Frontier Stories: Periphery As Center in Qing History
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The Qing Challenge in Chosŏn Korea
Readings from Asia The Qing Challenge in Chosŏn Korea Yuanchong Wang, University of Delaware Wang, Yuanchong. 2019. “The Qing Challenge in Chosŏn Korea.” Cross-Currents: East Asian History and Culture Review 33: 253–260. https://cross-currents.berkeley.edu/e-journal/issue- 33/readings-asia. Sun Weiguo 孫衛國 . Cong “zun Ming” dao “feng Qing”: Chaoxian wangchao dui Qing yishi de shanbian, 1627–1910 從 “ 尊明 ” 到 “ 奉清 ” : 朝鮮王朝對清意識的嬗變 , 1627–1910 [From “honoring the Ming” to “submitting to the Qing”: The transformation of Chosŏn Korea’s attitude toward Qing China, 1627–1910]. Taipei: Taida chuban zhongxin, 2018. 580 pp. ISBN: 9789863503088. In 1637, the Manchu-ruled Great Qing Country (Manchu Daicing gurun, Ch. Da Qing guo 大清國 ), founded in 1636, invaded and conquered its neighboring country, the Chosŏn kingdom of Korea. After Chosŏn then changed from being a tributary state of the Ming dynasty of China (1368–1644), a bilateral relationship officially established in 1401, to a tributary state of the Great Qing. The relationship between the Qing and Chosŏn lasted for 258 years until it was terminated by the Sino-Japanese Treaty of Shimonoseki in 1895. Within the hierarchical Sinocentric framework, to which scholars generally refer in English as the “tributary system,” Koreans had regarded Chosŏn as “Little China” (Xiao Zhonghua 小中華 ) since the Ming period and treated the Jurchens (who changed their name to “Manchu” in the early 1630s) in Manchuria as barbarians. The Sinocentric framework determined that the political legitimacy of Chosŏn, in particular the kingship, came from the imperial acknowledgment by the Chinese court conspicuously represented by the Chinese emperor’s investiture of the Korean king. -
Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
Writing Modern Chinese History Inside out : New Relational Approaches to (Un)Thinking the Nation‑State, Diaspora, and Transnationalism
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Writing modern Chinese history inside out : new relational approaches to (un)thinking the nation‑state, diaspora, and transnationalism van Dongen, Els 2019 van Dongen, E. (2019). Writing modern Chinese history inside out : new relational approaches to (un)thinking the nation‑state, diaspora, and transnationalism. Twentieth‑Century China, 44(3), 362‑371. doi:10.1353/tcc.2019.0035 https://hdl.handle.net/10356/144278 https://doi.org/10.1353/tcc.2019.0035 © 2019 Twentieth Century China Journal, Inc. All rights reserved. This paper was published by Johns Hopkins University Press in Twentieth‑Century China and is made available with permission of Twentieth Century China Journal, Inc. Downloaded on 26 Sep 2021 02:18:15 SGT The final version of this article was published in Twentieth-Century China 44.3 (October 2019): 362-371. Review Essay Writing Modern Chinese History Inside Out: New Relational Approaches to (Un)Thinking the Nation-State, Diaspora, and Transnationalism Els van Dongen Nanyang Technological University, Singapore Abstract Engaging with earlier scholarship that probes the linearity of the nation-state, recent works employ new relational approaches and foreground “Chinese” perceptions of “China.” They approach modern Chinese history through the lens of the emigrant-homeland dynamic, advocating a localized transnationalism and exploring the implications of the transnational turn on temporality. Also, situating the nation-state within history, they argue for a “shifting” China based on questions of ethnicity and cultural exchange. This essay discusses the following works. Shelly Chan. Diaspora’s Homeland: Modern China in the Age of Global Migration. -
Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Introduction
Notes Introduction 1. Hobsbawm 1990, 66. 2. Diamond 1998, 322–33. 3. Fairbank 1992, 44–45. 4. Fei Xiaotong 1989, 1–2. 5. Diamond 1998, 323, original emphasis. 6. Crossley 1999; Di Cosmo 1998; Purdue 2005a; Lavely and Wong 1998, 717. 7. Richards 2003, 112–47; Lattimore 1937; Pan Chia-lin and Taeuber 1952. 8. My usage of the term “geo-body” follows Thongchai 1994. 9. B. Anderson 1991, 86. 10. Purdue 2001, 304. 11. Dreyer 2006, 279–80; Fei Xiaotong 1981, 23–25. 12. Jiang Ping 1994, 16. 13. Morris-Suzuki 1998, 4; Duara 2003; Handler 1988, 6–9. 14. Duara 1995; Duara 2003. 15. Turner 1962, 3. 16. Adelman and Aron 1999, 816. 17. M. Anderson 1996, 4, Anderson’s italics. 18. Fitzgerald 1996a: 136. 19. Ibid., 107. 20. Tsu Jing 2005. 21. R. Wong 2006, 95. 22. Chatterjee (1986) was the first to theorize colonial nationalism as a “derivative discourse” of Western Orientalism. 23. Gladney 1994, 92–95; Harrell 1995a; Schein 2000. 