2013-14 Season Brochure
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Virtual Edition in Honor of the 74Th Festival
ARA GUZELIMIAN artistic director 0611-142020* Save-the-Dates 75th Festival June 10-13, 2021 JOHN ADAMS music director “Ojai, 76th Festival June 9-12, 2022 a Musical AMOC music director Virtual Edition th Utopia. – New York Times *in honor of the 74 Festival OjaiFestival.org 805 646 2053 @ojaifestivals Welcome to the To mark the 74th Festival and honor its spirit, we bring to you this keepsake program book as our thanks for your steadfast support, a gift from the Ojai Music Festival Board of Directors. Contents Thursday, June 11 PAGE PAGE 2 Message from the Chairman 8 Concert 4 Virtual Festival Schedule 5 Matthias Pintscher, Music Director Bio Friday, June 12 Music Director Roster PAGE 12 Ojai Dawns 6 The Art of Transitions by Thomas May 16 Concert 47 Festival: Future Forward by Ara Guzelimian 20 Concert 48 2019-20 Annual Giving Contributors 51 BRAVO Education & Community Programs Saturday, June 13 52 Staff & Production PAGE 24 Ojai Dawns 28 Concert 32 Concert Sunday, June 14 PAGE 36 Concert 40 Concert 44 Concert for Ojai Cover art: Mimi Archie 74 TH OJAI MUSIC FESTIVAL | VIRTUAL EDITION PROGRAM 2020 | 1 A Message from the Chairman of the Board VISION STATEMENT Transcendent and immersive musical experiences that spark joy, challenge the mind, and ignite the spirit. Welcome to the 74th Ojai Music Festival, virtual edition. Never could we daily playlists that highlight the 2020 repertoire. Our hope is, in this very modest way, to honor the spirit of the 74th have predicted how altered this moment would be for each and every MISSION STATEMENT Ojai Music Festival, to pay tribute to those who imagined what might have been, and to thank you for being unwavering one of us. -
OLLI OUTLOOK June 2012
Volume 14 Issue 6 June 2012 T H E O U T L O O K OLLI AT UCI INSIDE THIS ISSUE: HIGHLIGHTS TRIPPING WITH OLLI Tripping with OLLI 111 222 President’s Corner OLLI Minutes 333-3---4444 SE 1 Pasadena Museums: OLLI Donors 555-5---6666 OLLI Opportunities 777 Pacific Asia Museum and Culture Corner 888 Pasadena Museum of California Art OLLI Spotlight 999 (Edgar Payne Exhibit) Summer Lite 111111-11 ---13131313 Special Events 101010 UCI Camput Events 171717 Thursday, October 4 $58 8:308:30----5:005:00 JOIN OLLI AT UCI Two of Pasadena’s most interesting, small museums Not an OLLI are within walking distance member? of one another. Beginning with a docent tour of the Here’s how to join. Pacific Asia Museum and Go to our website to Gardens, ttthis this exquisite enroll, request a cata- building reflects a northern log, or get more infor- Chinese, palacepalace----stylestyle mation. architecture found nowhere else in the US. www.extension.uci.edu/olli . Lunch is on your own, with many else in the US. restaurants within walking distance of the museum. Following lunch a docent will OLLI guide us through the Edgar UCI Extension Payne (1883(1883----1947)1947) Exhibit at P.O. Box 6050 the Pasadena Museum of Irvine, CA 92616- California Art. Payne was one of 6050 the leaders of the historic California plein air artists’ movement . The Outlook, OLLI at UCI Page 2 THE PRESIDENT’S CORNER The end of the “school-year” brings many changes throughout life; people move on and others enter our lives. -
2000 M.F.A., Scenic Design, Yale School of Drama 1995 B.S., Theater, Northwestern University
102 Monroe Street office: 212-618-6106 www.lukecantarella.com Brooklyn, NY 11216 mobile: 646-263-4989 e-mail: [email protected] or [email protected] education: 2000 M.F.A., Scenic Design, Yale School of Drama 1995 B.S., Theater, Northwestern University other training: School of the Art Institute, Art Students League, The Drawing Center, Columbia University (Summer Intensive in German) teaching: 2012-present Associate Professor/Pace University Head of Set Design (2013-present): Responsibilities include undergraduate teaching, course development, mentoring student designers, 1st year student advisement Head of Production and Design (2012-2013): Responsibilities include undergraduate teaching, establishing a curriculum for new BFA program in Production & Design, recruiting and retaining students, hiring and mentoring new faculty, student mentorship, production planning and budgeting. 