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Sue Wrbicanwebsiteresume Sue Wrbican [email protected] Education 1996 Rhode Island School of Design, Providence, RI, Master of Fine Arts in Photography 1993 University of Pittsburgh, Pittsburgh, PA, Bachelor of Arts in English Writing Awards 2011 Research Grant, Research & Economic Development, GMU 2009 The Joan Mitchell Foundation Residency Fellowship Atlantic Center for the Arts 2008 Mathy Fellowship, George Mason University, Fairfax, VA 2007 Research Grant, Research & Economic Development, GMU 2005 The Johnson Fund, Gustavus Adolphus College, St. Peter, MN 2000 Artist as Catalyst 2000 Grant MidAtlantic Arts Foundation 1997 Second Prize for Experimental VideoNAP Video Festival, Kutztown, PA Curated by Beryl Korot, Tony Oursler and Ann-Sargent Wooster Selected Solo Exhibitions 2011 Steel, Photographic Archives and Special Collections, University of Louisville, Louisville, KY 2010 “Propagation of Uncertainty” Julio Fine Arts Gallery, Loyola University, Baltimore, MD, Curated by Kay Hwang 2009 “Res Publica des Usonia: Space As Essay,” w/ FloatingLab Collective Morris & Gwendolyn Cafritz Foundation Art Center, Montgomery College, Silver Spring, MD 2007 Impala Diaries Part 1” Nabit Gallery, University of the South, Sewanee, TN Pradip Malde, Curator 2004 “Diana Travels Well,” Berlitz Language Institute, Rockefeller Center, NYC, NY Selected Group Exhibitions 2012 SELECT: Washington Project for the Arts 2012 Art Auction Washington, DC, Molly Donovan, Curator 2011 “Turtle Salon” Galerie Arnaud Lefebvre, Paris, France Curated by Michael Shamberg 2011 SELECT: Washington Project for the Arts 2011 Art Auction Washington, DC, Helen Frederick, Curator 2011 "Ten Years After 9/11" Pepco Edison Gallery, Washington, DC 2011 “Mark and Master” Studio Gallery, Washington, DC 2010 “Silence as Presence” w/ FloatingLab Collective Theatre of Peace, NGBK Berlin, Berlin, Germany, Dietrich Heißenbüttel, curator 2009 “Close Encounters: Acts of Social Imagination,” w/ Floating Lab Collective Nathan Cummings Foundation, New York City, NY Curated by Donald Russell and Niels Van Tomme 2008 “The Frozen Car Project,” Public Art Installation Winter Carnival, Michigan Technological University, Houghton, MI 2008 “Close Encounters: Facing the Future,” Group Show w/ Floating Lab Collective Katzen Arts Center, Washington, DC, Curated by Donald Russell and Niels Van Tomme 2006 “Artists and Makers” CREAR, Loghilphead, Argyll, Scotland Curated by Kate Lithgow 2005 “Fictional Landscapes,” Schaeffer Gallery, Gustavus Adolphus College, Saint Peter, MN 2003 “Fresh Meat”CEPA Gallery, Buffalo, NY, Curated by Stephan Apicella-Hitchcock 2003 “What are They Building in There?” Zephyr Gallery, Louisville, KY, Curated by Mary Carothers 2001 “TireFires and Talking Cars” Atlanta College of Art, Atlanta, GA “TireFire Reincarnated” Pittsburgh Filmmakers, Pittsburgh, PA Sue Wrbican [email protected] 2001 “Serious Play” Adambomb Gallerie, Milwaukee, WI, Curated by Christopher Frederick 2000 “TireFire” Unlimited Partnerships: Collaboration in Contemporary Art, CEPA Gallery, Buffalo, NY, Curated by Lawrence Brose 2000 “TireFire,” D.U.M.B.O. Arts Festival Open Studios, D.U.M.B.O. Arts Organization, Brooklyn, NY, Curated by Joy Glidden & Hedi Sorger 2000 “MILLENYA” C.A.S.E. Museum of Contemporary Russian Art, Jersey City, NJ Selected Video Screenings 2009 On Belonging, six short films that question our whereabouts” Montgomery College co-curator with Michael H Shamberg, screening the films of Jem Cohen (NYC Weights and Measures,) Sue Wrbican (The Dog Poem,) Nelly Sarkissian (Bab Touma, Gate of Thomas Damascus,) Robert Frank (Flamingo,) Martina Radwan (Aliens Among Us )and Michael Shamberg (p.s. Beirut) 2005 “Exchange Routes,” Teater Utan Kayu, Jakarta, Indonesia, Heliotrope Productions, Poriaman Sitangaang 2000 “Black Box Videos (&)” The College Art Gallery, The College of New Jersey, Ewing, NJ Judy Masterson, Gallery Director, Curator 1999 “Reel New York” WNET 13, New York City, NY Garrison Botts, Program Director & Michelle Materre 1999 “The Pixeled Narrative” Avignon Film Festival, New York City, NY Curated by L. Halsey Brown 1999 “Popcorn”Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Gallery 821, Los Angeles, CA., Curated by Bob Pece 1999 “Third Annual Arizona State University Art Museum Short Film and Video Festival” Tempe AZ, Curated by John Spiak 1997 “World Wide Video Festival”, Stedelijk Museum, The Melkweg, Amsterdam, Nederland 1997 “LACPS Annual Exhibition” VideoArts, Los Angeles Center for Photographic Studies, Los Angeles, CA, Curated by Kate Horsfield, Executive Director of Video Data Bank 1997 “NO-TV '97” Visual Studies Workshop, Rochester, NY Curated by Robert Doyle, Teaching 2011-Present Associate Professor of Photography George Mason University, School of Art, Fairfax, VA 2005-2011 Assistant Professor of Photography, George Mason University, School of Art, Fairfax, VA 2005 Adjunct Professor, Northern Virginia Community College, 1999-00 Adjunct Professor, Fordham University, Theatre and Fine Arts Department, NYCity, NY 1998-99 Visiting Faculty Photography Maryland Institute College of Art, Baltimore, MD 1998 Visiting Instructor Photography Pratt Institute, Media Arts Department, Brooklyn, NY 1996 Instructor of Photography, Rhode Island School of Design, Providence, RI Visiting Artist/Lecturer/Residency 2011 Lecture “Unfinished Inquiries” Photography: The Document Conference University of Louisville, Center for Arts & Culture, Peter Morin, Moderator 2009 Residency Atlantic Center for the Arts, in association w/ Rineke Dijkstra, New Smyrna Beach, FL 2005 Photographer in Residence at CREAR, Logilphead, Argyll, Scotland 2000 Visiting Critic for Irina Nakhova Princeton University, Atelier Program, Princeton, NJ 1997 Artist in Residence Experimental Television Center, Newark Valley, NY Selected Publications and Reviews 2011 Washington City Paper, “Mark and Master at Studio Gallery” Louis Jacobson 11/04/11 2008 Carl’s Cars Magazine, Interview w/ Marianne Hultman, Director, Oslo Kunstforening, 2004 n.paradoxa: international feminist art journal, Volume 13, Domestic Politics issue “Cracking the Domestic: Collaborations among Women Artists,” by Judith Batalion, 11/04 .
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