Read Ebook {PDF EPUB} Bad Boys at Church by Lucas Loveless Bad Boys at Church by Lucas Loveless

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} Bad Boys at Church by Lucas Loveless Bad Boys at Church by Lucas Loveless Read Ebook {PDF EPUB} Bad Boys at Church by Lucas Loveless Bad Boys at Church by Lucas Loveless. David Walliams' recent novel, Bad Dad, features a Rolls Royce in a high speed car chase, a break-in to return stolen cash and a gay female vicar who marries the hero’s aunt. It was the 2nd bestselling book of 2017. Only that dastardly Jamie Oliver beat him! There are a lot of children reading Bad Dad. How could a Christian parent help their child to read it with their eyes open to the world it vividly depicts? David Walliams is a children’s publishing phenomenon. In 2017, he was the author of five of the top 20 bestselling books in the UK. That’s out of all books, not just children’s books. He is the author of all 5 of the 2017 top 5 bestselling children’s novels! Children are really enjoying reading his novels more than any others. As David Walliams has said, “Most of all I want these books to be enjoyed by kids, because I feel like I just want to encourage kids to read.” What a great goal! He is succeeding. Bad Dad is the story of Frank, a child who loves his car-racing Dad very much. His Dad is imprisoned for being the getaway driver in a bank robbery. As the title hints, this is a novel exploring the line between right and wrong. While our hero shows forgiveness, kindness, sacrificial service and rejects the love of money; the reader is also asked to decide what real goodness is. Addressing the judge in court towards the end of the story, Frank asks, “Would a bad dad want to put food on the table for his son? Would a bad dad want to scrape money together to buy his son a present for Christmas?” Walliams has written Frank, his young hero, as sympathetic and kind. Walliams is neither sympathetic nor kind to Christians. The vicar is despised by Frank’s Dad, “Whatever you do, don’t let that blasted woman in!” Church is an institution to be feared, “[Dad] hadn’t been to church since he was a child, and the thought filled him with dread.” The Vicar’s efforts at ministry are seen as pathetic, “Every day the vicar would stuff a new leaflet through the letterbox. She would dream up more and more bizarre ways to encourage people to come to church.” But despite her efforts, Sunday Services are invariably empty; “Reverend Judith had not been able to conjure up many worshippers, even though it was Fathers' Day. There was just one old dear sitting halfway back, her faulty hearing aid letting off a high-pitched whistle.” Christians are portrayed as unpopular and socially awkward, church is pitifully unpopular and heroic people stay well clear of both. Walliams presents Frank’s single aunt with pity for her situation, “The lady had never been married, nor to Frank’s knowledge ever had a romance. He guessed she hadn’t had many hugs in her life.” Elsewhere Franks ponders, “It was such a sad thought, to have lived a whole life without love” while the aunt acknowledges, “My whole life has been ruled by fear. Maybe that is why I’ve never been kissed.” Eventually in the last pages of the book she marries. Celibacy has been presented as sad, pitiful, restricted and loveless while same sex marriage is a natural, freeing and fulfilling experience. When asked about the decision to feature a same sex marriage in Bad Dad, Walliams said, “My best friend [Matt Lucas] is gay. He got married to his partner. My son was the ring bearer at the wedding and I was the best man. There were loads of kids there. It was fantastic. I thought, ”Fingers crossed these children won’t have any prejudice.“ If I had gone to a wedding between 2 men or 2 women aged 10, 11, 12; I wouldn’t have had any sense of prejudice. There would be no reason to feel like that. So I’m pleased with that. I hope people respond to it in a positive way. I mean it only in a positive way.” Walliams meant this aspect of the novel to be “positive.” However he feels less positive about those who don’t agree with his perspective on same sex marriage: “We know there are people out there with prejudices, who sometimes disapprove of things, normally it’s the adults. We’ve got to move forward haven’t we? Towards love and acceptance. There might be people who resist it. But ultimately hopefully opinions will change. They’ll be brushed aside. As we go towards a much kinder way of living