Sail Ofiziala Sección Oficial

Total Page:16

File Type:pdf, Size:1020Kb

Sail Ofiziala Sección Oficial SAIL OFIZIALA SECCIÓN OFICIAL EGUNA ORDUA ARETOA IZENBURUA IRAUPENA DÍA HORA SALA TÍTULO DURACIÓN 25 19:30Principal A THOUSAND YEARS OF GOOD PRAYERS , Mil años de oración 83 m. de Wayne Wang, EE.UU. (Sólo Prensa y Acreditados. Prioridad Prensa) 26 9:00Kursaal, 1 A THOUSAND YEARS OF GOOD PRAYERS , Mil años de oración 83 m. de Wayne Wang, EE.UU. 26 22:00Kursaal, 1 A THOUSAND YEARS OF GOOD PRAYERS , Mil años de oración 83 m. de Wayne Wang, EE.UU. 27 23:00Teatro Victoria Eugenia A THOUSAND YEARS OF GOOD PRAYERS , Mil años de oración 83 m. de Wayne Wang, EE.UU. 28 23:00Antiguo Berri, 2 A THOUSAND YEARS OF GOOD PRAYERS , Mil años de oración 83 m. de Wayne Wang, EE.UU. 21 9:30Teatro Victoria Eugenia BATTLE FOR HADITHA 93 m. de Nick Broomfield, Gran Bretaña 21 12:00Kursaal, 1 BATTLE FOR HADITHA 93 m. de Nick Broomfield, Gran Bretaña 21 19:00Kursaal, 1 BATTLE FOR HADITHA 93 m. de Nick Broomfield, Gran Bretaña 22 16:00Teatro Victoria Eugenia BATTLE FOR HADITHA 93 m. de Nick Broomfield, Gran Bretaña 22 9:30Teatro Victoria Eugenia BUDA AZ SHARM FORU RIKHT / BUDDHA COLLAPSED OUT OF SHAME, Buda explotó por 81 m. vergüenza de Hana Makhmalbaf, Irán - Francia v.o. subtítulos en castellano, electrónicos en inglés Nuevos Directores 22 12:00Kursaal, 1 BUDA AZ SHARM FORU RIKHT / BUDDHA COLLAPSED OUT OF SHAME, Buda explotó por 81 m. vergüenza de Hana Makhmalbaf, Irán - Francia v.o. subtítulos en castellano, electrónicos en inglés Nuevos Directores 22 19:30Kursaal, 1 BUDA AZ SHARM FORU RIKHT / BUDDHA COLLAPSED OUT OF SHAME, Buda explotó por 81 m. vergüenza de Hana Makhmalbaf, Irán - Francia v.o. subtítulos en castellano, electrónicos en inglés PREMIO DE LA JUVENTUD Nuevos Directores 23 16:00Teatro Victoria Eugenia BUDA AZ SHARM FORU RIKHT / BUDDHA COLLAPSED OUT OF SHAME, Buda explotó por 81 m. vergüenza de Hana Makhmalbaf, Irán - Francia Nuevos Directores 25 9:30Teatro Victoria Eugenia CEOT OI KAP GEI / EXODUS 94 m. de Pang Ho-Cheung, Hong Kong v.o. subtítulos en castellano, electrónicos en inglés 1 25 12:00Kursaal, 1 CEOT OI KAP GEI / EXODUS 94 m. de Pang Ho-Cheung, Hong Kong v.o. subtítulos en castellano, electrónicos en inglés 25 19:00Kursaal, 1 CEOT OI KAP GEI / EXODUS 94 m. de Pang Ho-Cheung, Hong Kong v.o. subtítulos en castellano, electrónicos en inglés 26 16:00Teatro Victoria Eugenia CEOT OI KAP GEI / EXODUS 94 m. de Pang Ho-Cheung, Hong Kong 28 9:30Teatro Victoria Eugenia DAISY DIAMOND 94 m. de Simon Staho, Dinamarca v.o. subtítulos en castellano, electrónicos en inglés 28 12:00Kursaal, 1 DAISY DIAMOND 94 m. de Simon Staho, Dinamarca v.o. subtítulos en castellano, electrónicos en inglés 28 19:00Kursaal, 1 DAISY DIAMOND 94 m. de Simon Staho, Dinamarca v.o. subtítulos en castellano, electrónicos en inglés 29 16:00Teatro Victoria Eugenia DAISY DIAMOND 94 m. de Simon Staho, Dinamarca 22 17:00Kursaal, 1 EARTH, Tierra-La película de nuestro planeta 99 m. de Alastair Fothergill, Mark Linfield, Gran Bretaña - Alemania Película fuera de concurso - v.o. subtítulos en castellano, electrónicos en euskara 20 11:00Kursaal, 1 EASTERN PROMISES, Promesas del Este 99 m. de David Cronenberg, Canadá - Gran Bretaña - EE.UU. 