October 2013 Calendar of Events
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STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
The Balanchine Trust: Dancing Through the Steps of Two-Part Licensing
Volume 6 Issue 2 Article 2 1999 The Balanchine Trust: Dancing through the Steps of Two-Part Licensing Cheryl Swack Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Cheryl Swack, The Balanchine Trust: Dancing through the Steps of Two-Part Licensing, 6 Jeffrey S. Moorad Sports L.J. 265 (1999). Available at: https://digitalcommons.law.villanova.edu/mslj/vol6/iss2/2 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Swack: The Balanchine Trust: Dancing through the Steps of Two-Part Licen THE BALANCHINE TRUST: DANCING THROUGH THE STEPS OF TWO-PART LICENSING CHERYL SWACK* I. INTRODUCTION A. George Balanchine George Balanchine,1 "one of the century's certifiable ge- * Member of the Florida Bar; J.D., University of Miami School of Law; B. A., Sarah Lawrence College. This article is dedicated to the memory of my mother, Allegra Swack. 1. Born in 1904 in St. Petersburg, Russia of Georgian parents, Georgi Melto- novich Balanchivadze entered the Imperial Theater School at the Maryinsky Thea- tre in 1914. See ROBERT TRAcy & SHARON DELONG, BALANci-NE's BALLERINAS: CONVERSATIONS WITH THE MUSES 14 (Linden Press 1983) [hereinafter TRAcY & DELONG]. His dance training took place during the war years of the Russian Revolution. -
Jazzflits 01 09 2003 - 01 03 2020
1 18 de JAARGANG, NR. 340 22 JUNI 2020 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP PAPIER 6 JAZZ OP DE PLAAT Jaap Blonk, Bart-Jan Hogenhuis, Nice Chair, Torben Westergaard e.a . 9 JAZZ OP DE PLANKEN New York Second Trio. EN VERDER (ONDER MEER): 10 Tina Brooks (Erik Marcel Frans) 16,5 J AAR JAZZFLITS 01 09 2003 - 01 03 2020 NR. 341 KOMT 20 JULI UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN BRAD MEHLDAU REFLECTEERT IN SUITE ‘APRIL 2020’ OP LOCKDOWN IN AMSTERDAM Doek Festival gaat (hopelijk) door In zijn appartement in Amsterdam schreef pianist Brad Het Doek Festival 2020 gaat gewoon Mehldau tijdens de lockdown een suite waarin hij muzi- door. Dat hopen de organisatoren ten- kaal reflecteert op de coronacrisis. De suite is te vinden minste, zo melden ze begin juni in een op zijn nieuwe solo-album ‘April 2020’, dat als download nieuwsbrief. Het moet rond 1 augustus is te krijgen en in een oplage van duizend - voor 100 dol- in Amsterdam plaatsvinden: “There are lar per stuk - op vinyl is verschenen. De opbrengst van de some exciting ideas in the pipepline so verkoop van het album gaat naar de Jazz Foundation of keep your eye America. Deze organisatie biedt Amerikaanse jazzmusici out for more hulp in coronatijden via het verstrekken van betaalde information!” compositieopdrachten. Doek is een muzikantencol- Mehldau is getrouwd met de Nederlandse zangeres Fleurine en lectief waar pendelt met zijn gezin tussen Amsterdam en New York. De afge- onder anderen lopen maanden verbleef hij in Amsterdam. In de suite schetst kornettist Eric Mehldau een dag tijdens de coronacrisis aldaar: "There's a wa- Boeren, pianist king-up song, a very quick sort of chorale”, zo vertelt hij op de Kaja Draksler, website van de Amerikaanse omroep NPR. -
Wwciguide September 2016.Pdf
