The Hero and the Anti-Hero in the Novels of Jane Austen
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Marianne Dashwood and Charlotte Lucas (The Christian Ideal of Marriage in Jane Austen)
Not Said But Shown 432 17. Marianne Dashwood and Charlotte Lucas (The Christian Ideal of Marriage in Jane Austen) ----- Marianne Dashwood at seventeen believes in “wholeheartedness.” One should cultivate right feelings as far as one possibly can, and express them frankly and to the full; and all with whom one can relate properly must do the same. One’s feelings should be intense, and the expression of them should be enthusiastic and eloquent. Towards those whose feelings are right, but who cannot achieve this freedom of expression, one must be charitable; but one should avoid all whose thought and behavior is governed by convention. Following convention corrupts one’s “sensibility,” so that one can no longer tell what the truth of natural feeling is. Thus, when Edward Ferrars and Marianne’s sister Elinor become mutually attached, Marianne approves of Edward — and she certainly agrees with her mother, who says, “I have never yet known what it was to separate esteem and love” (SS, I, iii, 16). But she cannot imagine how Elinor can be in love with Edward, because he lacks true “sensibility.” “Edward is very amiable, and I love him tenderly. But . his figure is not striking . His eyes want all that spirit, that fire, which at once announce virtue and intelligence . he has no real taste . I could not be happy with a man whose taste did not in every point coincide with my own . how spiritless, how tame was Edward’s manner in reading to us last night! . it would have broke my heart had I loved him, to hear him read with so little sensibility” (17-8). -
The Presence of the Jungian Archetype of Rebirth in Steven Erikson’S Gardens Of
The Presence of the Jungian Archetype of Rebirth in Steven Erikson’s Gardens of the Moon Emil Wallner ENGK01 Bachelor’s thesis in English Literature Spring semester 2014 Center for Languages and Literature Lund University Supervisor: Ellen Turner Table of Contents Introduction..........................................................................................................................1 The Collective Unconscious and the Archetype of Rebirth.................................................2 Renovatio (Renewal) – Kellanved and Dancer, and K’rul...................................................6 Resurrection – Rigga, Hairlock, Paran, and Tattersail.........................................................9 Metempsychosis – Tattersail and Silverfox.......................................................................15 The Presence of the Rebirth Archetype and Its Consequences..........................................17 Conclusion..........................................................................................................................22 Works Cited........................................................................................................................24 Introduction Rebirth is a phenomenon present in a number of religions and myths all around the world. The miraculous resurrection of Jesus Christ, and the perennial process of reincarnation in Hinduism, are just two examples of preternatural rebirths many people believe in today. However, rebirth does not need to be a paranormal process where someone -
And Nineteenth-Century Rake Character to Depictions Of
TRACING THE ORIGINS OF THE EIGHTEENTH- AND NINETEENTH-CENTURY RAKE CHARACTER TO DEPICTIONS OF THE MODERN MONSTER COURTNEY A. CONRAD Bachelor of Arts in English Cleveland State University December 2011 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH LITERATURE at the CLEVELAND STATE UNIVERSITY MAY 2019 We hereby approve this thesis For COURTNEY A. CONRAD Candidate for the Master of Arts in English Literature degree for the Department of ENGLISH And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ___________________________________________________ Thesis Chairperson, Dr. Rachel Carnell __________________________________________ Department & Date ___________________________________________________ Thesis Committee Member, Dr. Frederick Karem __________________________________________ Department & Date ___________________________________________________ Thesis Committee Member, Dr. Gary Dyer __________________________________________ Department & Date Student’s Date of Defense: May 3, 2019 TRACING THE ORIGINS OF THE EIGHTEENTH- AND NINETEENTH-CENTURY RAKE CHARACTER TO DEPICTIONS OF THE MODERN MONSTER COURTNEY A. CONRAD ABSTRACT While critics and authors alike have deemed the eighteenth- and nineteenth- century literary rake figure as a “monster” and a “devil,” scholars have rarely drawn the same connections between monsters to rakes. Even as critics have decidedly characterized iconic monsters like Victor Frankenstein and Dracula as rapists or seducers, they oftentimes do not make the distinction -