20 21:00Kursaal, 1 EASTERN PROMISES, Promesas del Este 99 m. de David Cronenberg, Canadá - Gran Bretaña - EE.UU. Inauguración 21 16:00Teatro Victoria Eugenia EASTERN PROMISES, Promesas del Este 99 m. de David Cronenberg, Canadá - Gran Bretaña - EE.UU. 21 23:00Teatro Victoria Eugenia EASTERN PROMISES, Promesas del Este 99 m. de David Cronenberg, Canadá - Gran Bretaña - EE.UU. 22 23:00Antiguo Berri, 2 EASTERN PROMISES, Promesas del Este 99 m. de David Cronenberg, Canadá - Gran Bretaña - EE.UU. 23 19:30Principal EMOTIONAL ARITHMETIC 95 m. de Paolo Barzman, Canadá (Sólo Prensa y Acreditados. Prioridad Prensa) Nuevos Directores 24 9:00Kursaal, 1 EMOTIONAL ARITHMETIC 95 m. de Paolo Barzman, Canadá Nuevos Directores 24 22:00Kursaal, 1 EMOTIONAL ARITHMETIC 95 m. de Paolo Barzman, Canadá Nuevos Directores 25 23:00Teatro Victoria Eugenia EMOTIONAL ARITHMETIC 95 m. de Paolo Barzman, Canadá Nuevos Directores 26 23:30Antiguo Berri, 2 EMOTIONAL ARITHMETIC 95 m. de Paolo Barzman, Canadá Nuevos Directores 2 24 9:30Teatro Victoria Eugenia ENCARNACIÓN 93 m. de Anahí Berneri, Argentina Nuevos Directores 24 12:00Kursaal, 1 ENCARNACIÓN 93 m. de Anahí Berneri, Argentina Nuevos Directores 24 19:00Kursaal, 1 ENCARNACIÓN 93 m. de Anahí Berneri, Argentina PREMIO DE LA JUVENTUD Nuevos Directores 25 16:00Teatro Victoria Eugenia ENCARNACIÓN 93 m. de Anahí Berneri, Argentina Nuevos Directores 28 19:30Principal FLAWLESS, Un plan brillante 108 m. de Michael Radford, Gran Bretaña (Sólo Prensa y Acreditados. Prioridad Prensa) Película fuera de concurso 29 9:00Kursaal, 1 FLAWLESS, Un plan brillante 108 m. de Michael Radford, Gran Bretaña Película fuera de concurso - v.o. subtítulos en castellano, electrónicos en euskara 29 21:00Kursaal, 1 FLAWLESS, Un plan brillante 108 m. de Michael Radford, Gran Bretaña Clausura - Película fuera de concurso. - v.o. subtítulos en castellano, electrónicos en euskara 29 22:15Velódromo FLAWLESS, Un plan brillante 108 m. de Michael Radford, Gran Bretaña Película fuera de concurso. Clausura Sección Oficial 23 9:00Teatro Victoria Eugenia FREE RAINER - DEIN FERNSEHER LÜGT / RECLAIM YOUR BRAIN 129 m. de Hans Weingartner, Alemania - Austria v.o. subtítulos en castellano, electrónicos en inglés 23 12:00Kursaal, 1 FREE RAINER - DEIN FERNSEHER LÜGT / RECLAIM YOUR BRAIN 129 m. de Hans Weingartner, Alemania - Austria v.o. subtítulos en castellano, electrónicos en inglés 23 19:00Kursaal, 1 FREE RAINER - DEIN FERNSEHER LÜGT / RECLAIM YOUR BRAIN 129 m. de Hans Weingartner, Alemania - Austria v.o. subtítulos en castellano, electrónicos en inglés 24 16:00Teatro Victoria Eugenia FREE RAINER - DEIN FERNSEHER LÜGT / RECLAIM YOUR BRAIN 129 m. de Hans Weingartner, Alemania - Austria 27 9:00Teatro Victoria Eugenia GOONG NYEO / SHADOWS IN THE PALACE 113 m. de Meejeung Kim, Corea del Sur v.o. subtítulos en castellano, electrónicos en inglés Nuevos Directores 27 12:00Kursaal, 1 GOONG NYEO / SHADOWS IN THE PALACE 113 m. de Meejeung Kim, Corea del Sur v.o. subtítulos en castellano, electrónicos en inglés Nuevos Directores 27 19:00Kursaal, 1 GOONG NYEO / SHADOWS IN THE PALACE 113 m. de Meejeung Kim, Corea del Sur v.o. subtítulos en castellano, electrónicos en inglés PREMIO DE LA JUVENTUD Nuevos Directores 28 16:00Teatro