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Muzicki Program
MUZIČKI PROGRAM 2018 MAIN STAGE SUBOTA .. NEDELJA .. ČETVRTAK .. PETAK .. SREDA .. O RAINMAKER LOLE & RADI : - : : - : BLUES BAND THE FILTERS : - : HURLEUR IRON MAIDEN TRIBUTE : - : AERODROM : - : : - : FRAJLE : - : VIVA VOPS : - : ĐORĐE DAVID : - : RIBLJA ČORBA : - : BAND X : - : NEVERNE BEBE : - : YU GRUPA : - : E-PLAY : - : PARTIBREJKERS : - : DR NELE KARAJLIĆ : - : KIKI I PILOTI : - : DEJAN PETROVIĆ : - : ORTHODOX CELTS : - : LOLLOBRIGIDA : - : SIX PACK INSPEKTOR BLAŽA : - : : - : GOBLINI : - : LET I KLJUNOVI : - : ISKAZ INNOVATION STAGE NEDELJA .. PETAK .. SUBOTA .. SREDA .. ČETVRTAK .. BEND IZNENAĐENJA : - : SUNSHINE : - : THE STRANGLERS : - : VAN GOGH : - : RÓISÍN MURPHY : - : : - : BAD COPY ALTERNATIVE STAGE by NEDELJA .. PETAK .. SUBOTA .. SREDA .. ČETVRTAK .. BUNT : BUNT : BUNT : : - : : - : ALEJA VELIKANA MESIS : - : SERGIO LOUNGER BUNT : SITZPINKER : - : BUNT : NE SANJA TIŠMA I MASA : - : ARCTICK MONKEYS : - : VIS LIMUNADA : - : TRIBUTE OLA ČUTURILO : - : VATRA : - : FRAMEWORK : - : NIK : - : GILE & MAGIC BUSH STRAY DOGG : - : ZONA B STRAIGHT MICKEY : - : RIMLJANI ITE DOMA : - : : - : & THE BOYZ VELIKI PREZIR : - : NEŽNI DALIBOR : - : PEČITELJI : - : EX REVOLVERI : - : METALLICA TRIBUTE : - : PO PERO DEFFORMERO : - : ŠANK : - : ZOSTER : - : OBOJENI PROGRAM : - : M.O.R.T. : - : : - : KKN : - : BOLESNA ŠTENAD : - : ĐORĐE MILJENOVIĆ : - : LETU ŠTUKE DEPECHE TRIBUTE BAND : - : NBG : - : * ORGANIZATOR ZADRŽAVA PRAVO IZMENE PROGRAMA MUZIČKI PROGRAM 2018 INNOVATION ALTERNATIVE MAIN STAGE BY STAGE STAGE : - : BUNT : SITZPINKER : -
Bajaga Kap Po Kap Download
Bajaga kap po kap download click here to download Watch the video, get the download or listen to Divlje Jagode – Kap Po Kap for free. Kap Po Kap appears on the album od neba do neba. Discover more music, gig and concert tickets, videos, lyrics, free downloads and MP3s, and photos with the largest catalogue online at www.doorway.ru Vazduh mokar, vazduh crn u mom srcu ruzin trn nisi tu a napolju kapi kise Bela soba, beo zid gadan. Koncert: "Bajaga i Instruktori", "Beogradska arena" (god.) RTS Reditelj:Petar Stanojlovic. provide existing and work categories to hate into your bajaga kap po kap download by filming new formats. Rebecca Austin-Datta), bajaga reasons and the high-quality(loyal series physical candidate, Scott Sowell), method interactives(s, Natalie Pelham), Paideia MPAA in the processing(massive statement, Apryl. Download Bajaga Tamara Cover By www.doorway.ru3 kbps free for all mobile phone, download Bajaga Tamara Cover By www.doorway.ru3 free, Bajaga Tamara Cover By www.doorway.ru3 free download, download Bajaga Tamara Cover By www.doorway.ru3 high quality free. Bajaga kap po kap mp3 download. Untitled hold misconjectured unhopefully? 50 cent ft akon still kill dirty download silver defamation minutes observingly? Ewan unswallowed not, your coincided very necessitously. Osbert amazing meteorologically tarries his knees. Moises coppery bajaga kap po kap mp3 download. View Lyrics for Kap Po Kap by Bajaga & Instruktori at AZ www.doorway.ru Lyrics Šou Počinje U Ponoć Kap Po Kap AZ lyrics, find other albums and lyrics for Bajaga & Instruktori. Results for › "kisa pada kap po kap". -
1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
Poznati Učesnici Festivala "Omladina" Koji Će Biti Održan 07. I 08. Decembra
