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Enrique Martínez Celaya Biography — Born 1964, Havana, Cuba Lives

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Enrique Martínez Celaya Biography — Born 1964, Havana, Cuba Lives Enrique Martínez Celaya Biography — Born 1964, Havana, Cuba Lives and works in Los Angeles Education and Professorships — 2014 Montgomery Fellow, Dartmouth College, Hanover, New Hampshire 2007-10 Visiting Presidential Professor, University of Nebraska 1994-2003 Associate Professor, Pomona College and Claremont Graduate University 1994 Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1994 MFA, Painting, University of California, Santa Barbara, California 1988 MS, Quantum Electronics, University of California, Berkeley, California 1986 BS, Applied & Engineering Physics, Cornell University, Ithaca, New York Selected Solo Exhibitions — 2017 Galerie Judin, Berlin, Germany Jack Shainman Gallery, New York 2016 Phillips Collection, Washington, D.C. Parafin, London, United Kingdom 2015 Jack Shainman Gallery, New York LA Louver, Venice, California 2014 Parafin, London, United Kingdom Galleri Andersson/Sandström, Umeå, Sweden 2013 Strandverket Konsthall, Marstrand, Sweden SITE Santa Fe, Santa Fe, New Mexico Fredric Snitze Gallery, Miami, Florida James Kelly Contemporary, Santa Fe, New Mexico 2012 The State Hermitage Museum, St. Petersburg, Russia LA Louver, Venice, California Galleri Andersson/Sandström, Stockholm, Sweden Galeria Joan Prats, Barcelona, Spain 2011 Miami Art Museum, Miami, Florida LA Louver Gallery, Venice, California Liverpool Street Gallery, Sydney, Australia 2010 Simon Lee Gallery, London, United Kingdom Cathedral of Saint John the Divine, New York, New York Baldwin Gallery, Aspen, Colorado 2009 Akira Ikeda Gallery, New York, New York Sara Meltzer Gallery, New York, New York 2008 LA Louver, Venice, California Liverpool Street Gallery, Sydney, Australia 2007 Miami Art Museum, Miami, Florida Akira Ikeda Gallery, Taura, Japan John Berggruen Gallery, San Francisco, California Sara Meltzer Gallery, New York, New York 2006 Museum der bildenden Künste Leipzig, Germany 2005 Oakland Museum of California, Oakland, California Brauer Museum of Art, Valparaiso, Indiana Akira Ikeda Gallery, Berlin, Germany 2004 Berliner Philharmonie, Berlin, Germany CU Art Museum, Boulder, Colorado Liverpool Street Gallery, Sydney, Australia Museum of Art Fort Lauderdale, Florida 2003 John Berggruen Gallery, San Francisco, California Sheldon Museum of Art, Lincoln, Nebraska Greg Kucera Gallery, Seattle, Washington 2002 Massachusetts College of Art, Boston, Massachusetts Griffin, Santa Monica, California Danese Gallery, New York, New York 2001 The Contemporary Museum, Honolulu, Hawaii The Orange County Museum of Art, Newport Beach, California Von der Heydt-Museum, Wuppertal, Germany 2000 Griffin, Venice, California Rena Bransten Gallery, San Francisco, California Galería Ramis Barquet, Monterrey, Mexico 1999 Andrew Mummery Gallery (at St. Pancras Chambers), London, United Kingdom 1998 Galerie Bäumler, Regensburg, Germany Luigi Marrozzini Gallery, San Juan, Puerto Rico 1997 Burnett Miller Gallery, Santa Monica, California 1996 Bronx Museum of the Arts (with Alberto Rey), Bronx, New York 1995 Dorothy Goldeen Gallery, Santa Monica, California 1994 University Art Museum, University of California, Santa Barbara, California Selected Honours and Awards — 2014 Montgomery Fellow, Dartmouth College Cecil and Ida Green Honors Chair, Texas Christian University 2013 Knight Foundation Grant 2007-10 Visiting Presidential Professor, University of Nebraska 2007 National Artist Award, Anderson Ranch Arts Center 2001 California Community Foundation Fellowship, J. Paul Getty Trust Fund for the Visual Arts 1998 Young Talent Award, Los Angeles County Museum of Art Selected Collections — Metropolitan Museum of Art, New York, New York The State Hermitage Museum, St. Petersburg, Russia Whitney Museum of American Art, New York, New York Los Angeles County Museum of Art, Los Angeles, California Moderna Museet, Stockholm, Sweden Museum of Contemporary Art, Los Angeles, California Wadsworth Atheneum Museum of Art, Hartford, Connecticut Miami Art Museum, Miami, Florida Museum der bildenden Künste Leipzig, Germany The Museum of Fine Arts, Houston, Texas Denver Art Museum, Denver, Colorado Konsthallen Strandverket på Marstrand, Sweden Museum of Contemporary Art, San Diego, California Oakland Museum of California, Oakland, California The Patricia & Phillip Frost Art Museum, Miami, Florida Sheldon Museum of Art, Lincoln, Nebraska Joan Flasch Artists’ Book Collection, School of the Art Institute of Chicago, Chicago, Illinois The Colorado Collection, Boulder, Colorado Frederick R. Weisman Art Museum, Minneapolis, Minnesota Henry Art Gallery, University of Washington, Seattle, Washington Boca Raton Museum of Art, Boca Raton, Florida The Contemporary Museum, Honolulu, Hawaii Neues Stadtmuseum der Stadt Landsberg/Lech, Germany Davenport Museum of Art, Davenport, Iowa The Bronx Museum of the Arts, Bronx, New York Museum of Nebraska Art, Kearney, Nebraska Pomona College Museum of Art, Claremont, California Arkansas Art Center, Little Rock, Arkansas Brauer Museum of Art, Valparaiso, Indiana.