Air Check Dear Member, The Guide The Member Magazine for A very important focus across all of our platforms is education. Ensuring that the very youngest WTTW and WFMT members of our community are ready for school; that kids are exposed to the arts, literature, science, Renée Crown Public Media Center history, the great outdoors, and more; that kids across the city and suburbs are encouraged to graduate 5400 North Saint Louis Avenue Chicago, Illinois 60625 from high school and beyond – these values are all core to our mission. This month as students head back to school, WTTW brings you a week-long primetime and digital initiative, Spotlight Education Week, Main Switchboard which features specials from Frontline, NOVA, POV, Independent Lens, (773) 583-5000 TED Talks, PBS NewsHour, and more, culminating in the annual American Member and Viewer Services (773) 509-1111 x 6 Graduate Day celebration recognizing individuals and organizations that WFMT Radio Networks are helping children achieve their goals. These specials will be available (773) 279-2000 on WTTW11 and wttw.com. Visit WTTW’s American Graduate website, Chicago Production Center and watch our 9-part digital series, Central Standard: On Education, for (773) 583-5000 a revealing look at the challenges facing families in Chicago’s education Websites system through the eyes of five 8th grade students. wttw.com wfmt.com September is always a month of blockbuster premieres on WTTW11. President & CEO We’ll bring all-new seasons of the popular Poldark and Indian Summers Daniel J. Schmidt series from Masterpiece. PBS NewsHour provides coverage and analysis COO & CFO of the first Presidential Debate; Frontline’s acclaimed election-year series Reese Marcusson The Choice returns – going behind the headlines to investigate what has shaped the Democrat and EVP Radio & Project Development Republican candidates; and Chicago Tonight will go deep with coverage of local elections. -
Calendar Information Is Current As of July 25, 2016. for Complete Up-To-Date Information on the Campus-Wide Performance Schedule, Visit Lincolncenter.Org
SEPTEMBER 2016 CALENDAR OF EVENTS Calendar information is current as of July 25, 2016. For complete up-to-date information on the campus-wide performance schedule, visit LincolnCenter.org. To receive this monthly calendar by email, send your email address to [email protected]. September 1 Thursday METROPOLITAN OPERA September 4 Sunday Summer HD Festival DAVID RUBENSTEIN ATRIUM Cavalleria Rusticana and JAZZ AT LINCOLN CENTER AT LINCOLN CENTER Pagliacci Nate Smith Trio Atrium 360° k Josie Robertson Plaza Featuring Dave Holland and Tabou Combo 8 PM Jaleel Shaw k David Rubenstein Atrium Lessons from Our Masters 7:30 PM NEW YORK PUBLIC LIBRARY Dizzy's Club Coca-Cola FOR THE PERFORMING ARTS 7:30 & 9:30 PM JAZZ AT LINCOLN CENTER “Music for Moderns”: The Bruce Harris and Partnership of George Avakian METROPOLITAN OPERA The Big Sax Section and Anahid Ajemian Summer HD Festival Opening Night of the Coca-Cola This exhibit explores some of Turandot Generations in Jazz Festival the most important artists of k Josie Robertson Plaza Dizzy's Club Coca-Cola all time. 8 PM 7:30 & 9:30 PM k Vincent Astor Gallery 10:30 AM–Close September 5 Monday METROPOLITAN OPERA September 3 Saturday JAZZ AT LINCOLN CENTER Summer HD Festival Big Band Mondays La Cenerentola JAZZ AT LINCOLN CENTER Robin Eubanks & the Mass k Josie Robertson Plaza Dayna Stephens Quintet Line Big Band 7:30 PM Featuring Tom Harrell Dizzy's Club Coca-Cola and Al Foster 7:30 & 9:30 PM NEW YORK PUBLIC LIBRARY Lessons from Our Masters FOR THE PERFORMING ARTS With pianist Gerald Clayton and METROPOLITAN OPERA “Music for Moderns”: The bassist Buster Williams Summer HD Festival Partnership of George Avakian Dizzy's Club Coca-Cola Les Pêcheurs de Perles and Anahid Ajemian 7:30 & 9:30 PM k Josie Robertson Plaza This exhibit explores some of 8 PM the most important artists of METROPOLITAN OPERA all time. -
—John Lahr Cussion
