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Conference Program Denver, Colorado March 21-24
Association for Asian Studies CONFERENCE PROGRAM DENVER, COLORADO MARCH 21-24 2019 FLOORPLANS p. 2-4 JEFFERSON MEMORIAL PHOTO CREDIT: COURTESY OF WASHINGTON.ORG WIFI DETAILS Wireless Network: Sheraton Meetings Association for Asian Studies Passcode: aas2019 Annual Conference March 21-24, 2019 Sheraton Denver Downtown Hotel Denver, Colorado COVER IMAGE COURTESY OF AAS PRESIDENT, ANNE FELDHAUS The program cover depicts Shivalay, a step-well at Ellora, Maharashtra State, India. It is the “tank” for Ghrishneshvar, one of a set of twelve major Shiva temples scattered around India. Renovated under the patronage of Queen Ahilyabai in 1770 CE, Shivalay has a symmetry and relative simplicity typical of the many religious monuments attributed to this most famous member of the Holkars, a royal family with pastoralist roots. Tourists and Buddhist pilgrims travel from all over the world to the caves near here. Men from nearby villages take water from Shivalay to pour on their village gods on religiously significant days, especially during the monsoon, the season when this photo was taken. The tree that has sprouted in the dome suggests that nature is stronger than our human creations, while the crumpled sign on the dome evokes worries that plastic might ultimately overtake even nature. Annual Conference Program, Volume 70. The Annual Conference Program is published annually by the Association for Asian Studies, Inc. It is printed in February and distributed to all conference attendees. FLOORPLANS Aspen TM PLAZA BUILDING LOBBY LEVEL (PL) Beverly TT -
Asia Bookroom
Chinese Posters & Papercuts ASIA BOOKROOM CHINESE POSTERS & PAPERCUTS The communication of the state’s desires to the Chinese people through the arts has a long history. This method of communication reached a high point in late 20th Century China during the Great Leap Forward and most especially during the Cultural Revolution. In fact, as many as 2.2 billion official portraits of Mao alone were published during the Cultural Revolution, an astounding figure particularly when you consider that a great many posters published at this time did not include Mao! In the early days of the People’s Republic posters served several purposes not the least being an effective way of communicating with the many illiterate people in the Chinese population. Additionally, posters offered a form of subliminal“ advertising” as many Chinese people tuned out to the messages, however, with the regular exposure that posters offered, ideas were still effectively transferred. While the messages were ignored by some, they were carefully noted by others. It has been said that given the subtle but regular changes in tone and message, posters were even more useful than newspapers to get a feel for which way the political winds were blowing. (Chinese Propaganda Posters from the Collection of Michael Wolf. – Anchee Min & Stefan R. Landsberger. Taschen 2003). Propaganda posters are a fascinating field of Chinese art and political history that opens up the modern history and culture of China in a special way. For Cultural Revolution material we commend to you the work of Stefan R. Landsberger both in the printed form of his books on the subject and the excellent website he and his colleagues have constructed at www.chineseposters.net which also includes an extensive bibliography. -
新成立/ 註冊及已更改名稱的公司名單list of Newly Incorporated
This is the text version of a report with Reference Number "RNC063" and entitled "List of Newly Incorporated /Registered Companies and Companies which have changed Names". The report was created on 15-04-2013 and covers a total of 5083 related records from 08-04-2013 to 14-04-2013. 這是報告編號為「RNC063」,名稱為「新成立 / 註冊及已更改名稱的公司名單」的純文字版報告。這份報告在 2013 年 4 月 15 日建立,包含從 2013 年 4 月 8 日到 2013 年 4 月 14 日到共 5083 個相關紀錄。 Each record in this report is presented in a single row with 6 data fields. Each data field is separated by a "Tab". The order of the 6 data fields are "Sequence Number", "Current Company Name in English", "Current Company Name in Chinese", "C.R. Number", "Date of Incorporation / Registration (D-M-Y)" and "Date of Change of Name (D-M-Y)". 每個紀錄會在報告內被設置成一行,每行細分為 6 個資料。 每個資料會被一個「Tab 符號」分開,6 個資料的次序為「順序編號」、「現用英文公司名稱」、「現用中文公司名稱」、「公司註冊編號」、「成立/註 冊日期(日-月-年)」、「更改名稱日期(日-月-年)」。 Below are the details of records in this report. 以下是這份報告的紀錄詳情。 1. (HK) SHANGHAI HUATAI ELECTRIC CO., LIMITED (香港)上海華泰電氣有限公司 1889001 10-04-2013 2. 1188 Group Limited 1890596 12-04-2013 3. 123 INC LIMITED 1886616 08-04-2013 4. 168 INC LIMITED 1886620 08-04-2013 5. 188 INC LIMITED 1886622 08-04-2013 6. 2A FOR INTERNATIONAL TRADE CO., LIMITED 1887078 08-04-2013 7. 3C MALL CO., LIMITED 正義科技有限公司 1891095 12-04-2013 8. 3D POWER TECH CO., LIMITED 動力三維科技有限公司 1887976 09-04-2013 9. 3S INDUSTRY CO., LIMITED 1887872 09-04-2013 10. -
IREW/Cgrin201 3 International Council for Traditional Music
