Mechanical, Control Systems and Ergonomics Integrity of the Safeco Crazy Frogs Type Amusement Device
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Amusement Park Physics Amusement Park PHYSICS
Amusement Park Physics Amusement Park PHYSICS PHYSICS and SCIENCE DAY 2017 Physics 11/12 Amusement Park Physics These educational materials were created by Science Plus. Illustrations, typesetting and layout by Robert Browne Graphics. For more information on Amusement Park Science contact Jim Wiese at [email protected] Vancouver, B.C., Canada April 2017 Materials in this package are under copyright with James Wiese and Science Plus. Permission is hereby given to duplicate this material for your use and for the use of your students, providing that credit to the author is given. Amusement Park Physics Amusement Park Physics and the new Secondary School Curriculum In the past 18 months, the educational system has seen a shift in the science curriculum and changes to how that curriculum is delivered. The current curriculum is more inquiry based with a focus on questioning, predicting, communication, planning and conducting investigations. In addition, students are asked to analyse not only the data they collect, but also the process that was used to collect the data. The curriculum for Science 8 has changed. Although forces are not directly in the current Grade 8 curriculum, inquiry and investigation are at the forefront. Amusement Park Physics can now be applied to any number of classes as they all include an inquiry / investigative component. Teachers are able to adapt or enhance the curriculum packages currently supplied by Amusement Park Physics as they see fit. This gives you, as an educator, tremendous flexibility in terms of how you and your class spend your time at Playland. You could focus on one ride and do an in-depth study or perhaps investigate similar rides and compare them. -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
Guest Accessibility Guide
Guest Accessibility Guide CONTENTS Safety Overview Amusement Rider Safety and Liability Act...................................4 Admission Information Admission .....................................................................................5 Supervising Companion ...............................................................5 Ride Exit Pass ...............................................................................5 General Information Guest Services ..............................................................................6 First Aid ........................................................................................6 Service Animals ............................................................................6 Mobility Devices ...........................................................................7 Lockers .........................................................................................7 Smoking ........................................................................................7 Ride Guidelines & Rules Making an Informed Riding Decision ...........................................7 Health Restrictions .......................................................................8 Artificial Limbs & Amputees ........................................................9 Boarding a Ride or Attraction ......................................................9 Restraint Systems .........................................................................9 Ride Experience ............................................................................9 -
The Hettema Group Celebrates 15 Years
The Hettema Group #70 • volume 13, issue 5 • 2017 www.inparkmagazine.com celebrates 15 years I-Drive 360 Serving up servers IAAPA overload Surviving and thriving in the Media based attractions All the latest and greatest our shadow of theme park giants depend on them industry has to offer 1 inparkmagazine.com inparkmagazine.com 2 inparkmagazine.com inparkmagazine.com Gold Sponsor2017 We Take Fun Seriously! Audio Video Projection Lighting Control Engineering Design Installation UAE - Germany - Finland - UK - Japan - Italy - China - USA 4 www.wartsila.com/funa inparkmagazine.com Anniversaries abound Immersion and IP Martin Palicki, Judith Rubin, IPM publisher IPM editor he IAAPA Expo has always been a big party in eople want to be immersed in stories and Tmany ways, but this year the celebrations seem Pincreasingly, the latest tech allows us to do that even more special. As we’ve put together this issue seamlessly. That seems to be what is demanded by (our 70th issue, wrapping up lucky year number 13), we today’s IP-centric media-based experiences realized many companies are celebrating milestones. What are the benefits of immersion? Guests stay From the 15th anniversary of our cover story longer, forget the day-to day-world, are emotionally company, The Hettema Group, to Sally Corporation’s engaged, spend more money and return more often. 40th birthday, there are success stories for companies Immersion is a product, somewhat intangible. Success of all sizes. is in the results. Immersion maintains the bubble of the experience. Is that a physical thing? A technological This is good news for all of us. -
