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AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Kronos Quartet Performing Three from Its Fifty for the Future Initiative, Including the World Premiere of New Work by Anna Meredith
CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: November 10, 2016 Press Room CAL PERFORMANCES AT UC BERKELEY PRESENTS KRONOS QUARTET PERFORMING THREE FROM ITS FIFTY FOR THE FUTURE INITIATIVE, INCLUDING THE WORLD PREMIERE OF NEW WORK BY ANNA MEREDITH COMMEMORATING THE CENTENNIAL OF THE ARMENIAN GENOCIDE, MARY KOUYOUMDJIAN’S SILENT CRANES RECEIVES BAY AREA PREMIERE SATURDAY, DECEMBER 3, 2016 Berkeley, November 10, 2016 — Cal Performances welcomes back the Kronos Quartet for a concert featuring three works by composers from Fifty for the Future: The Kronos Learning Repertoire, on Saturday, December 3, at 8pm in Zellerbach Hall. Through its Fifty for the Future initiative, Kronos is commissioning a collection of 50 new works—10 per year for five years—from an eclectic group of 50 composers (25 men and 25 women); the new works explore contemporary approaches to the string quartet, designed for student players and emerging professional ensembles. Cal Performances is a major project partner for Fifty for the Future, which aligns closely with its Berkeley RADICAL initiative to cultivate artistic literacy in future generations. Of Fifty for the Future, Kronos Quartet artistic director, violinist and founder David Harrington told NPR, “What I hope will happen is that the art form is just going to expand. And the explorations that will be possible from this body of work will just bring a lot of new energy into the field.” The score for each of Kronos’ Fifty for the Future commissions will be made available to musicians free of charge, along with accompanying digital learning materials, recordings, and performance notes. -
Strange Fruit
Get hundreds more LitCharts at www.litcharts.com Strange Fruit antithetical to the South's purported values. The poem thus SUMMARY forcefully argues that no society can call itself civil and also be capable of acts like lynching; the South can’t be an idyllic The trees in the southern United States hang heavy with an “pastoral” place if black people’s corpses swing in the breeze. unusual fruit. These trees have blood on their leaves and at According to the poem, notions of progress and civilization are their roots. The dead bodies of black lynching victims sway nothing but hollow lies if such racism is allowed to thrive. back and forth in the gentle southern wind; these bodies are the strange fruit that hang from the branches of poplar trees. And, importantly, this racist hatred affects the entire tree—which becomes covered in blood “on the leaves” “at Picture the natural beauty and chivalry of the American South, and the root.” Just as a tree must suck up water from the ground where corpses hang with swollen eyes and contorted mouths. and spread it all the way through its branches, the poem implies The sweet, fresh smell of magnolia flowers floats on the air, that the "blood" shed by racism works its way through until suddenly interrupted by the smell of burning flesh. humanity. Lynching is thus a failure of humanity that results in Crows will eat the flesh from these bodies. The rain will fall on the rotting of the human family tree. them, the wind will suck them dry, and the sun will rot them. -
European Journal of American Studies, 11-2 | 2016, « Summer 2016 » [En Ligne], Mis En Ligne Le 11 Août 2016, Consulté Le 08 Juillet 2021
European journal of American studies 11-2 | 2016 Summer 2016 Édition électronique URL : https://journals.openedition.org/ejas/11535 DOI : 10.4000/ejas.11535 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique European journal of American studies, 11-2 | 2016, « Summer 2016 » [En ligne], mis en ligne le 11 août 2016, consulté le 08 juillet 2021. URL : https://journals.openedition.org/ejas/11535 ; DOI : https:// doi.org/10.4000/ejas.11535 Ce document a été généré automatiquement le 8 juillet 2021. Creative Commons License 1 SOMMAIRE The Land of the Future: British Accounts of the USA at the Turn of the Nineteenth Century David Seed The Reader in It: Henry James’s “Desperate Plagiarism” Hivren Demir-Atay Contradictory Depictions of the New Woman: Reading Edith Wharton’s The Age of Innocence as a Dialogic Novel Sevinc Elaman-Garner “Nothing Can Touch You as Long as You Work”: Love and Work in Ernest Hemingway’s The Garden of Eden and For Whom the Bell Tolls Lauren Rule Maxwell People, Place and Politics: D’Arcy McNickle’s (Re)Valuing of Native American Principles John L. Purdy “Why Don’t You Just Say It as Simply as That?”: The Progression of Parrhesia in the Early Novels of Joseph Heller Peter Templeton “The Land That He Saw Looked Like a Paradise. It Was Not, He Knew”: Suburbia and the Maladjusted American Male in John Cheever’s Bullet Park Harriet Poppy Stilley The Writing of “Dreck”: Consumerism, Waste and Re-use in Donald Barthelme’s Snow White Rachele Dini The State You’re In: Citizenship, Sovereign -
The Struggle for Worker Rights in EGYPT AREPORTBYTHESOLIDARITYCENTER
