DOCSLIB.ORG

My First Father's Day,7 Questions with Mike Birbiglia,You'll Always Have

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
My First Father's Day,7 Questions with Mike Birbiglia,You'll Always Have My First Father’s Day When I was growing up, I always imagined having a family in my mid 20s: the wife, the kids, the picket fence. But like everyone else’s journey, things didn’t go the way I planned them when I was 14. And thank god. I met my wife in my late 30s when I was a fully formed adult with all of my good and bad qualities plainly displayed. Sarah, my wife, had already accomplished more than most people, so we figured marriage would be a different adventure for us. We discussed children and I think we came to the mutual understanding that if we had a child we would love him or her and be the best parents we could. If we weren’t able to have children for whatever reason, we would just accept our lives of disposable income and stress-free travel. It was a win-win! Fast forward to last April and the birth of our son, Julian. People gave me all kinds of advice — some useful and some not so much. I appreciate that advice is well meaning, so I took it all in with a grain of salt and my best “advice listening smile” affixed to my face. One thing that came up multiple times was that I wouldn’t know how deeply I could love until I met my son. Julian came into the world happy and healthy and a giant tiny man of a baby. I loved him at first sight. As I’m writing this, it’s been two months to the day that he’s been with us, and already all the time before him seems superfluous — like wasted time. And my friends were correct. I never knew I could love another person as much as I did until Julian was born. But the person I didn’t know I could love more is his mom. This is an article about Father’s Day in general and my first father’s day specifically. I still have that “new dad smell” on me and I am here to tell you: Father’s Day is a scam. Yes, I like being appreciated, but having just witnessed my wife carry our son for 9 months and give birth to him, I can tell you with some certainty that I was not a very important part of the process. I come home from work now to see her miraculously feeding our son WITH HER BODY! She is all he needs. I am technically a parent, but it’s the same way Marlon was technically a member of the Jackson 5. I mean, sure, if he vanished the family might miss him, but no one going to a Jackson 5 show would look at the stage and ask, “Wait, where’s Marlon?” The way Sarah has taken to motherhood is inspiring. It’s also a little intimidating. There’s no way I will ever be as good a dad to Julian as she is a mother to him already. And I know parenting should be about working together for the best interest of the child. But if we are teammates, then I am JR Smith to her LeBron, just running around with the ball while she dominates the game. I knew I was lucky to be married to her before fatherhood, but now I recognize that I managed to team up with an all-star. I thank the Lord every day for the life I have. For being born in the United States, having a job I truly enjoy and now for my son. I can’t wait to show him as much as I can in hope that he loves his life, too. But none of it would be the same without Sarah. So what do I think about my first Father’s Day? I’ll eat the burger and wear the tie, but I know the word only applies to me because of the work my wife has done and will continue to do. After watching Sarah with my son, I am convinced the world would be a better place if we just let women run it. Happy Father’s Day to all my fellow dads doing their best. But let’s remember: Without women doing the heavy lifting, it’s just another day celebrating being a man. 7 Questions with Mike Birbiglia Mike Birbiglia is a New York comedian, actor and filmmaker who was born in Shrewsbury, Mass. His feature-length directorial debut, Sleepwalk With Me, based on his one-man show, won awards at the Sundance and Nantucket film festivals. He also wrote, directed and starred in the critically acclaimed comedy-drama Don’t Think Twice. He will be performing his new show, appropriately titled The New One, at Trinity Repertory Theatre in Providence, May 31 – June 3. TJ Curran (Motif): How is The New One different from Thank God for Jokes or My Girlfriend’s Boyfriend? Is there an overarching theme to the show? Mike Birbiglia: I try not to tell people what the show is about, because I realized recently that I don’t like knowing anything about what I’m about to see. My favorite movies last year were Lady Bird, The Big Sick, Get Out, and The Florida Project, and the greatest gift I can give to people is telling them to go see those movies, don’t watch a trailer, do not read a review, just go see them. I feel that way about theater, movies and this show. I will say that if you like Sleepwalk With Me, My Girlfriends Boyfriend, and Thank God for Jokes, then you’ll like the new one. If you don’t like those, then I don’t think it’s for you. TJC: What made you decide to book Trinity Rep as a venue? How do you expect that will be different from a more traditional venue, or even a more “comic-centric” venue like the Cellar? MB: I’ve done this show