Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Introduction Notes Introduction 1. I refer to the first anthology of Levi scholarship published in English, Rea- son and Light: Essays on Primo Levi, ed. Susan Tarrow (Ithaca, NY: Center for International Studies, Cornell University, 1990). 2. Primo Levi, Survival in Auschwitz: The Nazi Assault on Humanity, trans. Stu- art Woolf (New York: Simon & Schuster, 1996); Se questo è un uomo, rev. ed. (Turin: Einaudi, 1958); Primo Levi, The Drowned and the Saved, trans. Ray- mond Rosenthal (New York: Random House, 1989); I sommersi e i salvati (Turin: Einaudi, 1986). On the importance of Levi in American intellectual life, see Michael Rothberg and Jonathan Druker, “A Secular Alternative: Primo Levi’s Place in American Holocaust Discourse,” Shofar: An Interdisciplinary Journal of Jewish Studies 28, no. 1 (forthcoming). 3. Berel Lang, Act and Idea in the Nazi Genocide (Chicago: University of Chicago Press, 1990), 195. In the chapter titled “Genocide and Kant’s Enlightenment,” Lang offers a careful, measured, and detailed assessment of the “affiliation” between Enlightenment ideas and the inner logic of Nazism (165–206). He takes possible objections to his thesis seriously, admitting that so many Nazi proclamations and policies claimed to be in sharp opposition to Enlighten- ment principles. However, he states, these objections “argue past rather than against the thesis posed here, which is based on the internal structure of ideas, not on what is said about them” (194). 4. See Immanuel Kant, Groundwork of the Metaphysic of Morals, ed. H. J. Patton (New York: Harper & Row, 1964). The categorical imperative states the follow- ing: “Act only on that maxim through which you can at the same time will that it should become a universal law” (30). 5. Vincent P. Pecora, “Habermas, Enlightenment, and Antisemitism,” in Probing the Limits of Representation: Nazism and the “Final Solution,” ed. Saul Fried- lander (Cambridge: Harvard University Press, 1992), 155–70; especially 163. 6. Lang, Act and Idea in the Nazi Genocide, 186. He adds: “For once the Jews were formally excluded from the body politic—on the grounds that by their nature they did not qualify for the rights of citizenship—there were no limits in principle to what steps might be initiated against them, even if in point of fact it required five or six years before the most extreme of those steps, that of genocide, was taken” (188). 136 NOTES TO PAGES 3–5 7. Lang, Act and Idea in the Nazi Genocide, 195. See also Zygmunt Bauman, “Allosemitism: Premodern, Modern, Postmodern,” in Modernity, Culture and “the Jew,” ed. Bryan Cheyette and Laura Marcus (Stanford: Stanford University Press, 1998), 143–56. Before the Enlightenment, intolerance of Jews in Europe led to ghettoization, forced conversion, expulsion, or even unsystematic mur- der, but not to carefully planned genocide. According to Bauman, modernity, with “its obsessive preoccupation with ordering,” marked a transition to an “Age of Gardening.” “When society is turned into a garden, then the idea of unwertes Leben [‘worthless life’] is bound to occupy in every blueprint of a better society as great a place as the need to fight weeds and parasites occupies in every good gardening handbook” (153). 8. As early as 1946, Jean-Paul Sartre noted the link between a deification of the human and fascism: “We have no right to believe that humanity is something to which we could set up a cult, after the manner of Auguste Comte. The cult of humanity ends in Comtian humanism, shut-in upon itself, and—this must be said—in Fascism. We do not want a humanism like that.” Jean-Paul Sartre, “Existentialism is a Humanism,” in Existentialism from Dostoevsky to Sartre, ed. Walter Kaufman (New York: Meridien, 1956), 368. 