our lives.” Walliams wants the next generation to embrace his progressive liberal values, while also holding to the more culturally acceptable traditional Christian values of forgiveness, hope, generosity and love. Walliams expects the worst of Christians. Raj, the lovable shopkeeper in The boy in the dress, observes, “You know the irony, Dennis?” proclaimed Raj. “Those people who are so quick to judge, be they teachers, or politicians or religious leaders or whatever, are normally up to far worse themselves!” Will Christians be as judgmental, as hypocritical and as unloving as Walliams expects us to be? There is an alternative. We can read this book with our children, particularly over 8‘s, as an opportunity to discuss these issues and opinions, that surround us in our modern world. We can take the chance to explain why we choose to be different to Walliams’ characters, while also showing kindness and respect to those who we disagree with. When we see Aunt Flip’s sad and lonely singleness, we can ask our children about our single friends. How do we care for them? How does our church help single people? Are they more sad than our married friends? This might be the first time that we have discussed homosexual marriage and relationships with our children. We might prefer not to. If we don’t, others will. But what do we say? Tim Keller wrote in The reason for God, “For a love relationship to be healthy there must be a mutual loss of independence … For a Christian, it’s the same with Jesus. The love of Christ constrains. Once you realise how Jesus changed for you and gave himself for you, you aren’t afraid of giving up your freedom and therefore finding your freedom in him.” We can explain to our children that as Jesus made hard decisions for us, that made his life harder, so we make hard decisions for him that make our lives harder. We choose to live the way he asks us to. It is better for us and for others that we do. Sometimes it is harder. Sometimes it is not how we would choose. As Walliams portrays Christians as odd and the church as pathetic, we can tell our children that too many of our churches are almost empty, while some of our brothers and sisters are a little odd (remembering that we are all a little odd!) There is more to say. There was another time when people were tempted to stop meeting together and the writer to the Hebrews (10:23-25) encouraged them, “Let us hold fast the confession of our hope without wavering, for he who promised is faithful. And let us consider how to stir up one another to love and good works, not neglecting to meet together, as is the habit of some, but encouraging one another, and all the more as you see the Day drawing near.” We could turn to these verses and ask why it tells us to keep going to church. Some did stop meeting together, but why will we keep going? One day “the Day” will come when Christ returns to bring his friends to Heaven. What will that gathering be like? Will it feel embarrassing? We want him to find us still encouraging one another and meeting together. At the end of this novel, Frank’s father has been released from prison, he has forgiven his mother for walking out on the family, the gangsters are in prison and his aunt is happily married, leaving Frank to say to his father, “I’ve got nothing left to wish for. All I ever wanted, all I ever needed, was you. My dad.” Frank in this fictional novel finishes the story with everything put back together. That’s how children’s novels should finish. Life rarely reflects these fictional novels. Parents would do well to turn straight to Jesus. He is the one who puts everything back together. He is the one who came for the poor, the imprisoned and the hurting. Dennis would identify with all of these. Yet, this is no fiction. There will be a day when all those children, who live under horrendous burdens, will know total freedom, through faith in Christ. When faced with the next wildly popular children’s author, let us not leave his books unread. David Walliams‘ books allow our children to hear the voices of society in language they hear all around them. Let us offer them Biblical answers to Walliams’ aggressive agenda in gentle language that they can understand. The Mystery of Rhoda Abbott Revealed. Rhoda Abbott was a survivor of one of the most tragic maritime disasters in history, the sinking of the R.M.S. Titanic in April of 1912. Rhoda Abbott, better known in Titanic lore as Rosa Abbott, never actually used the name Rosa.