at the Berkeley Repertory Theatre in California and the La Jolla Playhouse outside of San Diego and I’m doing the show off-Broadway at the Cherry Lane Theater in mid-July for five weeks. Those are all similar venues to Trinity Rep, and that’s what I prefer. I prefer theatrical venues that are intimate. I’ve heard about Trinity Rep for years. I’m friendly with Oskar Eustis who use to be Trinity Rep’s artistic director. Our set designer, Beowulf Boritt, used to design for Trinity Rep. It has a spectacular reputation. Plus, my brother, Joe, who runs my production company and collaborates with me on writing, lives in Providence with his family, and my sister, Gina, lives in Providence with her family as well, so its a place I like to spend time. TJC: Congratulations on Don’t Think Twice. It was a great film. Do you think within the current system of superhero movies and reboots of old ideas that there will be bigger and bigger audiences looking for films like yours or Ladybird or Get Out? MB: It’s a good question. I think nobody knows the answer to that. I certainly hope so. I feel like in the ’70s there were film studios that were taking a shot on movies that were for grownups. That’s when Annie Hall, China Town and a lot of the Altman films got greenlit, and I don’t feel like studios are doing that currently, but then you have companies like A24, The Orchard and The Film Arcade who did Don’t Think Twice that are willing to take chances on small movies like those. TJC: I was watching Chaplin again this weekend, and it struck me that he was the very definition of an auteur, even writing some of the music for his films. But he also owned the studio. How difficult is it to be an auteur? Are you able to exercise the creative control you’d like? Do you have any more movies in the works? MB: I’m writing my third movie right now. I’ve been lucky enough to have creative control over Sleepwalk with Me and Don’t Think Twice. Part of that has to do with a willingness to do things for a lower budget. Based on what I’ve observed in Hollywood, the higher your budget goes the more cooks there are in the kitchen and the more the director needs to be on the hook for the movie to make more money. Which is why something like Lady Bird, Get Out, or Don’t Think Twice, I think, are smart business decisions as movies because they don’t have to make that much money to earn their money back. In some ways, it’s easier to be an auteur currently cause the cost of camera equipment and the cost of production and editing is exponentially less than when Chaplin was making films. TJC: You’ve created quite an enviable career, being able to move from comedy tours to TV, to movies pretty adroitly. Who is the person you have not worked with, with whom you are dying to collaborate in some way? MB: I feel like there are a few filmmakers that I’m fascinated by. Pete Doctor at Pixar, I think, is making some really groundbreaking movies like Up and Inside Out. I’m obviously a fan of filmmakers like the Coen Brothers, Nicole Holofcener and Noah Baumbach. Those are people whose movies I look forward to most.
Load more

Recommended publications
  • African-American College Students: a Qualitative Study of Selected Factors Affecting Dropout
    African-American College Students: A Qualitative Study of Selected Factors Affecting Dropout A dissertation submitted by Wendell B. O’Neal, Jr. to Benedictine University in partial fulfillment of the requirements for the degree of Doctor of Education in Higher Education and Organizational Change This dissertation has been accepted for the faculty of Benedictine University ____________________________ Quincy Martin, III, Ed.D.____ ___________ Dissertation Committee Director Date ____________________________ Sunil Chand, Ph.D._________ ___________ Dissertation Committee Chair Date ____________________________ Tamara Korenman, Ph.D.____ ___________ Dissertation Committee Reader Date ____________________________ Sunil Chand, Ph.D. _________ __________ Program Director, Faculty Date ____________________________ Eileen Kolich, Ph.D. _________ __________ Faculty Date ____________________________ Ethel Ragland, Ed.D., M.N.,R.N. _________ Acting Dean, College of Education and Health Services Date Wendell B. O’Neal, Jr., 2012 All rights reserved. ACKNOWLEDGMENTS To my dissertation committee, my sincere thanks for sharing your knowledge and being instrumental in my success. To my Dissertation Director, Dr. Quincy Martin III, thank you for your invaluable guidance, patience, and support. Words truly cannot express my gratitude. This finished product would not be what it is without your meticulous eye. To my Dissertation Chair, Dr. Chand, thank you for the wealth of knowledge you have shared and your initial guidance in filtering my research objectives. You are an asset to this doctorate program and the world of higher education. To my Dissertation Reader, Dr. Tamara Korenman, thank you for your motivating critiques of my work and your mechanical knowledge of the dissertation process. Thank you to my three children, Corde, Cameron, and Cydney for the motivation they provide on a daily basis for me to get up every morning and continue pushing to be the best human being I can.