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC (ICTM) WORLD CONFERENCE(SHANGHAI 2013) WORLD CONFERENCE SHANGHAI 2013 ICTM IREW/cgrIN201 3 International Council for Traditional Music 42nd World Conference Shanghai Conservatory of Music July 11 – 17, 2013 CONFERENCE PROGRAM Study Group and other ICTM Meetings July 11, 13:30 Performing Arts of Southeast Asia July 12, 10:15 Mediterranean Music Studies July 12, 14:00 Music and Dance in Southeastern Europe July 12, 16:00 Applied Ethnomusicology July 13, 12:15 Musics of East Asia July 13, 14:00 East Asian Historical Musical Sources July 13, 14:00 Assembly of the National and Regional Representatives July 13, 16:00 Multipart Music July 13, 18:00 Maqām and Music in the Arab World July 15, 10:15 Iconography of the Performing Arts July 15, 13:30 Music of the Turkic-Speaking World July 15, 13:30 African Music July 15, 16:00 Music and Dance of Oceania July 16, 10:15 Iconography of the Performing Arts July 16, 18:00 Music and Minorities Thursday, July 11 IA Opening Ceremony (9:00 - 10:00). Welcome by ICTM President Adrienne KAEPPLER (Smithsonian Institution) and representatives from the Shanghai Conservatory of Music 10:00 - 10:15 Tea and Coffee Break IB Paper Sessions (10:15 - 12:15) IB1 Performing Musical Pasts for Identity Formation among Chinese Individuals. Tasaw Hsin-Chun LU (Institute of Ethnology, Academia Sinica), chair. 10:15 Nostalgia in Guoyue: Zi-Ming Gao as Diasporic Individual after 1949 in Taiwan. TSAI Ho-ju (National Chiao Tung University) 10:45 Coming Out in the Closet: Girls’ Generation and Sexual Politics in Gay Bars in Taiwan. -
Print Program (PDF)
Association for Asian Studies CONFERENCE PROGRAM DENVER, COLORADO MARCH 21-24 2019 FLOORPLANS p. 2-4 JEFFERSON MEMORIAL PHOTO CREDIT: COURTESY OF WASHINGTON.ORG WIFI DETAILS Wireless Network: Sheraton Meetings Association for Asian Studies Passcode: aas2019 Annual Conference March 21-24, 2019 Sheraton Denver Downtown Hotel Denver, Colorado COVER IMAGE COURTESY OF AAS PRESIDENT, ANNE FELDHAUS The program cover depicts Shivalay, a step-well at Ellora, Maharashtra State, India. It is the “tank” for Ghrishneshvar, one of a set of twelve major Shiva temples scattered around India. Renovated under the patronage of Queen Ahilyabai in 1770 CE, Shivalay has a symmetry and relative simplicity typical of the many religious monuments attributed to this most famous member of the Holkars, a royal family with pastoralist roots. Tourists and Buddhist pilgrims travel from all over the world to the caves near here. Men from nearby villages take water from Shivalay to pour on their village gods on religiously significant days, especially during the monsoon, the season when this photo was taken. The tree that has sprouted in the dome suggests that nature is stronger than our human creations, while the crumpled sign on the dome evokes worries that plastic might ultimately overtake even nature. Annual Conference Program, Volume 70. The Annual Conference Program is published annually by the Association for Asian Studies, Inc. It is printed in February and distributed to all conference attendees. FLOORPLANS Aspen TM PLAZA BUILDING LOBBY LEVEL (PL) Beverly TT -
© Copyright 2017 Yizhong Gu
© Copyright 2017 Yizhong Gu The Myth of Voluntary Death: The Representation of Sacrifice and Martyrdom in the Maoist Films (1949-1976) Yizhong Gu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Yomi Braester, Chair Tani Barlow James Tweedie Program Authorized to Offer Degree: Comparative Literature, Cinema and Media 2 Abstract The Myth of Voluntary Death: The Representation of Sacrifice and Martyrdom in the Maoist Films (1949-1976) Yizhong Gu Chair of the Supervisory Committee: Yomi Braester Professor, Byron W. and Alice L. Lockwood Professor in the Humanities Department of Comparative Literature, Cinema and Media The dissertation investigates into the layered narratives of sacrifice and revolutionary martyrdom in Maoist films. Martyr’s death is abstracted and elevated from unpredictable personal event to be a collectively controllable and foreseeable public event. I refer to such ideological control over citizen’s death necropolitics. Maoist necropower interpellates revolutionary subjects, justifies the nation’s secular necropower transmitted from the transcendental ideals, surrogates martyrs bodies and minds to speak for them, and conceals martyr’s marginalized position as the sacrificial object and martyr’s dead body as disposable abject. I argue that the key mechanism of the Maoist necropolitics lies in the absent causes that originate from the transcendental revolutionary ideals. These socialist ideals can never be realized completely and are catachresis that lack sufficient referents. In other words, any socialist ideal essentially stands for a collective historical experience that cannot be fully presented but 3 must be presupposed to regulate personal lived experience. -
Battle for China's Past : Mao and the Cultural Revolution
00 Pluto Prelims:template candidate.qxd 07/01/2008 12:16 Page i THE BATTLE FOR CHINA’S PAST 00 Pluto Prelims:template candidate.qxd 07/01/2008 12:16 Page ii 00 Pluto Prelims:template candidate.qxd 07/01/2008 12:16 Page iii The Battle for China’s Past Mao and the Cultural Revolution Mobo Gao Pluto Press London • Ann Arbor, MI 00 Pluto Prelims:template candidate.qxd 07/01/2008 12:16 Page iv First published 2008 by Pluto Press 345 Archway Road, London N6 5AA and 839 Greene Street, Ann Arbor, MI 48106 www.plutobooks.com Copyright © Mobo Gao 2008 The right of Mobo Gao to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2781 5 hardback ISBN 978 0 7453 2780 8 paperback Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufac- turing processes are expected to conform to the environmental regulations of the country of origin. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Curran Publishing Services, Norwich Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne 00 Pluto Prelims:template candidate.qxd 07/01/2008 12:16 Page v To my father Gao Renfa and mother Jiang Yuanrong, whose whole lives were devoted to the well-being of their children.