Recommended publications
  • Gonzo Weekly #155
    Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of this singular periodical. I know that I say it every week, but it never ceases to amaze me how such a tiny band of brothers and sisters, the vast majority of whom are unpaid, manages to put out a full length magazine of such like to once again publicly thank my editorial quality every single week of the year. Before team particularly Doug, John, Corinna and I continue with this week’s musings I would Jessica, although it really goes against the 4 grain to single anyone out of such a hard who read this magazine. Some of you will, working and productive team. no doubt, be shocked by this revelation. DeMille is a fairly gung ho Republican One of my favourite authors is an American whose ethos would seem to be quite far thriller writer called Nelson DeMille who removed from the anarchist ethos of what I may not be familiar to many of the people write for this magazine, and indeed, how I live my life. But he does write cracking stories! Probably my favourite of his books is one called Word of Honour which tells a very interesting and morally intriguing tale. The main protagonist is a wealthy businessman who, at some time during the late 1980s, is on his way to work.
    [Show full text]
  • Keith Carlock
    APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96
    [Show full text]
  • "7-1 You Can Win If You Want
    Artists & Music REED'S NEXT IS `ECSTASY,' ON REPRISE (Couti,t¿ied from page 26) Mike Rathke. "We've been working ing for Warner Bros. Records Inc. Reed is also planning to read from For Chris Nadler, New York-based Reed's 1989 masterwork, "New a long time to get it-30 years-and The latter song, incidentally, is a "Pass Thru Fire" at a New York senior divisional advertising coordi- York." Jody Denberg, PD at triple -A it's a gorgeous sound. And do you by-product of "Time Rocker," Reed's bookstore, as well as do a music re- nator of the Sam Goody chain, "Ec- station KGSR Austin, Texas, notes believe [bassist] Fernando Sanders' 1996 theatrical collaboration with tail in -store in New York on the al- stasy" sounds like "revitalized Lou that that album's "Dirty Boulevard" playing? He's set the bar up a bit Wilson, with whom he's currently bum release date. Reed." still gets play there. higher this time." working on "Poe- try," which is based Reprise expects heavy press for "He's one of the key artists syn- "If he delivers a song that strong Drummer Tony Thunder Smith on the works of Edgar Allen Poe. It "Ecstasy," and Kostich reports onymous with New York, and new [on `Ecstasy'], everyone would love again rounds out Reed's core group, is serviced exclusively to heritage interviews or features scheduled in songs like `Modern Dance' are pure to play it to death," he says. "And if which is augmented by guests in- and mainstream rock stations, also Rolling Stone, Vanity Fair, Time Out Lou Reed poetry-almost like he doesn't, the album will still cluding cellist Jane Scarpantoni and on Feb.
    [Show full text]
  • ¾ the World at Your Feet!
    JhWdi79JegdjYanegZhZcihi]Z½ 12th CANBERRA INTERNATIONAL FILM FESTIVAL Wednesday 29 October – Sunday 9 November 2008 PROGRAM DENDY CINEMA Dendy Cinemas Canberra Level 2, North Quarter Canberra Centre ARC CINEMA National Film and Sound Archive McCoy Circuit Acton ¾j^[mehbZ Wjoekh\[[j canberrafilmfestival.com.au The Canberra International Film Festival is proudly presented by … Welcome Some years ago I spent some time in New Orleans and fell in love with Creole cooking. I met the owner of a great little bookstore who Canberra International Film Festival acknowledges the financial assistance of showed me a cookbook (she said her mother swore by it) called Talk About Good. Why am I talking about Creole cooking and a book? Because this year’s Festival feels like it has all the right ingredients and recipes – a gumbo for every palate – talk about good! The festival has expanded considerably – 75 screenings, 41 films, Founding Partner Major Partners 12 days – and served from the state-of-the-art facilities at the Dendy Cinemas and Arc Cinema. Screenings at the NFSA are legendary, and this year there are 5 totally gourmet selections, including Fassbinder’s epic. Another new ingredient is that most days will have screenings from lunch through to supper, so there’s an opportunity for everyone to taste what the world has to offer. Each day is jam packed with cinematic delights. The Festival is only made possible through the commitment of our dedicated partners. The University of Canberra, our founding partner, continues its support, as does DHL Worldwide Express Corporate Partners who constantly amaze us by how swiftly they transport prints around the globe.