    [Show full text]
  • Digital Commons @ Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Fall 9-2009 DEMO 10 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 10 (Autumn 2009), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/77 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. ARTS + MEDI A = CULTURE A R TS + MEDIA = CULTURE F A L L 2 0 0 9 FLUO R A M N I & F RIE N D S O F C O L U M B I A C O L LE G E C H I CAG O 10 Teaching Funny Studying comedy with Chicago’s improv masters CU O L M B I A C O L LE G E C H I CA G O PRESE N T S CN O VERSATIONS in the Arts A year-long exploration of trends and issues in disciplines taught by Columbia’s School of Media Arts, focusing on social media, journalism, and the moving image. CENTURY ST Biz Stone A rianna Huffington Mira Nair T uesday, October 6, 2009 Wednesday, January 27, 2010 Wednesday, April 28, 2010 Co-founder of the social Co-founder and Editor-In-Chief of Director of Salaam Bombay!, network Twitter The Huffington Post News Website The Namesake, Mississippi Masala, Tweet with us at #bizstonecolum and Monsoon Wedding This series opens a three-year cycle of programs devoted to each President’s Club donors enjoy of Columbia’s three schools: Media Arts, Fine and Performing Arts, MEDIA ARTS IN THE 21 invitations to VIP receptions and Liberal Arts and Sciences.
    [Show full text]
  • Sydney Sierota
    ECHOSMITH’S SYDNEY SIEROTA October 2016 Sierota on Partywear Collection The collection includes dresses, tops and bottoms that are inspired and created by the 19-year-old singer. Hollister Co. is in a party mood. The retailer, a division of Abercrombie & Fitch Co., will launch a special partywear collection designed in collaboration with Sydney Sierota, lead singer of California band Echosmith. The collection includes dresses, tops and bottoms that are inspired and created by the 19-year-old singer. It will be available Oct. 28 in 180 stores globally and on hollisterco.com. Last October, Echosmith partnered with Hollister for the All Equal Campaign, which is a global initiative that promotes antibullying in schools. During that time, the Hollister team got to know Sierota’s sense of style and they came up with the idea to collaborate. Echosmith, an American indie-pop band, was formed in February 2009 in Chino, Calif. The band is comprised of four siblings: Graham, Sydney, Noah and Jamie. Sydney plays the keyboard and is the lead singer. For the Hollister project, Sierota worked alongside Hollister’s head of design, Lisa Lowman, and her team to conceive and create the collection. They shopped vintage stores in Los Angeles, looked through Sierota’s wardrobe and discussed details for each piece, such as pockets, sequins or beads. In a telephone interview, Lowman said the collection has that “girly, shine element.” “She loves shine and that playful feeling. She loves vintage,” said Lowman. She said that the Hollister’s designers would sketch the designs and she’d pick the colors and some of the details.
