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Humanitarian Was Never Enough Stonebridge, Lyndsey
Humanitarian was never enough Stonebridge, Lyndsey DOI: 10.1353/hum.2017.0027 License: None: All rights reserved Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Stonebridge, L 2017, 'Humanitarian was never enough: Dorothy Thompson, Sands of Sorrow and the Arabs of Palestine' Humanity, vol. 8, no. 3, pp. 441-465. https://doi.org/10.1353/hum.2017.0027 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 05/03/2019 All rights reserved. Except for brief quotations used for purposes of scholarly citation, none of this work may be reproduced in any form by any means without written permission from the publisher. For information address the University of Pennsylvania Press, 3905 Spruce Street, Philadelphia, Pennsylvania 19104-4112' General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. -
Miscegenation and the Literary Imagination in Israel-Palestine
PRIVATE AFFECTIONS: MISCEGENATION AND THE LITERARY IMAGINATION IN ISRAEL-PALESTINE Hella Bloom Cohen, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Masood Ashraf Raja, Major Professor Deborah Needleman Armintor, Committee Member Nicole D. Smith, Committee Member Laila Amine, Committee Member David Holdeman, Chair of the Department of English Mark Wardell, Dean of the Toulouse Graduate School Cohen, Hella Bloom, Private Affections: Miscegenation and the Literary Imagination in Israel-Palestine. Doctor of Philosophy (English), May 2014, 188 pp., references, 133 titles. This study politicizes the mixed relationship in Israeli-Palestinian literature. I examine Arab-Jewish and interethnic Jewish intimacy in works by Palestinian national poet Mahmoud Darwish, canonical Israeli novelist A. B. Yehoshua, select anthologized Anglophone and translated Palestinian and Israeli poetry, and Israeli feminist writer Orly Castel-Bloom. I also examine the material cultural discourses issuing from Israel’s textile industry, in which Arabs and Jews interact. Drawing from the methodology of twentieth-century Brazilian miscegenation theorist Gilberto Freyre, I argue that mixed intimacies in the Israeli-Palestinian imaginary represent a desire to restructure a hegemonic public sphere in the same way Freyre’s Brazilian mestizo was meant to rhetorically undermine what he deemed a Western cult of uniformity. This project constitutes a threefold contribution. I offer one of the few postcolonial perspectives on Israeli literature, as it remains underrepresented in the field in comparison to its Palestinian counterparts. I also present the first sustained critique of the hetero relationship and the figure of the hybrid in Israeli-Palestinian literature, especially as I focus on its representation for political options rather than its aesthetic intrigue. -
The Occupation of the American Mind
THE OCCUPATION OF THE AMERICAN MIND ISRAEL’S PUBLIC RELATIONS WAR IN THE UNITED STATES A DOCUMENTARY NARRATED BY ROGER WATERS “It doesn’t matter if justice is on your side. You have to depict your position as just.” —Benjamin Netanyahu, Prime Minister of Israel Over the past few years, Israel’s ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. The Occupation of the American Mind takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S. Narrated by Roger Waters and featuring leading observers of the Israeli- Palestinian conflict and U.S. media culture, the film explores how the Israeli government, the U.S. government, and the pro-Israel lobby have joined forces, often with very different motives, to shape American media coverage of the conflict in Israel’s favor. From the U.S.-based public relations campaigns that emerged in the 1980s to today, the film provides a sweeping analysis of Israel’s decades-long battle for the hearts, minds, and tax dollars of the American people in the face of widening international condemnation of its increasingly right-wing policies. ISRAEL’S PUBLIC THE OCCUPATION OF RELATIONS WAR IN THE AMERICAN MIND THE UNITED STATES FILMMAKERS' STATEMENT Over the past 25 years, the Media Education Foundation has produced dozens of educational films that examine how mainstream media narratives shape our understanding of the world. A number of these films have focused explicitly on mainstream news coverage of crucial policy issues. -
The Portrayal of Patriarchy in Miral Novel