9. In English, see Nicholas Patruno, Understanding Primo Levi (Columbia, SC: University of South Carolina Press, 1995); Mirna Cicioni, Primo Levi: Bridges of Knowledge (Oxford: Berg, 1995); Fredric D. Homer, Primo Levi and the Poli- tics of Survival (Columbia, MO: University of Missouri Press, 2001); Massimo Giuliani, A Centaur in Auschwitz: Reflections on Primo Levi’s Thinking (Lan- ham, MD: Lexington Books, 2003). In Italian, see Massimo Dini and Stefano Jesurum, Primo Levi: Le opere e i giorni (Milano: Rizzoli, 1992); Franco Bal- dasso, Il cerchio di gesso: Primo Levi narratore e testimone (Bologna: Edizioni Pendragon, 2007). 10. Although not discussed in my study, many other Italian Holocaust writers had to navigate these same transitions. See Risa Sodi, Narrative and Imperative: The First Fifty Years of Italian Holocaust Writing (1944–1994) (New York: Peter Lang, 2007). 11. See Alvin Rosenfeld, A Double Dying: Reflections on Holocaust Literature (Bloomington, IN: Indiana University Press, 1980). In some of the earliest Levi criticism in America, Rosenfeld wrote that Survival in Auschwitz was “influenced by the traditions of Western humanistic learning” (56). See David Denby, “The Humanist and the Holocaust: The Poised Art of Primo Levi,” The New Republic, July 28, 1986, 27–33. Denby wrote that as a “humanist after Auschwitz,” Levi “not only violates our sense of what a survivor should be, he violates our sense of what a modern writer should be. He lacks fierceness, anguish, a taste for extremity” (28). See Michael André Bernstein, “A Yes or a No,” Review of Primo Levi: Tragedy of an Optimist by Myriam Anissimov, The New Republic, September 27, 1999, 35–41. Bernstein wrote of Levi: “His writ- ing embodies perhaps the last great testament to the Enlightenment’s trust in the adequacy of reason to comprehend the world and to shape a fitting place for us in it” (36). An Italian anthology on Levi organized by key topics NOTES TO PAGES 5–8 137 includes an entire essay on Levi and the Enlightenment; see Daniela Amsal- lem, “Illuminista,” in Riga 13: Primo Levi, ed. Marco Belpoliti (Milan: Marcos y Marcos, 1997), 361–71. See also François Rastier, Ulysse à Auschwitz: Primo Levi, le survivant (Paris: Cerf, 2005). Rastier wrote: “Héritier des ingénieurs de la Renaissance, Levi reste un écrivain des Lumières: son ami Calvino . le compare à des encyclopédistes due XVIIIe siècle . ” (188). 12. Joseph Farrell, “Introduction,” in Primo Levi: The Austere Humanist, ed. Joseph Farrell (Oxford: Peter Lang, 2004), 9. 13. Farrell, “Introduction,” 9, 15. 14. Some of its confusing variety is cataloged in Michel Foucault, “What Is Enlightenment?” in The Foucault Reader, ed. Paul Rabinow (New York: Pan- theon Books, 1984), 32–50. “In the seventeenth century, there was a humanism that presented itself as a critique of Christianity or of religion in general . In the nineteenth century, there was a suspicious humanism, hostile and critical toward science, and another that, to the contrary, placed its hope in that same science. Marxism has been a humanism . there was a time when people sup- ported the humanistic values represented by National Socialism; and when the Stalinists themselves said they were humanists” (44). 15. Richard Norman, On Humanism (London: Routledge, 2004), 20, 23, 24. 16. Robert S. C. Gordon, Primo Levi’s Ordinary Virtues: From Testimony to Ethics (Oxford: Oxford University Press, 2001), 17. 17. Bryan Cheyette, “Appropriating Primo Levi,” in The Cambridge Companion to Primo Levi, ed. Robert S. C. Gordon (Cambridge: Cambridge University Press, 2007), 71. 18. The episode has often been discussed in Levi scholarship. See, for example, Ian Thomson, Primo Levi: A Life (New York: Metropolitan Books, 2003), 228–30. 