67261_SC_S3_R1_Layout 1 2/5/10 6:58 AM Page 1 I JUSTICE I JUSTICE for ALL for I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I “This timely and important report about the recent wave of labor unrest in Egypt, the country’s largest social movement ALL The Struggle in more than half a century, is essential reading for academics, activists, and policy makers. It identifies the political and economic motivations behind—and the legal system that enables—the government’s suppression of worker rights, in a well-edited review of the country’s 100-year history of labor activism.” The Struggle for Worker Rights Sarah Leah Whitson Director, Middle East and North Africa Division, Human Rights Watch I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I for “This is by far the most comprehensive and detailed account available in English of the situation of Egypt’s working people Worker Rights today, and of their struggles—often against great odds—for a better life. Author Joel Beinin recounts the long history of IN EGYPT labor activism in Egypt, including lively accounts of the many strikes waged by Egyptian workers since 2004 against declining real wages, oppressive working conditions, and violations of their legal rights, and he also surveys the plight of A REPORT BY THE SOLIDARITY CENTER women workers, child labor and Egyptian migrant workers abroad. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Annotated Bibliography Primary Sources
Annotated Bibliography Primary Sources Bledsoe, John T, photographer. Little Rock, 1959. Rally at state capitol. 20 Aug. 1959. Retrieved from the Library of Congress, <www.loc.gov/item/2009632339/>. This is a picture of a rally that took place during the Civil Rights movement. This picture helped my project because it helped show what was going on during the Civil Rights movement, which the Lovings and their case were a part of. “Celebrate.” Celebrate | Loving Day, www.lovingday.org/celebrate.; “About Loving Day.” About Loving Day | Loving Day, www.lovingday.org/about. This website gave a good picture of the volunteers for Loving Day. It will go on to the slider image part of the website on the “Lovings’ Legacy” page. This picture was taken after a CBS news report on Loving Day. This site is reliable because it came from the official Loving Day website. This source also gave a picture to put on the Lovings’ Legacy page on our website. The picture is of people celebrating Loving Day. This picture is important because it shows that no matter what color, people can still get along with each other. This source is reliable because it is from the Loving Day official website. Cohen, Bernard. Interview by Michele Norris. All Things Considered: The Loving Decision 40 Years of Legal Interracial Unions: NPR, 11 June 2007. https://www.npr.org/templates/story/story.php?storyId=10889047 This is a news segment by NPR. I used part of an interview that was included in this news segment. This helped the project because it provided Bernard Cohen speaking about how the Lovings reacted to hearing that their case would likely go to the Supreme Court of the United States. -
Symposium Fifty Years of Loving V. Virginia and the Continued Pursuit of Racial Equality Foreword
SYMPOSIUM FIFTY YEARS OF LOVING V. VIRGINIA AND THE CONTINUED PURSUIT OF RACIAL EQUALITY FOREWORD R.A. Lenhardt,* Tanya K. Hernández** & Kimani Paul-Emile*** INTRODUCTION It has been ten years since this journal last published a volume exploring Loving v. Virginia,1 the U.S. Supreme Court’s 1967 decision invalidating antimiscegenation laws on equal protection and due process grounds.2 In that time, the American public has been treated to a virtual smorgasbord of new opportunities to love Loving. First, in a way few could have imagined fifty years ago when seventeen states criminalized interracial marriages,3 that decision has provided the impetus for a “global network” of celebrations designed to praise interracial relationships and families and to combat discrimination.4 Families and couples now gather annually in communities * Professor of Law and Faculty Director, Center on Race, Law and Justice, Fordham University School of Law. ** Archibald R. Murray Professor of Law, Fordham University School of Law. *** Associate Professor Law, Fordham University School of Law. This conference would not have been possible without the assistance of a network of people. We are very grateful to Amanda Gottlieb, Julia MacAllister, Adam Minchew, Catherine Tremble, and others at the Fordham Law Review for their hard work in connection with this Symposium. We also extend special thanks to Tomas Barron for excellent research assistance and to Carrie Johnson, Shanelle Holley, and Rob Yasharian for their hard work in publicizing and handling the many details involved in making an event of this sort successful. Finally, we express our gratitude to Dean Matthew Diller for his support and, of course, extend thanks to the talented scholars who, by participating in the conversations facilitated by this conference, deepened our collective understanding of Loving v. -
Billie Holiday, “Strange Fruit” (1939)
Billie Holiday, “Strange Fruit” (1939) “Strange Fruit” was written by Abel Meeropol, a white English teacher from New York City, as a protest against the horrors of lynching. Lynching was a practice that involved mob-style execution without trial, most often by hanging, and almost exclusively of African Ameri- cans. Thousands of African Americans were lynched between the end of the Civil War and the 1960s. In spite of the efforts of anti-lynching crusaders such as Ida B. Wells beginning in the 1880s, lynching was never directly addressed by the federal government until the Justice for Lynching Act was passed on December 19, 2018, making lynching a federal crime. Jazz great Billie Holiday recorded “Strange Fruit” in 1939. Her recording company, Columbia Records, re- fused to release it, fearing the response in the South. So Holiday released the al- bum with the Commodore label, where it would go on to become her best-sell- ing record. With its harsh indictment of the Jim Crow south, the song enjoyed a revival during the Civil Rights movement, and has been covered by numerous artists in the years since. Lyric Excerpt Southern trees bear a strange fruit, Blood on the leaves and blood at the root Black bodies swinging in the southern breeze, Strange fruit hanging from the poplar trees Pastoral scene of the gallant south The bulging eyes and the twisted mouth Scent of magnolias, sweet and fresh Then the sudden smell of burning flesh Here is fruit for the crows to pluck For the rain to gather, for the wind to suck For the sun to rot, for the trees to drop Here is a strange and bitter crop. -