From the Desk of Frank Zaitshik 2013 Fall Report
From the desk of Frank Zaitshik End2013 of 2014 Fall Newsletter Report Wade Shows 2014 End of Year Newsletter In this issue: Oh what a year it has been!...... Record ride revenue at many fairs, big, new events on the schedule, 2014 Fair & multi-year contract extensions, refurbishment projects and new ride purchases made 2014 a very Festival route update exciting year. Advance Sales & I apologize for not getting a regular newsletter out but like a roller coaster, once we got to the top there Dollar day at NY State was no stopping as we made our way at a breakneck pace through 2014. Fair a huge success Speaking of roller coasters, we debuted our largest coaster ever this year, the Comet II, and it led our list of new rides for 2014. This coaster is now the largest fully portable coaster in the US, taking the Wade Shows signs title from our own RC-48, which we still continue to move. The Comet II will play several select events agreement with throughout the year and is really a park-like attraction that makes a tremendous addition to our largest Florida State Fair to events. coordinate midway In addition to the Comet II, we purchased a spinning Over 10 new rides coaster, our fourth roller coaster, the Mighty Mouse, purchased for 2015 a Rock Star spectacular ride, and a Charlie Chopper a “spectacular” family ride that simulates helicopter flight. My daughter Marina also jumped into the business with both feet by purchasing a Happy Swing kiddie ride to add to our lineup. -
The Cairo Street at the World's Columbian Exposition, Chicago, 1893
Nabila Oulebsir et Mercedes Volait (dir.) L’Orientalisme architectural entre imaginaires et savoirs Publications de l’Institut national d’histoire de l’art The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 István Ormos DOI: 10.4000/books.inha.4915 Publisher: Publications de l’Institut national d’histoire de l’art Place of publication: Paris Year of publication: 2009 Published on OpenEdition Books: 5 December 2017 Serie: InVisu Electronic ISBN: 9782917902820 http://books.openedition.org Electronic reference ORMOS, István. The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 In: L’Orientalisme architectural entre imaginaires et savoirs [online]. Paris: Publications de l’Institut national d’histoire de l’art, 2009 (generated 18 décembre 2020). Available on the Internet: <http://books.openedition.org/ inha/4915>. ISBN: 9782917902820. DOI: https://doi.org/10.4000/books.inha.4915. This text was automatically generated on 18 December 2020. The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 1 The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 István Ormos AUTHOR'S NOTE This paper is part of a bigger project supported by the Hungarian Scientific Research Fund (OTKA T048863). World’s fairs 1 World’s fairs made their appearance in the middle of the 19th century as the result of a development based on a tradition of medieval church fairs, displays of industrial and craft produce, and exhibitions of arts and peoples that had been popular in Britain and France. Some of these early fairs were aimed primarily at the promotion of crafts and industry. Others wanted to edify and entertain: replicas of city quarters or buildings characteristic of a city were erected thereby creating a new branch of the building industry which became known as coulisse-architecture. -
2014/05/29Al-Hokair Group Prospectus
This prospectus relates to the sale of 16,500,000 Ordinary Shares representing 30% of the Share Capital of prospectus Abdulmohsen Al Hokair Group for Tourism and Development Company through an Initial Public Offering at an Offer Price of SAR (50) per Share Offer Period: 7 days starting Abdulmohsen Al-Hokair Group for Tourism and Development Company From 29/07/1435H (corresponding to 28/05/2014G) A Saudi Joint Stock Company with Commercial Registration No.1010014211, dated 16/08/1398H To 05/08/1435H (corresponding to 03/06/2014G) (corresponding to 22/07/1978G) pursuant to Ministerial Decision No. 2161, dated 11/08/1427H (corresponding to 03/09/2006G). Abdulmohsen Al-Hokair Group for Tourism and Develop- (B) below) and subject to the CMA’s consent. 