THE PORTRAYAL OF PATRIARCHY IN MIRAL NOVEL Nurbaity 2225083055 A Thesis Submitted as the Partial Fulfillment in the Requirement for the Degree of “Sarjana Sastra” ENGLISH DEPARTMENT FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF JAKARTA 2012 ABSTRACT Nurbaity .2012. The Portrayal of Patriarchy in Miral Novel. Thesis: Jakarta, English Department, Faculty of Languages and Arts, State University of Jakarta Patriarchy is one of feminism issue revealed in literary works. The aim of this study are to reveal patriarchy portrayed in Miral novel and how Nadia reacts against patriarchy. This study applies descriptive analytical intepretative study by describing narrations and dialogues which indicating patriarchy and intepreting the data based on theories. This study used theory from Walby that explains patriarchy deals with gender discrimination and violence against women. Bardwick and Douvan’s theory of feminist and traditional traits used in reveal Nadia’s reactions against patriarchy. In Nadia’s life, her position in patriarchy as the object of men’s rule. The results of the study show that patriarchy portayed in forms of gender discrimination and violence against women. The percentage is showing the number of narrations and dialogue which indicating patriarchy. The dominant form of patriarchy portrayed in Miral are violence against women, 67.3 percent that used by men to show their dominance over women through psychological violence 36.5 percent, sexual violence 19.2 percent, physical violence 7.7 percent, and financial violence 3.9 percent. Other form of patriarchy is gender discrimination 32.7 percent in which women treat as subordinated group. Patriarchy experienced by Nadia in her adolescence, adulthood, and marriage life. -
Palestinian Authors and Their Novels and Memoirs
Palestinian Authors and Their Novels and Memoirs 1. RANDA ABDEL FATTAH Where the Streets Had a Name (2010) is the story of 13-year-old Born in Sydney in 1979 to Palestinian-Egyptian Hayaat who lives in Bethlehem with her large and chaotic family. When parents; studied Arts and Law in Melbourne; her grandmother falls ill, she and her best friend Samy go on a mission worked for Islamic Council of Victoria; candidate to Jerusalem to bring back soil from her grandmother’s ancestral for Unity Party (multiculturalist party) in 1998; has home, hoping that this might reawaken her zest for life. Their journey, worked for several human rights and interfaith although just a few miles long, turns into a dangerous adventure, as associations, e.g., Australian Arabic council, the they pass checkpoints, defy curfews, sneak past soldiers. Victorian Migrant Resource Centre, the Islamic Women’s Welfare Council, the Palestine Human Rights Campaign; has published seven books. 2. LEILA ABDELRAZAQ Baddawi (2015) is a graphic novel explores the childhood of the au- Born in 1992 in Chicago; BFA in Theatre Arts and thor’s father in the 1960s and 1970s from a boy’s eye view as he wit- BA in Arabic Studies from DePaul University, 2015; nesses the world crumbling around him and attempts to carry on, forg- MA in Modern Middle Eastern & North African ing his own path in the midst of terrible uncertainty. It tells the story Studies from the University of Michigan, 2020; of a young boy named Ahmad struggling to find his place in the world. -
Palestinian Islamic Jihad (PIJ Or Harakat Al-Jihad Al-Islamic Al-Filastini)
PALESTINIAN TERRITORIES in Perspective TABLE OF CONTENTS CHAPTER 1: GEOGRAPHY......................................................................................................... 1 Introduction .............................................................................................................................. 1 Geographic Divisions .............................................................................................................. 2 Mediterranean Coastal Plain ............................................................................................. 2 Judaean Hills and Samarian Highlands ............................................................................ 2 Jordan River Valley .......................................................................................................... 2 Rivers/Bodies of Water ............................................................................................................ 2 Mediterranean Sea ............................................................................................................ 2 Dead Sea ........................................................................................................................... 3 Jordan River ...................................................................................................................... 4 Aquifers ............................................................................................................................ 4 Principal Cities ........................................................................................................................ -
Tapemaster Main Copy for Linking
