Favorite Paintings.Xlsx

Total Page:16

File Type:pdf, Size:1020Kb

Favorite Paintings.Xlsx FAVORITE PAINTINGS - VOTING BRACKETS First Round Second Round Third Round Fourth Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Fourth Round Third Round Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Altamira Cave Paintings Pilgrimage to Cythera - Antoine Watteau The Avenue at Middelharnis - Meyndert Hobbema Wagon Crossing a Drift - Thomas Baines The Sistine Chapel Ceiling - Michelangelo Ophelia - John Everett Millais The Triumph of Galatea - Raphael The Great Day of His Wrath - John Martin The Annunciation - Fra Angelico The Grand Odalisque - Jean Auguste Dominique Ingres Salome with the Head of John the Baptist - Caravaggio Elephants Charging over Quartos Country - Thomas Baines St. George and the Dragon - Paolo Uccello The Third of May 1808 - Francisco Goya The Conversion of St. Paul - Caravaggio Indian Council - Seth Eastman Emperor Taizong Receiving the Tibetan Envoy - Yan Liben The Oath of Horatii - Jacques-Louis David The Surrender of Breda - Diego Velázquez Impression, Sunrise - Claude Monet Self-Portrait at 28 - Albrecht Dürer Fort Vimieux - Joseph Mallord William Turner The Tower of Babel - Pieter Bruegel the Elder Olympia - Édouard Manet The Mona Lisa - Leonardo da Vinci The Great Wave off Kanagawa - Katsushika Hokusai Landscape with the Fall of Icarus - Pieter Bruegel the Elder Luncheon on the Grass - Édouard Manet Battle of Nubia - Egyptian Temple Self-Portrait with Straw Hat - Élisabeth Louise Vigée Le Brun Charles I in Three Positions - Anthony van Dyck Two Dancers on the Stage - Edgar Degas Battle of the Magnesians - Bularchus Watson and the Shark - John Singleton Copley Las Meninas - Diego Velázquez Red Boats at Argenteuil - Claude Monet The Garden of Earthly Delights - Hieronymus Bosch The Kindred Spirits - Asher Brown Durand Judith with the Head of Holofernes - Lucas Cranach the Elder The Gleaners - Jean-François Millet Santa Trinita Maestà - Cimabue Portrait of Madame Recamier - Jacques-Louis David The Laughing Cavalier - Frans Hals Lower Norwood under Snow - Camille Pissarro The Birth of Venus - Sandro Botticelli Saturn Devouring His Son - Francisco Goya The Burial of the Count of Orgaz - El Greco Valley of the Yosemite - Albert Bierstadt Adoration of the Magi - Gentile da Fabriano The Naked Maja - Francisco Goya Opening of the Fifth Seal - El Greco Whistler's Mother - James Abbott McNeill Whistler Pallas and the Centaur - Sandro Botticelli The Hay Wain - John Constable Musicians - Caravaggio The Sleepers - Gustave Courbet Sleeping Venus - Titian The Ninth Wave - Ivan Aivazovsky Battle of Issus - Albrecht Altdorfer Niagara - Frederic Edwin Church Magura Cave Paintings The Death of General Wolfe - Benjamin West Girl with a Pearl Earring - Johannes Vermeer Breezing Up - Winslow Homer Ancient - 1699 1700 - 1879 Lascaux Cave Paintings Mr and Mrs Andrews - Thomas Gainsborough The Art of Painting - Johannes Vermeer Dance at the Moulin de la Galette - Pierre-Auguste Renoir The School of Athens - Raphael The Hireling Shepherd - William Holman Hunt Bacchus and Ariadne - Titian Lion Hunt - Eugène Delacroix Ghent Altarpiece - Jan van Eyck George Washington - Gilbert Stuart Elevation of the Cross - Peter Paul Rubens Tiger - Kawanabe Kyosai Primavera - Sandro Botticelli The Raft of Medusa - Théodore Géricault The Banquet of the Monarchs - Alonso Sanchez Coello Abd el-Kader - Stanisław Chlebowski Scholar by a Waterfall - Ma Yuan Staircase Group - Charles Willson Peale Samson and Delilah - Anthony van Dyck Pollice Verso - Jean-Leon Gerome The Lady with the Ermine - Leonardo da Vinci Kaaterskill Falls - Thomas Cole The Fruit Seller - Vincenzo Campi Elisabeth of Bavaria - Franz Xaver Winterhalter Madonna of the Pinks - Raphael The Oxbow - Thomas Cole The Ambassadors - Hans Holbein the Younger Heart of the Andes - Frederic Edwin Church Cueva de las Manos - Cave Paintings The Ladies Waldegrave - Joshua Reynolds The Night Watch - Rembrandt van Rijn Lady at Her Toilette - Berthe Morisot Sowing and Ploughing in the Fields - Tomb of Sennedjem The Skater - Gilbert Stuart Lady with a Fan - Frans Hals The Gross Clinic - Thomas Eakins Feast of the Rosary - Albrecht Dürer Course of Empire: The Savage State - Thomas Cole The Garden of Love at the Court of Philip the Good The Kiss - Francesco Hayez Riverside Scene at Qingming Festival - Zhang Zeduan The Pont du Gard - Hubert Robert The Storm on the Sea of Galilee - Rembrandt van Rijn A Cotton Office in New Orleans - Edgar Degas The Last Supper - Leonardo da Vinci Liberty Leading the People - Eugène Delacroix The Wedding at Cana - Paolo Veronese The Rocky Mountains, Lander's Peak - Albert Bierstadt The Arnolfini Portrait - Jan van Eyck Napoleon Crossing the Alps - Jacques-Louis David Susanna and the Elders - Artemisia Gentileschi Shakuntala: Looks of Love - Raja Ravi Varma Annunciation - Leonardo da Vinci Wanderer above the Sea of Fog - Caspar David Friedrich View of Toledo - El Greco The Beach at Sainte-Adresse - Claude Monet Creation of Adam - Michelangelo Washington Crossing the Delaware - Emanuel Gottlieb Leutze The Transfiguration - Raphael The Lackawanna Valley - George Inness Kakadu Rock Paintings One Hundred Horses - Lang Shining The Return of the Prodigal Son - Rembrandt van Rijn Paris Street; Rainy Day - Gustave Caillebotte CHAMPION The Market Gardens of Vaugirard - Paul Gauguin Red Canna - Georgia O'Keefe Farm Jonkershoek - Jacob Hendrik Pierneef Peonies in Agee Jar #3 - Svetlana Orinko The Accolade - Edmund Leighton The Red Lands and the Montagne Sainte Victoire - Andre Masson Beethoven Frieze - Gustav Klimt Lavender Mist - Jackson Pollock Vase with White Roses - Vincent van Gogh Swans Reflecting Elephants - Salvador Dali The Dance - Henri Matisse Chief Red Cloud - Harvie Brown Woman Sitting in a Garden - Henri de Toulouse-Lautrec The Two Fridas - Frida Kahlo Nude Descending a Staircase, No. 2 - Marcel Duchamp Mantis Man - Walter Battiss The Umbrellas - Pierre-Auguste Renoir Ad Parnassum - Paul Klee The Avenue in the Rain - Childe Hassam Mild Mild West - Banksy A Little Coaxing - William-Adolphe Bouguereau Broadway Boogie Woogie - Piet Mondrian Water-Lilies (1906) - Claude Monet Cambell's Soup Cans - Andy Warhol Zodiac - Alphonse Mucha Dead Child - Candido Portinari Portrait of Adele Bloch-Bauer - Gustav Klimt The Golden Wall - Hans Hofmann A Sunday Afternoon on La Grande Jatte - Georges Seurat Sunrise over the Eastern Sea - Fujishima Takeji Large Seated Nude - Amedeo Modigliani Iris #1 - Ashley Bryan Dancers - Edgar Degas Cow's Skull: Red, White, and Blue - Georgia