Freshers Arrive on Time
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Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston. -
Queer Television Thesis FINAL DRAFT Amended Date and Footnotes
Queer British Television: Policy and Practice, 1997-2007 Natalie Edwards PhD thesis submitted to the University of Nottingham School of American and Canadian Studies, January 2010 Abstract Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony Blair’s Labour government in 1997. Focusing primarily on the decade following Blair’s installation as Prime Minister, this project examines a variety of gay, lesbian and queer-themed British television programmes in the context of their political, cultural and industrial determinants, with the goal of bridging the gap between the cultural product and the institutional factors which precipitated its creation. Ultimately, it aims to establish how and why this increase in LGBT and queer programming occurred when it did by relating it to the broader, government-sanctioned integration of gays, lesbians and queers into the imagined cultural mainstream of the UK. Unlike previous studies of lesbian, gay and queer film and television, which have tended to draw conclusions about cultural trends purely through textual analysis, this project uses government and broadcasting industry policy documents as well as detailed examination of specific television programmes to substantiate links between the cultural product and the wider world. -
Interrogating the Politics of LGBT Celebrity in British Reality Television
Interrogating the Politics of LGBT Celebrity in British Reality Television Michael William Lovelock (Student number 3866084) Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies August 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Since the beginning of the twenty-first century, reality television has been one of the most prolific spaces of LGBT (lesbian, gay, bisexual, transgender) visibility in British popular culture. Yet, in almost two decades of scholarship on reality TV, very little academic work has addressed the representation of LGBT identities within this medium, outside of a small set of makeover programmes. Where LGBT visibility in non-makeover reality shows has been analyzed, these representations have been approached as largely indistinguishable from fiction texts, their status as reality TV passing largely unaddressed. This thesis critically interrogates the relationship between reality television as a form, and the representations of LGBT identity found within reality programmes. Focusing on British reality shows broadcast between 2000 and 2014, this study explores how the generic specificities of reality television have shaped the ways in which LGBT identities have become visible within reality formats. This thesis argues that, in the figures of LGBT reality TV participants, tropes of authenticity, self-realization, celebrity and democracy bound to reality television itself have functioned as the discursive frameworks through which a series of normative scripts of LGBT subjectivity and LGBT life have been produced and circulated through British popular culture. -
Peace, Politics, and Religion
Peace, Politics, Peace, and Religion • JeffreyHaynes Peace, Politics, and Religion Edited by Jeffrey Haynes Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Peace, Politics, and Religion Peace, Politics, and Religion Editor Jeffrey Haynes MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editor Jeffrey Haynes London Metropolitan University UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Religions (ISSN 2077-1444) (available at: https://www.mdpi.com/journal/religions/special issues/ Politics Religion). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03936-664-4 (Hbk) ISBN 978-3-03936-665-1 (PDF) c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Editor .............................................. vii Jeffrey Haynes Introductory Thoughts about Peace, Politics and Religion Reprinted from: Religions 2020, 11, 242, doi:10.3390/rel11050242 ................... 1 Michał Gierycz Religion: A Source of Fundamentalism or A Safeguard Against It? Reprinted from: Religions 2020, 11, 104, doi:10.3390/rel11030104 ..................