space - proportion - unity - purpose - creativity - artistic value - serving human desires, physically and mentally (mind & imagination) 2 Development of humanity architecture Human had been living in caves, cliffs, mountains, or other kinds of natural protecting areas. The living was not comfortable due to many reasons (i.e. increasing number of group/ family members, bad smell from dead animals (food), bad air ventilation) ―Cave men‖ were forced to find new living place, living like a nomad, wandering from places to places. -
Sino - Thai Ceramics
113 Sino - Thai Ceramics Natalie V.Robinson Bencharong (Fig. 1) and Lai Nam Thong (Fig. 2) are the two main divisions of Sino-Thai ceramics, which are wares made in China to Thai specifications. The earliest Bencharong dates' from the late Ming period corresponding to the Ayutthaya period of Thailand, but most of it was made in the 18th and 19th centuries of the Qing period - the Bangkok or Ratanakosin period of Thailand. All Lai Nam Thong is 18th and 19th century. The word Bencharong comes from the Sanskrit panch, meaning five, and rong, meaning color. It is a type of wu_cai, or five-color overglaze-enameled ware, although colors on Bencharong often number more or fewer than five. At first Bencharong was made only for Thai royalty, but as time went on, it became available to others, usually nobles or those of the upper classes. Overglaze enamels were painted on previously fired glazed porcelains or stonewares, then fired again in a low-temperature muffle kiln in an oxidizing atmosphere. The enamels contained lead, which melted at a low temperature and fused them to the glaze. 1 Lai Nam Thong means gold-washed patterns. On these wares, gold may appear as a background, as outlines, or as accents on the motifs. Only the Thai put gold-decorated pieces into a separate classification, perhaps because they were always royal wares, 2 and perhaps because gold leaf is used as a votive offering in Thai temples. Gold-decorated wares were fired in a muffle kiln in an oxidizing atmosphere. In the Qing dynasty, gold dust was mixed with iron-red enamel and gum arabic and frred at about 800°C. -
State, Community, and Ethnicity in Early Modern Thailand, 1351-1767 by John Smith a Dissertation Submitted in Partial Fulfillmen
State, Community, and Ethnicity in Early Modern Thailand, 1351-1767 by John Smith A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2019 Doctoral Committee: Professor Victor B. Lieberman, Chair Associate Professor Christian de Pee Professor Nancy K. Florida Professor Hitomi Tonomura Dr. John K. Whitmore John Smith [email protected] ORCID iD: https://orcid.org/0000-0002-3840-4807 © John Smith 2019 DEDICATION For Sirinya Siriyanun-Smith ii ACKNOWLEDGEMENTS I would like to start by thanking the two people who contributed the most to this dissertation. The first of these is my committee chair, Professor Victor Lieberman. He has been a joy to work with for the past six years, and his constant support, hard-hitting questions, and unwavering belief in my ability to complete this work have inspired me to constantly improve my research and writing. The second is my wife and research partner, Dr. Sirinya Siriyanun of Suan Sunandha Rajabhat University. She has read and listened to countless chapter drafts, accompanied me to remote temples, museums, and provincial archives throughout central Thailand, helped me locate obscure and hard-to-find manuscripts, and has played a critical role in my growing command of Thai as a research language. This is not even to mention the extensive moral support and encouragement that she provided me during the process of writing the dissertation. Next, I would like to thank the members of my committee. Professor Nancy Florida and Dr. John Whitmore have provided valuable comparative insight into other areas of Southeast Asian history and have helped me better situate my work within the broader tradition of Southeast Asian historiography.