2010: the Best Men's Stage Monologues and Scenes

2010: the Best Men's Stage Monologues and Scenes

2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page i 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page i 2010: The Best 2010: The Best Men’s Stage Monologues Men’s Stage Monologues and Scenes and Scenes Edited and with a Foreword Edited and with a Foreword by Lawrence Harbison by Lawrence Harbison MONOLOGUE AND SCENE STUDY SERIES MONOLOGUE AND SCENE STUDY SERIES A SMITH AND KRAUS BOOK A SMITH AND KRAUS BOOK HANOVER, NEW HAMPSHIRE HANOVER, NEW HAMPSHIRE SMITHANDKRAUS.COM SMITHANDKRAUS.COM 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page ii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page ii Published by Smith and Kraus, Inc. Published by Smith and Kraus, Inc. 177 Lyme Road, Hanover, NH 03755 177 Lyme Road, Hanover, NH 03755 SmithandKraus.com SmithandKraus.com © 2010 by Smith and Kraus, Inc. © 2010 by Smith and Kraus, Inc. All rights reserved All rights reserved Manufactured in the United States of America Manufactured in the United States of America CAUTION: Professionals and amateurs are hereby warned that the plays represented in CAUTION: Professionals and amateurs are hereby warned that the plays represented in this book are subject to a royalty. They are fully protected under the copyright laws of this book are subject to a royalty. They are fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copy- the United States of America, and of all countries covered by the International Copy- right Union (including the Dominion of Canada and the rest of the British Common- right Union (including the Dominion of Canada and the rest of the British Common- wealth), and of all countries covered by the Pan-American Copyright Convention and wealth), and of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and of all countries with which the United States the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including professional, amateur, motion has reciprocal copyright relations. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproductions such as infor- sound taping, all other forms of mechanical or electronic reproductions such as infor- mation storage and retrieval systems and photocopying, and the rights of translation mation storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved. Pages 171 –176 constitute an extension of into foreign languages, are strictly reserved. Pages 171 –176 constitute an extension of this copyright page. this copyright page. First Edition: September 2010 First Edition: September 2010 10 9 8 7 6 5 4 3 2 1 10 9 8 7 6 5 4 3 2 1 Cover design by Dan Mehling, [email protected] Cover design by Dan Mehling, [email protected] Book design and production by Julia Hill Gignoux, Book design and production by Julia Hill Gignoux, Freedom Hill Design and Book Production Freedom Hill Design and Book Production The Scene Study Series 1067-3253 The Scene Study Series 1067-3253 ISBN-13 978-1-57525-773-0 / ISBN-10 1-57525-773-4 ISBN-13 978-1-57525-773-0 / ISBN-10 1-57525-773-4 Library of Congress Control Number: 2010931855 Library of Congress Control Number: 2010931855 NOTE: These scenes are intended to be used for audition and class NOTE: These scenes are intended to be used for audition and class study; permission is not required to use the material for those purposes. study; permission is not required to use the material for those purposes. However, if there is a paid performance of any of the scenes included in However, if there is a paid performance of any of the scenes included in this book, please refer to Rights and Permissions pages 171–176 to this book, please refer to Rights and Permissions pages 171–176 to locate the source that can grant permission for public performance. locate the source that can grant permission for public performance. To receive prepublication information about upcoming Smith and To receive prepublication information about upcoming Smith and Kraus books, special promotions, and private sales, sign up for our Kraus books, special promotions, and private sales, sign up for our eNewsletter at smithandkraus.com. To order, visit us at smithand eNewsletter at smithandkraus.com. To order, visit us at smithand kraus.com or call toll-free (888) 282-2881. Look for our books at all kraus.com or call toll-free (888) 282-2881. Look for our books at all fine bookstores. fine bookstores. 