80% of the Shares through the Institutional Investors Register Man- ment Company (“Al-Hokair Group”, the “Company” or Offer Shares allocated to this tranche will be reserved ager who establishes an Order Record prior the Offering “Issuer”) was founded as a sole proprietorship in KSA for investment funds, with this percentage adjustable being made available to Individual Subscribers. operating under the name of Abdulmohsen Al Hokair depending on insuffi cient demand by other Institutional Each Individual Subscriber who subscribes to the Offer Group for Trading and Industry with commercial registra- Investors for the remaining (20%) or if investment funds Shares must apply for a minimum of 10 Shares. The tion number 1010014211 on 16/8/1398H (corresponding do not subscribe to the full 80% allocated to them; and maximum number of Offer Shares that can be subscribed to 22/7/1978G) with a share capital of SAR 274,000. -
Meaning - an Unexplored Path of Innovation
Meaning - An Unexplored Path of Innovation Åsa Öberg1* and Roberto Verganti2 Department of Information Design, Mälardalen University, Sweden1 School of Management, Politecnico di Milano, Italy1,2 [email protected], [email protected] *Corresponding Author Received 27 August 2014; received in revised form 30 November 2014; accepted 9 December 2014 Abstract Over the last ten years, the practice and research around innovation has been dominated by one perspective: innovation is an activity of “creative problem solving”. According to this per- spective, users have problems or needs, and innovation implies an understanding of those problems and the creation of better ideas to solve them (Kelley, 2001, Chesbrough, 2003, Brown, 2009, Martin, 2009). There is, however, a level of innovation that has been overlooked: the level of meaning. People are continuously searching for meaning. Whenever they do something in life, there is a meaning behind that action, a purpose, and a “why”. They also use products and services that support this search for meaning. For example, they use fast robots with the purpose of improving the productivity of a process. Firms often assume that meanings exist “out there” in the market. They just have to be understood, not innovated. Therefore, they search for new solutions, a new “how”, to serve this existing purpose better: a faster robot, for example. However, people are not only searching for new solutions to existing problems. They are also searching for new meanings because their life keeps changing and because they are delighted by the discovery of new directions. For example, hospitals buy slow robots, such as the DaVinci system, the leading prostatectomy device, not to replace doctors and increase productivity, but to help them in complex operations. -
Final Report Patenting
Finance, Learning, Innovation and Patenting for CCIs FINAL REPORT Work Package 4 PATENTING in the CULTURAL and CREATIVE INDUSTRIES Intro/General Info about FLIP Creative FLIP - Finance, Learning, Innovation and Patenting is a Pilot project co-funded by the EU whose main objective is to support healthy and sustainable ecosystems for Cultural and Creative Industries (CCIs) with respect to these four key policy areas. For more info, see: www.creativeflip.eu Abstract The purpose of Work Package 4 (WP4) is to outline the patenting landscape in the Cultural and Creative Industries in order to support CCIs actors to capture value from their Intellectual Property, thereby strengthening their business capacities. With this purpose in mind, the WP4 activities consisted of (i) carrying out a state-of-the-art analysis of patenting activities within the CCIs, (ii) performing a statistical analysis to reveal the actual use of patents, (iii) conducting a survey of current patent practices, and (iv) developing recommendations to increase the CCIs’ business capacities through the use of IP and patenting. Additionally, via interviews conducted with CCIs representatives, this WP unveils some best practices in patenting to inspire the sector players. This Final Report presents the outcomes of these activities, which were carried out within the Creative FLIP project. This document is part of the Creative FLIP Final Report, requested by the European Commission as part of the project deliverables. AUTHOR(S) Institut de la Propriété Intellectuelle Luxembourg (IPIL) G.I.E. Cyrille Dubois Onur Emul Christelle Olsommer Allan Zimmermann LINGUISTIC VERSIONS Original: EN ABOUT THE AUTHOR To contact Institut de la Propriété Intellectuelle Luxembourg (IPIL) G.I.E. -
22 the Immersive Ingenuity of Attraktion!