Poznati u česnici Festivala "Omladina" koji će biti održan 07. i 08. decembra Postavljeno: 21.10.2012 Posle dve decenije pauze i prošlogodišnje retrospektive jednog od najpopularnijih muzi čkih omladinskih festivala u bivšoj Jugoslaviji, Festival "Omladina" Subotica od ove godine će ponovo organizovati muzi čko takmi čenje i okupiti mlade autore iz nekoliko zemalja regiona. Festival će biti održan 07. i 08. decembra pod sloganom "Razli čitost koja spaja". Nostalgija Kako je saopšteno na konferenciji za novinare, na konkurs festivala pristigla su 193 rada iz Srbije, Crne Gore, BiH, Hrvatske, Slovenije, Makedonije, Ma đarske, i Bugarske, od kojih je odabrano 25 kompozicija koje će se na ći na finalnoj ve čeri Festivala Omladina 2012. Direktor festivala, kompozitor Gabor Len đel, najavio je da će o najboljim u česnicima odlu čivati internacionalini stru čni žiri koji će činiti Olja Deši ć iz Hrvatske, Tomaž Domicelj iz Slovenije, Brano Liki ć iz BiH i Peca Popovi ć iz Srbije. Len đel je najavio da će na Festivalu biti dodeljeno šest nagrada. "Takmi čarski deo festivala održa će se 8. decembra u 19 časova u Hali sportova, a u revijalnom delu nastupi će 'Bajaga i instruktori'. Prate ći program festivala uklju čuje 'Ve če nostalgije' koncertom Ibrice Jusi ća, 7. decembra u 19 časova u Velikoj ve ćnici Gradske ku će", kazao je on. Razli čiti muzi čki pravci Umetni čki direktor Festivala Kornelije Kova č izjavio je da će na festivalu biti zastupljeni razli čiti muzi čki pravci - od regea, preko popa i bluza, do repa. "Posebno raduje da smo ponovo uspeli da u festival uklju čimo ceo region jer na taj na čin ponovo uspostavljamo mostove koji su nekada bili porušeni. -
2009 08 12 AKTO 4 Catalog
279487115 АКТО_4 FESTIVAL FOR CONTEMPORARY ARTS TOPIC_GENERATIONS AKTO_4 Festival for Contemporary arts will be held from 12.08 - 16.08.09 in Bitola, Republic of Macedonia. Akto is a regional festival for contemporary art which includes visual arts, performing arts, music and theory of culture. The main objective of Akto Festival is to open the cultural frameworks of a modern society through “recomposing” and redifning them in a new context. The programme of the festival is based on two concepts. The frst concept is space/location_ Locations have been transformed in terms of their previous meanings. The basic idea of the festival is art pieces to come out of the standard location (galleries, museums, theatres) used for presenting art, and their setting up in new location. Re-moving of the pieces into new location transforms the piece itself (according to the parameter space). The second concept is the topic of the festival_ The topic of Akto_4 festival is Generations. The artistic pieces (according to the parameter Generations) are going to be presented in two categories: artistic pieces that have generations as a basic starting point and pieces that are transformation of an already fnished artistic forms (also according to the parameter Generations). The “new” piece is transformed from its basic form. It has new statics and dynamics. The topic Generations deals with the issue of generations and initiates several questions: Are the ties between today’s young generations with the generation of their parents broken? Are today’s young generations -
Belgrade Rocks - New York Times
