Friends Newsletter and Other Initiatives Run by the Friends
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Public Place Names (Lawson) Determination 2013 (No 1)
Australian Capital Territory Public Place Names (Lawson) Determination 2013 (No 1) Disallowable instrument DI2013-228 made under the Public Place Names Act 1989 — section 3 (Minister to determine names) I DETERMINE the names of the public places that are Territory land as specified in the attached schedule and as indicated on the associated plan. Ben Ponton Delegate of the Minister 04 September 2013 Page 1 of 7 Public Place Names (Lawson) Determination 2013 (No 1) Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au SCHEDULE Public Place Names (Lawson) Determination 2013 (No 1) Division of Lawson: Henry Lawson’s Australia NAME ORIGIN SIGNIFICANCE Bellbird Loop Crested Bellbird ‘Bellbird’ is a name given in Australia to two endemic (Oreoica gutturalis) species of birds, the Crested Bellbird and the Bell-Miner. The distinctive call of the birds suggests Bell- Miner the chiming of a bell. Henry Kendall’s poem Bell Birds (Manorina was first published in Leaves from Australian Forests in melanophrys) 1869: And, softer than slumber, and sweeter than singing, The notes of the bell-birds are running and ringing. The silver-voiced bell-birds, the darlings of day-time! They sing in September their songs of the May-time; Billabong Street Word A ‘billabong’ is a pool or lagoon left behind in a river or in a branch of a river when the water flow ceases. The Billabong word is believed to have derived from the Indigenous Wiradjuri language from south-western New South Wales. The word occurs frequently in Australian folk songs, ballads, poetry and fiction. -
The Collected Verse of A.B. Paterson : Containing the Man from Snowy
The Collected Verse of A.B. ^^ Banjo^^ Paterson First published in 1921, The Collected Verse of A. B. Paterson has won and held a large and varied audience. Since the appearance of The Man from Snoiuy River in 1895, bushman and city dweller alike have made immediate response to the swinging rhythms of these inimitable tales in verse, tales that reflect the essential Australia. The bush ballad, brought to its perfection by Paterson, is the most characteristic feature of Australian literature. Even Gordon produced no better racing verse than "The Ama- teur Rider"' and "Old Pardon, the Son of Reprieve"; nor has the humour of "A Bush Christening" or "The Man from Ironbark" yet been out- shone. With their simplicity of form and flowing movement, their adventu- rous sparkle and careless vigour, Paterson's ballads stand for some- thing authentic and infinitely preci- ous in the Australian tradition. They stand for a cheerful and carefree attitude, a courageous sincerity that apart from is all too rare today. And, the humour and lifelikeness and ex- citement of his verse, Paterson sees kRNS and feels the beauty of the Australian landscape and interprets it so sponta- neously that no effort of art is ap- parent. In this he is the poet as well as the story-teller in verse. With their tales of bush life and adventure, their humour and irony "Banjo" Paterson's ballads are as fresh today as they ever were. (CoiUinued on back flap) "^il^ \v> C/H-tAM ) l/^c^ TUFTS UNIVERSITY LIBRARIES nil 3 9090 014 556 118 THE COLLECTED VERSE of A. -
The Man from Snowy River and Other Verses
The Man From Snowy River and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: The Man From Snowy River and Other Verses Andrew Barton Paterson Angus and Robertson Sydney 1917 Includes a preface by Rolf Boldrewood Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Encoding of the text file at was prepared against first edition of 1896, including page references and other features of that work. All quotation marks retained as data. All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1895 Australian Etexts 1910-1939 poetry verse Portrait photograph: A.B. Paterson Preface Rolf Boldrewood It is not so easy to write ballads descriptive of the bushland of Australia as on light consideration would appear. Reasonably good verse on the subject has been supplied in sufficient quantity. But the maker of folksongs for our newborn nation requires a somewhat rare combination of gifts and experiences. Dowered with the poet's heart, he must yet have passed his ‘wander-jaehre’ amid the stern solitude of the Austral waste — must have ridden the race in the back-block township, guided the reckless stock-horse adown the mountain spur, and followed the night- long moving, spectral-seeming herd ‘in the droving days’. -
Rosemary Dobson and David Campbell.: an Introduction