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  • Print Prince of Darkness
    section M pages 3,5 | SUNDAY, MARCH 7, 2004 ARTS THE PRINCE OF DARKNESS Enrique Martínez Celaya illuminates absence and loss in his moody, murky paintings BOB EIGHMIE/HERALD STAFF BLACK HOLES: Above, the artist paints a mural mixed with his blood at the Museum of Art. Enrique Martínez Celaya favors stark and simple statements that evoke loss, like the empty boat in The Helper (Abruptness), top left, or the faint white outlines of father and son in Distance, top right. ART REVIEW BY ELISA TURNER [email protected] His paintings come from places where most of the lights have flickered and died. Looking at them, you feel as if you've stum- bled in from a leafy outdoors noisy with sunlight bouncing off cars and kids, having just pushed the door open onto a house boarded up for years. Other paintings can make you feel as if you've left a familiar kitchen, bright and busy with pots simmering and knives chopping, and then stepped into a living room just as the power fails, when arm chairs and family photos vanish into a chilly black hole. The heavy darkness in the paintings of Enrique Martínez Celaya can make you blink and squint. You want to peer into their light-devouring voids, trying to make out the telltale surroundings for his chalky white outlines of men, women, and children, trying to figure out where these hollowed-out families, MISERY IN MADRID who are really more phantom than flesh, belong. The tantalizing pleasures and secrets gingerly offered by this The absence of another subject dramatically shadowed his talk.
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  • Print Layout 1
    DECEMBER 2003 the art of living Sabina Wong-Sutch meets artist, former professor and mentor, Enrique Martínez Celaya, a successful and refreshingly human, tender and intelligent artist on a mission to remind us all of the priorities in life. Images courtesy of Enrique Martínez Celaya After artist Enrique Martínez Celaya decided to leave a as Martínez Celaya recalls, "We were so poor we all lived in promising career of quantum physics in the 1980s, he spent one room, and there was not even a bathtub." At age 12, the two years eking out a living by selling some of his paintings family relocated to Puerto Rico, his last stop before he would in San Francisco's Golden Gate Park. One day a passer-by move to America. In Puerto Rico, Martínez Celaya was asked to purchase not a painting, but his sketchbook, and apprenticed to the Spanish painter, Mayol, where he learned desperate for the money, Martínez Celaya had but little the classical methods of painting. Academically, he began to choice. A serendipitous meeting at a recent reception brought show his genius in physics and in the arts. "There was tur- the two together again. Martínez Celaya asked if he could moil in my life so I used art in pretty much the same way as buy his sketchbook back for "any sum of money" from this I use it now: how to understand things better. My work at the man. "Sorry," came the buyer's reply, he simply loved the time was very messy, and really reflected the ‘grossness’ of work and had come to develop a passionate affinity with it: my life at the time.
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  • Enrique Martinez Celaya
    ENRIQUE MARTINEZ CELAYA Born 1964, Cuba Lives and works in Los Angeles, CA Enrique Martínez Celaya is an artist, author, and former scientist whose work has been exhibited and collected by major institutions around the world, and he is the author of books and papers in art, poetry, philosophy, and physics. He has created projects and exhibitions for the State Hermitage Museum in St. Petersburg, Russia, The Phillips Collection, Washington D.C., and the Museum der bildenden Künste Leipzig, among many others, as well as for institutions customarily outside of the art world, including the Berliner Philharmonie, the Cathedral Church of Saint John the Divine in New York, and the Dorotheenstadt Cemetery in Berlin. Work by the artist is held in over 50 public collections internationally, including the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Whitney Museum of American Art, the Moderna Museet in Stockholm, The Museum of Fine Arts, Houston, Museum der bildenden Künste Leipzig, and the Wadsworth Atheneum Museum of Art, Hartford. He is the author of several books including, Collected Writings and Interviews 2010-2017, Collected Writings and Interviews 1990-2010, and The Nebraska Lectures, all published by the University of Nebraska Press (Lincoln), as well as, October, published by Cinubia Press (Amsterdam), On Art and Mindfulness: Notes from the Anderson Ranch, published by Whale & Star Press and the Anderson Ranch Arts Center (Los Angeles, Snowmass), as well as the artist book Guide, which was later serialized by the magazine Works & Conversations (Berkeley). His work has been the subject of several monographic publications including Enrique Martínez Celaya, 1992-2000 published by Wienand Verlag (Köln), Enrique Martínez Celaya: Working Methods published by Ediciones Polígrafa (Barcelona), and most recently Martínez Celaya, Work and Documents 1990-2015 published by Radius Books (Santa Fe).
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  • Alberto Rey's Balsa Series in the Cuban American Imagination
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