19. The later works show that Levi was an avid student of the Holocaust and of the broader questions it raised. At one point in The Drowned and the Saved, for example, he shows his acceptance of criticisms directed at the Enlighten- ment—in this case, that it is naïve about the psychology of the perpetrators of genocide (26). Nothing similar to this can be found in the first three decades of Levi’s writing after the war. 20. Cheyette, “Appropriating Primo Levi,” 82. 21. Gian-Paolo Biasin, “The Haunted Journey of Primo Levi,” in Memory and Mastery: Primo Levi as Writer and Witness, ed. Roberta S. Kremer (Albany: State University of New York Press, 2001), 11. 22. Primo Levi, The Reawakening, trans. Stuart Woolf, with afterword, “The Author’s Answers to His Readers’ Questions,” trans. by Ruth Feldman (New York: Macmillan, 1987); Primo Levi, La tregua (Turin: Einaudi, 1963); Primo Levi, If Not Now, When? trans. William Weaver, intro. Irving Howe (New York: Summit Books, 1985); Primo Levi, Se non ora, quando? (Turin: Ein- audi, 1982); Primo Levi, The Periodic Table, trans. Raymond Rosenthal (New York: Schocken Books, 1984); Primo Levi, Il sistema periodico (Turin: Einaudi, 1975); Primo Levi, The Monkey’s Wrench, trans. William Weaver (New York: Summit Books, 1986); Primo Levi, La chiave a stella (Turin: Einaudi, 1978). 138 NOTES TO PAGES 8–11 23. Levi, The Drowned and the Saved, 149. 24. See Robert Eaglestone, The Holocaust and the Postmodern (Oxford: Oxford University Press, 2004) and Alan Milchman and Alan Rosenberg, eds., Post- modernism and the Holocaust (Amsterdam: Rodopi, 1998). The best broad overview is found in Neil Levi and Michael Rothberg, eds., The Holocaust: Theoretical Readings (New Brunswick: Rutgers University Press, 2003). 25. See Steven Best and Douglas Kellner, Postmodern Theory: Critical Interroga- tions (New York: Guilford Press, 1991). 26. According to Stuart Sim, posthumanism is “the state many theorists claim we are now in, where humanist values are no longer taken to be the norm and are even openly contested. A post-humanist society regards humanist ideals with scepticism, and is prone to see their negative side only (for example, the Holocaust as a logical extension of the humanist desire to find rational ‘solu- tions’ to all perceived social and political ‘problems’).” Stuart Sim, Lyotard and the Inhuman (Cambridge, UK: Icon Books, 2001), 78.
Recommended publications
  • As in the All the Other of Levi's Holocaust Poems I Discuss in This
    Poetry as testimony: Primo Levi's collected poems Rowland, AC http://dx.doi.org/10.1080/09502360802271462 Title Poetry as testimony: Primo Levi's collected poems Authors Rowland, AC Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/9509/ Published Date 2008 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Poetry as Testimony: Primo Levi’s Collected Poems Critics in the field of Holocaust and Trauma Studies have regarded the relationship between poetry and testimony as either non-existent or self-explanatory. In Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, Shoshana Felman and Dori Laub discuss Stéphane Mallarmé and Paul Celan poems alongside Albert Camus’s novel The Plague, Sigmund Freud’s work and life testimonies, without commenting on the shift between analyses of different genres.1 Yet testimony is generally seen as an ‘unaesthetic’ form of written or oral attestation to historical suffering opposed to more self-consciously literary forms such as poetry. Hence in Beyond the Limit-Experience, Gary Mole illustrates that some critics assume that ‘the poetic and the testimonial [are] somehow incompatable’; Sue Vice points out that ‘it is not poetic testimony but prose testimony that is typical of Holocaust eye-witness, while Holocaust poetry is considered a separate and self-contained genre’.2 In this article I argue that, when a critical opposition between poetry and testimony is unravelled, Primo Levi’s poems can be read productively as testimonial acts.