ROSEMARY DOBSON AND DAVID CAMPBELL.: AN INTRODUCTION by liar/ SUZANNE ANDREWARTHA, B.A. (Univ. of Waterloo, Canada) Submitted in fulfilment of the requirements for the degree of Master of Arts (English) University of Tasmania December, 1981. co4tAml 1 " `f f CONTENTS Page ABSTRACT vi PREFACE vi i i CHAPTER ONE DAVID CAMPBELL : FIRST VOLUMES 1.1 Speak With The Sun: Defining values. 1.2 The Miracle of Mullion Hill: Consolidation 21 and development. CHAPTER TWO ROSEMARY DOBSON : FIRST VOLUMES 2.1 In a Convex Agrror: Time as a dominant theme. 2.2 The Ship of Ice: Development of Time. 47 2.3 Child With a.Cockatoo: Poems of Experience. 54 CHAPTER THREE THE MIDDLE YEARS 65 3.1 David Campbell, Poems: The pastoral tradition. 67 3.2 Rosemary Dobson, Cock Crow: Personal poetry and use of mythology. 3.3 David Campbell, The Branch of Dodona: A wavering of faith? 96 - Page CHAPTER FOUR NEW FORMS 104 4.1 Devil's Rock and Other Poems: Campbell's 105 personal poetry. 4.2 David Campbell, Deaths and . Pretty Cousins and 116 Looby/Campbell, The History of Australia: . The contemporary mode. 4.3 Campbell and Dobson, Moscow .Trefoil and Seven 126 Russian Poets: On translation. CHAPTER FIVE POETRY OF THE LATE SEVENTIES 137 5.1 Rosemary Dobson, Greek Coins and Over the Frontier: An interim summation. 5.2 David Campbell, Words with a Black Orpington: 151 Human fragility. 5.3 David Campbell, The Man in the Honeysuckle: 160 , "Walking Naked." 5.4 Conclusion. 169 SELECT BIBLIOGRAPHY '174 This thesis contains no material which has been accepted for the award of any other higher degree or graduate diploma in any university. -
Breaker Morant's Split Personality: Australian Male Identity Through Opposing Eyes
Breaker Morant's Split Personality: Australian Male Identity Through Opposing Eyes by Bronwyne Thomason BA (Hons), MA Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University May, 2013 Abstract Breaker Morant's Split Personality: Australian Male Identity Through Opposing Eyes Creative Artefact: Pilgrim’s Time The creative artefact is loosely based on Morant’s life and death. The narrative is written from three points of view and makes use of three variations of tense with the dual purpose of distinguishing between the different voices and to establish a dissonance that isolates the characters from each other by time and distance. The main character’s voice is written in past tense, third person and is set in Australia. It is juxtaposed against his mother’s voice that is written in present tense, third person and is set in England. The novel is framed with a prologue, that alerts the reader to the character’s imminent death, and the story begins in 1894, five years before Morant joined the Anglo-Boer war. The novel tells the story of a character known as ‘The Pilgrim’ who is unclear about his own identity and his place of belonging. His allegiance is divided between Australia and England, mother and father, friend and enemy. A number of minor characters highlight the theme of identity as central to the novel. Harvey, for instance, is a revision of Henry Lawson’s Arvie Aspinell. Fryingpan is a re-creation of A B Paterson’s innocent non-white Australian after the tradition of ‘Frying Pan’s Theology’, an overtly racist poem on the relationship between Australian Chinese immigrants, Indigenous Australians and white colonisers. -
Banjo Paterson
Banjo Paterson His Life Andrew Barton Paterson was born on 17th February 1864 on his family’s property, ‘Narrambla’, near Orange, New South Wales. He was the eldest of seven children. To his family, he was known as Barty. His father, Andrew Bogle Paterson, was a Scottish immigrant. His mother, Rose Isabella Barton, was Australian- born and related to Australia’s future first prime minister, Edmund Barton. His parents worked as graziers though his father loved to write poetry and shared this passion with his children. Birth: His early childhood was spent on the 17th February 1864, ‘Narrambla’ farm. He received his early education at near Orange, New South Wales home from a governess. A governess was Death: a private tutor who lived with the family. 5th February 1941, Sydney, New However, once he could ride a pony, he South Wales attended a simple local bush school. He was a keen horse rider and took Occupation: the nickname Banjo from his favourite Poet, lawyer, journalist and soldier horse of the same name. At the age of 10, Andrew moved to Sydney and attended Sydney Grammar School. He was an excellent student and fine sportsman, excelling at polo. During this time, he lived with his grandmother in a cottage called ‘Rockend’ in the Sydney suburb of Gladesville that you can still visit today. In 1880 and at the age of 16, having failed to win a scholarship to the University of Sydney, Banjo Paterson took a job as a law clerk with a Sydney law firm called Spain and Salway. Six years later, in 1886, he was admitted as a solicitor. -
Teachers'resources