Silence and the Duel in Sense and Sensibility
“He to defend: I to punish”: Silence and the Duel in t Sense and Sensibility :Li VINCE BREWTON Vince Brewton (email: [email protected]) is Assistant Professor of English at the University of North Alabama. He has written for The Southern Quarterly and The Continuum Encyclopedia of American Literature. His ongoing research reflects on the relationship between identity and violence. A t the heart of Sense and Sensibility we find a little-noted duel, an affair of honor conducted between Colonel Brandon and Willoughby, two of the three male principals in the novel. The duel, though heavy with significance for the novel, is interestingly underemphasized in the text itself and largely unacknowledged in critical discussion. A Regency duel is an example of what Peter Gay calls “the cultivation of hatred,” i.e., the sub- limation of raw aggression as well as the deliberately nurtured expression of that same resentment.1 The “hatred” sufficient to provoke a duel arises over Willoughby’s seduction of Brandon’s ward, Eliza, and the duel exists for the reader only because its participants engage in a secondary discur- sive “duel” on the “site” of Elinor Dashwood, each confiding in her his grievance and his justification for his conduct. While the duel is never revealed to us in its details directly or indi- rectly, it is significant as an emblem of the power relations informing the plot of Sense and Sensibility. I want to place the unconsidered duel within the framework of power relations in the work while at the same time undertaking to read the novel in light of the duel’s significance and deter- mine the extent to which it alters or affirms our approach to the text. -
Elinor Dashwood in Sense and Sensibility
SUMMARY －139－ Elinor Dashwood in Sense and Sensibility KITAWAKI Tokuko Sense and Sensibility was Jane Austen’s first novel published in 1811. Its first manuscript was entitled Elinor and Marianne, which was written as the story of two sisters in 1795. This story was rewritten twice in the sixteen years before its publication. Sense and Sensibility is regarded as a debate or a dialogue. Elinor Dashwood is a symbol of sense and Marianne Dashwood is that of sensibility. Jane Austen tried to let sense and sensibility have a dialogue through this novel. In the end of the story we are able to deepen our understand- ing of these two ideas. Elinor is intellectual and prudent, but she is affectionate and her feelings are strong. Marianne is emotional and imprudent, but she is also sensible and clever. We should not think of one as superior to the other. Both Elinor and Marianne are more or less endowed with sense and sensibility. Marianne’s behaviour is based on her own feelings, and she often ignores the feelings of other people. Her slightest consideration of circumstances invites ultimately her sufferings. In spite of Elinor’s advice to pay much attention to formal social activities, Marianne will never listen to her and indulges herself in loving a play boy. She was betrayed by the materialist Willoughby, who was engaged to the wealthy Miss Grey. Marianne suffers from his desertion and becomes seriously ill. Through these sufferings she learns to thank the people around her and behave properly. Elinor is always thinking of the feelings of other people and controls her own strong feelings. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit “Gender Relations in Selected Restoration Comedies in the Mirror of Sociological Role Theory“ Verfasserin Johanna Holzer, Bakk. angestrebter akademischer Grad Magistra der Philosophie (Mag.phil) Wien, 2012 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuer: Univ.-Prof. Dr. Ewald Mengel 2 to <3 3 Contents 1 Introduction ............................................................................................................. 5 2 Role Theory ............................................................................................................ 9 2.1 Introduction & Definition .................................................................................... 9 2.2 Role-play ........................................................................................................ 11 2.3 Self-monitoring ................................................................................................ 12 2.4 Inner Nature .................................................................................................... 14 2.4.1. Asides ........................................................................................................ 14 2.4.2. Body Language and Reactions .................................................................. 15 3 Restoration Comedy ............................................................................................ -