Victoria Eugenia GOONG NYEO / SHADOWS IN THE PALACE 113 m. de Meejeung Kim, Corea del Sur Nuevos Directores 3 26 19:30Principal HONEYDRIPPER 123 m. de John Sayles, EE.UU. (Sólo Prensa y Acreditados. Prioridad Prensa) 27 9:00Kursaal, 1 HONEYDRIPPER 123 m. de John Sayles, EE.UU. 27 22:00Kursaal, 1 HONEYDRIPPER 123 m. de John Sayles, EE.UU. 28 23:00Teatro Victoria Eugenia HONEYDRIPPER 123 m. de John Sayles, EE.UU. 29 23:00Antiguo Berri, 2 HONEYDRIPPER 123 m. de John Sayles, EE.UU. 21 19:30Principal LA MAISON 97 m. de Manuel Poirier, Francia (Sólo Prensa y Acreditados. Prioridad Prensa) v.o. subtítulos en castellano, electrónicos en inglés 22 9:00Kursaal, 1 LA MAISON 97 m. de Manuel Poirier, Francia v.o. subtítulos en castellano, electrónicos en inglés 22 22:30Kursaal, 1 LA MAISON 97 m. de Manuel Poirier, Francia v.o. subtítulos en castellano, electrónicos en inglés 23 23:15Teatro Victoria Eugenia LA MAISON 97 m. de Manuel Poirier, Francia 24 23:30Antiguo Berri, 2 LA MAISON 97 m. de Manuel Poirier, Francia 20 19:30Principal MATAHARIS 95 m. de Icíar Bollaín, España (Sólo Prensa y Acreditados. Prioridad Prensa) 21 9:00Kursaal, 1 MATAHARIS 95 m. de Icíar Bollaín, España 21 22:00Kursaal, 1 MATAHARIS 95 m. de Icíar Bollaín, España 22 23:00Teatro Victoria Eugenia MATAHARIS 95 m. de Icíar Bollaín, España 23 23:30Antiguo Berri, 2 MATAHARIS 95 m. de Icíar Bollaín, España 26 9:30Teatro Victoria Eugenia MATAR A TODOS 97 m. de Esteban Schroeder, Uruguay - Chile - Argentina Nuevos Directores 26 12:00Kursaal, 1 MATAR A TODOS 97 m. de Esteban Schroeder, Uruguay - Chile - Argentina Nuevos Directores 26 19:00Kursaal, 1 MATAR A TODOS 97 m. de Esteban Schroeder, Uruguay - Chile - Argentina PREMIO DE LA JUVENTUD Nuevos Directores 27 16:00Teatro Victoria Eugenia MATAR A TODOS 97 m. de Esteban Schroeder, Uruguay - Chile - Argentina Nuevos Directores 27 19:30Principal PADRE NUESTRO 98 m. de Christopher Zalla, EE.UU. (Sólo Prensa y Acreditados. Prioridad Prensa) Nuevos Directores 4 28 9:00Kursaal, 1 PADRE NUESTRO 98 m. de Christopher Zalla, EE.UU. Nuevos Directores 28 22:00Kursaal, 1 PADRE NUESTRO 98 m. de Christopher Zalla, EE.UU. Nuevos Directores 29 20:30Teatro Victoria Eugenia PADRE NUESTRO 98 m. de Christopher Zalla, EE.UU. Nuevos Directores 24 19:30Principal SIETE MESAS DE BILLAR FRANCÉS 113 m. de Gracia Querejeta, España (Sólo Prensa y Acreditados. Prioridad Prensa) 25 9:00Kursaal, 1 SIETE MESAS DE BILLAR FRANCÉS 113 m. de Gracia Querejeta, España 25 22:00Kursaal, 1 SIETE MESAS DE BILLAR FRANCÉS 113 m. de Gracia Querejeta, España 26 23:30Teatro Victoria Eugenia SIETE MESAS DE BILLAR FRANCÉS 113 m. de Gracia Querejeta, España 27 23:30Antiguo Berri, 2 SIETE MESAS DE BILLAR FRANCÉS 113 m. de Gracia Querejeta, España 22 19:30Principal THE INNER LIFE OF MARTIN FROST, La vida interior de Martin Frost 93 m. de Paul Auster, Francia - España - Portugal (Sólo Prensa y Acreditados. Prioridad Prensa) Película fuera de concurso 23 9:00Kursaal, 1 THE INNER LIFE OF MARTIN FROST, La vida interior de Martin Frost 93 m. de Paul Auster, Francia - España - Portugal Película fuera de concurso - v.o. subtítulos en castellano, electrónicos en euskara 23 22:00Kursaal, 1 THE INNER LIFE OF MARTIN FROST, La vida interior de Martin Frost 93 m.