    [Show full text]
  • Lived Experience and the Holocaust: Spaces, Senses and Emotions in Auschwitz
    Journal of the British Academy, 9, 27–58 DOI https://doi.org/10.5871/jba/009.027 Posted 15 January 2021 Lived experience and the Holocaust: spaces, senses and emotions in Auschwitz Nikolaus Wachsmann Elie Kedourie Memorial Lecture, read 17 October 2018 Abstract: This article examines lived experience during the Holocaust, focusing on Auschwitz, the most lethal Nazi concentration camp. It draws on spatial history, as well as the history of senses and emotions, to explore subjective being in Auschwitz. The article suggests that a more explicit engagement with individual spaces—prisoner bunks, barracks, latrines, crematoria, construction sites, SS offices—and their emotional and sensory dimension, can reveal elements of lived experience that have remained peripheral on the edges of historical visibility. Such an approach can deepen understanding of Auschwitz, by making the camp more recognisable and by contributing to wider historiographical debates about the nature of Nazi terror. Keywords: Auschwitz, Holocaust, concentration camps, lived experience, spatial history, history of the senses, history of emotions. Note on the author: Nikolaus Wachsmann is Professor for Modern European History at Birkbeck College (University of London), and has written extensively about repression and terror in the Third Reich. His most recent book is KL: A History of the Nazi Concentration Camps (2015, Farrar, Straus and Giroux), which won the Wolfson History Prize, the Mark Lynton History Prize and the Jewish-Quarterly Wingate Literary Prize. © The author(s) 2021. This is an open access article licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License 28 Nikolaus Wachsmann ‘Dear reader, I write these words in the moments of my greatest despair.’ So begins a text by Zalmen Gradowski, composed in Auschwitz-Birkenau in spring 1944 and dis- covered after liberation, in a tin near the destroyed crematoria.
    [Show full text]
  • If This Is a Man Before If This Is a Man When Primo Levi Came Back to Italy in October 1945, He Has No Idea That Several Other T
    If This Is a Man Before If This Is a Man When Primo Levi came back to Italy in October 1945, he has no idea that several other testimonies of former deportees like him had already been published. In the year that marked the official end of World War II, eleven books were published or printed by local publishers or presses. We do not know if Levi knew of any of these testimonies, as they were little more than pamphlets circulated locally. Only a few were distributed to bookstores. The first work to be published was by a chemist like Levi. Alberto Cavaliere was a member of the Communist Party who had told the story of his sister in law, Sofia Schafranov, a Jewish doctor of Russian origin. The title of the 92-page book published by Sonzogno in 1945 was I campi della morte in Germania: nel racconto di una soppravissuta (Death Camps in Germany: The Story of a Survivor). The second title to come out, an 82-page story by the writer and critic Giacomo De Benedetti had already been published in the journal ‘Mercurio’ in December 1944: 16 ottobre 1943 (October 16, 1943), published in Rome by OET. Neither Cavaliere nor Debenedetti had experienced the Lager first-hand, however. Gaetano De Martino, a Theosophist lawyer and militant communist was the first genuine eye-witness to publish his account alongside testimonies from other deportees. Published by Edizioni Alaya, the book was called Dal carcere di San Vittore ai “Lager Tedeschi”: sotto la sferza nazifascista (From San Vittore Prison to the “German Lager”: Under the Nazi-Fascist Whip).
    [Show full text]
  • The Holocaust Poetry of John Berryman, Sylvia Plath and W.D. Snodgrass Matthew Boswell
    The Holocaust Poetry of John Berryman, Sylvia Plath and W.D. Snodgrass Matthew Boswell PhD Thesis Department of English Literature, The University of Sheffield. Funded by the Arts and Humanities Research Board. 1 Summary John Berryman, Sylvia Plath and W. D. Snodgrass are each commonly associated with the poetic movement known as ‘confessionalism’ which emerged in the USA in the late 1950s and early 1960s. They did not, however, write works of undiluted autobiography; through close readings of their Holocaust verse, I take the poetry, rather than the lives of the poets, to be the ultimate authority on what they had to say about history, about the ethics of representing historical atrocity in art, and about the ‘existential’ questions that the Nazi genocide raises. Chapter 1 offers the first sustained analysis of Berryman’s unfinished collection of Holocaust poems, The Black Book (1948 - 1958) - one of the earliest engagements by an American writer with this particular historical subject. In my second chapter I look at some of Plath’s fictionalised dramatic monologues, which, I argue, offer self-reflexive meditations on representational poetics, the commercialisation of the Holocaust, and the ways in which the event reshapes our understanding of individual identity and culture. My third chapter focuses on W. D. Snodgrass’s The Fuehrer Bunker (1995) - a formally inventive cycle of dramatic monologues spoken by leading Nazi ministers, which can be read as an heuristic text whose ultimate objective is the moral instruction of its readers. Finally, I suggest that while all three poets offer distinct responses to the Holocaust, they each consider how non-victims approach the genocide through acts of identification.