1 figure, or what Duchamp termed “retinal art”? The answer is all of the above. This beautifully installed, CRITIC’S NOTEBOOK whip-smart exhibition features works such as a cracked and cloudy crystal ball that was rolled from AW NE DAWN its place of purchase to the gallery, a collaboration between Nina Beier and Marie Lund; a series of paintings by Pavel Büchler, composed of fragments When it was first produced, from found flea-market canvases; Nina Canell’s al- in 1946, Garson Kanin’s chemical assemblage, in which a bowl of water dis- solving into mist hardens a nearby bag of cement; “Born Yesterday” made a and Monica Bonvicini’s fractured safety-glass cube, star of Judy Holliday, who which gives the finger to minimalism. Destroy away: art rises, ever phoenixlike, from the ashes. Through played Billie Dawn, the May 8. (Swiss Institute, 495 Broadway, at Broome bimbo turned bookworm. 1St. 212-925-2035.) The splendid new revival, directed by Doug Hughes DANCE at the Cort, makes a star NEW YORK CITY BALLET The company goes back to basics, with seven days of Balanchine’s “black-and-white” dances, modern- ist masterpieces that have come to define the style and look of twentieth-century American ballet. In “Apollo” (1928)—set, like many of these works, to music by Igor Stravinsky—a “wild, untamed youth,” the dancer Jacques d’Amboise says, “learns nobility through art.” “Episodes,” from 1959, began as a double bill shared by Martha Graham and George Balanchine, and hasn’t been performed here in four years. And “Concerto Barocco” (1941), for two violins and two ballerinas, comes as close to revealing the essence of Bach as any dance ever will. -
Program Listings
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFEBRUARY 2013 SUPER DRAMA 00 : SUNDAY FEBRUARY 3 STARTING AT 1PM ON WXXI-TV/HD 1 MANY LOVERS OF JANE AUSTEN If watching the Super Bowl on Sunday, February 3 isn’t your cup of tea, WXXI has a smashing alternative. Enjoy an afternoon of sophisticated television that we like to call Super Drama Sunday! We’ll kick off the afternoon at 1 p.m. with Many Lovers 00 of Jane Austen, which follows Austen expert and University of London Professor : Amanda Vickery as she traces the rise in popularity of Jane Austen novels. At 2 p.m., discover, if you haven’t 2 LARK RISE TO CANDLEFORD already, the heart-warming drama series Lark Rise to Candleford. An adaptation of Flora Thompson’s magical memoir of her Oxfordshire childhood, the series chronicles the daily lives of those living in the English Countryside. Then at 3 p.m., WXXI-TV gives you a 00 second chance to see episodes from season : three of the Emmy-award winning episodes from series Downton Abbey! Enjoy the first five episodes back to back. 3 DOWNTON ABBEY CLIFFORD TURNS 50! JOIN WXXI AT THE STRONG FOR A CELEBRATION FEBRUARY 2 AND 3 DETAILS INSIDE>> ANDREW ALDEN ENSEMBLE FEBRUARY 7 AT 7 PM & FEBRUARY 9 AT 3 PM, LITTLE THEATRE DETAILS INSIDE>> THE POWERBROKER: BLACK WHITNEY Young’S FIGHT FOR CIVIL RIGHTS MONDAY, FEBRUARY 25 AT 7 P.M. AT THE LITTLE THEATRE SCREENING AND PANEL DISCUSSION ARE FREE AND OPEN TO THE PUBLIC. -
Farrell Ballet
Welcome to Cuesheet, a performance guide published by the Education Department of the John F.Kennedy Center for the Performing Arts,Washington, D.C. This Cuesheet is designed to help you enjoy the Working working rehearsal of Rehearsal The Suzanne Farrell Ballet. A ballet slipper uzanne Farrell is regarded as marks topics for one of the greatest ballerinas S discussion or activities of the 20th century. During her you may want to do with 28 years on the stage, she danced other students, friends, in more that 100 ballets, nearly or family. a third of which were created expressly for her by choreographer George Balanchine (pronounced BAH-lahn-sheen), known as “the father of American ballet.”Her more than 2,000 performances with Balanchine’s company make her uniquely qualified to teach his choreography to a new generation of dancers. Today, as the director of her own ballet company, Farrell selects the ballets to be performed and teaches the company every step of Balanchine’s works. At the working rehearsal you will see La Source, Duo Concertant, part of