24. Fei Xiaotong 1989, 1. 25. Cohen 1991, 114–25; Schwarcz 1986; Tu Wei-ming 1994. 26. Harrison 2000, 240–43, 83–85; Harrison 2001. 27. Harrison 2000, 83–85; Cohen 1991, 126. 186 • Notes 28. Duara 2003, 9–40. 29. See, for example, Lattimore 1940 and 1962; Forbes 1986; Goldstein 1989; Benson 1990; Lipman 1998; Millward 1998; Purdue 2005a; Mitter 2000; Atwood 2002; Tighe 2005; Reardon-Anderson 2005; Giersch 2006; Crossley, Siu, and Sutton 2006; Gladney 1991, 1994, and 1996; Harrell 1995a and 2001; Brown 1996 and 2004; Cheung Siu-woo 1995 and 2003; Schein 2000; Kulp 2000; Bulag 2002 and 2006; Rossabi 2004. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Xi Tian August 2014 Dissertation Committee: Dr. Perry Link, Chairperson Dr. Paul Pickowicz Dr. Yenna Wu Copyright by Xi Tian 2014 The Dissertation of Xi Tian is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 by Xi Tian Doctor of Philosophy, Graduate Program in Comparative Literature University of California, Riverside, August 2014 Dr. Perry Link, Chairperson My dissertation rethinks satire and redefines our understanding of it through the examination of works from the 1930s and 1940s. I argue that the fluidity of satiric writing in the 1930s and 1940s undermines the certainties of the “satiric triangle” and gives rise to what I call, variously, self-satire, self-counteractive satire, empathetic satire and ambiguous satire. It has been standard in the study of satire to assume fixed and fairly stable relations among satirist, reader, and satirized object. This “satiric triangle” highlights the opposition of satirist and satirized object and has generally assumed an alignment by the reader with the satirist and the satirist’s judgments of the satirized object. Literary critics and theorists have usually shared these assumptions about the basis of satire. I argue, however, that beginning with late-Qing exposé fiction, satire in modern Chinese literature has shown an unprecedented uncertainty and fluidity in the relations among satirist, reader and satirized object. -
Arresting Flows, Minting Coins, and Exerting Authority in Early Twentieth-Century Kham
Victorianizing Guangxu: Arresting Flows, Minting Coins, and Exerting Authority in Early Twentieth-Century Kham Scott Relyea, Appalachian State University Abstract In the late Qing and early Republican eras, eastern Tibet (Kham) was a borderland on the cusp of political and economic change. Straddling Sichuan Province and central Tibet, it was coveted by both Chengdu and Lhasa. Informed by an absolutist conception of territorial sovereignty, Sichuan officials sought to exert exclusive authority in Kham by severing its inhabitants from regional and local influence. The resulting efforts to arrest the flow of rupees from British India and the flow of cultural identity entwined with Buddhism from Lhasa were grounded in two misperceptions: that Khampa opposition to Chinese rule was external, fostered solely by local monasteries as conduits of Lhasa’s spiritual authority, and that Sichuan could arrest such influence, the absence of which would legitimize both exclusive authority in Kham and regional assertions of sovereignty. The intersection of these misperceptions with the significance of Buddhism in Khampa identity determined the success of Sichuan’s policies and the focus of this article, the minting and circulation of the first and only Qing coin emblazoned with an image of the emperor. It was a flawed axiom of state and nation builders throughout the world that severing local cultural or spiritual influence was possible—or even necessary—to effect a borderland’s incorporation. Keywords: Sichuan, southwest China, Tibet, currency, Indian rupee, territorial sovereignty, Qing borderlands On December 24, 1904, after an arduous fourteen-week journey along the southern road linking Chengdu with Lhasa, recently appointed assistant amban (Imperial Resident) to Tibet Fengquan reached Batang, a lush green valley at the western edge of Sichuan on the province’s border with central Tibet. -
Publications Were Issued in Latin Or German