    [Show full text]
  • Hip-Hop and Schooling and the Impact on African American Identity and Academic Achievement Barbara Sophie Wisniewski Wayne State University
    Wayne State University Wayne State University Dissertations 1-1-2011 Tale of two cultures: Hip-hop and schooling and the impact on African American identity and academic achievement Barbara Sophie Wisniewski Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Education Commons Recommended Citation Wisniewski, Barbara Sophie, "Tale of two cultures: Hip-hop and schooling and the impact on African American identity and academic achievement" (2011). Wayne State University Dissertations. Paper 263. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. A TALE OF TWO CULTURES: HIP HOP AND SCHOOLING AND THE IMPACT ON AFRICAN AMERICAN IDENTITY AND ACADEMIC ACHIEVEMENT by BARBARA S. WISNIEWSKI DISSERTATION submitted to the Graduate School of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements For the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: EDUCATIONAL EVALUATION AND RESEARCH Approved by: Advisor Date © COPYRIGHT BY BARBARA S. WISNIEWSKI 2011 All Rights Reserved ACKNOWLEDGMENTS At the end of the long road to this dissertation, nothing is more deserving of acknowledgement than the people who supported and championed me along the way. First, and foremost, I give thanks to the Lord for giving me the strength and determination to get through this endeavor and for being the foundation of all that I do. I am indebted to my amazing advisor and committee Chair, Dr. Karen L. Tonso, who was an advocate for me from the launching of my doctoral thesis and whose support and astuteness steered me around the most problematical corners.
    [Show full text]
  • President Cruz Starts Campus Renovation
    November, 2017 lehmanmeridian.squarespace.com Bronx, New York President Cruz Starts Campus Renovation Artist’s rendering of the proposed construction of new Nursing Building. [Page 3] NEWS ARTS & ENTERTAINMENT LIFESTYLE Bronx Residents Disagree ‘Dark and Stormy Night’ Puts a Gothic Lehman Students Challenge Colorism on Amazon HQ Bid Twist on Contemporary Art in the Entertainment Industry [Page 4] [Page 6] [Page 10] 250 Bedford Park Boulevard West Student Life Building Room 108 Bronx, NY 10468 BUILD YOUR PORTFOLIO WITH US Be part of our team of reporters, writers, photographers, videographers, and artists. Send your sample writing, photography, and/or art to our email, or come find us in our office at the Student Life Buliding Room 108 the staff EILEEN SEPULVEDA LEONEL HENRIQUEZ ANGEL MINDANAO EDITOR IN CHIEF MANAGING EDITOR OFFICE MANAGER ZOE FANZO ELISSA FANZO JENNIFER MACKENZIE PRINT PRODUCER/WEB DESIGNER COPY EDITOR FACULTY ADVISOR THOMAS BEHNKE JUAN VASQUEZ LEAH LICEAGA NEWS EDITOR ARTS & ENTERTAINMENT EDITOR LIFESTYLE EDITOR WRITERS: THOMAS BEHNKE, DEIRDRE FANZO, ZOE FANZO, DEIRRA FRANCIS, SHAIANN FRAZIER, LEONEL HENRIQUEZ, JOREL LONESOME, ZAYNA PALMER, JUAN VASQUEZ Questions? Comments? Write us at [email protected] Check out our website: lehmanmeridian.squarespace.com GENERAL STATEMENT OF POLICY The Meridian reserves the right to edit articles and letters as the editor(s) see fit. The views expressed in editorials are those of the authors and do not necessarily represent the views of the Meridian staff. Ads published both in print and online do not reflect the views or opinions of the Meridian staff. The message or product being sold in the ad may not be in accordance with our staff’s personal beliefs.
    [Show full text]
  • Examining the Role Hip-Hop Texts Play in Viewing the World
    Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D.