    [Show full text]
  • Olive Press Research Paper
    Olive Press Research Paper issue 11 November 2011 A Critical Consideration of Primo Levi on the common humanity Naomi Barker Eagle Lodge, Hexgreave Hall Business Park, Olive Press Farnsfield, Notts. NG22 8LS (a CMJ ministry) Registered UK Charity number 293553 £2 when sold A Critical Consideration of Primo Levi on the common humanity Naomi Barker Welcome to the Olive Press Research Paper – an occasional paper featuring articles that cover a wide spectrum of issues which relate to the ministry of © Naomi Barker 2011 CMJ. The right of Naomi Barker to be identified as the publisher of this work has been asserted in accord- ance with the Copyright Design and Patents Act 1988. All rights reserved. No part of this publica- Articles are contributed by CMJ staff (past and present), also by Trustees, tion may be reprinted or transmitted in any form by any means, electronic or mechanical, including Representatives, CMJ Supporters or by interested parties. photocopying, recording or any information storage and retrieval system, without permission in writing from the publisher. Articles do not necessarily portray CMJ’s standpoint on a particular issue but Editorial team: Rev Alex Jacob may be published on the premise that they allow a pertinent understanding Concept and design: www.thirteenfour.com to be added to any particular debate. Printed through A-Tec, Broxbourne, England Black milk of daybreak we drink you at night we drink you at midday and morning we drink you at evening we drink and we drink a man lives in the house your goldenes Haar Margareta
    [Show full text]
  • Registration Program
    HOFSTRA CULTURAL CENTER presents ANSWERING AUSCHWITZ: PRIMO LEVI’S SCIENCE AND HUMANISM AFTER THE FALL Thursday and Friday © Jillian Edelstein April 26 and 27, 2007 Conference Registration Program HOFSTRA CULTURAL CENTER presents a conference ANSWERING AUSCHWITZ: PRIMO LEVI’S SCIENCE AND HUMANISM AFTER THE FALL Thursday and Friday April 26 and 27, 2007 Stuart Rabinowitz John D. Miller President and Andrew M. Boas and Chair Mark L. Claster Distinguished Professor of Law Board of Trustees Hofstra University Hofstra University M. Patricia Adamski Herman A. Berliner Senior Vice President for Planning and Administration Provost and Senior Vice President for Adolph J. and Dorothy R. Eckhardt Distinguished Academic Affairs Professor of Corporate Law Lawrence Herbert Distinguished Professor Hofstra University Hofstra University CONFERENCE DIRECTOR Stanislao G. Pugliese Professor of History Hofstra University CONFERENCE COORDINATOR Deborah Lom Assistant Director for Conferences and Special Events Hofstra Cultural Center Supported in part by the Dorothy and Elmer Kirsch Endowment for the Hofstra Cultural Center. 1 WEDNESDAY, APRIL 25, 2007 PRE-CONFERENCE EVENT Hofstra Cultural Center presents a FILM SCREENING: Primo Primo is the film version of Antony Sher’s one-man play, directed by Richard Wilson of the National Theatre Company of London, which ran at the Music Box Theater in New York City in the summer of 2005. Based entirely on Levi’s writings, this is a riveting performance. (90 mins., color, English, starring Antony Sher, 2005) THURSDAY, APRIL 26, 2007 8 a.m-5 p.m. CONFERENCE REGISTRATION AND COFFEE Rochelle and Irwin A. Lowenfeld Conference and Exhibition Hall Joan and Donald E. Axinn Library, 10th Floor, South Campus 9 a.m.
