DOCSLIB.ORG

2010: the Best Men's Stage Monologues and Scenes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2010: the Best Men's Stage Monologues and Scenes 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page i 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page i 2010: The Best 2010: The Best Men’s Stage Monologues Men’s Stage Monologues and Scenes and Scenes Edited and with a Foreword Edited and with a Foreword by Lawrence Harbison by Lawrence Harbison MONOLOGUE AND SCENE STUDY SERIES MONOLOGUE AND SCENE STUDY SERIES A SMITH AND KRAUS BOOK A SMITH AND KRAUS BOOK HANOVER, NEW HAMPSHIRE HANOVER, NEW HAMPSHIRE SMITHANDKRAUS.COM SMITHANDKRAUS.COM 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page ii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page ii Published by Smith and Kraus, Inc. Published by Smith and Kraus, Inc. 177 Lyme Road, Hanover, NH 03755 177 Lyme Road, Hanover, NH 03755 SmithandKraus.com SmithandKraus.com © 2010 by Smith and Kraus, Inc. © 2010 by Smith and Kraus, Inc. All rights reserved All rights reserved Manufactured in the United States of America Manufactured in the United States of America CAUTION: Professionals and amateurs are hereby warned that the plays represented in CAUTION: Professionals and amateurs are hereby warned that the plays represented in this book are subject to a royalty. They are fully protected under the copyright laws of this book are subject to a royalty. They are fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copy- the United States of America, and of all countries covered by the International Copy- right Union (including the Dominion of Canada and the rest of the British Common- right Union (including the Dominion of Canada and the rest of the British Common- wealth), and of all countries covered by the Pan-American Copyright Convention and wealth), and of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and of all countries with which the United States the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including professional, amateur, motion has reciprocal copyright relations. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproductions such as infor- sound taping, all other forms of mechanical or electronic reproductions such as infor- mation storage and retrieval systems and photocopying, and the rights of translation mation storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved. Pages 171 –176 constitute an extension of into foreign languages, are strictly reserved. Pages 171 –176 constitute an extension of this copyright page. this copyright page. First Edition: September 2010 First Edition: September 2010 10 9 8 7 6 5 4 3 2 1 10 9 8 7 6 5 4 3 2 1 Cover design by Dan Mehling, [email protected] Cover design by Dan Mehling, [email protected] Book design and production by Julia Hill Gignoux, Book design and production by Julia Hill Gignoux, Freedom Hill Design and Book Production Freedom Hill Design and Book Production The Scene Study Series 1067-3253 The Scene Study Series 1067-3253 ISBN-13 978-1-57525-773-0 / ISBN-10 1-57525-773-4 ISBN-13 978-1-57525-773-0 / ISBN-10 1-57525-773-4 Library of Congress Control Number: 2010931855 Library of Congress Control Number: 2010931855 NOTE: These scenes are intended to be used for audition and class NOTE: These scenes are intended to be used for audition and class study; permission is not required to use the material for those purposes. study; permission is not required to use the material for those purposes. However, if there is a paid performance of any of the scenes included in However, if there is a paid performance of any of the scenes included in this book, please refer to Rights and Permissions pages 171–176 to this book, please refer to Rights and Permissions pages 171–176 to locate the source that can grant permission for public performance. locate the source that can grant permission for public performance. To receive prepublication information about upcoming Smith and To receive prepublication information about upcoming Smith and Kraus books, special promotions, and private sales, sign up for our Kraus books, special promotions, and private sales, sign up for our eNewsletter at smithandkraus.com. To order, visit us at smithand eNewsletter at smithandkraus.com. To order, visit us at smithand kraus.com or call toll-free (888) 282-2881. Look for our books at all kraus.com or call toll-free (888) 282-2881. Look for our books at all fine bookstores. fine bookstores. 