Jeff Schechtman Interviews December 1995 to April 2020 2020 Kristin Hoganson The Heartland: An American History 4/30/20 Richard Rushfield The Ankler 4/29/20 Joel Simon Exec. Director: The Committee to Protect Journalists: Press Freedom and Covid-19 21 9/20 Deborah Wiles Kent State 4/28/20 Chad Seales Bono 4/27/20 Alex Gilbert Oil Markets 4/22/20 Betsy Leondar-Wright Staffing the Mission 4/21/20 Jesse Arrequin Mayor of Berkeley 4/16/20 Carl Nolte San Francisco Chronicle columnist 4/10/20 Chuck Collins COVID-19 and Billionaires 4/9/20 Kelsey Freeman No Option But North: The Migrant World and the Perilous Path Across the Border 4/8/20 Augustine Sedgewick Coffeeland: One Man’s Dark Empire and the Making of Our Favorite Drug 4/8/20 Charlotte Dennent The Crash of Flight 3804: A Lost Spy, A Daughter’s Quest and the Deadly Politics of the Game of Oil 4/3/20 Eric Eyre Death in Mud Lick: A coal Country Fight Against the Drug Companies 4/2/20 Randy Shaw Housing in San Francisco 4/2/20 Dr. Jessica Mega Verily / Google re Coronavirus testing 4/1/20 Jim McKelevy The Innovation Stack: Building an Unbeatable Business One Crazy Idea at a Time 3/26/20 Thomas Kostigen Hacking Planet Earth: How Geoengineering Can Help Us reimagine the Future 3/26/20 Cara Brook Miller Postdoctoral Fellow, UC Berkeley 3/25/20 Katherine Stewart The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism 3/25/20 Dan Walters Cal Matters Columnist 3/24/20 Tim Bakken The Cost of Loyalty: Dishonesty, Hubris and Failure in the US Military 3/18/20 Andrea Bernstein American -
Julian Schnabel Directing Miral. 2010. © Jose Haro
Downloaded from http://direct.mit.edu/octo/article-pdf/doi/10.1162/OCTO_a_00048/1753498/octo_a_00048.pdf by guest on 25 September 2021 Julian Schnabel directing Miral . 2010. © Jose Haro. Julian Schnabel’s Miral : An Exchange Downloaded from http://direct.mit.edu/octo/article-pdf/doi/10.1162/OCTO_a_00048/1753498/octo_a_00048.pdf by guest on 25 September 2021 YVE-ALAIN BOIS This morning, March 25, 2011, the lead article on the front page of the Arts Section of The New York Times is an interview with Julian Schnabel, whose latest film, Miral, is opening in several American theaters. A week ago, the film had its U.S. premiere in the General Assembly Hall of the United Nations—in front of more than a thousand diplomats, journalists, and other guests. The projection was followed by a round table moderated by Dan Rather, which included Schnabel and his Palestinian companion, Rula Jebreal, the author of the auto bio - graphical novel on which the film is based. Other participants were Yonatan Shapira, a former Israeli Air Force Captain turned peace activist, as the co- founder of Combatants for Peace; Mona Eltahawy, an Egyptian born Palestinian journalist; and Rabbi Irwin Kula, the president of the National Jewish Center for Learning and Leadership . This event almost did not happen, as the American Jewish Committee tried to bully the President of the UN General Assembly, Joseph Deiss, into canceling it. The context could not have been more dramatic, more charged: this screen - ing took place only a couple days after the massacre of a settlers’ family by Palestinian terrorists prompted the Israeli government to vow to expand a settle - ment in the West Bank by several hundred new houses. -
8 Marzo 2011 Rose D'arabia Bibliografia Al Femminile Sul Mondo
8 marzo 2011 Rose d’Arabia Bibliografia al femminile sul mondo arabo a cura delle biblioteche Amilcar Cabral Casa di Khaoula Lame Natalia Ginzburg Luigi Spina Scandellara in occasione di Il Mediterraneo in fiamme: giornata di solidarietà e approfondimento sul ruolo delle donne nelle Rivolte dei Paesi a sud del Mediterraneo 1 Narrativa, poesia, testimonianze Sono musulmana, Abdel-Fattah Randa, 2008 Amal ha sedici anni e vive in Australia, adora fare shopping e ha un debole per "Friends" .... è musulmana e ha deciso di indossare a tempo pieno il hijab. Biblioteca Scandellara La bambina di polvere, Abi-Ezzi Nathalie, 2009 La storia di un'infanzia nel Libano in guerra. Biblioteca Scandellara Infedele, Hirsi Ali Ayaan, 2007 Autobiografia di Ayaan Hirsi Ali, attivista politica critica nei confronti dell'Islam, sceneggiatrice del cortometraggio di Theo Van Gogh "Submission". Nata in Somalia, dopo un infanzia vissuta tra Somalia, Etiopia, Kenia e Arabia Saudita è stata accolta come rifugiata in Olanda e naturalizzata olandese, ora vive negli Stati Uniti. Biblioteca Natalia Ginzburg, Scandellara Gli altri, Al Harez Siba, 2007. Una ragazza ventenne vive nel maggior centro sciita dell'Arabia Saudita; la sua vita quotidiana trascorre fra libri e compagne. All'interno di questo mondo chiuso scaturisce la passione intensa per una ragazza, si scopre la violenza della seduzione, il bisogno di un'intimità sessuale. Biblioteca Scandellara Ciliegia rossa su piastrelle bianche, Maram al-Masri, 2005 Questo libro, tradotto già in francese, inglese, spagnolo e còrso con riscontri straordinari di vendita trattandosi di un libro di poesia, non è una raccolta di versi eterogenei, bensì una sorta di psicodramma a episodi o, da un’altra angolazione, una serie di pagine strappate a un diario intimo. -