    [Show full text]
  • {DOWNLOAD} Moments of Reprieve: a Memoir of Auschwitz
    MOMENTS OF REPRIEVE: A MEMOIR OF AUSCHWITZ PDF, EPUB, EBOOK Primo Levi,Ruth Feldman | 144 pages | 01 Jul 1995 | Penguin Books | 9780140188950 | English | New York, NY, United States Moments of Reprieve: A Memoir of Auschwitz PDF Book Sorry, your blog cannot share posts by email. When you buy a book, we donate a book. It was hard for me not to be thinking of Kolyma Tales as I read this, and while I don't think there's any shame in not comparing to Varlam Shalamov -- I don't know if there's ever been a writer on this earth who can match Shalamov in gravity and impact -- Levi does not have the same genius for capturing the essence of camp life, the mix of the mundane and the infernal, in a single image or remembered phrase; this is just not his mode. Start your review of Moments of Reprieve. New Paperback Quantity Available: 1. Name required. While no one want to be on that death train, no one should morally want to be one of the lords who is in charge of the selection. Together these books constitute a record of man's suffering and resilience in extremity that can scarcely be equaled. I don't believe that anyone has ever put this any better. Share on Twitter Twitter. The trouble is with keeping the tap open you run the risk of being overwhelmed. Inarguably enriched by a reading of Levi's other memoirs -- especially Survival in Auschwitz and The Reawakening -- "Moments of Reprieve" nevertheless stands on its own.
    [Show full text]
  • JEWS Holocaust Ethics, Representation, and the “Grey Zone”
    This open access library edition is supported by Knowledge Unlatched. Not for resale. JUDGING “PRIVILEGED” JEWS This open access library edition is supported by Knowledge Unlatched. Not for resale. War and Genocide General Editors: Omer Bartov, Brown University; A. Dirk Moses, European University Institute, Florence, Italy/University of Sydney There has been a growing interest in the study of war and genocide, not from a traditional military history perspective, but within the framework of social and cultural history. This series offers a forum for scholarly works that refl ect these new approaches. “The Berghahn series Studies on War and Genocide has immeasurably enriched the English-language scholarship available to scholars and students of genocide and, in particular, the Holocaust.”—Totalitarian Movements and Political Religions Volume 1 Volume 10 The Massacre in History Exploitation, Resettlement, Mass Murder: Edited by Mark Levene and Penny Roberts Political and Economic Planning for German Occupation Policy in the Soviet Volume 2 National Socialist Extermination Policies: Union, 1940–1941 Alex J. Kay Contemporary German Perspectives and Controversies Volume 11 Edited by Ulrich Herbert Theatres of Violence: The Massacre, Mass Killing and Atrocity in History Volume 3 Edited by Philip G. Dwyer and Lyndall Ryan War of Extermination: The German Military in World War II, 1941/44 Volume 12 Edited by Hannes Heer and Klaus Naumann Empire, Colony, Genocide: Conquest, Occupation, and Subaltern Resistance in Volume 4 In God’s Name: Genocide and Religion in World History Edited by A. Dirk Moses the Twentieth Century Edited by Omer Bartov and Phyllis Mack Volume 13 The Train Journey: Transit, Captivity, and Volume 5 Hitler’s War in the East, 1941–1945 Witnessing in the Holocaust Simone Gigliotti Rolf-Dieter Müller and Gerd R.
    [Show full text]
  • The Drowned and the Saved Free
    FREE THE DROWNED AND THE SAVED PDF Primo Levi | 256 pages | 04 Jul 2013 | Little, Brown Book Group | 9780349138640 | English | London, United Kingdom The Drowned and the Saved - Wikipedia The Drowned and the Saved Italian : I sommersi e i salvati is a book of essays by Italian - Jewish author and The Drowned and the Saved survivor Primo Levi on life and death in the Nazi extermination campsdrawing on his personal experience as a survivor of Auschwitz Monowitz. The author's last work, written ina year before his death, The Drowned and the Saved is an attempt at an analytical approach, in contrast to his earlier books If This Is a Man and The Trucewhich are autobiographical. From Wikipedia, the free encyclopedia. The Drowned and the Saved. Translated by Raymond Rosenthal. The Drowned and the Saved by Primo Levi. The Search for Roots Collected Poems. Primo film The Truce film. Hidden categories: Articles containing Italian-language text All stub articles. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. First edition. Einaudi Italian Summit Books English. Print Hardcover and Paperback. This article about a memoir on The Holocaust is a stub. You can help Wikipedia by expanding it. The Drowned and the Saved by Primo Levi As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get The Drowned and the Saved streaming picks. Title: The Drowned and the Saved 03 Jun A murder investigation uncovers connections to the governor's wife, and perhaps a scandal involving the governor and an appointment for an open US Senate seat.