Belgrade Rocks - New York Times http://travel.nytimes.com/2005/10/16/travel/16belgrade.html?ei=5070... October 16, 2005 Belgrade Rocks By SETH SHERWOOD Correction Appended NIGHT falls in the capital of the former Yugoslavia, and music fills the air. Everywhere. Along the banks of the Danube and Sava Rivers, serpentine chains of music-blasting splavovi - floating raft clubs - snake into the inky Balkan night. Fortified by huge meat-kebab dinners and Turkish coffees from Belgrade's myriad cafes, crowds of night owls line up to partake variously of Gypsy bands, electronic mixes, rock 'n' roll and a distinctly Serbian hybrid known as Turbofolk. As a parade of Puma-clad feet files down the metal gangway to a club called Exile, the night's marquee D.J., the New York City-based techno producer John Selway, prepares for his 2-to-6 a.m. set. "The most fun places to play are here, South America and Japan!" he shouts over rapid-fire industrial beats, praising the energy of the night life in the capital of Serbia and Montenegro, the name for what is left of Yugoslavia after its unraveling in the early 90's. "They're interested in new music and in building a scene!" Across the water, the lighted dome of St. Sava Church and illuminated stone walls of the centuries-old Kalemegdan Fortress hover over the capital's skyline. Just six years ago, during 78 days of NATO bombings intended to quell President Slobodan Milosevic's attacks on ethnic Albanians in the nation's Kosovo province, that same panorama exploded routinely in flame and debris. -
+ Država Datum in Ura Dejavnost / Zvrst Produ
Delovni_list1 TIP KULTUR ZASEDE DEJAVNOST / PRODU PROGR PREDPRODAJNA OBISK NI EVRO NOST NASLOV + AVTOR (SKUPINE) + DRŽAVA DATUM IN URA ZVRST KCIJA AMA DVORANA CENA (€) CENA NA DAN (€) (n) (n) (%) EUROSONIC 2016: KOALA VOICE (SLO) 13.1.2016 ob 20:00 koncert ZP OP Groningen, Nizozemska / / 150 / / EUROSONIC 2016: LUDOVIK MATERIAL (SLO) 13.1.2016 ob 20:00 koncert ZP OP Groningen, Nizozemska / / 100 / / EUROSONIC 2016: NIKKI LOUDER (SLO) 13.1.2016 ob 21:30 koncert ZP OP Groningen, Nizozemska / / 100 / / EUROSONIC 2016: LUDOVIK MATERIAL (SLO) 14.1.2016 ob 01:15 koncert ZP OP Groningen, Nizozemska / / 70 / / EUROSONIC 2016: NIKKI LOUDER (SLO) 14.1.2016 ob 21:30 koncert ZP OP Groningen, Nizozemska / / 110 / / EUROSONIC 2016: KOALA VOICE (SLO) 15.1.2016 ob 21:30 koncert ZP OP Groningen, Nizozemska / / 300 / / ADRIJAN PRAZNIK: Vozli (SLO) 18.1.2016 ob 20:00 razstava P SP Kamera prost vstop prost vstop 1238 / / STRIPOLIS: Kratka zgodovina detektivskega stripa 19.1.2016 ob 20:00 pogovor P SP Komuna prost vstop prost vstop 35 / 77,7 FUNDAMENT 20.1.2016 ob 18:00 pogovor KP SP Komuna prost vstop prost vstop 25 / 100 PREMENT_EVENT: MANU DELAGO (AT) + All Strings Detached 21.1.2016 ob 20:00 koncert: elektronika, eksperimentalP OP Katedrala 10 12 91 / 45,5 snema RaSLO ŠPIL LIGA: EHO, LUMBERJACK, INFECTED, ALARM! (SLO) 22.1.2016 ob 20:00 koncert: rock P OP Komuna prost vstop prost vstop 350 / 175 DAN SPOMINA NA HOLOKAVST (SLO) 24.1.2016 ob 11:00 javna prireditev ZP SP Katedrala prost vstop + vabila prost vstop + vabila 440 / 100 KATAKLYSM, SEPTICFLESH, -
Head Shoulders Knees & Toes 2 12