O'Keefe Red Balloon - Paul Klee Eternity - Damien Hirst Mother and Child - Mary Cassatt Christina's World - Andrew Wyeth The Old Guitarist - Pablo Picasso Royal Red and Blue - Mark Rothko The Lady of Shalott - John William Waterhouse Les Chadoufs - Mahmoud Said Blue Lovers - Marc Chagall On a Clear Day - Bob Ross The Scream - Edvard Munch Nighthawks - Edward Hopper Stag Night at Sharkeys - George Bellows Circus Horse - Marc Chagall The Starry Night - Vincent van Gogh The Flower Carrier - Diego Rivera Squares with Concentric Circles - Wassily Kandinsky Untitled - Jean-Michel Basquiat The Child's Bath - Mary Cassatt Navajo Fire Dance - W.R. Leigh Summer Day - Edvard Munch African Night Market - Walter Battiss The Large Bathers - Paul Cézanne No. 5, 1948 - Jackson Pollock Pinched With Four Aces - Cassius Marcellus Coolidge Fantasia - Hocine Ziani Madame X - John Singer Sargent Composition with Red Blue and Yellow - Piet Mondrian Composition 8 - Wassily Kandinsky Purity of Soul - George Rodrigue 1880 - 1928 1929 - PRESENT A Bar at the Folies Bergere - Édouard Manet American Gothic - Grant Wood Composition - Man Ray Flower Ball - Takashi Murakami The Lily Pond: Green Harmony - Claude Monet Bird Romance - Jock Macdonald A Friend in Need - Cassius Marcellus Coolidge Empire of Light - René Magritte Van Gogh Self-Portrait - Vincent van Gogh Bilbo Comes to the Huts of the Raft-Elves - J.R.R. Tolkien Foxes - Franz Marc Out Chorus - Romare Bearden The Boat Trip - Mary Cassatt Venice, Evening - Georges Noel Bouvard Winter Landscape - Wassily Kandinsky Event - Brice Marden Sunflowers - Vincent van Gogh Man at the Crossroads - Diego Rivera When Shadows Hint Death - Charles Russell Tulips - Eric Carle Curtain, Jug and Fruit Bowl - Paul Cézanne Hide-and-Seek - Pavel Tchelitchew The Kiss - Gustav Klimt The Problem We All Live With - Norman Rockwell Where Do We Come From? - Paul Gauguin The Wounded Deer - Frida Kahlo Mountains at Collioure - André Derain The Runaway - Norman Rockwell Bathers at Asnières - Georges Seurat Flowers, Italy - Joseph Stella Daybreak - Maxfield Parrish Balloon Girl - Banksy The Herring Net - Winslow Homer The Persistence of Memory - Salvador Dali The Three Musicians - Pablo Picasso Retopistics: A Renegade Excavation - Julie Mehretu The Sleeping Gypsy - Henri Rousseau Bahora Girl - Irma Stern The Green Stripe - Henri Matisse Orange, Red, Yellow - Mark Rothko Café Terrace at Night - Vincent van Gogh Seascape - Emily Carr The Jack Pine - Tom Thomson Blue Ridge Falls - Bob Ross Flaming June - Frederic Leighton Freedom From Want - Norman Rockwell Les Demoiselles d'Avignon - Pablo Picasso The Son of Man - René Magritte Winter in Union Square - Childe Hassam Guernica - Pablo Picasso Flower Garden - Louis Ritman Fantasy Landscape with White Rhinoceros - Luis Chan Tiger in a Tropical Storm - Henri Rousseau Two Arabs - Irma Stern Hauling the Boulder - Mathias J. Alten Impressionist New England Beach View - Paul Noble James Farm Along the River Gein - Piet Mondrian Symmetry Watercolor 70 Butterfly - M.C. Escher Blue Nude - Pablo Picasso White Center (Yellow, Pink, and Lavender on Rose) - Mark Rothko Luncheon of the Boating Party - Pierre-Auguste Renoir The Treachery of Images - René Magritte Extensive Landscape - Jacob Hendrik Pierneef Nepal Landscape - Kamal Gurung.