    [Show full text]
  • Percussive Arts Society International Convention a CUSTOM a of a LIFETIME HAL BLAINE HAL ZILDJIAN PLAYING
    Percussive Arts Society International Convention 2012 PAS HALL OF FAME HAL BLAINE A LIFETIME OF A CUSTOM PLAYING ZILDJIAN ©2012 Avedis Zildjian Company©2012 Avedis Congratulations to Hal Blaine 2012 Inductee, PAS Hall of Fame. Visit the Zildjian and Gen16 Booth, #701 PAS President’s Welcome 6 Special Thanks 8 Donations to the Logistics Incentives Program 8 Area Map 12 Convention Center Map 14 Exhibitors by Name 16 Exhibit Hall Map 17 Exhibitors by Category 18 Exhibitor Company Descriptions 22 Artist Sponsors 34 Wednesday, October 31 Schedule of Events 42 Thursday, November 1 Schedule of Events 44 Friday, November 2 Schedule of Events 50 Saturday, November 3 Schedule of Events 56 Artists and Clinicians Bios 60 History of the Percussive Arts Society 92 PAS 2012 Awards 96 PASIC 2012 Advertisers 98 PAS President’s Welcome n behalf of the Percussive Arts featuring Marvin “Smitty” Smith on Society (PAS), I am pleased and drumset; and the Pedrito Martinez Group honored as PAS President to with Martinez on congas and special guest welcome you back to my “home” State of Steve Gadd on drumset. O th Texas for the 37 Percussive Arts Soci- The greatest percussion show on earth, ety International Convention (PASIC). PASIC, certainly portrays our core values After celebrating our 50th anniversary at of Quality, Community, Opportunity, PASIC 2011 in Indianapolis, Indiana, Discovery, and Service providing further I am proud to say that year fifty-one evidence of valued membership and the features another grand celebration of global promotion of the percussive arts. It the percussive arts in Austin, Texas from has been such an honor for me to serve as October 31 through November 3, 2012.
    [Show full text]
  • Impaginato Ok.Indd
    “La bella Estate dell’Arte 2007” «La bella Estate dell’Arte è il primo grande appuntamento che animerà in contemporanea le principali sedi esposi- tive milanesi con le opere di importanti artisti internazio- nali e italiani: dal Quarto Stato di Pellizza da Volpedo alle Demoiselles d’Avignon di Picasso, da Schnabel a Botero, Balkenhol e Theimer... Un’estate d’arte “infuocata”: a Milano troverete tutto quello che alla Biennale di Venezia non avete visto». Vittorio Sgarbi Assessore alla Cultura L’Assessorato alla Cultura del Comune di Milano integra La bella Estate di Milano, con un calendario di ap- puntamenti che prevede più di 66 concerti, 24 spettacoli teatrali per 95 rappresentazioni complessive, 44 film proiettati, molti appuntamenti di intrattenimento in tutta la città e, in particolare, con La bella Estate dell’Arte: 15 mostre dedicate ad artisti italiani e internazionali, organizzate dall’Amministrazione comunale. Il programma espositivo si protrarrà da giugno a settembre 2007 e coinvolgerà le più importanti sedi espositive della città tra le quali Palazzo Reale, PAC Padiglione d’Arte Contemporanea, Rotonda di via Besana, Palazzo della Ragione, Museo di Storia Contemporanea, Castello Sforzesco e il nuovo spazio ExhibAir, all’interno dell’aeroporto di Malpensa. Le mostre sono state realizzate con il sostegno di partners e sponsor che hanno reso possibile la realizzazione delle singole iniziative. Vera e importante novità de La bella Estate dell’Arte è il biglietto unico cumulativo di 21 per visitare tutte le mostre. Un abbonamento grazie al quale i visitatori potranno accedere alle diverse iniziative quando desiderano per tutta la durata della manifestazione.