Defending Love Claire Barber and Kate Doherty Senior Division Performance Process Paper Word Count: 494
Defending Love Claire Barber and Kate Doherty Senior Division Performance Process Paper Word Count: 494 1 Our National History Day topic is centered around the Loving vs. Virginia court case which abolished anti-miscegenation laws throughout the United States. We chose this topic because of its proximity to where we live with Claire living on the border between Bowling Green and Caroline County and Kate living in downtown Fredericksburg both close to the Lovings’ residence in Caroline County. We feel honored to locally have such a monumental case. We began our research at the University of Mary Washington’s Simpson Library. We were able to find law books that discussed the changes in the law during this time. Additionally, we saw how many people wrote first-hand accounts of the discrimination that those in interracial marriages faced before and after the ruling. It was really fun finding different means of collecting information as well, including an interview with the Assistant Commonwealth’s Attorney for the city of Fredericksburg. At first, we were disappointed that the UMW library did not have the physical Free Lance-Star newspapers for the year of 1967, but we were informed that they had been converted to microfilm, which was challenging for us. As two teenagers who had never even heard of microfilm and it took trial and error to learn how to load the machine and in the end, use it. To gain more insight into the personal aspects of the case, we tried to get in contact with Bernard Cohen, one of the original lawyers on the Lovings’ case, who still lives in Fredericksburg. -
“I Know That We the New Slaves”: an Illusion of Life Analysis of Kanye West’S Yeezus
1 “I KNOW THAT WE THE NEW SLAVES”: AN ILLUSION OF LIFE ANALYSIS OF KANYE WEST’S YEEZUS A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY MARGARET A. PARSON DR. KRISTEN MCCAULIFF - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2017 2 ABSTRACT THESIS: “I Know That We the New Slaves”: An Illusion of Life Analysis of Kanye West’s Yeezus. STUDENT: Margaret Parson DEGREE: Master of Arts COLLEGE: College of Communication Information and Media DATE: May 2017 PAGES: 108 This work utilizes an Illusion of Life method, developed by Sellnow and Sellnow (2001) to analyze the 2013 album Yeezus by Kanye West. Through analyzing the lyrics of the album, several major arguments are made. First, Kanye West’s album Yeezus creates a new ethos to describe what it means to be a Black man in the United States. Additionally, West discusses race when looking at Black history as the foundation for this new ethos, through examples such as Dr. Martin Luther King Jr. and Nina Simone’s rhetoric, references to racist cartoons and movies, and discussion of historical events such as apartheid. West also depicts race through lyrics about the imagined Black male experience in terms of education and capitalism. Second, the score of the album is ultimately categorized and charted according to the structures proposed by Sellnow and Sellnow (2001). Ultimately, I argue that Yeezus presents several unique sounds and emotions, as well as perceptions on Black life in America. 3 Table of Contents Chapter One -
Annotated Bibliography
Annotated Bibliography Primary Sources Images “Application for Marriage.” Smithsonian Magazine, 24 May 1958, www.smithsonianmag.com/smart-news/historic-loving-decision-marriage-license-display -180960323/. Accessed 6 Feb. 2020. The image of the application for a marriage license was used in "The Loving's Fight to Love" section of our project. It was in the project as it represents the legal status of their marriage. “Bowling Green, Built 1830 with Additions in 1907 and 1970.” Courthouse History, 2016, courthousehistory.com/gallery/states/virginia/counties/caroline. Accessed 13 Feb. 2020. This primary source image of the courthouse in Virginia is used in the "The Loving's Fight to Love" section of our project. It shows where the Lovings court case was first argued, and the decision made that the Lovings would be banished from Virginia for breaking the Virginia law, which said that an interracial couple could not marry in another location and return to Virginia. Johnson, Stefanie. “Blocking Racial Intermarriage Laws in 1935 and 1937: Seattle’s First Civil Rights Coalition - Seattle Civil Rights and Labor History Project.” Depts.Washington.Edu, 2004, depts.washington.edu/civilr/antimiscegenation.htm. Images of primary source newspaper headlines denouncing interracial marriages in the Washington state during the mid-1900s were found from this website to enhance our student composed text on the “Laying the Foundation” page. From these headlines, you can see that interracial marriage was a controversial issue all over the United States. Library of Virginia. “Registration of Birth and Color,” Library of Virginia, 1924, edu.lva.virginia.gov/online_classroom/shaping_the_constitution/doc/birth_registration.