Recommended publications
  • Art 150: Introduction to the Visual Arts David Mccarthy Rhodes College, Spring 2003 414 Clough, Ext
    Art 150: Introduction to the Visual Arts David McCarthy Rhodes College, Spring 2003 414 Clough, Ext. 3663 417 Clough, MWF 11:30-12:30 Office Hours: MWF 2:00- 4:00, and by appointment. COURSE OBJECTIVES AND DESCRIPTION The objectives of the course are as follows: (1) to provide students with a comprehensive, theoretical introduction to the visual arts; (2) to develop skills of visual analysis; (3) to examine various media used by artists; (4) to introduce students to methods of interpretation; and (5) to develop skills in writing about art. Throughout the course we will keep in mind the following two statements: Pierre Auguste Renoir’s reminder that, “to practice an art, you must begin with the ABCs of that art;” and E.H. Gombrich’s insight that, “the form of representation cannot be divorced from its purpose and the requirements of the society in which the given language gains currency.” Among the themes and issues we will examine are the following: balance, shape and form, space, color, conventions, signs and symbols, representation, reception, and interpretation. To do this we will look at many different types of art produced in several historical epochs and conceived in a variety of media. Whenever possible we will examine original art objects. Art 150 is a foundation course that serves as an introduction for further work in studio art and art history. A three-hour course, Art 150 satisfies the fine arts requirement. Enrollment is limited to first- and second-year students who are not expected to have had any previous experience with either studio or art history.
    [Show full text]
  • Pablo Picasso (1881-1973) Picasso and Cubism
    Module: Art Theory and History for Senior Students Course Code: AVI 4M Artists like Henri Matisse and a group known as the Fauves pushed the use of brilliant colour and impasto texture further than van Gogh had dared and Pablo Picasso took Cezanne's experiments with perspective to the next level. The early twentieth century was a turbulent time of industrialization and violent political upheaval and PICASSO AND CUBISM the art of this era was suitably adventurous. We will Post Impressionists like van Gogh and Cezanne begin our look at this time with the development of set the stage for a new generation of artists to push cubism through the work of Pablo Picasso. the boundaries of art even further. Young artists were inspired by the bold approach of these artists but wanted to go even further in the use of expressive colour, and in the flattening of the pictorial space of painting. Man Ray (1890-1976) © ARS, NY Pablo Picasso. 1933. Gelatin silver print. 35.2 x 27.9 cm (13 7/8 x 11 in.). The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.18). Copy Photograph © The Metropolitan Museum of Art Location :The Metropolitan Three Musicians. 1921. 6’7””x7”33/4”. oil on canvas. Museum of Art, New York, NY, U.S.A. Photo Credit : The Museum of Modern Art, New York. Image copyright © The Metropolitan Museum of Art / Art Resource, NY PABLO PICASSO (1881-1973) Picasso was the child prodigy son of Jose Picasso first visited Paris in 1900, and alter- Ruiz Blasco, a drawing master of Malaga Spain, nated between Paris and Barcelona from 1900-1904.
    [Show full text]
  • "Woman on a Rose Divan": Matisse in the Helen Birch Bartlett Memorial Collection Author(S): Catherine C
    The Art Institute of Chicago "Woman before an Aquarium" and "Woman on a Rose Divan": Matisse in the Helen Birch Bartlett Memorial Collection Author(s): Catherine C. Bock and Matisse Source: Art Institute of Chicago Museum Studies, Vol. 12, No. 2, The Helen Birch Bartlett Memorial Collection (1986), pp. 200-221 Published by: The Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4115942 Accessed: 27-04-2017 14:41 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies This content downloaded from 198.40.29.65 on Thu, 27 Apr 2017 14:41:26 UTC All use subject to http://about.jstor.org/terms Woman Before an Aquarium and Woman on a Rose Divan: Matisse in the Helen Birch Bartlett Memorial Collection C A T H E R I N E C. B 0 C K, Professor, Department of Art History and Criticism, The School of The Art Institute of Chicago There are so many things in art, beginning with art itself that one doesn't understand. A painter doesn't see everything he has put in his painting.