The Wicked Widow: Reading Jane Austen’S Lady Susan As a Restoration Rake
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2018-06-01 The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake Amanda Teerlink Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Teerlink, Amanda, "The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake" (2018). All Theses and Dissertations. 7100. https://scholarsarchive.byu.edu/etd/7100 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brett Chan McInelly, Chair Nicholas A. Mason Paul Aaron Westover Department of English Brigham Young University Copyright © 2018 Amanda Teerlink All Rights Reserved ABSTRACT The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink Department of English, BYU Master of Arts Of all of Austen’s works, Lady Susan tends to stand alone in style and character development. The titular character of the novella in particular presents a literary conundrum for critics and readers of Austen. Despite varied and colorful readings, critics have failed to fully resolve the differences between Lady Susan and Austen’s more beloved, maidenly heroines such as Elizabeth Bennet and Anne Elliott. -
Sense and Sensibility: 3 Or 4 Country Families in an Urban Village
Sense and Sensibility : 3 or 4 y y Country Families in an Urban Village LAURIE KAPLAN Laurie Kaplan , Professor of English and Academic Director of George Washington University’s England Center, has published essays on Jane Austen, Tom Stoppard, Paul Scott, and women writers of the First World War. She is a former editor of Persuasions . “Her inviting you to town is certainly a vast thing in your favour.” Sense and Sensibility 257 3 or 4 families in a Country Village is the very thing to work on. 9 September 1814 I 1788 , holiday in Kent and a dinner with relatives in Sevenoaks, Mr. and Mrs. Austen, Cassandra , and Jane continued on to London where they had been invited to visit Mr. Austen’s sister , Philadelphia Hancock , and her daughter , Eliza de Feuillide , in their lodgings on Orchard Street, in the area of Marylebone that borders Mayfair. Phylly Walter had met the Austens when they dined in Sevenoaks, and writing to her brother James on 23 July 1788, she announced that on that visit she “began an acquaintance with [her ] two fe - male cousins” but that she had not been impressed by her “whimsical and affected” cousin Jane, who was “not at all pretty & very prim” (Le Faye 8 6-88). 1 Cousin Eliza, a spirited and e ffusive letter writer, documents the Austens’ visit to London quite superficially in a letter to Phylly dated 22 August 1788. In one short paragraph , Eliza praises Mr. Austen’s “Looks” and amiability and ends her paragraph enigmatically , or perhaps diplomatically, telling Phylly, “I believe it was your first acquaintance with Cassandra & Jane” (88). -
Jane Austen's Soldier Brother: the Military Career of Captain Henry Thomas Austen of the Oxfordshire Regiment of Militia, 1793-7801
Jane Austen's Soldier Brother: The Military Career of Captain Henry Thomas Austen of the Oxfordshire Regiment of Militia, 1793-7801 CLIVE CAPLAN 111 CarletonIslip Avenue, Terrace, Islip Terrace, New York NY 11752-0047 It was February 1793. For just one week Britain had been at war with France. The country was mobilizing; militia regiments were hasten- ing to their posts. This is the story of the Oxfordshire Regiment, and one of its officers-Henry Thomas Austen. On Thursday last the Oxfordshire Regiment of Militia, lately embodied here, marched from hence on their route to Newbery [slc], Berks. Their Military Deportment, and Alacrity for Service, did honour to the County. The whole Regiment manifested an Ardour for opposing and subduing the Enemies of this Country, intemal or extemal. Opposite Christ Church they made a halt, whilst they struck up "God save the King," joined by some thousands of spectators, and accompanied by the Band of the Regiment; after which they resumed their March amidst the Shouts and Acclamations of a vast Concourse of People. (lOl,9Febl793) At this moment Henry Austen was not yet a soldier, but a Fellow at Oxford University. He was to become a soldier and then an army agent, a banker and then a bankrupt, and at last, a clergyman. He would escort his sister Jane on her travels, become her literary agent, and after her death be her first biographer. In this biography his statement that Jane's life "was not by any means a life of event" (NP&P 3) received much attention from critics and unduly influ- enced much later Austenian commentary. -
University of California