TEACHERS’RESOURCES RECOMMENDED FOR Lower and upper primary CONTENTS 1. Plot summary 1 2. About the author 2 3. About the illustrator 2 4. Interview with the author 2 5. Interview with the illustrator 3 6. Pre-reading questions 4 7. Key study topics 4 8. Other books in this series 5 9. Worksheets 6 KEY CURRICULUM AREAS Learning areas: History, English, Literacy THEMES Australian History Australian Writers Meet Banjo Paterson Life in the city and in the country Written by Kristin Weidenbach PREPARED BY Random House Australia Illustrated by James Gulliver PUBLICATION DETAILS Hancock ISBN: 9780857980083 (hardback) ISBN: 9780857980106 (ebook) These notes may be reproduced free of charge for use and study within schools but they may not be PLOT SUMMARY reproduced (either in whole or in part) and offered for commercial sale. Andrew Barton ‘Banjo’ Paterson spent his early years in country NSW. He was sent to finish his education Visit www.randomhouse.com.au/teachers for in Sydney, where he eventually worked as a lawyer. information on other Random House Australia Paterson missed the bush and, using the pseudonym teachers’ resources and great books for the ‘the Banjo’, began to write stories that brought the classroom, and to sign up for our Teachers’ bush to the city. This is the story of how Banjo came eNewsletter. to write his most famous poems and stories, Copyright © Random House Australia 2015 including ‘The Man from Snowy River’ and ‘Waltzing Matilda’. Meet Banjo Paterson Kristin Weidenbach & James Gulliver Hancock writing about the Australian outback most of all, but ABOUT THE AUTHOR he wrote poems and stories about all kinds of things. -
Banjo Paterson - Poems
Classic Poetry Series Banjo Paterson - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Banjo Paterson(17 February 1864 – 5 February 1941) Banjo Paterson was born at the property "Narrambla", near Orange, New South Wales, the eldest son of Andrew Bogle Paterson, a Scottish immigrant from Lanarkshire and Australian-born Rose Isabella Barton, related to the future first Prime Minister of Australia Edmund Barton. Paterson's family lived on the isolated Buckinbah Station in the Monaro until he was five when his father lost his wool clip in a flood and was forced to sell up. When Paterson's uncle died, his family took over the uncle's farm in Illalong, near Yass, close to the main route between Melbourne and Sydney. Bullock teams, Cobb and Co coaches and drovers were familiar sights to him. He also saw horsemen from the Murrumbidgee River area and Snowy Mountains country take part in picnic races and polo matches, which led to his fondness of horses and inspired his writings. Paterson's early education came from a governess, but when he was able to ride a pony, he was taught at the bush school at Binalong. In 1874 Paterson was sent to Sydney Grammar School, performing well both as a student and a sportsman. At this time, he lived in a cottage called Rockend, in the suburb of Gladesville. The cottage is now listed on the Register of the National Estate. Matriculating at 16, he took up the role of an articled clerk in a law firm and on 28 August 1886 Paterson was admitted as a qualified solicitor. -
POETRY in AUSTRALIA Volume 1 from the Ballads to Brennan
POETRY IN AUSTRALIA Volume 1 From the Ballads to Brennan Poetry in Australia VOLUME I FROM THE BALLADS TO BRENNAN chosen by T. INGLIS MOORE UNIVERSITY OF CALIFORNIA PRESS Berkeley and Los Angeles 1965 University of California Prest Berkeley and Lot Angelet California All Rights Reterved Printed in Australi» ACKNOWLEDGMENTS FOR permission to reprint poems in this anthology the pub- lishers' special thanks are due to Lothian Book Publishing Co. and Mrs Constance Robertson for poems by Shaw Neil- son from Collected Poems; also to Lothian Book Publish- ing Co. for poems by Bernard O'Dowd from Collected Poems-, and also to the Bulletin in which many of the poems and bush ballads were first printed. The extract from Charles Harpur's "The Temple of Infamy" is printed from an un- published MS in the Mitchell Library, by courtesy of the Trustees. Acknowledgment is due to the Trustees of the estate of William Baylebridge for the poems from Life's Testament and Love Redeemed. The publishers of other copyright poems, together with the titles of the poems and of the books from which they have been selected, are listed below. Angus & Robertson Ltd: "The Coachman's Yarn" by E. J. Brady {Australian Bush Ballads)-, "Let Us Go Down, the Long Dead Night Is Done", "I Saw My Life as Whitest Flame", "The Years That Go to Make Me Man", "My Heart Was Wandering in the Sands", "Fire in the Heavens, and Fire along the Hills", "The Anguish'd Doubt Broods over Eden", extracts from "Lilith", "Interlude: The Casement", "How Old Is My Heart", "I Cry to You as I Pass Your Windows", "Come Out, Come Out, Ye Souls That Serve", "O Desolate Eves", "The Land I Came thro' Last", and "I Said, This Misery Must End" by Christopher Brennan {The Verse of Christopher Brennan)-, "Elegy on an Australian Schoolboy" by Zora Cross {Elegy on an Australian School- boy)-, "He Could Have Found His Way" by Kathleen Dalziel {Australian Poetry 7955); "The Play" by C. -
Twinkle Twinkle Southern Cross (1943)