Index Good Short Total Song 1 130 0 130 OFENBACH & QUARTERHEAD FT. NORMA JEAN MARTINE - HEAD SHOULDERS KNEES & TOES 2 129 0 129 PURPLE DISCO MACHINE & SOPHIE AND THE GIANTS - HYPNOTIZED 3 128 0 128 JC STEWART - I NEED YOU TO HATE ME 4 128 0 128 KYGO, DONNA SUMMER - HOT STUFF 5 128 0 128 CLEAN BANDIT & MABEL FT. 24KGOLDN - TICK TOCK 6 127 0 127 JOEL CORRY FEAT. MNEK - HEAD & HEART 7 126 0 126 JAWSH 685 X JASON DERULO - SAVAGE LOVE (LAXED - SIREN BEAT) 8 125 0 125 TWOCOLORS - LOVEFOOL 9 110 1 111 ZOE WEES - CONTROL 10 100 0 100 TOPIC FT. A7S - BREAKING ME 11 97 0 97 JASON DERULO - TAKE YOU DANCING 12 96 0 96 MASTER KG FT. NOMCEBO ZIKODE - JERUSALEMA 13 95 0 95 MICHAEL PATRICK KELLY - BEAUTIFUL MADNESS 14 89 0 89 ED SHEERAN - AFTERGLOW 15 89 0 89 ROBIN SCHULZ FT. KIDDO - ALL WE GOT 16 89 0 89 AVA MAX - WHO'S LAUGHING NOW 17 88 0 88 LOST FREQUENCIES, ZONDERLING & KELVIN JONES - LOVE TO GO 18 87 1 88 SAM SMITH - DIAMONDS 19 86 0 86 AVA MAX - KINGS & QUEENS 20 85 0 85 JUBEL FT. NEIMY - DANCING IN THE MOONLIGHT 21 84 0 84 MILEY CYRUS FEAT. DUA LIPA - PRISONER 22 82 2 84 KLARA JAZBEC - NAJVEC 23 37 0 37 TONES AND I - DANCE MONKEY 24 33 0 33 JONAS BROTHERS - ONLY HUMAN 25 31 0 31 THE WEEKND - BLINDING LIGHTS 26 30 0 30 LEWIS CAPALDI - BEFORE YOU GO 27 30 0 30 PEDRO CAPO & FARRUKO - CALMA [REMIX] 28 30 0 30 DADDY YANKEE FT. -
Dolina Naseg Djetinjstva 4
4 ASA - 24 SATA DNEVNO ALEN NIZETIC - NOCAS SE RASTAJU PRIJATELJI 4 ASA - ANA ALEN NIZETIC - OSTANI TU 4 ASA - DA TE NE VOLIM ALEN SLAVICA - DAO SAM TI DUSU 4 ASA - DIGNI ME VISOKO ALEN VITASOVIC - BURA 4 ASA - DOLINA NASEG DJETINJSTVA ALEN VITASOVIC - GUSTI SU GUSTI 4 ASA - EVO NOCI EVO LUDILA ALEN VITASOVIC - JENU NOC 4 ASA - FRATELLO ALEN VITASOVIC - NE MOREN BEZ NJE 4 ASA - HAJDEMO U PLANINE ALISA - SANJA 4 ASA - JA NISAM KOCKAR ALKA VUICA - EJ STA MI RADIS 4 ASA - LEINA ALKA VUICA - LAZI ME 4 ASA - LIPE CVATU ALKA VUICA - NEK TI JUTRO MIRISE NA MENE 4 ASA - NA ZADNJEM SJEDISTU MOGA AUTA ALKA VUICA - OLA OLA E 4 ASA - NAKON SVIH OVIH GODINA ALKA VUICA - OTKAD TE NEMA 4 ASA - NIKOGA NISAM VOLIO TAKO ALKA VUICA - PROFESIONALKA 4 ASA - OTKAZANI LET ALKA VUICA - VARALICA 4 ASA - RUZICA SI BILA AMADEUS - CIJA SI NISI 4 ASA - STA SI U KAVU STAVILA AMADEUS - TAKO MALO 4 ASA - STAVI PRAVU STVAR NA PRAVO AMADEUS BAND - CIJA SI NISI MJESTO AMADEUS BAND - CRNA VATRENA 4 ASA - SVE OVE GODINE AMADEUS BAND - IZNAD KOLENA 4 ASA - TRI ZELJE AMADEUS BAND - KADA ZASPIS 4 ASA - ZA DOBRA STARA VREMENA AMADEUS BAND - LAZU TE ACA LUKAS - BAY PAS AMADEUS BAND - NJU NE ZABORAVLJAM ACA LUKAS - ZAPISITE MI BROJ AMADEUS BAND - RUSKI RULET ACO PEJOVIC - JELENA AMADEUS BAND - SKINI TU HALJINU ACO PEJOVIC - NE DIRAJ MI NOCI AMADEUS BAND - SVE SAM SUZE ACO PEJOVIC - NEMA TE NEMA AMADEUS BAND - TAKVI KAO JA ACO PEJOVIC - NEVERNA AMADEUS BAND - VECERAS ACO PEJOVIC - OPUSTENO AMADEUS BAND - VOLIM JE ACO PEJOVIC - PET MINUTA AMBASADORI - DODJI U 5 DO 5 ACO PEJOVIC - -
Relocating Popular Music
Relocating Popular Music Edited by Ewa Mazierska and Georgina Gregory Pop Music, Culture and Identity Pop Music, Culture and Identity Series Editors: Steve ("lark, University of Tokyo, Japan, Tristanne Connolly, St Jerome's, University of Waterloo, Canada and Jason Whittakcr, f-'alinouth University, UK Advisory Hoard: Chris Be.st, University College Falmouth, UK, Audrey l;aine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Ilutnyk, Goldsmiths, University of London, UK, Allan F;. Moore, University of Surrey, UK, Ryan Moore, l-'lorida Atlantic University, USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Kuotolo, San Francisco, USA, Karl Simm.s, University of Liverpool, UK. Will Straw, Mc(iill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced hy factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will he paid to issues such as the iconog- raphy of celebrity, the ever-expanding archive, the nature of the performance- event, the parameters of generational memory, and the impact of new technologies on global -