2008-12 Assistant Professor/University of California, Irvine Head of Set Design Program: Responsibilities include teaching both graduate and undergraduate courses, curriculum design, recruiting and retaining students, mentorship, thesis reviews, production planning and budgeting scenic design: # 2015 Auctioning the Ainsleys, directed by Abigail Adams, People’s Light 56 Ted’s Talk, created and directed by David Strassman, Australian Tour 55 Good People, directed by Rob Ruggiero, TheaterWorks 54 Junie B. Jones: Essential Survival Guide to School, directed by Peter Flynn, Theaterworks USA 53 Woody Sez, directed by Nick Corley, Asolo Repertory Theater 52 The Silo Mervin vs. Butter Miriam Bible Match, directed by Sarah Krohn, Studio 42 50 2014 Fractalicious!, directed and created by Bryan Reynolds 49 Transversal Theater– 2014 Interference Festival, Cluj, Romania The Light in the Piazza, directed by Victoria Clark, Pace Performing Arts 48 Row After Row, directed by David Bradley, People’s Light 47 Woody Sez, directed by Nick Corley, People’s Light, TheaterWorks 45 The Other Place, directed by Rob Ruggiero, 44 The Repertory Theater of St. -
Arts in the Great Park
Arts in the Great Park 2008 - 2015 Cover Photo: Palm Tree Cozy by Amy Caterina Arts in the Great Park 2008 - 2015 Prepared for City of Irvine Fine Arts Program Report by Arts Orange County (ArtsOC) 3730 S. Susan Street #100 Santa Ana, CA 92704 T: (714) 556-5160 E: [email protected] Images courtesy of City of Irvine Arts in the Great Park | 2008-2015 Contents 4 Arts in the Great Park | 2008-2015 Table of Contents 07 Executive Summary 09 Food for Thought: Recommendations 11 Timeline of Major Activities 13 Guiding Principles 15 OCGP Arts Section Exhibitions and Programs 2008-2015 Contents 5 Arts in the Great Park | 2008-2015 Executive Summary 6 Arts in the Great Park | 2008-2015 Executive Summary Over the past seven years, arts and culture offerings at presentations function best within its operational standards the Great Park have ranged from engaging visitors directly and resources. in hands-on creative endeavors to intimate gatherings where they can meet and learn from innovators, from At a time when the City is evaluating its goals for the Great diverse visual and performing arts experiences for small Park, this report provides some historical perspective on and mid-sized audiences of all ages to the presentation of robust programming that meets the expectations of its concerts by world class musical artists for audiences in the citizens. In that regard, we believe it can be a useful tool thousands. for Fine Arts staff to use in considering its next steps, and proves that arts and culture plays a central role in the Without purpose-built facilities in the park ready to house community’s aspirations for the Great Park. -
2000 MFA, Scenic Design, Yale School of Drama 1995 BS, Theater
Pace University office: 212-618-6106 www.lukecantarella.com 140 William Street #606 mobile: 646-263-4989 e-mail: [email protected] New York, NY 10038 or [email protected] education: 2000 M.F.A., Scenic Design, Yale School of Drama 1995 B.S., Theater, Northwestern University other training: School of the Art Institute, Art Students League, The Drawing Center, Columbia University (Summer Intensive in German) university experience: 2012-present Associate Professor/Pace University Head of Set Design (2013-2016): Responsibilities include undergraduate teaching, course development, mentoring student designers, 1st year student advisement Head of Production and Design (2012-2013): Responsibilities include undergraduate teaching, establishing a curriculum for new BFA program in Production & Design, recruiting and retaining students, hiring and mentoring new faculty, student mentorship, production planning and budgeting. 