10 years #55 • volume 10, issue 5 • 2014 www.inparkmagazine.com 22 32 the immersive ingenuity 8 InPark looks of Attraktion! Ocean back at ten years Kingdom roundtable COMING SOON TO LOTTE WORLD VISIT US AT THE GALLERY OF BIG IDEAS BOOTH 1358 WWW.GARYGODDARD.COM | 310.601.2000 DESTINATION RESORTS THEME PARKS ATTRACTIONS LIVE ENTERTAINMENT © 2014 GARY GODDARD ENTERTAINMENT COMING SOON TO LOTTE WORLD VISIT US AT THE GALLERY OF BIG IDEAS BOOTH 1358 WWW.GARYGODDARD.COM | 310.601.2000 DESTINATION RESORTS THEME PARKS ATTRACTIONS LIVE ENTERTAINMENT www.inparkmagazine.com #55 • volume 10, issue 5 Chimelong Ocean Kingdom, game changer advertisers 8 An InPark roundtable • edited by Judith Rubin Alcorn McBride 7 From Shanghai to Yeosu to Milan Alterface Projects 74 12 How creative teamwork and private funding saved the Attraktion! 17 US Pavilion • by James Ogul BaAM 37 VR: It’s back for good BRC 32 18 Themed entertainment’s “golden age” is just warming up • by Brent Young The Business Creative 4 The immersive ingenuity of Attraktion! &RORU5HÁHFWLRQV 59 22 Markus Beyr’s companies redefine international entrepreneurship Cost of Wisconsin 38 and themed entertainment genres • by Judith Rubin ECA2 77 29 Bumping up the bumper car Entertainment Design Corporation 32 New advances in bumper car tech appeal to operators Electrosonic 49 ETI 62 InPark’s 10th anniversary section 32 /RRNEDFNDWIHDWXUHVIURPRXUÀUVWWHQ\HDUVRISXEOLVKLQJ FUNA 52 Gary Goddard Entertainment 2-3 Intellectual property values Gateway Ticketing 55 68 The industry speaks out on the evolution -
Accessibility & Safety Guide
If your party includes an PARKING FOR GUESTS WITH RESTROOMS: individual with Autism DISABILITIES: Spectrum Disorder, please All restrooms at Funtown Splashtown USA are see a cashier so we may help make your visit accessible for guests with disabilities. Each Non-ambulatory guest parking is located near restroom facility has at least one handicap stall the Main Entrance. These parking spaces are more comfortable. You can obtain a sticker and a sharps disposal unit. Restrooms are clearly marked. Make sure that your vehicle is or a temporary tattoo version of this symbol. located outside the Main Entrance, inside the Accessibility & Safety equipped with a disabled state license plate or Wearers of this sticker/tattoo can ride Main Entrance, at Poncho’s Restaurant, permit that is clearly visible. If you do not have attractions in the Funtown USA Ride Park between the Merry-Go-Round and the Heritage Guide the disabled plate or permit, and are in need of that display this symbol on the height stick House of Gifts, inside the Splashtown USA Accessibility Quick Guide one of these parking spaces, please go to Guest regardless of the posted height restrictions. Water Park Main Entrance and next to the Available at Guest Services Services to inform us. Look for the symbol in the rides listing Mount Olympus Waterslides. INTRODUCTION: attached. Funtown Splashtown USA is proud to offer this EXIT PASS: LOCKERS: RESTAURANTS AND GIFT SHOPS: Accessibility and Safety Guide for guests with An exit pass for a guest with disabilities can be All restaurants and gift shops in Funtown disabilities. -
Boardwalk Bowl
KIDDIE RIDES FAMILY RIDES THRILL RIDES ATTRACTIONS Bouncin’ Buggies 5 PTS Pirate Ship 6 PTS Riptide 6 PTS Typhoon 8 PTS Boardwalk Bowl Speedway 5 PTS Speed Bumps 6 PTS Wave Rider 5 PTS Double Shot 8 PTS Laser Tag elcomeelcome toto the oardwalk! Beach Swing 5 PTS Sky Glider (one way) 6 PTS Tsunami 6 PTS Shockwave 8 PTS Mini Golf Jet Copters 5 PTS Lighthouse Lift-O 6 PTS Twirlin’ Teacups 5 PTS Undertow 8 PTS The Vault Laser Maze Parking Drinking Fountain First Aid BOARDWALK ENTRANCES Kiddie Cruzers 5 PTS Loo Carousel 6 PTS Tornado 6 PTS Giant Dipper 8 PTS Fright Walk Parking Pay Station Foot Wash Lost & Found Bulgy the Whale 5 PTS Haunted Castle 6 PTS Sea Serpent 6 PTS Fireball 8 PTS All riders are subject to requirements posted ATM Shower Information on the Fun & Safety signs at each ride Speed Boats 5 PTS Rock & Roll 6 PTS Cave Train 6 PTS Cli Hanger 6 PTS MyBoardwalk Card Kiosk Wheel Chair Ramp Smoking Area Sea Dragons 5 PTS Sea Swings 6 PTS Ghost Blasters 6 PTS Rock-O-Plane 6 PTS COCOANUT GROVE Charging Station Lockers Convoy 5 PTS Logger’s Revenge 8 PTS Space Race 6 PTS Cyclone 6 PTS ENTRANCES Restrooms Party Room Freefall 5 PTS Crazy Surf 6 PTS Food Souvenirs WipeOut 6 PTS THIRD STREET River Lot PARK PLACE Park Place LEIBRANDT AVENUE RIVERSIDE AVENUE Lot Leibrandt PARKING Lot CLIFF STREET ENTRANCE Main Lot SEASON PASS & BEACH STREET GROUP SERVICES OFFICE TICKETS CASINO ARCADE NEPTUNE’S KINGDOM ALOHA TERRACE GUEST GROUP PICNIC AREA COCOANUT GROVE SERVICES TICKETS TICKETS ARCADE NEPTUNE’S STAGE RIVER STAGE BLEACHERS SANTA CRUZ MAIN BEACH N.