Recommended publications
  • Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
    Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste.
    [Show full text]
  • ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] Alibi
    OH MY GOD, THAT WAS RAIN SINCE 1992 PHOTO BY ERIC WILLIAMS PHOTOGRAPHY VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] alibi VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 EDITORIAL MANAGING AND FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC AND NEWS EDITOR: August March (ext. 245) [email protected] ARTS AND LIT.EDITOR: Maggie Grimason (ext. 239) [email protected] FOOD EDITOR: Robin Babb [email protected] COPY EDITOR: Taylor Grabowsky [email protected] CALENDARS EDITOR: Ashli Mayo [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] EDITORIAL INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Rob Brezsny, Carolyn Carlson, Zabrina Chavez, Desmond Fox, Taylor Grabowsky, Hosho McCreesh, Mayo Lua de Frenchie, Adam Wood PRODUCTION PRODUCTION MANAGER/EDITORIAL DESIGNER: Valerie Serna (ext. 254) [email protected] GRAPHIC DESIGNERS: Corey Yazzie [email protected] Ramona Chavez [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Ryan North, Mike Organisciak, Jen Sorensen SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. 248) [email protected] ACCOUNT EXECUTIVES: Kittie Blackwell (ext. 224) [email protected] John Hankinson (ext. 235) [email protected] Shane Boyd (ext. 223) [email protected] Sarah Shipman (ext. 210) [email protected] STREET TEAM: Alexis Al Omari [email protected] ADMINISTRATION PUBLISHER: Constance Moss (ext. 222) [email protected] CONTROLLER: Courtney Foster (ext. 257) [email protected] SYSTEMS MANAGER: Kyle Silfer (ext.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
    WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own.
    [Show full text]
  • An Historical Survey of the Establishment of an Orchestral Tradition in Christchurch to 1939
    AN HISTORICAL SURVEY OF THE ESTABLISHMENT OF AN ORCHESTRAL TRADITION IN CHRISTCHURCH TO 1939 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Music in the University of Canterbury by Philip Jane University of Canterbury 2009 ii Abstract This dissertation is the first study devoted solely to the history of an orchestral tradition in Christchurch. Within a timeframe stretching from the beginning of the local settlement to the establishment of the first “national” orchestra in 1939, it provides detailed portrayals of all facets of amateur and professional orchestral activity. This includes the histories of all orchestral bodies, their membership, a chronology of concerts, repertoire, programme structure and critical reception. This dissertation explains the advance of orchestral tradition that is at times tentative and at times bold, until it is securely entrenched as a mainstream musical activity in Christchurch. A preliminary narration, which begins in 1857, ends in 1906 with the International Exhibition. This is then discussed as a landmark event for orchestral music in Christchurch. A series of case studies for the period of 1908 to 1939, covers each of the five major orchestral groups that flourished in this period. The case studies also include the footprints of development, the “incidental” music performed by the cinema orchestras, and the “studio only” performances of many broadcasting groups. The role played by minor orchestral groups as an “alternative” music culture is included, along with the impact of orchestras associated with visiting opera companies. The final section is a detailed analysis of the repertoire and programme construction, and a discussion of the people who played an influential role in the development of an orchestral tradition.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Cinema Art (November 1926)