    [Show full text]
  • Contempo April 18 5 PM a New Musical Theatre Review
    April 17 6 PM Contempo April 18 5 PM A New Musical Theatre Review Presented by the Pepperdine Fine Arts Department Directed by Kelly Todd Musical Direction by David Fraley Vocal Coaching by Kate Bass Edited by Sam Sun (bios and headshots below) “I Have a Vision” from Peace Child Music and Lyrics by David Gordon David Gordon is a poet, songwriter, self-taught religious philosopher, and one of the founders of Peace Child International, David was born of Greek and Swedish parents in London and lived through the Second World War in a densely bombed area of the city. He entered the music business in 1966 by launching the career of his brother, Cat Stevens, who went on to become one of the most internationally acclaimed singer/ songwriters of the 1970s. In 1969 he started his own song-writing career working with Terry Sylvester of the Hollies and, in 1980, went solo as a composer and lyricist creating and producing the oratorio Alpha Omega. In October 1981, David Gordon worked with Brigadier Michael and Eirwen Harbottle of the World Disarmament Campaign, and David Woollcombe and Rosey Simonds to produce Peace Child, a musical adaptation of Bernard Benson’s The Peace Book. In September 1985, David co- produced the United Nations Peace Day Festival to launch the United Nations International Year of Peace at the Royal Albert Hall in London. In 1988, David founded Peace Child Israel which brought together Arab and Israeli children in theatrical and musical workshops dealing with conflict resolution. In 1990, David went to the USA and worked with Peace Child International and others to create various local programs in and around Princeton and Trenton, NJ.
    [Show full text]
  • Women's March Say No to Trump
    Page 6 ~ THE VILLAGER/January 26, 2018 DIASPORA www.theaustinvillager.com Women’s March Say No To Trump 5th Annual Diaspora Women Conference by Tsoke fact of how women in (Chuch) Adjavon | Central Texas are mak- Villager Columnist ing a difference in the On February 25, community for the bet- 2018, Diaspora Vote ter. Furthermore, the or- will hold its 5th Annual ganizers mentioned that Women’s Conference. this “conference will At the Women’s Confer- showcase and future the ence, the topics included achievement of women the following: Women in Central Texas.” in Politics; Women in Finally, the Women Business; Women in event will future on Education; Women in Women who are Community Activism; trailblazing in their area and the Women in So- of expertise. For in- cial Justice. Although stance, Dyana Limon- these were the main top- Mercado who is run- ics, the “Conference” ning for the chair of the will also touch on the Travis County Demo- effect of the recent anti- cratic Party will be one immigration tide that of the featured speakers both the Hispanic and at this event. In addi- African Immigrant com- tion, Isabella a Co- Women’s March 2018. Photo by Tsoke (Chuch) Adjavon munity are facing. owner of Belle Juice will According to orga- be feature speaker in the by Tsoke (Chuch) Adjavon | Villager Columnist ticipants and rallies such as Austin, Washington DC, Chi- nizers, this event is Women In Business sec- cago, Los Angeles, San Francisco and other cities. In meant to showcase the tor. Saturday, January 20th, Central Texas held their Washington DC, there were about 500,000 people who “Women March” which was in response to Mr.
    [Show full text]
  • Iheartcomix Connecting Music + Geek Culture