    [Show full text]
  • JAMSESSION Občasník Hudebního Klubu V Orlové 8
    JAMSESSION Občasník Hudebního klubu v Orlové 8. číslo FANZINU Na 26. klubovém posezení dne 18. října 2013 měla poprvé vystoupit se svým repertoárem nová skupina vzešlá z hudebníků klubu – TATAPULT (D. Balog, M. Voznica, P. Olšar, Radič jun.), která nacvičila skladby od známé české skupiny Katapult. Účast byla z tohoto důvodu rekordní a bylo velkým zklamáním, když ze zdravotních důvodů bubeníka k vystoupení nedošlo. Večer byl proto znovu postaven na produkci Romana Holtzera a zpěvačky Zoji Chramostové. Nečekaně přijel oslavit své 60. narozeniny rodák z Kolonie pod Lipou v Orlové fotbalista Břetislav Regent, v současné době bydlící v Karviné. V té době byla hudební produkce přerušena asi dvouhodinovým výpadkem dodávky elektrické energie. Sedělo se při svíčkách a konzumovala dovezená pizza objednaná oslavencem. Diskutovalo se o staré Orlové a hudbě. Po obnovení dodávky elektřiny hudební produkce pokračovala asi tak do půlnoci. –sdur– Rozšířený 27. hudební klub v Dětmarovicích (1. listopad) Zahájení uzavřené společnosti klubu proběhlo v 17°° hod. Jako první nastoupila kapela Z budy, asi v 18:30 pokračovala kapela The Bats a kolem 20°° hod. nastoupila kapela Tatapult. Přestože jsme na organizaci měli jen 14 dnů účast členů hudebního klubu a příznivců byla slušná. Přesný počet nešlo zjistit, protože tak jak lidé přicházeli, tak i postupně někteří odcházeli. Mezi publikem byli i hudebníci z jiných kapel. Na závěr každé skladby zazněl ze sálu potlesk. Přestože baskytarista a zpěvák kapely The Bats byl hlasově indisponován, tak zpíval a lidem se líbily jak sólové zpěvy, tak vokály v jeho podání. Velmi kladně byla publikem hodnocena i instrumentální skladba Apači v podání nového mladého sólisty kapely The Bats Martina Heczka.
    [Show full text]
  • W Elcome to the Paiste World
    INTERVIEWS CHARLIE BENANTE JIM KELTNER NICKO MCBRAIN DAVE MCAFEE AQUILES PRIESTER DICK JONES STORIES MATT BYRNE JASON SUTTER PERCUSSIONISTS 2002 SERIES HISTORY PRODUCT REVIEWS ALPHA BRILLIANT CYMBALS ARTIST QUOTES SERIES FACTS CYMBAL APPLICATION GUIDE JEREMY SPENCER # 5FDP WWW.PAISTE.COM W ELCOME TO THE PAISTE WORLD. The Paiste Cymbal Company has been in our family for four generations, Through the turbulences of the Second World War, the family ended up with the beginnings going back over a century. in Germany in 1945, where Grandfather had to rebuild his business from the ground up. Great-grandfather Michail T. Paiste opened a music store in St. Petersburg, Russia, in 1901. Fairly soon thereafter, the first cymbals, The family made the decision in the 1950s to seek a new permanent and also gongs were custom made to order in the repair shop, because home, and my Uncle Robert Paiste, and my father Toomas Paiste, cymbals were not otherwise available. Michail T. Paiste moved his established our present headquarters in Switzerland in 1957. Here, they music store to our ancestral home in Tallinn, Estonia during the Russian worked hard at advancing the family business, and finally achieved Revolution. international success through such venerable lines as the Formula 602, Giant Beat, and the 2002 in the 1960s and 1970s, as these cymbals took There, Grandfather Michael M. Paiste took a strong interest in cymbal to the drumming world like a storm. and gong making, and made it his main occupation in the 1930s. Through hard work and dedication he fully developed the art of making Today, we hold a unique and strong position in the world of cymbals cymbals and gongs, and laid the foundation for our present know- and gongs.