2008-12 Associate Professor/University of California, Irvine Head of Set Design Program: Responsibilities include teaching both graduate and undergraduate courses, curriculum design, recruiting and retaining students, mentorship, thesis reviews, production planning and budgeting. Tenure granted: June 2012 scenic design projects: For the following projects (plays, musicals, dances & live performance), I was in charge of designing the scenery. Responsibilities included collaborating with directors, playwrights, choreographers and other designer to analyze a text, forming design ideas, researching of visual culture, creating design documents (sketches, models, technical drawings, etc.), specifying paint colors and finishes, and the supervising assistants and fabricators including painters, carpenters, masons, furniture-makers, upholsterers and properties masters. Projects listed below show the name of the play, name of the playwright, name of the director and theater or producer. Productions in bold indicate world premieres. -
Trio Céleste
Trio Céleste Iryna Krechkovsky, violin Ross Gasworth, cello Kevin Kwan Loucks, piano Piano Trio No. 4 in E Minor, Op. 90, "Dumky" Antonín Dvořák (1841-1904) I. Lento Maestoso (Allegro quasi doppio movimento) II. Poco Adagio (Vivace non troppo/Vivace) III. Andante (Vivace non troppo/Allegretto) IV. Andante Moderato (Allegretto scherzando/Quasi Tempo di Marcia) V. Allegro VI. Lento Maestoso Café Music (1986) Paul Schoenfield (b. 1947): I. Allegro II. Rubato, andante moderato III. Presto -Intermission- Piano Trio in B-flat Major, Op. 97, Ludwig van Beethoven (1770-1827) "Archduke" I. Allegro moderato II. Scherzo (Allegro) III. Andante cantabile ma però con moto. Poco piu adagio IV. Allegro moderato – Presto ABOUT TRIO CÉLESTE Hailed as “a first-class ensemble” (Orange County Register) “exuberant and technically dazzling” (Long Beach Gazette) and “one of the best young chamber groups around today” (Philip Setzer, Emerson String Quartet), Trio Céleste has quickly established itself as one of the most dynamic chamber music ensembles in the country. Current season highlights include national and international recital tours in Los Angeles, New York, San Francisco, Toronto, and Ottawa; the ensemble’s debut CD recording at Soka Performing Arts Center with GRAMMY-winning recording engineer Jesse Lewis; and The Beethoven Variation Project, a revolutionary collaborative project featuring commissions from Samuel Adler, Fred Hersch, Pierre Jalbert, and Augusta Read Thomas among others. Winners of the prestigious Beverly Hills Auditions in Los Angeles, Trio Céleste is currently Ensemble-in-Residence at the Claire Trevor School of the Arts at the University of California, Irvine where they recently presented the complete piano trio works of Ludwig van Beethoven and the Triple Concerto with the UC Irvine Symphony Orchestra and the Capistrano Conductor’s Institute Orchestra. -
Beethoven | Dvorák Guinivan | Hersch | Jalbert | Scully | Spinei Iryna Krechkovsky Violin Ross Gasworth Cello Kevin Kwan Loucks Piano
ˇ ADLER | BLOCK | DOOLEY | DRUCKER | ERSKINE BEETHOVEN | DVORÁK GUINIVAN | HERSCH | JALBERT | SCULLY | SPINEI IRYNA KRECHKOVSKY VIOLIN ROSS GASWORTH CELLO KEVIN KWAN LOUCKS PIANO 1 As part of Trio Céleste’s deep commitment to performing the music of living composers, Constellations: Variations on a Theme by Beethoven bridges the gap between old and modern, breathing new life into one of Beethoven’s most beautiful and memorable themes. Ten renowned composers took part in producing short variations based on the opening theme of the Largo con espressione movement from the Piano Trio in G Major, Op. 1, No. 2. The collaboration produced an extraordinary range of interpretations resulting in one of the most unique contributions to the piano trio repertoire in the last decade. The title Constellations was inspired by the cosmic nature of the project itself; like many unique sets of variations, constellations are beautiful, varied patterns that share both explicit and implicit commonalities. SPECIAL THANKS The Canada Council for the Arts, Jim Eninger, Kenneth and Dianne Gasworth, Michelle Gasworth, Steven and Deborah Gasworth, Eugene Golden, Patti Loucks, Julian Martin, David Palmer and the Soka Performing Arts Center, Philip Setzer, Greg Victoroff and Jane Guerin, Richert Wang, Barbara Yapp, and to all of the composers who contributed to Constellations. Iryna Krechkovsky would like to thank the Canada Council for the Arts Musical Instrument Bank for the generous loan of the 1689 “Baumgartner” Antonio Stradivari violin used on this recording. 2 2 3 NAVONA RECORDS NAVONA Piano Trio in G Major, Op. 1, No. 2 Ludwig van Beethoven (1770 -1827) ˇ ADLER | BLOCK | DOOLEY | DRUCKER | ERSKINE | GUINIVAN | HERSCH | JALBERT | SCULLY | SPINEI TRIO CÉLESTE 1 I. -