    “Worlds Greatest Phot auMLWumwe . ... )j[ JJjj1[1 , 1 Let Us Save You Money On Your Magazines Publishers’ Price Our Price for Cinema Art . $3.50 si Motion Picture Classic 2.50 All Only §1 Film Fun 2.00 Screenland 3.00 Motion Picture Magazine . 2.50 $ 14.35 E Picture Play Magazine 2. SO e Price Cosmopolitan . .$3,001 Our Collier’s .... 2,001 ^American Magazine ....$2 50] : $ e Good Housekeeping . 3.00 Pictorial Review 1.501 ^Woman's Home Com- E i $8.00 . 3.501 Soy's Life ........... $5.00 panion 1.00 Cinema Art 2.00 j- $6.50 Scientific American 4.00 f IS Our Price Cinema Art .$3.50] Regular price $5.50 *To one address 1 Harper’s Bazaar . 4.001 $8.75 Regular price $7.50) Cosmopolitan . 3.00] Good Housekeeping , $3,001 Cosmopolitan 3.00! Magazine $2,501 Cinema Art .$3,501 Our Price $5.00 American ' To one, address 1 Woman’s Home Com- McCall’s . 1.00 $5.10 Regular prifte $6.00) panion 1.00 j- $2.75 Pictorial Review . 1.50] T o c:u- address 1 * Delineator $2.00 Physical Culture .$2.50 Our Price Regular 'price $3.50) ^Everybody’s, 2.50 True Story . 2.50 $7.50 Woman '5 Home Com- Cinema Art . 3.50 $4.50 Delineator 2,001 panion T.fJO $ Everybody’s , 2.50’ McCall’s ]... ..$1,001 *To one address $3.50 To one adjdress People’s Home Journal... 1.00 Regular price $5.50 $1.50 Regular price $4.50 * Delineator Regular price $2.0oj $2.00] *Everybody’s 2,50 Fashionable Dress .$3.00] $3.60 Pathfinder ....$1,001 Little 2.001- Folks $5.25 Designer .
    [Show full text]
  • Chilkat Valley News
    Wrestler Thomsen 4th at state - page 7 Toddler grant divides board - page 5 Serving Haines and Klukwan, Alaska since 1966 Chilkat Valley News Volume XLII Number 50 Thursday, December 13, 2012 $1 Former Haines cop surrenders license Agencies mum on complaints By Karen Garcia made a deal with Joel to withhold Neither a statewide police the nature of the complaints from oversight agency nor the Haines the public and from prospective Borough Police Department employers in exchange for Joel’s will provide information about resignation. complaints that led to the When Joel resigned in April decertification of former Haines 2011, Lowe filled out a mandatory police Sgt. Jason Joel last week. form for the council, including The Alaska Police Standards that the department conducted an Council formally accepted investigation into Joel’s conduct. forfeiture of Joel’s police Lowe indicated on the form he certificate Dec. 4, an action that would recommend revocation of disqualifies Joel from working as Joel’s certification and would not a police or corrections officer in rehire him. the state. “There was an agreement where The council started a revocation he was allowed to resign and there process in May by sending Joel were stipulations on that about an accusation packet outlining non-disclosure to prospective complaints against him and employers. Because of that evidence collected during its agreement, I can’t go into details,” investigation. Lowe said. ALL FOR ONE -- Actors in last weekend’s production of “Dixie Swim Club” make a toast. From left Joel opted to surrender his Lowe said he made the are Vernadette Simms (Cheryl Mullins), Sheree Hollinger (Lorrie Dudzik), Lexie Richards (Hannah certificate rather than plead his agreement – facilitated by a Reeves), Jeri Neal McFeeley (Michele Wing) and Dinah Grayson (Judith McDermaid).