    [Show full text]
  • Impressionism Post-Impressionism and Fauvism
    • This lecture provides a quick introduction to Impressionism, the Post- Impressionists, particularly Paul Cézanne, Divisionism/Pointillism, the Fauves and Matisse • The lecture ends with the exhibition held by Roger Fry in 1910 called Manet and the Post-Impressionists. This is regarded as a turning point and the time when developments that had taken place in France over the previous 20 years were seen in England. Although made fun of by the critics it changed the way many artists worked. Notes • The following are not covered as they were covered in the course last year. • Introduce the influence on England Whistler, English Impressionists • New English Art Club • Camille Pissarro (1830-1903) is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He ‘acted as a father figure not only to the Impressionists’ but to all four of the major Post-Impressionists, including Georges Seurat (1859-1891), Paul Cézanne (1839-1906), Vincent van Gogh (1853-1890, died aged 37)) and Paul Gauguin (1848-1903). • Roger Fry 1 • Created the name Post-Impressionist, started the Omega Workshop (Fitzroy Square), curator Metropolitan Museum, ‘discovered’ Paul Cezanne, Slade Professor • Wrote An Essay in Aesthetics • Organised the 1910 ‘Manet and the Post-Impressionists’ Exhibition, Grafton Galleries. ‘On or about December 1910 human character changed’ Vanessa Bell. • Organised the 1912 ‘Second Post-Impressionist Exhibition’. References • The main sources of information are the Tate website, Wikipedia, The Art Story and the Oxford Dictionary of National Biography. Verbatim quotations are enclosed in quotation marks. If it is not one of the references just mentioned then it is listed at the bottom of the relevant page.
    [Show full text]
  • Post-Impressionism: How a Group of Misfits Changed the Rules for Painting in the Modern Era
    Post-Impressionism: How a Group of Misfits Changed the Rules for Painting in the Modern Era By Dr. Susan Frank The Phillips Collection Georges Seurat Paul Gauguin (1859-1891) (1848-1903) Paul Cézanne (1839-1906) Paul Signac Vincent van Gogh (1972-1935) (1853-1890) Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81, The Phillips Collection Georges Seurat, A Sunday on La Grande Jatte, 1884-86, The Art Institute of Chicago Georges Seurat, Seascape at Port-en- Georges Seurat, Le Chahut, 1889-90, Bassin, Normandy, 1888, National Kröller-Müller Museum, Otterlo Gallery of Art Paul Signac, Antibes Harbor, c. 1896 Paul Signac, Women at the Well, Private collection 1892, Musée d’Orsay, Paris Henri Matisse, Luxe, Calme et Volupté, 1904-05, Musée d’Orsay Henri Matisse, Open Window, Collioure, 1905, National Gallery of Art Robert Delaunay, Window on the City, Robert Delaunay, Simultaneous No. 4, 1910-11, 1912 Windows (2nd Motif, 1st Part), 1912 Formerly collection of Sonia Delaunay, Solomon R. Guggenheim Museum Solomon R. Guggenheim Museum Paul Gauguin, Self-Portrait Dedicated to Vincent van Gogh (Les Misérables), 1888, Van Gogh Museum, Amsterdam Vincent van Gogh, 1889, National Gallery of Art Paul Gauguin, Vision After the Sermon, 1888, National Gallery of Scotland Vincent van Gogh, The Sower (with Setting Sun), 1888, Kröller-Müller Museum, Otterlo, The Netherlands Vincent van Gogh, Entrance to the Public Garden at Arles, 1888 The Phillips Collection Paul Gauguin, Les Arlésiennes (Mistral), 1888, The Art Institute of Chicago Paul Gauguin,
    [Show full text]