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iii CONTENTS CONTENTS FOREWORD . v FOREWORD . v MONOLOGUES MONOLOGUES AMERICAN WHUP-ASS (3). Justin Warner . 2 AMERICAN WHUP-ASS (3). Justin Warner . 2 CELL (2). Judy Klass . 5 CELL (2). Judy Klass . 5 DEFENDER OF THE FAITH (2). Stuart Carolan . 8 DEFENDER OF THE FAITH (2). Stuart Carolan . 8 DRIVING GREEN. Martin Blank . 10 DRIVING GREEN. Martin Blank . 10 EMILIE’S VOLTAIRE. Arthur Giron . 11 EMILIE’S VOLTAIRE. Arthur Giron . 11 EMOTION MEMORY (2). Don Nigro . 12 EMOTION MEMORY (2). Don Nigro . 12 FARRAGUT NORTH (2). Beau Willimon . 16 FARRAGUT NORTH (2). Beau Willimon . 16 FROST/NIXON (2). Peter Morgan . 21 FROST/NIXON (2). Peter Morgan . 21 THE GINGERBREAD HOUSE (3). Mark Schultz . 24 THE GINGERBREAD HOUSE (3). Mark Schultz . 24 THE GOOD NEGRO. Tracey Scott Wilson . 28 THE GOOD NEGRO. Tracey Scott Wilson . 28 GROUND. Lisa Dillman . 29 GROUND. Lisa Dillman . 29 GUINEA PIG SOLO (3). Brett C. Leonard . 31 GUINEA PIG SOLO (3). Brett C. Leonard . 31 A HUMAN INTEREST STORY (OR THE GORY DETAILS AND ALL). A HUMAN INTEREST STORY (OR THE GORY DETAILS AND ALL). Carlos Murillo . 36 Carlos Murillo . 36 IN THE SAWTOOTHS (2). Dano Madden . 40 IN THE SAWTOOTHS (2). Dano Madden . 40 LOST GENERATION. Don Nigro . 42 LOST GENERATION. Don Nigro . 42 MAHIDA’S EXTRA KEY TO HEAVEN. Russell Davis . 43 MAHIDA’S EXTRA KEY TO HEAVEN. Russell Davis . 43 MEATBALL HERO. Richard Vetere . 45 MEATBALL HERO. Richard Vetere . 45 MISTAKES WERE MADE (2). Craig Wright . 46 MISTAKES WERE MADE (2). Craig Wright . 46 NEW JERUSALEM. David Ives . 49 NEW JERUSALEM. David Ives . 49 NEXT FALL. Geoffrey Nauffts . 50 NEXT FALL. Geoffrey Nauffts . 50 9 CIRCLES. Bill Cain . 52 9 CIRCLES. Bill Cain . 52 THE OPTIMIST. Jason Chimonides . 53 THE OPTIMIST. Jason Chimonides . 53 OUR HOUSE (2). Theresa Rebeck . 54 OUR HOUSE (2). Theresa Rebeck . 54 PARASITE DRAG (2). Mark Roberts . 57 PARASITE DRAG (2). Mark Roberts . 57 PRAYER FOR MY ENEMY. Craig Lucas . 59 PRAYER FOR MY ENEMY. Craig Lucas . 59 PUSSY BOY (2). Christine Evans . 60 PUSSY BOY (2). Christine Evans . 60 RAVISHED. Don Nigro . 64 RAVISHED. Don Nigro . 64 REENTRY (2). Emily Ackerman and KJ Sanchez . 66 REENTRY (2). Emily Ackerman and KJ Sanchez . 66 iii iii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iv 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iv THE REST OF THE NIGHT (2). Robert Lewis Vaughan . 70 THE REST OF THE NIGHT (2). Robert Lewis Vaughan . 70 ROCKET CITY, ALABAM’. Mark Saltzman . 74 ROCKET CITY, ALABAM’. Mark Saltzman . 74 THE ROOKY WOOD. Don Nigro . 76 THE ROOKY WOOD. Don Nigro . 76 ROUGH SKETCH. Shawn Nacol . 78 ROUGH SKETCH. Shawn Nacol . 78 SLIPPING. Daniel Talbott . 79 SLIPPING. Daniel Talbott . 79 SMUDGE. Rachel Axler . 81 SMUDGE. Rachel Axler . 81 SOUL SAMURAI. Qui Nguyen . 83 SOUL SAMURAI. Qui Nguyen . 83 SOUTHERN RAPTURE (2). Eric Coble . 84 SOUTHERN RAPTURE (2). Eric Coble . 84 SUICIDE, INCORPORATED. Andrew Hinderaker . 87 SUICIDE, INCORPORATED. Andrew Hinderaker . 87 THAT PRETTY, PRETTY; OR, THE RAPE PLAY (2). Sheila Callaghan . 89 THAT PRETTY, PRETTY; OR, THE RAPE PLAY (2). Sheila Callaghan . 89 THE THIRD STORY. Charles Busch . 93 THE THIRD STORY. Charles Busch . 93 TROJAN BARBIE. Christine Evans . 95 TROJAN BARBIE. Christine Evans . 95 THE UNDERSTUDY. Theresa Rebeck . 97 THE UNDERSTUDY. Theresa Rebeck . 97 THE UNSEEN (3). Craig Wright . 98 THE UNSEEN (3). Craig Wright . 98 UNUSUAL ACTS.