    [Show full text]
  • VMI Fights Maryland To
    BRING ON WE'RE READY YOUR WILDCATS THE CADET FOR 'EM 1 PUBLISHED WEEKLY BY THE CORPS OF CADETS VIRGINIA MILITARY INSTITUTE VOL. XXII. LEXINGTON, VIRGINIA, MONDAY, OCT. 29, 1928 No. 6 V. M. I. Fights Maryland to Tie POLITICAL DEBATE CADETS PUT UP STRONG OPPOSITION FEATURES MEETING TO OLD LINERS IN CAPITAL CITY LIBERAL ARTISTS Flying Squadron Stages Sensational Comeback In Second Half To Gen. Cocke, Col. Hunley, and Thrill Large Crowd of Supporters. Col. Dixon Address New Club On Friday afternoon certain in- ENTIRE BACKFIELD, ALONG WITH SCOTT, CHADWICK, terested members of the First and AND HAASE, STAR FOR V. M. I. Second Class Liberal Arts Depart- ment, about thirty in number, met in the Alumni Hall for the purpose of Baby Squadron Downs Playing a hard game of football, organizing a public-speaking society. the Flying Squadron last Saturday The meeting as called to order by N. C. State Cubs battled the heavy team from the Uni- Colonel Hunley, who gave an interest- versity of Maryland to a 0-0 tie in ing talk on the necessity of the pre- Whately Intercepts Pass and Richmond. The game was hotly con- sent day business man's being able tested throughout and only once or Romps For Winning Touch- to talk extemporaneously before a twice did each team come very near group of men.v down. scoring. The sensational rally of Colonel Dixon was next called on the Cadets in the last half, and es- for a few remarks and he made the V. M. I. Freshmen downed the pecially in the last quarter, was the suggestion that the club be conduct- Wolf Cubs of North Carolina State feature of the game, and furnished ed in a purely informal manner, A bit of action from the V.
    [Show full text]
  • Catalogo Giornate Del Cinema Muto 2016
    ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael
    [Show full text]
  • Gilbreth Takes Oath
    First Judicial Session Court Positions Open; Spartan Gilbreth Takes Oath Chief justice Bill Gilbreth opened In this way, the court would several court positions for applica- have four justices necessary to SAN JOSE STATE COLLEGE tion; was officially sworn in; and constitute a quorum. 47 txrile postponed adopting procedures and VOL SAN JOSE, CALIFORNIA, WEDNESDAY, FEBRUARY 17, 1960 Following general discussion, NO. 73 a general agenda because of a senior male justice Marvin Fran. lack in quorum at the 'first spring kel swore in Gilbreth as the new Up in Flames meeting of the student court yes- chief justice Legislators terday afternoon in the student SJS Prof Receives union. Budget The following court jobs are OK now open: senior female justice, junior male justice, sophomore Applications Top Recreation Less $1000 Honor male justice, attorneys at large, The highest honor of the Call- I two bailiffs, two clerks, and a sec- California Senate Finance The fornia Recreation society was be- I retary. subcommittee has passed San Jose APPLY NOW Available stowed Monday evening on Dr. $9,505,283 operating budg- state's Mary Stevens Wiley, San Jose Applications are available in the after making only one et request State recreation department head, student union today through next $1000 slash in the special cuta when she was given the society's Wednesday. For Dorms lecture fund. fellowship award. Students applying must have an John T. Wahlquist had President The award was presented to Dr. overall 2.0 grade average. Justice Appileations are iciallable for $2000 for the fund next requested Wiley at a banquet held in con- positions require a present 2.25 housing in the new dorms, and in- doubling the lecture year--exactly nection with the society's annual average, and all other positions a terviews for prospective students year.
    [Show full text]
  • 2/06-2/07 April 2009
    2/06-2/07 April 2009 INTERFILM – International Interchurch Film Organisation. Präsident: Hans Hodel, Rabbentaltreppe 8, CH-3013 Bern. In- formations-Bulletin für die Mitglieder. Redaktion: Karsten Visarius; Mitarbeit: Gustav Pressel; Druck: Henrich Druck und Medien, Frankfurt/M; Geschäftsstelle INTERFILM: Filmkulturelles Zentrum im Gemeinschaftswerk der Evangelischen Publizistik, Emil-von-Behring-Str. 3, D-60439 Frankfurt, Postfach 500550, 60394 Frankfurt, Tel. +49-69-58098-155, Fax: +49-69-58098-274, Email: [email protected] Sondernummer/Special Issue: Preise/Awards 2006/2007 INTERFILM-Info 2/06-2/07 Content – Inhaltsverzeichnis Editorial ....................................................................................................................................................................... 3 Awards – Preise 2006 ....................................................................................................................................................................... 4 Festivals 2006 History/Chronik............................................................................................................................................... 6 Awards – Preise 2007 ........................................................................................................................................................ 20 Festivals 2007 History/Chronik ............................................................................................................................... 22 Front page: Grbavica (Esma’s Secret/Esmas
    [Show full text]