  • In the Trenches with § 104A: an Evaluation of the Parties’ Arguments in Golan V
    TownsendGard_PAGE.docx (Do Not Delete) 10/3/11 12:10 PM In the Trenches with § 104A: An Evaluation of the Parties’ Arguments in Golan v. Holder as It Heads to the Supreme Court Elizabeth Townsend Gard* I. INTRODUCTION .................................................................... 199 II. BASIC FLAWS IN THE GOVERNMENT’S ARGUMENT: § 104A ANALYZED ................................................................ 202 A. The Government’s International-Obligations Arguments ................................................................ 203 B. The Importance of the Rule of the Shorter Term and International Norms ......................................... 209 C. Americans Abroad and at Home .............................. 211 III. SUPPORT FOR THE PETITIONERS’ TRADITIONAL-CONTOURS ARGUMENT: § 104A ANALYZED ............................................ 214 IV. CONCLUSION ........................................................................ 220 I. INTRODUCTION At Tulane University Law School, I have been directing the Durationator® Experiment, an online tool used to determine the copyright status of a work—any kind of work, including poetry, music, photographs, magazine articles, books, films, and folklore.1 I want to * Associate Professor, Tulane University Law School. Thank you to Diane Zimmerman, Graeme Dinwoodie, Kenneth Crews, David Levine, Justin Levy, Keith Werhan, Daniel Gervais, and Jancy Hoeffel for comments in the drafting stages. A special thanks to Zachary Christiansen and Evan Dicharry, who have worked so hard on § 104A and
    [Show full text]
  • The Museum and the Art Teacher. By- Hausman, Jerome J
    REPORT RESUMES ED 010 193 24 THE MUSEUM AND THE ART TEACHER. BY- HAUSMAN, JEROME J. GEORGE WASHINGTON UNIV., WASHINGTON, D.C. REPORT NUMBER BR-6-2078 PUB DATE DEC 66 CONTRACT OEC- 2- 6- 062078 -0754 ERRS PRICE MF-$0.18 HC -$3.68 92P. DESCRIPTORS- *MUSEUMS, *ART EDUCATION, *INSERVICE TEACHER EDUCATION, SECONDARY SCHOOL TEACHERS, COOPERATIVE PROGRAMS, *INSTITUTE TYPE COURSES, TEACHER GUIDANCE, *EDUCATIONAL RESOURCES, DISTRICT OF COLUMBIA A COOPERATIVE, 6-WEEK SUMMER INSTITUTE WAS CONDUCTED AT THE NATIONAL GALLERY OF ART TO DEMONSTRATE SOME OF THE SPECIFIC WAYS THAT MUSEUM RESOURCES COULD BE USED TO IMPROVE THE TEACHING OF ART IN SECONDARY SCHOOLS. THE PROGRAM CONSISTED OF A COURSE IN THE HISTORY OF ART AND WORKSHOPS IN (1) MATERIALS AND TECHNIQUES OF PAINTING,(2) TECHNIQUES IN DEVELOPING AUDIOVISUAL INSTRUCTIONAL AIDS, AND (3) METHODS OF CONDUCTING GALLERY TOURS. THIRTY-NINE PARTICIPATING ART TEACHERS DEVELOPED TEACHING PLANS AND MATERIALS THAT WERE THEN UTILIZED IN THEIR RESPECTIVE SCHOOL SYSTEMS. THESE PLANS CONSTITUTED MODELS OF HOW A PARTICULAR GROUP OF TEACHERS WERE ,ABLE TO EXPAND THE CONTENT OF THEIR TEACHING. THE EVALUATION OF THE PROGRAM HAD IMPLICATIONS FOR FUTURE EFFORTS INVOLVING MUSEUM AND ART EDUCATION PERSONNEL. THE REPORT CALLED ATTENTION TO SUCH FACTORS AS THE SELECTION AND ORIENTATION OF PARTICIPANTS, THE IDENTIFICATION AND ORGANIZATION OF PROGRAM CONTENT, AND THE NEED FOR CONTINUED INVOLVEMENT OF MUSEUMS IN EDUCATIONAL PROBLEMS OF ART INSTRUCTION. RECOMMENDATIONS DEALT WITH THE NEED TO ESTABLISH COGNITIVE LEARNING PROCESSES THAT WILL ENHANCE CAPACITIES TO UNDERSTAND AND APPRECIATE WORKS OF ART.(JH) PIN AND WELFARE U. S. DEPARTMENT OFHEALTH, EDUCATION 441 01;:;:e of Educat;en from the .4' This document has beenr:.vrodticed exactly as received opinions --mt person or °To:111.nd=orioinating it.