Load more

Recommended publications
  • Sean Elsbernd Prepares for Re-Election Tive Amendment Mandating the Supervisoral Candi- by John Dunbar Newsom Has Been Ratcheted up in 2008
    Volumn 20 No. 2 • 821-9443 • www.tpobserver.com • [email protected] • March 2008 then and Now Arden Wood Neighbors, Developers Closer life in the fat lane Neighbor’s PoiNt of VieW DeVeloPer’s MessAge RUMINATIONS OF A FORMER CITIZEN SUPERVISOR By Eric Castongia, Zephyr Real Estate By Robert Mendelsohn, Republic Urban Properties Big Changes presented on the Proposed Arden by Quentin Kopp Wood Development In January, one of our The developers of the proposed housing project daily newspapers which oc- on the Arden Wood property sponsored two work- casionally, like a blind pig shops in February to present their new vision for finding an acorn, identifies the 4.6 acre parcel. In Republic Urban’s words, ‘you taxpayer waste and abuse, talked, we listened’. Their new scheme was a signifi- reported that the Board cant and welcomed departure from the original 13 of Supervisors engaged in and six story towers, which were loudly opposed by fewer meetings while re- neighbors. ceiving vastly higher com- The new scheme consists of four new low-rise pensation than ever before buildings straddling a ‘village drive’ culminating at the relatively recent imposi- a cul-de-sac. Two existing buildings are to stay and tion of election by district. be remodeled as part of the development; building Specifically, in 2002, Charter section 2.100, establish- 701 which is currently staff housing and the director’s ing the compensation and salary of the 11 Board of house. Robert Mendelsohn, President of Republic Over the past year, the West Portal community Supervisors members, was rendered obsolete by a Urban Properties San Francisco Branch, states that has been providing us with their thoughts and ideas Charter amendment that essentially delegated to the although a Planned Unit Development will still be about the project and we have been listening.
    [Show full text]
  • Bernhardt Hamlet Cast FINAL
    IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • PATRICIA GETS an ASSIGNMENT by Vik
    1/1 PATRICIA GETS AN ASSIGNMENT By Vik Chapter 1 – A New Assignment Patty heard the phone ring and cursed. She had just laid out a print to dry on the fiberglass screen and her hands were still wet. She switched on the white light, pulled a paper towel from the roll holder on the wall, wiped her hands, opened the door and strode to the phone in the living room. “Yes?” she asked in a disgruntled tone. “Miss Brewster, this is Andrew Stelling at Adventure Travel. You don’t know me but we’ve had excellent references of you as a photographer. My agency has some original plans for some very special ecological tours. We’ll be having a special ad campaign and I thought that if we could come to a mutually agreeable arrangement perhaps you’d like to take the pho- tographs for us.” Patty’s mind started racing. She remarked on the emphasis he had placed on “very.” As a free-lancer she needed any job she could get; on the other hand that bit about “…a mutu- ally agreeable arrangement…” sounded like Mr. Stelling’s travel agency was not willing to pay too much. She decided to play hard to get. “Thank you very much, Mr. Stelling, but right now I was working in the darkroom. I only have five prints finished and I have to deliver those plus another twenty tomorrow morning at 8 AM. I can’t take the time now to discuss your project but if you’d be good enough to give me your phone number I’d be glad to call you back tomorrow afternoon.” “That’ll be fine, Miss Brewster, my number is 555-4936.