Clarinade, and La Valse, all by Balanchine. Shannon Parsley and Alex Ritter of The Suzanne Watch Farrell prepare her company Farrell Ballet Company for their evening performance. performing La Valse. PHOTO ©PAUL KOLNIK Balanchine: A Bal BALANCHINE’S LEGACY horeographer George Balanchine (1904–1983) was an innovator. C He created more than 400 works in which he explored many different styles of choreography. Before Balanchine, many classical ballets had complex plots. He revolutionized ballet by eliminating the dependence on the story line, allowing movement to be the ballet’s dramatic focus. -
Biodiversity.Pdf
challenge paper BIODIVERSITY Salman Hussain Rudolf de Groot Anil Markandya Olivier Vardakoulias Luke M. Brander Alfred Wagtendonk Alistair McVittie Peter H. Verburg The Challenge of Ecosystems and Biodiversity Hussain SS, Markandya A, Brander L, McVittie A, de Groot R, Vardakoulias O, Wagtendonk A and Verburg P Cite as: Hussain SS, Markandya A, Brander L, McVittie A, de Groot R, Vardakoulias O, Wagtendonk A and Verburg P (2012) The Challenge of Ecosystems and Biodiversity. Copenhagen Consensus Paper 2012. Acknowledgements: The authors would like to thank PBL staff (Ben ten Brink; Stefan van der Esch; Michel Jeuken). We would also like to thank the two reviewers (John Whitehead and Juha Siikamaki) as well as Kasper Thede Anderskov and his team at the Copenhagen Consensus Centre. 1 Table of Contents 1 Introduction 1 2 Bio‐physical modelling and Baseline Data 4 2.1 Input data and assumptions in IMAGE‐GLOBIO 4 2.2 Losses in Mean Species Abundance 1900 to 2000 6 2.3 Baseline scenario and results from biophysical analysis 7 3 Description of Policies and Measures 9 3.1 Investment in Agricultural Knowledge, Science and Technology 9 3.2 Extension of Protected Areas 10 3.3 Reduced deforestation (REDD variant) 11 4 Estimation of costs for the policy options 13 4.1 Agricultural productivity 13 4.2 Protected areas 14 4.3 Reduced deforestation (REDD‐variant) 18 4.4 Summary of policy option cost estimates 21 5 Benefit Assessment: value functions and GIS framework 22 5.1 Biome‐level value functions 22 5.2 Temperate forests and woodlands 26 5.3 Tropical -
Historic Performance
En l’air en Avril Historic Performance Reserve your tickets now for the University of Maryland Dance Ensemble’s reconstruction of Erika Thimey’s A Fear Not of One - Where: University of Maryland Clarice Smith Performing Arts Center, Dance Theater - When: Thurs., April 14 through Sat., April 16 at 8 p.m., Sun., April 17 at 3 p.m. - Cost: $25 [$20 for subscribers] - Order tickets: In person at the Center ticket office 11 am – 9 pm 7 days Online: http://claricesmithcenter.umd.edu/2010/c/performances/performance?rowid=11322 By phone: at 301.405.ARTS (2787), by fax: 301.314.2683 By mail: Patron Services, Suite 3800, Clarice Smith Performing Arts Center, University of Maryland, College Park, MD 20742-1625 About the reconstruction: “A Fear Not of One, But of Many” is double- cast with dancers who auditioned and spent countless hours studying with ETC members and Alvin Mayes of the UMD Dance Department. The students worked with archival materials to reconstruct and recreate this powerful dance created in 1951 in response to the threat of the atomic bomb. In addition to - A Fear Not of One: Dance artists of UMD’s School of Theatre, Dance and Performance Studies will present original works created and/or performed by undergraduate Dance students, and “Herencia” with choreography by Artist-in-Residence Adriane Fang. Show directed by Patrik Widrig. Parking and Directions: driving: http://claricesmithcenter.umd.edu/2010/c/about/parking/directions public transport: http://claricesmithcenter.umd.edu/2010/c/about/parking/transportation You are invited to a post-concert benefit for The Erika Thimey Dance & Theater Co.