    [Show full text]
  • The Use of Color in Art Objectively, Color Is the Element of Art That Is Produced When Light, Striking an Object, Is Reflected Back to the Eye
    The Use of Color in Art Objectively, color is the element of art that is produced when light, striking an object, is reflected back to the eye. The British physicist and mathematician Isaac Newton (1642-1727) determined that clear light is made up of seven visible colors – what we call ROYGBIV – red, orange, yellow, green, blue, indigo, violet. Subjectively, color is a sensation, a human reaction to a hue arising in part from the optic nerve. Colors are also symbols or codes that artists use to convey emotions. From time immemorial, color has been “Light is a thing that cannot be reproduced, but perhaps the most important tool artists must be represented by something else – by color.” can use to express themselves, to Paul Cézanne (French, 1839 – 1906) convey a message, and transform Mont Sainte-Victoire with Large Pine, ca. 1885-87 viewers intellectually and emotionally. Courtauld Institute of Art, London When we examine color through the yes of the artist, their belief in the power of color comes to the fore. So let’s start at the beginning, more than 40,000 years ago. Ochre Pit, Yantruwanta Country, South Australia The use of red ochre, the most common red pigment in the world, has been used for thousands of years. Red and yellow ochre are found where the ground is full of iron. These were pulverized and then mixed with plant resins, orchid sap, egg, blood, saliva, animal fat, or honey applied with sticks or fingers, or brushes made from animal hair, or blown from the prehistoric artists’ mouths, or using a blowpipe.
    [Show full text]
  • Modernism, Liberation and a New Way of Seeing
    Art Appreciation Lecture Series 2014 Realism to Surrealism: European art and culture 1848-1936 Matisse and the Fauves Lorraine Kypiotis 6/7 August 2014 Lecture summary: The loosely shaped group of artists: Matisse, Derain, Vlaminck, Manguin, Marquet, Camoin and later Braque, known to history as the “Fauves” or Wild beasts, shared a similar approach to nature with no definitive program. The movement lasted effectively only a very short period of time - between 1904 and 1908, before the individual members moved on to other concerns – a short period but long enough to make a lasting difference to the path of avant-garde development in the early years of the 20th century. Fauve paintings stood on the edge of abstraction. They negotiated new, unstable territory – they were they essentially flat, patterned surfaces but still "windows” onto the world. Fauve pictures thus stood at the border between pictorial illusion and the kind of "pure paint" that would become a preoccupation of Twentieth-century Modernism. Slide list: 1. * Matisse, Femme au Chapeau, Oil on canvas. San Francisco Museum of Art 2. Derain, Vue de Collioure, 1905 3. Vlaminck, L’Etang de Saint Cucufa, 1905 4. Matisse, La Fenetre Ouverte, 1905 5. Manguin, La Sieste, 1905 6. Marque, Torso of a Baby, 1905 7. Matisse, The Green Stripe (La Raie Verte),1905. oil on canvas. Statens Museum, Copenhagen 8. Vlaminck, Banks of the Seine at Carrieres-sur-Seine, 1906. Oil on canvas. Private collection 9. Derain, Portrait of Henri Matisse, 1905. Oil on canvas. Tate 10. Matisse, Self Portrait in shirt sleeves, 1900. Oil on canvas.