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iii CONTENTS CONTENTS FOREWORD . v FOREWORD . v MONOLOGUES MONOLOGUES AMERICAN WHUP-ASS (3). Justin Warner . 2 AMERICAN WHUP-ASS (3). Justin Warner . 2 CELL (2). Judy Klass . 5 CELL (2). Judy Klass . 5 DEFENDER OF THE FAITH (2). Stuart Carolan . 8 DEFENDER OF THE FAITH (2). Stuart Carolan . 8 DRIVING GREEN. Martin Blank . 10 DRIVING GREEN. Martin Blank . 10 EMILIE’S VOLTAIRE. Arthur Giron . 11 EMILIE’S VOLTAIRE. Arthur Giron . 11 EMOTION MEMORY (2). Don Nigro . 12 EMOTION MEMORY (2). Don Nigro . 12 FARRAGUT NORTH (2). Beau Willimon . 16 FARRAGUT NORTH (2). Beau Willimon . 16 FROST/NIXON (2). Peter Morgan . 21 FROST/NIXON (2). Peter Morgan . 21 THE GINGERBREAD HOUSE (3). Mark Schultz . 24 THE GINGERBREAD HOUSE (3). Mark Schultz . 24 THE GOOD NEGRO. Tracey Scott Wilson . 28 THE GOOD NEGRO. Tracey Scott Wilson . 28 GROUND. Lisa Dillman . 29 GROUND. Lisa Dillman . 29 GUINEA PIG SOLO (3). Brett C. Leonard . 31 GUINEA PIG SOLO (3). Brett C. Leonard . 31 A HUMAN INTEREST STORY (OR THE GORY DETAILS AND ALL). A HUMAN INTEREST STORY (OR THE GORY DETAILS AND ALL). Carlos Murillo . 36 Carlos Murillo . 36 IN THE SAWTOOTHS (2). Dano Madden . 40 IN THE SAWTOOTHS (2). Dano Madden . 40 LOST GENERATION. Don Nigro . 42 LOST GENERATION. Don Nigro . 42 MAHIDA’S EXTRA KEY TO HEAVEN. Russell Davis . 43 MAHIDA’S EXTRA KEY TO HEAVEN. Russell Davis . 43 MEATBALL HERO. Richard Vetere . 45 MEATBALL HERO. Richard Vetere . 45 MISTAKES WERE MADE (2). Craig Wright . 46 MISTAKES WERE MADE (2). Craig Wright . 46 NEW JERUSALEM. David Ives . 49 NEW JERUSALEM. David Ives . 49 NEXT FALL. Geoffrey Nauffts . 50 NEXT FALL. Geoffrey Nauffts . 50 9 CIRCLES. Bill Cain . 52 9 CIRCLES. Bill Cain . 52 THE OPTIMIST. Jason Chimonides . 53 THE OPTIMIST. Jason Chimonides . 53 OUR HOUSE (2). Theresa Rebeck . 54 OUR HOUSE (2). Theresa Rebeck . 54 PARASITE DRAG (2). Mark Roberts . 57 PARASITE DRAG (2). Mark Roberts . 57 PRAYER FOR MY ENEMY. Craig Lucas . 59 PRAYER FOR MY ENEMY. Craig Lucas . 59 PUSSY BOY (2). Christine Evans . 60 PUSSY BOY (2). Christine Evans . 60 RAVISHED. Don Nigro . 64 RAVISHED. Don Nigro . 64 REENTRY (2). Emily Ackerman and KJ Sanchez . 66 REENTRY (2). Emily Ackerman and KJ Sanchez . 66 iii iii 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iv 2010mensM&S i-vi,1-178.1.qxd:2009mensmonoscenes.qxd 7/8/10 11:04 AM Page iv THE REST OF THE NIGHT (2). Robert Lewis Vaughan . 70 THE REST OF THE NIGHT (2). Robert Lewis Vaughan . 70 ROCKET CITY, ALABAM’. Mark Saltzman . 74 ROCKET CITY, ALABAM’. Mark Saltzman . 74 THE ROOKY WOOD. Don Nigro . 76 THE ROOKY WOOD. Don Nigro . 76 ROUGH SKETCH. Shawn Nacol . 78 ROUGH SKETCH. Shawn Nacol . 78 SLIPPING. Daniel Talbott . 79 SLIPPING. Daniel Talbott . 79 SMUDGE. Rachel Axler . 81 SMUDGE. Rachel Axler . 81 SOUL SAMURAI. Qui Nguyen . 83 SOUL SAMURAI. Qui Nguyen . 83 SOUTHERN RAPTURE (2). Eric Coble . 84 SOUTHERN RAPTURE (2). Eric Coble . 84 SUICIDE, INCORPORATED. Andrew Hinderaker . 87 SUICIDE, INCORPORATED. Andrew Hinderaker . 87 THAT PRETTY, PRETTY; OR, THE RAPE PLAY (2). Sheila Callaghan . 89 THAT PRETTY, PRETTY; OR, THE RAPE PLAY (2). Sheila Callaghan . 89 THE THIRD STORY. Charles Busch . 93 THE THIRD STORY. Charles Busch . 93 TROJAN BARBIE. Christine Evans . 95 TROJAN BARBIE. Christine Evans . 95 THE UNDERSTUDY. Theresa Rebeck . 97 THE UNDERSTUDY. Theresa Rebeck . 97 THE UNSEEN (3). Craig Wright . 98 THE UNSEEN (3). Craig Wright . 98 UNUSUAL ACTS.

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