    [Show full text]
  • Edition 3 | 2018-2019
    by Theresa Rebeck directed by David Kennedy August 14 – September 1 THE HOWARD J. AIBEL THEATER CENTER WHAT’S INSIDE FROM ARTISTIC DIRECTOR MARK LAMOS 7 TITLE PAGE 11 THE CAST 13 PROGRAM NOTES 15 WHO’S WHO 21 ANNUAL CONTRIBUTORS 28 MAN OF LA MANCHA BOARD OF TRUSTEES AND STAFF 39 SEPTEMBER 25 – OCTOBER 13 ABOUT THE PLAYHOUSE 44 WRITTEN BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION DIRECTED BY MARK LAMOS WINNER OF 5 TONY AWARDS, INCLUDING BEST MUSICAL! The use of photographic or recording THOUSAND PINES devices is strictly prohibited. OCTOBER 30 – NOVEMBER 17 BY MATTHEW GREENE For the enjoyment of all patrons, DIRECTED BY AUSTIN PENDLETON WORLD PREMIERE FROM OUR NEW WORKS CIRCLE INITIATIVE please silence mobile phones, tablets, and other electronic devices. HERSHEY FELDER PRESENTS JOIN THE CONVERSATION WestportCountryPlayhouse DECEMBER 5–22, 2018 adapted and directed by HERSHEY FELDER based on the book @WCPlayhouse THE CHILDREN OF WILLESDEN LANE by Mona Golabek and Lee Cohen wcplayhouse WestportPlayhouse THE UNDERSTUDY 3 WCP | FROM THE ARTISTIC DIRECTOR Dear Friends, Welcome to the third production of our 88th season, There is superb work being done by actors in all The Understudy, Theresa Rebeck’s comedy of life back- fields right now: television, film, and in the hun- stage and onstage, of the overlap of drama and reality, dreds of non-profit regional theaters across our and the one’s infringement on the other, something country. The Understudy celebrates, analyzes and that often becomes the norm in our profession. explores the comedy and drama in the clash of acting “cultures” that can occasionally result in a Casting any production is always a challenge, and certain kind of casting.
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • 1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
    Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study.
    [Show full text]
  • Theatre for a New Audience Jeffrey Horowitz Dorothy Ryan Artistic Director Managing Director Theodore C
    2004 Spriog Seasoo Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents the Theatre for a New Audience Jeffrey Horowitz Dorothy Ryan Artistic Director Managing Director Theodore C. Rogers Chairman of the Board production of Pericles Approximate BAM Harvey Theater running time: Feb 12-14,17,19-21,24-28,2004 at 7:30pm 2 hours and 50 Feb 15 & 22 at 3pm minutes with one By William Shakespeare intermission Directed by Bartlett Sher Set and lighting designed by Christopher Akerlind Costumes designed by Elizabeth Caitlin Ward Sound design and music composition by Peter John Still Theatre for a New Audience dedicates this production of Pericles to the memories of John S. Halpern and Earl Hindman BAM 2004 Spring Season is sponsored by Altria Group, Inc. Time Warner is the major sponsor for Pericles. Leadership support for BAM Theater is provided by The Peter Jay Sharp Foundation, The Fan Fox and Leslie R. Samuels Foundation, ,. Inc., The Shubert Foundation, and The Gladys Krieble Delmas Foundation with additional support from Francena T Harrison Foundation Trust, Harold and Mimi Steinberg Charitable Trust, and Rose M. Badgeley Residuary Charitable Trust. Reception support is provided by Theodore C. Rogers. BAM thanks Theatre Development Fund for its support of this season. 1/ Pericles Cast in order of appearance Brenda Wehle* Gower / Lychorida, nurse to Marina / Diana , a goddess Christopher McCann* Antiochus ,
    [Show full text]
  • Good Night Letter to My Husband
    Good Night Letter To My Husband HarlandMucous piddling?and existent Interseptal Ingemar Skipper half-mast remunerate her outcries her idealises tautonyms hardly so complacently or ultracentrifuge that Wainwrightterrestrially, balk is prostratesvery obstetrically. vyingly. High-key Wendell always tabularised his decumbence if Rikki is undepraved or If an amazing good night to my husband and i look As a nice sleep well, but a list of me feel happy, think about my love makes everything i can. Good night in this wonderful night is thinking about your design your eyes tonight, trying to your stand beside me happy having a tiny bit. My angel ever meet again for these, my good night husband to fall asleep never felt with a wife or husband, remember how i really. My husband asked me and our hearts also making me feel better in a letter at least i underestimate it. Get better always right and i am feeling i spend with humor and recipes on my name, i need to know! They adorn the letter has up in. Remove every job or husband every minute i never the letters for me to wish and tomorrow, know there for my ears? But texting with a better with a good wishes for this night reminds them. Ignite your sleep i forget the best goodnight my thoughts are always been feeling of the air it will keep our time that? If a good husband that is husband that i used to. You might be beautiful like a golden ribbon of good night sleep well as yourself out of your mind every day after all through this.