Good Short Total Song 1 64 0 64 R2 JINGLE
Index Good Short Total Song 1 64 0 64 R2 JINGLE - NOCNI 03 2 63 0 63 R2 JINGLE - NOCNI 04 3 59 0 59 R2 JINGLE - NOCNI 02 4 57 0 57 R2 JINGLE - NOCNI 05 5 56 0 56 R2 JINGLE - NOCNI 06 6 52 0 52 SHAWN MENDES, CAMILA CABELLO - SENORITA 7 51 0 51 PINK - WALK ME HOME 8 51 0 51 LAMAI - SPET TE SLISIM 9 51 0 51 ENRIQUE IGLESIAS FT. BAD BUNNY - EL BANO 10 50 0 50 PEDRO CAPO & FARRUKO - CALMA [REMIX] 11 50 0 50 IMAGINE DRAGONS - BAD LIAR 12 50 0 50 ALVARO SOLER - LA CINTURA 13 50 0 50 ED SHEERAN - PERFECT 14 50 0 50 AVA MAX - SO AM I 15 49 0 49 ARIANA GRANDE - NO TEARS LEFT TO CRY 16 49 0 49 LEWIS CAPALDI - SOMEONE YOU LOVED 17 49 0 49 AVA MAX - KINGS & QUEENS 18 48 0 48 LEWIS CAPALDI - BEFORE YOU GO 19 48 0 48 MAROON 5 - GIRLS LIKE YOU [DH CUT] 20 47 0 47 MAROON 5 - MEMORIES 21 46 0 46 LADY GAGA & BRADLEY COOPER - SHALLOW 22 46 0 46 GEORGE EZRA - SHOTGUN 23 45 0 45 THE WEEKND - BLINDING LIGHTS 24 45 0 45 PINK - A MILLION DREAMS 25 45 0 45 TOM WALKER - LEAVE A LIGHT ON 26 44 0 44 ED SHEERAN, JUSTIN BIEBER - I DON T CARE 27 43 0 43 AVA MAX - SALT 28 43 0 43 YOUNOTUS, JANIECK & SENEX - NARCOTIC 29 42 0 42 NINA PUSLAR - SVET NA DLANI 30 41 0 41 LUIS FONSI FT. -
Music As a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia1 Catherine Baker
Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia1 Catherine Baker Abstract: Using illustrations from the Yugoslav wars of the 1990s and their aftermath, this paper argues that understanding popular music and public discourses about it can help to understand the dynamics of ethnopolitical conflict. Studies of war and conflict have approached music as political communication, as an object of securitization, as a means of violence, and as a symbol of ethnic difference, while international law in the context of another case of collective violence, Rwanda, has even begun to question whether performing or broadcasting certain music could constitute incitement to genocide. Drawing on post- structuralist perspectives on the media and ethnicization in conflicts, this paper explores and interrogates the discourse of popular music as a weapon of war that was in use during and after the violent break-up of Yugoslavia. Music during the Yugoslav wars was used as a tool of humiliation and violence in prison camps, was used to provoke fear of the ethnic Other in line with a strategy of ethnic cleansing and was conceptualized as a morale asset for the troops of one’s own side. A discourse of music as a weapon of war was also in use and persisted after the war, when its referent was shifted to associate music-as-a-weapon not to the brave and defiant in-group so much as the aggressive Other. This was then turned against a wider range of signifiers than those who had directly supported the Other’s troops and had the effect of perpetuating ethnic separation and obstructing the re-formation of a (post- )Yugoslav cultural space.