    [Show full text]
  • Rockandpopinthemovies2.Pdf
    ROCK AND POP IN THE MOVIES, 2, 2012 // 2 Impressum Copyright by Rock and Pop in the Movies, Kiel 2012 Copyright (für die einzelnen Artikel) by den Autoren, 2012 Die Autoren sind für die in ihren Artikeln verwendeten Abbildungen selbst verantwortlich. Verantwortliche Redakteure: Patrick Niemeier, Thorsten Ragotzky, Willem Strank Rock and Pop in the Movies ISSN 2193-3901. Herausgeber / Redaktion: Huck, Christian (Kiel) Kleiner, Marcus S. (Siegen) Lehmann, Ingo (Köln) Niemeier, Patrick (Kiel) Ragotzky, Thorsten (Kiel) Stiglegger, Marcus (Siegen) Strank, Willem (Kiel) Wagenknecht, Andreas (Mannheim) Wilke, Thomas (Bautzen) Wulff, Hans Jürgen (Westerkappeln/Kiel) Redaktionelle Mitarbeit: Kerstin Bittner (Kiel) Julia Bork (Kiel) Julia Fendler (Kiel) Patrick Kraft (Kiel) Kontakt: [email protected] Rock and Pop in the Movies c/o Hans J. Wulff Institut für NDL- und Medienwissenschaft Leibnizstraße 8 D-24118 Kiel ROCK AND POP IN THE MOVIES, 2, 2012 // 3 ROCK AND POP IN THE MOVIES, 2, 2012 // 4 Inhalt Impressum .........................................................................3 Artikel Marty's Mixtape: Verwendung und Bedeutungsdimensionen von präexistenter Popmusik in Martin Scorseses Spielfilmen ..........7 Ingo Lehmann Michael Lindsay-Hogg. Eine erste Annäherung .........................35 Fernando Ramos Arenas „'Til Things Are Brighter“ - Johnny Cash im Dokumentarfilm ....50 Dietmar Schiller „The Last Thing the Planet Needs Is a Rock Concert“. Das Spannungsverhältnis von Politik und Popkultur in der Konzeption großer Aid-Konzerte ...................................................................63
    [Show full text]
  • Devo Pete Townshend
    :: Total Music Magazine :: Page 1 of 66 Devo Live 1980 (Wienerworld: DualDisc) Formed in Akron Ohio in 1972 by Kent State art students Jerry Casale and Mark Mothersbaugh (the name came from their concept of ‘de-evolution’ - the idea being that instead of evolving mankind had album reviews actually regressed) Devo created a highly stylised book reviews amalgam of Kraftwerk, Talking Heads and the Residents, hitching a ride with (and in consequence DVD reviews helping establish) the new fledgling MTV Network live reviews through early classic videos like the flowerpot head western soap opera ‘Whip It’. Their time in the limelight was brief - and not always comfortable as Rolling Stone completely missed the point and decided they were fascists - but this concert filmed in the Phoenix Theatre in Petaluma, California at the height of their powers in 1980 indisputably proves that off-the-wall songs like ‘Jocko Homo’, ‘Mongoloid’, ‘Uncontrollable Urge’, ‘Come Back Jonee’ and their spastic shudder through the Rolling Stones ‘Satisfaction’ still sound fresh and vital today. Visually arresting, Devo were clearly something to behold live, especially Mark Mothersbaugh who’s frantic, uptight, stage presence becomes positively unnerving by the concerts end. Extras include more, seldom seen, concert footage and the complete concert in CD form on the flipside of the disc. Buy this DVD ****************************************************************** Pete Townshend Live (Universal) Many of us refuse to buy into Townshend’s continuing conceit that his music needs to transcend the concept of ‘pop’, into his obsession that work like Tommy, the unrealised Lifehouse (which ultimately became Who’s Next) and Quadrophenia be recognised as more than just a collection of songs.