UC Riverside UC Riverside Electronic Theses and Dissertations Title The English Novel's Cradle: The Theatre and the Women Novelists of the Long Eighteenth Century Permalink https://escholarship.org/uc/item/5q32j478 Author Howard, James Joseph Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The English Novel‘s Cradle: The Theatre and the Women Novelists of the Long Eighteenth Century A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by James Joseph Howard March 2010 Dissertation Committee: Dr. George E. Haggerty, Chairperson Dr. Carole Fabricant Dr. Deborah Willis Copyright by James Joseph Howard 2010 The Dissertation of James Howard is approved: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I wish to express my appreciation for the guidance and encouragement provided during this project by my Dissertation Committee Chair, Dr. George Haggerty, and the positive support of the other committee members, Dr. Carole Fabricant and Dr. Deborah Willis. I would also like to thank Dr. John Ganim, who served on my doctoral examination committee, for his helpful insights before and especially during my oral examination, and Dr. John Briggs, for his initial encouragement of my entering the doctoral program at UC Riverside. I also extend my gratitude to all the English faculty with whom I had the pleasure of studying during my six years at the Riverside campus. Finally, I must make special mention of the English Graduate Staff Advisor, Tina Feldmann, for her unflinching dedication and patience in resolving not only my own interminable queries and needs, but also those of her entire ―family‖ of English graduate students. -
The Country Wife by William Wycherley (1675) English Restoration Comedies- Stock Characters
English Restoration Comedies- Stock Characters The Country Wife by William Wycherley (1675) English Restoration Comedies- Stock Characters • The Rake - a fashionable or wealthy man of immoral or promiscuous habits. • The Cuckold- The character is the husband of a adulterous wife. • The fop- A foolish man overly concerned with his appearance and clothes in 17th century England. • The country father- A Father from the country • The coquette - A flirtatious woman. • The old crown - Old women who do nothing but gossip • The country daughter - the daughter of the Country father source: shivaniparkashenglishlit.weebly.com/the-country-wife-notes.html The Country Wife- Characters • Harry Horner: A notorious London rake who, in order to gain sexual access to “respectable” women, spreads the rumor that disease has rendered him impotent. Horner is the most insightful of all the “wits” in the play, often drawing out and commenting on the moral failings of others. • - Even though in announcing to the world that he is an impotent eunuch, Horner essentially emasculates himself and removes almost everything that makes him male, he is actually the most intelligent character in the play because he is the one who ends up ‘having it all’. • Mr. Pinchwife: Becomes a cuckold after pushing his naive wife away from him. He is a middle aged man newly married to the country wife Margery. A rake before his marriage, he is now the archetypal jealous husband: he lives in fear of being cuckolded, not because he loves his wife but because he believes that he owns her. He is a latent tyrant, potentially violent. -
Elite Masculinity in Eighteenth-Century British Literature
ABSTRACT Title of Dissertation: ―WELL-DISPOS‘D SAVAGES‖: ELITE MASCULINITY IN EIGHTEENTH-CENTURY BRITISH LITERATURE Elizabeth Veisz, Doctor of Philosophy, 2010 Dissertation directed by: Professor Laura Rosenthal Department of English Writers in eighteenth-century Britain catered to, and helped create, public fascination with the brazen, sometimes illicit, often violent exploits of elite and aristocratic men. Literary critics have seen this elite male figure as part of an outmoded order superseded over the course of the century by the rising British middle class. Debauched aristocratic characters are often reformed over the course of eighteenth-century narratives, reflecting a larger societal shift in values towards polite restraint. As expressed in my dissertation‘s title phrase, however, many of the period‘s writers develop elite male characters whose behaviors and self-presentation blur those very boundaries between oppositional categories, like savagery and civilization, on which both Enlightenment theories of human progress and polite culture‘s prescriptions for decorum were presumed to rest. Through an examination of this paradoxical figure in novelistic, dramatic, and autobiographical literature, my dissertation demonstrates that the oft-repeated reform-of- the-rake narrative calls attention to obstacles and resistance to the ascendancy of a middle-class culture, not to the inevitability of its rise. Each chapter centers on a site that is accessible to a larger public only through literary or dramatic accounts, including the club, the elite school, the court, and the overseas estate. Chapter One, ―‗Our imperial reign‘: Addison, Steele, Gay and the London Mohocks,‖ examines writings about a gang of rakish gentlemen rumored to prowl the streets of Augustan London.