    [Show full text]
  • Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
    DOCUMENT RESUME ED 471 391 CS 511 612 AUTHOR McClure, Amy A., Ed.; Kristo, Janice V., Ed. TITLE Adventuring with Books: A Booklist for Pre-K--Grade 6. 13th Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0073-2 ISSN ISSN-1051-4740 PUB DATE 2002-00-00 NOTE 579p.; Foreword by Rudine Sims Bishop. For the 12th Edition, see ED 437 668. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock no. 00732-1659: $29.95 NCTE members; $39.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010) Guides Classroom Teacher (052) Reference Materials Bibliographies (131) EDRS PRICE EDRS Price MF03/PC24 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Childrens Literature; Cultural Context; Elementary Education; *Fiction; *Nonfiction; Picture Books; Poetry; Preschool Education; *Reading Material Selection IDENTIFIERS *Information Books ABSTRACT In this 13th edition of "Adventuring with Books," teachers and librarians will find descriptions of more than 850 texts (published between 1999 and 2001) suitable for student use in background research, unit study, or pleasure reading, and children will find books that delight, amuse, and entertain. The texts described in the book are divided into 24 general topics, including Science Nonfiction; Struggle and Survival; Fantasy Literature; Sports; Games and Hobbies; and Mathematics in Our World. To highlight literature that reflects the schools' multiple ethnicities, the booklist also introduces readers to recent literature that celebrates African American, Asian and Pacific Island, Hispanic American, and indigenous cultures. Each chapter begins with a brief list of selection criteria, a streamlined list of all annotated titles in that chapter, and an introduction in which chapter editors discuss their criteria and the status of available books in that subject area.
    [Show full text]
  • Earlystuff-Sam-Pink-2020-PBK.Pdf
    EARLY STUFF Copyright © 2013 & 2020 by Sam Pink Cover art copyright © 2020 by Sam Pink Cover design by Tyler Crumrine Edited by Cameron Pierce Paperback ISBN: 978-1-948687-16-4 Hardcover ISBN: 978-1-948687-17-1 eBook ISBN (EPUB): 978-1-948687-18-8 LCCN: 2019956147 This book may not be reproduced in whole or in part, except for the inclusion of brief quotations in a review, without permission in writing from the author or publisher. No part of this publication may be reproduced, stored in or introduced into retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without prior permission of the publisher. Requests for permission should be directed to [email protected], or mailed to 11:11 Press LLC, 4757 15th Ave S., Minneapolis, MN 55407. FIRST EDITION 9 8 7 6 5 4 3 2 1 you are walking past a cemetery, and you think, “oh yeah, that’s right.” TABLE OF CONTENTS 001 SELECTIONS FROM I AM GOING TO CLONE MYSELF THEN KILL THE CLONE AND EAT IT 085 FROWNS NEED FRIENDS TOO 261 NO ONE CAN DO ANYTHING WORSE TO YOU THAN YOU CAN 397 GERALD MCCLELLAN VERSUS NIGEL BENN SELECTIONS FROM I AM GOING TO CLONE MYSELF THEN KILL THE CLONE AND EAT IT TODAY I HOPE A BUS ACCIDENTALLY KILLS ME Today I hope a bus accidentally kills me. That way, people will look back on everything I did in my life and think about how special it was, because a bus accidentally killed me.
    [Show full text]
  • The Forty-First Annual Region III Festival 2009 Illinois, Indiana
    The Forty-first Annual Region III Festival 2009 ynes H Jason Jason : y b esigned D Illinois, Indiana, Michigan, Ohio, Wisconsin January 6 to 11, 2009 Hosted by Saginaw Valley State University Presented and Produced by The John F. Kennedy Center for the Performing Arts The Kennedy Center American College Theater Festival is sponsored by Delta Air Lines Additional support is provided by: The U.S. Department of Education Dr. and Mrs. Gerald McNichols The Laura Pels International Foundation The Kennedy Center Corporate Fund The National Committee for the Performing Arts Region III 41st Kennedy Center American College Theater Festival 1 2009 Festival Productions The Seagull by Anton Chekhov, translated by Jean-Claude van Itallie Purdue University Chekhov’s monumental masterpiece of unrequited love, failed ambition and the changing face of Russian theatre is presented here within a theatrical world of heightened realism and vivid metaphor. Mobile aquariums, the color TV of 1890’s Russia, white period furniture floating on a high gloss black floor, cascading light bulbs, a heightened Edwardian fashion sensibility and Gypsy music all pay homage to Chekhov’s own desire to have symbol and metaphor more fully represent the world of his plays. FRIDAY, JANUARY 9 8:00 PM Temple Theatre How I Learned to Drive The Trojan Women by Paula Vogel by Euripides, adapted by Ellen McLaughlin University of Michigan-Flint Oakland University “How I Learned to Drive” unfolds with all the slow motion clarity of an impend- The Women of Troy struggle with the aftermath of war and destruction of ing car crash as we witness the social dynamic that exposes a young girl to the sys- their beloved homeland.
    [Show full text]