    [Show full text]
  • Auschwitz Report *
    Auschwitz Report by Primo Levi and Leonardo De Benedetti, Verso, 2006, 97 pp. Jonathan Derbyshire Also under review: The Black Hole of Auschwitz, by Primo Levi (edited by Marco Belpolti and translated by Sharon Wood) Polity, 2005, 190pp. and A Tranquil Star: Unpublished Stories of Primo Levi, by Primo Levi (translated by Ann Goldstein and Allesandra Bastagli) Penguin Classics, 2007, 164pp. * In The Truce, Primo Levi describes a cruelly protracted train journey, following the liberation of Auschwitz, from Krakow to a transit camp at Katowice in Upper Silesia. When the train makes one of many unexplained stops, at a place called Trzebinia, Levi gets off to stretch his legs. Soon he is surrounded by a group of curious locals, on whom he unburdens, in a torrent of words, ‘those so recent experiences of mine, of Auschwitz nearby.’ [1] Levi notices that the man translating these words into Polish refers to him not as an Italian Jew but as an ‘Italian political prisoner.’ And as the crowd begins to disperse, he remembers a dream, or rather a nightmare, he and his comrades had had in the camp – a dream of ‘speaking and not being listened to, of finding liberty and remaining alone.’ The struggle to be listened to would consume Levi for the rest of his life. When, finally, he made it back to Italy in the autumn of 1945, Levi began work on his memoir If This is a Man (to which The Truce is a kind of accompaniment or coda). Many years later, in an interview with Philip Roth, he confessed to having begun that terrible and incomparable book with ‘no definite literary intention.’ [2] He wrote out of the primordial need to bear witness.
    [Show full text]
  • “God, Where Art Thou?” Theme in the Literary Works of Auschwitz Survivors Ka-Tsetnik, Primo Levi and Elie Wiesel
    IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 The “God, Where Art Thou?” Theme in the Literary Works of Auschwitz Survivors Ka-Tsetnik, Primo Levi and Elie Wiesel Lily Halpert Zamir, David Yellin Academic College of Education, Israel Abstract This paper focuses on the search for God in Auschwitz in the literary works of three surviving writers: Yehiel (Feiner) De-Nur (known by his pen name – Ka-Tsetnik (often spelled Ka- Tzetnik) 135633 – and referred to hereinafter as “Ka-Tsetnik”), Primo Levi and Eli Wiesel. These world-famous authors survived the inferno, yet returned to it again and again in their post-Auschwitz writings. Their works describe their personal experiences in the concentration camps, the inmates’ lives and their families and friends who were murdered in the gas chambers. Against this background, they tried to explain the underlying source of absolute human evil in Auschwitz. Although they came from different Jewish religious communities, their remonstrative grievance was the same: Where was God in Auschwitz? A preliminary reading of their writings reveals their personal attitude to God in Auschwitz. Wiesel calls Him “the God of Bread” (Wiesel, 1967, p. 236), Ka-Tsetnik “the God of Soup” (Ka-Tsetnik, 1989, pp. 56-57), and Levi the “Supreme Chemist at the Auschwitz laboratory”, a “gigantic biological and social experiment of the human animal, where the struggle for life was conducted” (Levi, 1961, p. 80). 1 Each asked in his own way: Where was God in Auschwitz? Keywords: Holocaust, Auschwitz, Ka-Tsetnik, Primo Levi, Elie Wiesel; concentration camps, absolute evil, divine responsibility 1 Wiesel and Ka-Tsetnik came from Eastern European orthodox Jewish families, while Dr.
    [Show full text]