    [Show full text]
  • 201 4 Confe Erence P Presenter Rs
    2014 Conference Presenters Isaac Bickmore is a doctoral student and TA in music education at Arizona State University. His research interests include adolescence, popular music, and critical pedagogy. Previously he taught for five years in the Salt Lake City School District at a K-8 school where he taught general music K-8 and ran the after-school honors choir and the 7th and 8th grade Rockk n' Roll History Choir. He loves ukuleles, robots, Van Morrison, riding his bike, Aretha Franklin, good food, and the Beatles. His true loves are his wife Lesley and his two boys William and Van. Pat Bissell received degrees in piano and composition from Peabody Conservatory and Yale, and was a Fulbright scholar. She has been a music instructor at Gateway Community College in New Haven, CT for ten years. She has published several articles about creativity and keyboard instruction, such as “Improvising Attitudes” in the American Music Teacheer, and has authored “Nitty-Gritty Cosmic Secrets; Play and Create Melodies with Chords” (in press). Pat also taught K-12 music in suburban and inner-city schools, operated piano studios, and played in church and clubs. Early on, she was pianist-arranger for women’s gymnastic floor exercises, including two Olympics. Scott Burstein is the Director of Music Education for Little Kids Rock. He taught music in the Los Angeles public school system for twelve years before joining the Little Kids Rock. Scott received his degree from University of California, Santa Barbara, studied and taughht music theory at the doctoral level at the Eastman School of Music, and is currently working on his dissertation in Music Education at the University of Southern California.
    [Show full text]
  • February 2011
    ASETOF0AISTE"LACK !LPHACYMBALSUSEDAND 41&$*"-*446&'0$640/&-&$530/*$4 7). SIGNEDBY*OEY*ORDISON 6ALUED ATOVER &EBRUARY 4HE7ORLDS$RUM-AGAZINE 4(%$25--%23/& 3(!+)2! ,)6).'#/,/52 #()/$/3 -!+%+),,%2 $25-,//03 4HE"LACK%YED0EAS +%)4((!22)3(/7(%2%!#(%$4(%4/0/&4(%0/03$25--).' 02/$5#).' 72)4).' *)--9"2!,/7%2 /-!2(!+)- :!#($!.:)'%2 -!2+'5),)!.! 2/$-/2'%.34%). 2%6)%7%$ -/$%2.$25--%2#/- 4!9%30/4,)'(4+)43428,4$#9-"!,3")'"!.'-)#(/,$%239!-!(!$48++)4$25-45.! EVEN SLEDGEHAMMER SOUND NEEDS PINPOINT PRECISION. NEW SHURE BETA MICROPHONES Optimized for high sound pressure levels, extremely low handling noise and higher gain-before-feedback. Accurate, focused polar patterns. Virtually indestructible. Precision control to practically eliminate bleed. Because whether it’s the boom of a kick or the faintest ghost notes, clarity is king. Clockwise from upper left: New Shure microphone models Beta 181, Beta 98AD/C, Beta 91A, Beta 98AMP www.shure.com © 2011 Shure Incorporated Volume 35, Number 2 • Cover photo by Will Hawkins CONTENTS 40 Hawkins 33 GET GOOD: ELECTRONICS Fusion great Omar Hakim, Living Colour’s Will Calhoun, Will and drum ’n’ bass master KJ Sawka lay out several paths to an electronic, drummer-led musical future. 40 KEITH HARRIS He keeps the party jumping with one of the biggest acts in the world. And when the stage goes dark, he’s still lighting up the industry, produc- ing and writing platinum records and winning multiple Grammys. 52 BRENDAN BUCKLEY Shakira’s longtime drummer is the epitome of the super-contemporary musician: He understands all the intricacies of electronic programming, and he has the chops and groove to squeeze the most out of it.
    [Show full text]