    CREATIVE AGENCY CAPABILITIES & CASE STUDIES 2019 2019 © IHEARTCOMIX We are a Los Angeles based creative agency that has lived IHEARTCOMIX in the worlds of music and geek culture for over a decade. CONNECTING More specifically, we are the cool kids who are into nerdy stuff. Our specialty is imagining concepts, executing MUSIC + GEEK productions for and speaking to this audience. We are your team partner in every type of creative endeavor CULTURE within music and entertainment. 2019 © IHEARTCOMIX 2 OUR WORLD CREATIVITY IS OUR SPECIALTY. COME TO US FOR BIG IDEAS. THIS PARTY HAD EVERYTHING… LED UNICORNS, UNICORN-HORNED BIRTHDAY CAKES, INDOOR ICE CREAM TRUCKS, STUFFED-ANIMAL WALLS, GLOW-IN-THE-DARK WOMB CHAIRS, A “BONDAGE-LATEX ROOM WITH POSITIVE DISCIPLINE,” ELIJAH WOOD ON A FURRY VESPA, MOBY HANGING WITH SHEPARD FAIREY, MILEY CYRUS IN A PLUSHY ONESIE… 4 WE ARE ARTISTS AND CURATORS. AN We revel in our obsessions as ORIGINAL expertly as we create them. IHC produces our own original content and curated editorial that connects us to talent and fans directly. This unique ability allows us to stand apart from other agencies as expert originals. 2019 © IHEARTCOMIX 5 WE PROVIDE UNIQUE ACCESS TO THE COOLEST ARTISTS AND WE’VE GOT INFLUENCERS. BUDS Our years of experience have earned us deep relationships within both music and entertainment that gives us an open door to some of the world’s greatest talent. 2019 © IHEARTCOMIX 6 OUR APPROACH We find our greatest success in being part of the creative team from the beginning of a project. We are excellent collaborators that will connect the dots across medium and industry.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • CHLT 059 the COOL KIDS the Bake Sale LP
    SIDE A SIDE C 1. What Up Man 6. Black Mags 2. One Two 7. A Little Bit Cooler 3. Mikey Rocks SIDE D SIDE B 8. Gold and a Pager 4. 88 9. Bassment Party 5. What It Iz 10. Jingling Chocolate Industries and Traffic Entertainment have “One of the more promising new groups to emerge in teamed up to bring you the in-demand vinyl version of recent years.” — LOS ANGELES TIMES The Bake Sale from the breakout Chicago based duo “From their rope chains to their spare, bass-heavy beats, Chuck known as The Cool Kids. The group has literally taken and Mikey bring a knowing wink to the style of Eighties heroes over the music press for the last year: Rolling Stone, Spin, like Eric B and EPMD.” — ROLLING STONE Vibe, XXL, Urb and countless other magazines have “Famed dually for getting parties buck wild and drawing a acknowledged the Cool Kids as the next band that will zealously fashionable fan base.” — URB change the way we think and feel about music on a large “Their slow-rolling sound updates vintage Beastie Boys and scale, along with being cited as creating their own style EPMD with trunk-crumpling beats more minimal than a Mark and fashion while starting a movement around them in the Rothko painting.” — SPIN MAGAZINE process. The group has already struck a huge nerve in popular culture, as evidenced by the massive following “The Cool Kids…have racked up buzz as ‘artists to watch’ in the upcoming year.” — BIG SHOT MAGAZINE they’ve created on their Myspace site alone with 4 million plays and counting.
    [Show full text]
  • The Big Sweep
    PHARRELL’S THE FASHION NEXT PROJECT NOMINEES ARE… PHARRELL WILLIAMS LINKS THE CFDA REVEALS THE WITH COMME DES GARÇONS NOMINEES AND HONOREES FOR L.A. TIME TO LAUNCH A FRAGRANCE. ITS FASHION AWARDS. PAGE 2 PAGE 2 LOS ANGELES FASHION WEEK KICKS OFF. PAGE 6 $1.8 BILLION DEAL Men’s Wearhouse Lands Jos. A. Bank By ARNOLD J. KARR and JEAN E. PALMIERI IN THE END, Goliath prevailed. Ending a back-and-forth bidding war that start- ed last fall, The Men’s Wearhouse and Jos. A. Bank Clothiers Inc. on Tuesday reached an agreement for the larger Men’s Wearhouse to acquire the smaller WEDNESDAY, MARCH 12, 2014 ■ $3.00 ■ WOMEN’S WEAR DAILY Jos. A. Bank for $65 a share, or about $1.8 billion. WWD Together, the two men’s wear giants will have more than 1,700 stores in the U.S. and about 23,000 employ- ees — creating the fourth-largest men’s apparel re- tailer in the country with combined annual sales of about $3.5 billion. It will lag only Macy’s, Kohl’s and J.C. Penney in men’s wear volume. “We are pleased to have reached this agreement with Jos. A. Bank, which we believe will deliver substantial benefi ts to our respective shareholders, The Big employees and customers,” said Doug Ewert, presi- dent and chief executive offi cer of Men’s Wearhouse. “Together, Men’s Wearhouse and Jos. A. Bank will have increased scale and breadth, and Jos. A. Bank’s strong brand and complementary business model will broaden our customer reach.
    [Show full text]