August 23–28, 2016 St. Petersburg, Russia EACS 2016 21st Biennial Conference of the European Association for Chinese Studies Book of ABStractS 2016 EACS- The European Association for Chinese Studies The European Association for Chinese Studies (EACS) is an international organization representing China scholars from all over Europe. Currently it has more than 700 members. It was founded in 1975 and is registered in Paris. It is a non-profit orga- nization not engaging in any political activity. The purpose of the Association is to promote and foster, by every possible means, scholarly activities related to Chinese Studies in Europe. The EACS serves not only as the scholarly rep- resentative of Chinese Studies in Europe but also as contact or- ganization for academic matters in this field. One of the Association’s major activities are the biennial con- ferences hosted by various centres of Chinese Studies in diffe- rent European countries. The papers presented at these confer- ences comprise all fields from traditional Sinology to studies of modern China. In addition, summer schools and workshops are organized under the auspices of the EACS. The Association car- ries out scholarly projects on an irregular basis. Since 1995 the EACS has provided Library Travel Grants to support short visits for research in major sinological libraries in Western Europe. The scheme is funded by the Chiang Ching-Kuo Foundation and destined for PhD students and young scholars, primarily from Eastern European countries. The EACS furthers the careers of young scholars by awarding a Young Scholar Award for outstanding research. A jury selects the best three of the submitted papers, which are then presented at the next bi-an- nual conference. -
The Diary of a Manchu Soldier in Seventeenth-Century China: “My
THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES -
Bridled Tigers: the Military at Korea's Northern Border, 1800–1863
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Bridled Tigers: The Military At Korea’s Northern Border, 1800–1863 Alexander Thomas Martin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons Recommended Citation Martin, Alexander Thomas, "Bridled Tigers: The Military At Korea’s Northern Border, 1800–1863" (2019). Publicly Accessible Penn Dissertations. 3499. https://repository.upenn.edu/edissertations/3499 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3499 For more information, please contact [email protected]. Bridled Tigers: The Military At Korea’s Northern Border, 1800–1863 Abstract The border, in late Chosŏn rhetoric, was an area of pernicious wickedness; living near the border made the people susceptible to corruption and violence. For Chosŏn ministers in the nineteenth century, despite two hundred years of peace, the threat remained. At the same time, the military institutions created to contain it were failing. For much of the late Chosŏn the site of greatest concern was the northern border in P’yŏngan and Hamgyŏng provinces, as this area was the site of the largest rebellion and most foreign incursions in the first half of the nineteenth century. This study takes the northern border as the most fruitful area for an inquiry into the Chosŏn dynasty’s conceptions of and efforts at border defense. Using government records, reports from local officials, literati writings, and local gazetteers, this study provides a multifaceted image of the border and Chosŏn policies to control it. This study reveals that Chosŏn Korea’s concept of border defense prioritized containment over confrontation, and that their policies were successful in managing the border until the arrival of Western imperial powers whose invasions upended Chosŏn leaders’ notions of national defense. -
New Qing History: Dispute, Dialog, and Influence
Faculty Scholarship Collection The faculty at Allegheny College has made this scholarly article openly available through the Faculty Scholarship Collection (FSC). Article Title The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory Author(s) Guo Wu (Allegheny College) Journal Title Modern Chinese Literature and Culture Citation Wu, Guo. 2013. "The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory." Modern Chinese Literature and Culture 25, no. 1: 131-164. Link to additional information on http://u.osu.edu/mclc/journal/abstracts/wu-guo/ publisher’s website Version of article in FSC Published version Link to this article through FSC https://dspace.allegheny.edu/handle/10456/37714 Date article added to FSC March 18, 2015 Information about Allegheny’s Open Access Policy is available at http://sites.allegheny.edu/scholarlycommunication/ For additional articles from this collection, visit https://dspace.allegheny.edu/handle/10456/34250 The Chinese Historical Review ISSN: 1547-402X (Print) 2048-7827 (Online) Journal homepage: http://www.tandfonline.com/loi/ytcr20 New Qing History: Dispute, Dialog, and Influence Guo Wu To cite this article: Guo Wu (2016) New Qing History: Dispute, Dialog, and Influence, The Chinese Historical Review, 23:1, 47-69, DOI: 10.1080/1547402X.2016.1168180 To link to this article: http://dx.doi.org/10.1080/1547402X.2016.1168180 Published online: 09 Jun 2016. Submit your article to this journal Article views: 325 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ytcr20 Download by: [Allegheny College] Date: 19 December 2016, At: 07:28 The Chinese Historical Review, 23.