The Merchant of Venice Begins with the Melancholy Merchant Antonio in Venice with His Close Friend, Full‐Time Faculty: John Benitz, Don Guy (Co‐Chairs) Bassanio
Chapman University Chapman University Digital Commons Theatre Programs Theatre Productions 4-15-2016 The eM rchant of Venice Follow this and additional works at: http://digitalcommons.chapman.edu/theatre_programs Part of the Acting Commons, Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation "The eM rchant of Venice" (2016). Theatre Programs. 4. http://digitalcommons.chapman.edu/theatre_programs/4 This Program is brought to you for free and open access by the Theatre Productions at Chapman University Digital Commons. It has been accepted for inclusion in Theatre Programs by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Chapman University Department of Theatre Presents WILLIAM SHAKESPEARE’S DIRECTED BY THOMAS F. BRADAC APRIL 15-16, 23, 2016 Scenic Design: Keith Bangs Lighting Design: Don Guy Costume Design: Karen Fix Curry Original Music: William and Jennifer Georges Original Music: George Mullen Associate Director: Amanda Zarr Projection Design: Matt Eisenmann Production Stage Manager: Alina Novotny DRAMATIS PERSONAE Antonio, a prosperous Venetian merchant …… James Neal Shylock, a wealthy Jewish merchant ………….. Prof. Michael Nehring Portia, a wealthy noblewoman………………… Jordana Lilly Bassanio, a nobleman from Venice…………….. David Patty Gratiano, a notoriously vulgar Venetian and friend of Bassanio …………………………………….. Caleb Jenkins Jessica, Shylo ck ’s d aughter……………………... Shannon Corenthin Lorenzo, a Venetian and friend of Bassanio ….. Tosh Turner Nerissa, Portia’s gentlewoman and confidante. Gracie Truex Launcelot Gobbo, a clownish servant…………. Natasha Sill Salerio, a Venentian noble, friendly with Antonio …………………………………….. Luke Castor Solanio, a Venetian noble, and friend of Salerio Sara Ragey Prince of Morocco, a Moorish prince…………. -
2018Annual Report
2018 annual report “The Music@Menlo chamber music festival fills a major summer void in concerts with players from all over who are downright virtuosic.” —ArtsSF Institute activities including master classes and Café Conversa- Mission tions, and extended offerings including AudioNotes, forty-two The mission of Music@Menlo is to engage and sustain an professional musicians, four artist-faculty members, eleven pre- audience for chamber music that is programmed, presented, professional musicians, twenty-nine Young Performers, twenty and performed at the highest level of artistic excellence and -one interns, and thousands of audience members enjoyed ex- to provide deserving young musicians with comprehensive, ploring the flourishing of chamber music across centuries and festival-based educational opportunities. political borders. Overview 2018 Festival Activities Celebrating its sixteenth season in 2018, Music@Menlo is MAIN-STAGE EVENTS an internationally acclaimed summer festival and institute combining world-class chamber music performances, Thematically Organized Chamber Music Concert Programs — unparalleled audience engagement, intensive training for In 2018, Music@Menlo explored some of the most vitally preprofessional musicians, and a variety of activities which important cities in the development of western classical have broadened and enhanced the chamber music music. Beginning the musical voyage in London, audiences community of the San Francisco Bay Area and beyond. traveled across Europe and to St. Petersburg with a total of ten performances of seven different Concert Programs. As Music@Menlo was founded on the conviction that deep always with Music@Menlo festivals, an expansive variety engagement with great music opens doors to inspiration of chamber works were performed, ranging from Baroque and enlightenment. -
Reimagining Creativity for the 21St Century!