    [Show full text]
  • Matisse Artstart – 9 Dr
    Matisse ArtStart – 9 Dr. Hyacinth Paul https://www.hyacinthpaulart.com/ The genius of Matisse • Matisse is a leading figure in modern art, particularly the Fauve group • Born 31st Dec, 1869 in France • Spent time in London, Corsica & France. • Died in France 3rd Nov, 1954, Age 84 Painting education • Lawyer turned artist • Academie Julian 1891 • Student of William Adolphe Bouguereau & Gustave Moreau • Influenced by Chardin, Poussin, John Russell and Manet • Studied Van Gogh Famous paintings of Matisse Green Stripe Portrait of Madam Matisse – (1905) – Staten Museum of Kunz, Copenhagen Famous paintings of Matisse The Snail (1953) Tate Modern Collection, London Famous paintings of Matisse Dance – (1909) – MOMA, NYC Famous paintings of Matisse Goldfish – (1912) – Pushkin Museum, Moscow, Russia Famous paintings of Matisse The Fall of Icarus – (1947) – Scottish National Gallery of Modern Art, Edinburgh, UK Famous paintings of Matisse The Joy of Life – (1906) – Barnes Foundation, Merian, PA Famous paintings of Matisse Landscape at Collioure – (1919) – MOMA, NYC Famous paintings of Matisse Music – (1910) – Hermitage Museum, St. Petersburg Famous paintings of Matisse Woman Reading – (1894) – Museum of Modern Art, Paris Famous paintings of Matisse The Open Window – (1905) – National Gallery of Art, DC Famous paintings of Matisse Woman with a Hat – (1905) – San Francisco Museum of Modern Art Famous paintings of Matisse Still life with oranges - (1899) – Washington University Gallery of Art, St. Louis, MO Famous paintings of Matisse The Red Room – (1908) – Hermitage Museum, St. Petersburg Quotes of Matisse “Why have I never been bored? For more than fifty years I have never ceased to work.” “Drawing is like making an expressive gesture with the advantage of permanence.” “I do not literally paint that table, but the emotion it produces upon me.
    [Show full text]
  • Chicago B.Pdf
    Tossups 1.. It begins with a discussion of domestic pigeons and ends with the words, "There is grandeur in this view of life ... .from so simple a beginning endless forms most beautiful and most wonderful have been, and are being evolved." FIP, name this work that hCls been cCllled the most influential book of the 19th century. (On) The ORIGIN OF (the) SPECIES 2. A rainy night -- Cl candlelight vigil: the flickering candles light the protesters' umbreUCls like JClpClnese lClnterns. This is the opening scene of Cl film whose final scene involves Cln innocent woman being saved from the gas chamber. FIP, name this fictional film stClrring Julia Roberts and Bruce Willis, featured in _The Player_. HABEUS CORPUS 3. A graduate of Yale, he designed the chapel and auditorium at MIT and worked on the seminal Crow Island School with his father, also an architect. His best-known buildings are his ariport terminals: the main terminal at Dulles and the TWA terminal at JFK. FIP, name this desinger of the Gateway Arch in st. Louis. Eero SAARINEN 4. Latimeria Chalumnae has the largest eggs of any fish, measuring up to 8 inches long. These fish are blue with silver patches and can grow up to 6 feet long and 150 pounds. They are known to live onLy off the Comoros lslands in the Indian Ocean. FTP, what is the common name of this lobe-finned fish, thought to have been extinct for 70 million years until a live one was caught in 1939. COELACANTH s. In eilCh of~oot five seilSOns, hg..-\<vould typically hit about .350 with about .--.3G-doubles, 20 triples, dlld 15 lronrers:-In 1948, his sixth season, he exploded with a .376 average and 39 homers -- the first of his six 30-homer seasons.
    [Show full text]
  • Matisse in the Helen Birch Bartlett Memorial Collection Author(S): Catherine C
    The Art Institute of Chicago "Woman before an Aquarium" and "Woman on a Rose Divan": Matisse in the Helen Birch Bartlett Memorial Collection Author(s): Catherine C. Bock and Matisse Source: Art Institute of Chicago Museum Studies, Vol. 12, No. 2, The Helen Birch Bartlett Memorial Collection (1986), pp. 200-221 Published by: The Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4115942 Accessed: 27-04-2017 16:00 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies This content downloaded from 198.40.29.65 on Thu, 27 Apr 2017 16:00:34 UTC All use subject to http://about.jstor.org/terms Woman Before an Aquarium and Woman on a Rose Divan: Matisse in the Helen Birch Bartlett Memorial Collection C A T H E R I N E C. B 0 C K, Professor, Department of Art History and Criticism, The School of The Art Institute of Chicago There are so many things in art, beginning with art itself that one doesn't understand. A painter doesn't see everything he has put in his painting.
    [Show full text]