Twinkle, Twinkle, Southern Cross THE FORGOTTEN FOLKLORE OF AUSTRALIAN NURSERY RHYMES Robert Holden Twinkle, Twinkle, Southern Cross The Forgotten Folklore of Australian Nursery Rhymes Robert Holden National Library of Australia Canberra 1992 Published with the assistance of the Morris West Trust Fund Cover: 'We fell through the stars' illustration by Edith Alsop from Joice Nankivell, The Cobweb Ladder (1916). First published 1992 © National Library of Australia 1992 National Library of Australia Cataloguing-in-Publication entry Holden, Robert. Twinkle, twinkle, Southern Cross : the forgotten folklore of Australian nursery rhymes. Bibliography. ISBN 0 642 10560 X. 1. Nursery rhymes, English—History and criticism. 2. Folk poetry, Australian—History and criticism. I. National Library of Australia. II. Title. 398.8 Publications Manager: Margaret Chalker Editor: Carol Miller Designer: Michael Pugh Printed by Globe Press, Melbourne Foreword Through its Australian collections built up over almost one cultural history of Australia. Mr Holden's text is enriched hundred years, the National Library of Australia is a rich and extended by a wide selection of illustrations chosen repository for a diverse range of materials which record and from many rare and ephemeral publications held document Australian life and achievement in many principally in the National Library. different fields. With the generous assistance of the Morris West Trust Robert Holden, Director of the Museum of Australian Fund, the National Library is delighted to publish this book Childhood in Sydney, draws on these collections and those as part of its continuing commitment to share the resources of other specialist Australiana libraries to survey and of its great collections with the people of Australia to whom analyse the development of Australian nursery rhymes both they belong as a major information record and an important as a distinctive form of juvenile entertainment and part of our national heritage. -
The Bulletin Debate Poems
THE BULLETIN DEBATE POEMS Edited by WILDWOOD CURRICULUM Chapter One UP THE COUNTRY I am back from up the country — very sorry that I went — Seeking for the Southern poets' land whereon to pitch my tent; I have lost a lot of idols, which were broken on the track, Burnt a lot of fancy verses, and I'm glad that I am back. Further out may be the pleasant scenes of which our poets boast, But I think the country's rather more inviting round the coast. Anyway, I'll stay at present at a boarding-house in town, Drinking beer and lemon-squashes, taking baths and cooling down. `Sunny plains'! Great Scott! — those burning wastes of barren soil and sand 2 • THE BULLETIN DEBATE POEMS With their everlasting fences stretching out across the land! Desolation where the crow is! Desert where the eagle flies, Paddocks where the luny bullock starts and stares with reddened eyes; Where, in clouds of dust enveloped, roasted bullock- drivers creep Slowly past the sun-dried shepherd dragged behind his crawling sheep. Stunted peak of granite gleaming, glaring like a molten mass Turned from some infernal furnace on a plain devoid of grass. Miles and miles of thirsty gutters — strings of muddy water-holes In the place of `shining rivers' — `walled by cliffs and forest boles.' Barren ridges, gullies, ridges! where the ever- madd'ning flies — Fiercer than the plagues of Egypt — swarm about your blighted eyes! Bush! where there is no horizon! where the buried bushman sees Nothing — Nothing! but the sameness of the ragged, stunted trees! Lonely hut where drought's eternal, suffocating atmosphere Where the God-forgotten hatter dreams of city life and beer. -
Literature: Australian Identity Unit
Classic Australian literature: Australian Identity Unit Featuring the ballads of Banjo Paterson & Henry Lawson Suitable for Grades 8,9 & 10 Contains: Text, Themes, Poetry Analysis questions, Activities, Teacher’s Guide, Assessment Topics and Australian Curriculum Outline In this lesson series students will focus on Australian poetry in particular the ballad form found in the poems of Lawson and Paterson. Students will understand the characteristics of the ballad and the vocabulary and language of early poetry and gain insight into the cultural and social context of the time. Teacher’s summary Henry Lawson is described as the ‘people’s poet’ or ‘bush bard’. Born in 1867 he is Australia’s best known poet and fiction writer. His work contains themes of sadness and hardship inspired as they were by his own upbringing in poverty and bouts of alcoholism. He wrote copious ballads, lyrics, radical songs, sketches and stories which appeared in journals and published in collection form in Australia and England. Some well known ballads include Freedom on the Wallaby ,A Song of the Republic, the Drover’s Wife and The Old Bark school Andrew Barton Paterson was born in 1864 in NSW. The first publication of his poetry came in 1889 when the Sydney Bulletin placed Clancy of the Overflow by ‘The Banjo’ in its edition. It was followed in 1895 by Banjo’s the Man from Snowy River. His bush ballads were typical of the bush life and his writing has a special connection to the times in which it was written. The Bulletin in 1880 was encouraging Australians everywhere to write about life in the outback and the ‘new’ country was searching for an identity.