Reimagining Creativity for the 21st Century! CTSA Website | Art | Dance | Drama | Music | UAG | Beall Center | Arts Outreach - Letter from the Dean Just when you thought UCI was in hibernation for the summer—here we are to surprise and stimulate you with offerings for every artistic taste— offerings that we hope will be too good to refuse. But first, let me say how excited I am to have been able to erase the “Interim” from my title and to replace it with “Actual.” I’m so deeply honored and excited at the prospect of leading the Trevor School for the next years, years during which we’ll accomplish many ambitious goals and create remarkable art. My best advice: watch this space! The month of the Crab and the Lion had much in store for you. Considered one of Irvine’s great attractions: the New Swan Shakespeare Festival productions of Hamlet and As You Like It, presented in our award-winning outdoor theatre in Aldrich Park, under the stars. Now well-established, the Swan is among the most popular summer activities at UCI—but get seats quickly: the small oval has very limited capacity and fills up very quickly. And remember that it’s not only Shakespeare you can experience there; come for mariachis, Mozart --- Mondays, outdoor preshow symposia on the plays and the productions, and much more. If you haven’t visited the Swan, you’ll be amazed at discovering CTSA’s professional theatre company, directed by Drama In This Issue: professor Eli Simon. All four of the Trevor School’s academic departments—Art, Dance, School News Drama, and Music—currently have extensive Summer Academies on campus, offering intensive and unforgettable art experiences to budding Faculty News artists and those who want to broaden their horizons. -
Around Dvorák
Music We are proud to support @ MUSIC@MENLO Menlo The Twelfth Season: The Twelfth Around Dvorˇák July 18–August 9, 2014 Around Dvorˇák To learn about our wealth management capabilities, please contact MARC A. COMPTON Managing Director 650.849.2140 [email protected] 3075B Hansen Way Palo Alto, California 94304 ustrust.com David Finckel and W u Han, Artistic Directors The Twelfth Season: Around Dvorˇák July 18–August 9, 2014 David Finckel and Wu Han, Artistic Directors U.S. Trust operates through Bank of America, N.A., Member FDIC. © 2013 Bank of America Corporation. All rights reserved. | AR265D2B | AD-06-13-0821 AD-06-13-0821.indd 1 6/26/13 2:21 PM Wednesday, 11:45 a.m. Café Conversation: Behind George Crumb’s American Songbooks, with PAGE 77 8:00 p.m. Carte Blanche Concert III: Yura Lee, violin, and Dina Vainshtein, piano PAGE 54 July 30 Gilbert Kalish, pianist, Randall Scarlata, baritone, and Stent Family Hall ($70) Fred Child, host of Performance Today Martin Family Hall 5:30 p.m. Prelude Performance PAGE 68 Martin Family Hall Thursday, 11:45 a.m. Master Class with Nicolas Dautricourt, violinist PAGE 76 8:00 p.m. Concert Program V: American Visions PAGE 30 July 31 Martin Family Hall The Center for Performing Arts at Menlo-Atherton ($68/$58) Friday, 11:45 a.m. Master Class with Gilles Vonsattel, pianist PAGE 76 8:00 p.m. Concert Program VI: Transitions PAGE 34 August 1 Martin Family Hall Stent Family Hall ($78) 5:30 p.m. Prelude Performance PAGE 68 Martin Family Hall Saturday, 1:00 p.m. -
Welcome to the Fourth Season of New Swan Shakespeare Festival! the New Swan Is a Venue Unique to Orange County, and Indeed to the World of Theatre
Welcome to the fourth season of New Swan Shakespeare Festival! The New Swan is a venue unique to Orange County, and indeed to the world of theatre. Our 15-ton, modular mini-Elizabethan theater was a dream of UC Irvine’s Department of Drama in 1965 when the university was founded, and in the winter of 2011 this dream was brought to vivid life. Since the debut of our summer festival in 2012, we have run two classic Shakespearean plays in repertory each year, and last season debuted “Mozart Monday,” which this year has extended to a series of three Monday night music offerings in August. New Swan Shakespeare Festival is dedicated to the investigation and production of Shakespearean plays and relevant theatrical works. Shakespeare’s theatre was of and for the people, rather than an elite cultural event; similarly, we wish to share our work with the widest possible cross-section of our community. It was also driven by the desire to create a direct, egalitarian relationship between actors and audience, which is what we aim to do in our intimate, viscerally engaging venue. We want our audience to feel the emotions, actions, and texts as deeply as do New Swan actors, directors, designers, and creative and production teams. While we honor the history and classicism of Shakespeare’s works, we have no intention of producing them as museum pieces; rather, we are committed to recreating the immediacy of Shakespeare’s work, and examining it through the lens of its relevance to the 21st century. Summer 2015 brings us the Bard’s classics Macbeth and Much Ado About Nothing, in keeping with our custom of offering one tragedy and one comedy per season.