The Search for Identity and the Struggle for Peace in Irish and Palestinian Literature
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2014 An Anxious State: The Search for Identity and the Struggle for Peace in Irish and Palestinian Literature Benjamin Patrick Sweeney The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Sweeney, Benjamin Patrick, "An Anxious State: The Search for Identity and the Struggle for Peace in Irish and Palestinian Literature" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4298. https://scholarworks.umt.edu/etd/4298 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. AN ANXIOUS STATE: THE SEARCH FOR IDENTITY AND THE STRUGGLE FOR PEACE IN IRISH AND PALESTINIAN LITERATURE By BENJAMIN PATRICK SWEENEY B.A., The University of Montana, Missoula, MT, 2010 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT May 2014 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Kathleen Kane, Ph.D., Chair English Eric Reimer, Ph.D. English Samir Bitar, M.I.S. Arabic Language and Culture ii Sweeney, Benjamin, M.A., Spring 2014 English An Anxious State: The Search for Identity and the Struggle for Peace in Irish and Palestinian Literature Chairperson: Kathleen Kane, Ph.D. -
Miral 2.Indd
Fri., Nov. 4, at 7 p.m. FREE! Peace Center of Delaware County 1001 Old Sproul Rd., Springfield, PA Beginning in the 1940s with the establish- ment of the state of Israel, which placed Palestine under Israeli rule, the film in- troduces us to three Palestinian women — Miral’s mother, aunt, and surrogate mother, Hind Husseini or Mama Hind. Julian Schnabel’s film sweeps across decades of the Hind Husseini is the real life founder of Mideast conflict, telling a thought-provoking story of the Dar Al-Tifel Institute orphanage in three generations of Palestinian women in a land torn Jerusalem that for more than half a cen- apart by hatred and violence...Told entirely from the tury has cared for thousands of Palestin- view of a young Palestinian girl named Miral. ian children. Raised in the safety of the orphanage, Miral is awakened to the suffering and oppression of her people while teaching at a Palestinian refugee camp and finds herself torn between the First Intifada up- rising and Mama Hind’s belief in educa- tion as the road to freedom and peace. ***** MIRAL. 2010. U.S. 112 mins. Directed by Julian Schnabel, screenplay by Rula Jebreal, based on her autobio- graphical novel, MIRAL. Stars Freida Pinto, Hiam Abbass, Alexander Siddig, Willem Dafoe, and Vanessa Redgrave. Rated PG-13 for thematic material and some violent content including a sex- ual assault. Peace Center of Delaware County Coming...December 2 First-Friday Film Series THE LAST MOUNTAIN Springfield Friends Meetinghouse A battle is being fought in Appalachia over a (off the corner of Old Marple and mountain.. -
CR18-Dunsky.Pdf
What Goes Unsaid Reframing American Media Coverage of the Israel-Palestine Conflict By Marda Dunsky n July 18 last year, the latest Gaza war entered its eleventh day. Israel was stepping up its ground incursion into the coastal strip to battle Hamas mili- Otants. In nearly two weeks of Israeli bombardment from the air and Hamas rocket fire, the death toll had topped 280 Palestinians and two Israelis. The same day, some six thousand miles and seven time zones to the west, fallout from the conflict had spread to midtown Manhattan. Across the street from the head- quarters of the New York Times, the pro-Israel media watchdog group CAMERA—the Committee for Accuracy in Middle East Reporting in America—unveiled its latest three-story billboard castigating the newspaper’s coverage of Israel. Over an image of a rocket, the billboard proclaimed: “Hamas attacks Israel: Not surprising.” Over an image of a pen, it continued: “The New York Times attacks Israel: Also not sur- prising.” CAMERA concluded its admonishment: “Stop skewing facts. Stop the key omissions. Stop the Anti-Israeli Bias.” Accusations by pro-Israel as well as pro-Palestine partisans about American mainstream media bias have long been a feature of the Israel-Palestine conflict. But overlooked amid the vitriol over contested narratives—in which journalists are caught in the metaphorical crossfire—is a serious and long-running failure of the cover- age: U.S. media reporting on the conflict has become an echo chamber where key contextual factors are left unreported or underreported. One of the most important omissions is the impact of U.S.