Bischof Associate Professor of History and Chair Department of History and Political Science, University of Southern Maine
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Elizabeth (Libby) Bischof Associate Professor of History and Chair Department of History and Political Science, University of Southern Maine 200G Bailey Hall 59 Underhill Dr. 37 College Ave. Gorham, Maine 04038 Gorham, Maine 04038 Cell: 617-610-8950 [email protected] [email protected] (207) 780-5219 Twitter: @libmacbis EMPLOYMENT: Associate Professor of History, with tenure, University of Southern Maine, 2013-present. Assistant Professor of History, University of Southern Maine, 2007-2013. Post-Doctoral Fellow, Boston College, 2005-2007. EDUCATION: August 2005 Ph.D., American History, Boston College. Dissertation: Against an Epoch: Boston Moderns, 1880-1905 November 2001 Master of Arts, with distinction, History, Boston College May 1999 Bachelor of Arts, cum laude, History, Boston College RESEARCH AND TEACHING INTERESTS: Nineteenth-century US History (Cultural/Social) American Modernism History of Photography/Visual Culture Artist Colonies/Arts and Crafts Movement New England Studies/Maine History Popular Culture/History and New Media PUBLICATIONS: Works in Progress/Forthcoming: Libby Bischof, Susan Danly, and Earle Shettleworth, Jr. Maine Photography: A History, 1840-2015 (Forthcoming, Down East Books/Rowman & Littlefield and the Maine Historical Society, Fall 2015). “A Region Apart: Representations of Maine and Northern New England in Personal Film, 1920-1940,” in Martha McNamara and Karan Sheldon, eds., Poets of Their Own Acts: The Aesthetics of Home Movies and Amateur Film (Forthcoming, Indiana University Press). Modernism and Friendship in 20th Century America (current book project). Books: (With Susan Danly) Maine Moderns: Art in Seguinland, 1900-1940 (New Haven: Yale University Press, 2011). Winner, 2013 New England Society Book Award for Best Book in Art and Photography Peer-Reviewed Articles/Chapters in Scholarly Books: “Who Supports the Humanities in Maine? The Benefits (and Challenges) of Volunteerism,” forthcoming from Maine Policy Review: Special Issue on the Humanities and Policy, Vol. 24, no. 1, Winter/Spring, 2015. "The Lens of the Local: Teaching an Appreciation of the Past through the Exploration of Local Sites, Landmarks, and Hidden Histories," in The History Teacher, vol. 48, no. 3, May 2015. http://www.societyforhistoryeducation.org/pdfs/M15_Bischof.pdf "A Summer in England: The Women’s Rest Tour Association of Boston and the Encouragement of Independent Transatlantic Travel for Women,“ Chapter 9 in Beth L. Lueck, Brigitte Bailey and Lucinda Damon-Bach, eds., Transatlantic Women: Nineteenth Century American Women Writers in Great Britain and Europe (Durham, NH: University Press New England, July 2012). With James F. O’Gorman (emeritus, Wellesley College), "An Aesthete’s Lair: The Architecture of the F. Holland Day House, Norwood, Massachusetts.“ Nineteenth Century (The Journal of the Victorian Society in America), Vol. 32, no. 1 (Spring 2012), 2-7. “Testudo: A Forgotten New England Artists‘ Retreat,“ Nineteenth Century (The Journal of the Victorian Society in America), Vol. 30, no.2 (December 2010), 20-29. “I am a Catholic just as I am a dweller on the Planet:“ John Boyle O’Reilly, Louise Imogen Guiney and a Model of Exceptionalist Catholic Literature in Boston,“ in Thomas O’Connor, ed. Two Centuries of Faith: The Influence of Catholicism on Boston, 1808-2008. Crossroads Press, May 2009, 112-144. Reviews and Shorter Articles: Ellen Gruber Garvey, Writing With Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance. In American Studies, 53:2, April 2014. Joyce Butler, Kennebunkport: The Evolution of An American Town, 1603-1923. In Maine History, forthcoming. Ethan Anthony, The Architecture of Ralph Adams Cram and His Office. In Winterthur Portfolio, Volume 44, No.4, Winter 2010, 395-396. Patricia Bowden Corey, Owascoag, Place of Much Grass: The Settlement of Black Poynt, Mayne in the Settlers Own Words, 1605-1800. In: Maine History, Vol. 46, October 2011, 112-114. “Women Mentoring Women: Literary Friendships in turn-of-the-century Boston,“ Special New England Women’s Club insert in the Spring 2008 newsletter of the Bostonian Society, Old State House, Boston, 1-4. Olaf Hoerschelmann, Rules of the Game: Quiz Shows and American Culture. In: Journal of Popular Culture, August 2007, 728-729. Digital History/Technology Reviews: “Today’s Technology Meets the World of Tomorrow: A Review of the New York Public Library’s Biblion: World’s Fair Edition,” Invited review for the website “Amateur Filmmakers Record the New York World’s Fair and Its Period” [Collaborative Project: Northeast Historic Film, The George Eastman House, Queens Museum of Art] http://fairfilm.org/index.php/clir2/Engage/Essays Curated Exhibitions: Focusing on Home and Beyond: The Photographs of Chansonetta Stanley Emmons, 1897-1937, University of New England Art Gallery, Biddeford Campus, April 2015-August 2015. (Guest Curator) Consulting Curator, with Mazie Hough, University of Maine Orono, for Through Her Lens—Five Maine Women Photographers, Penobscot Marine Museum, May-October, 2015. Picturing Maine: The Way Life Was? For the USM Art Gallery as part of the Maine Photo Project, co- curated with Donna Cassidy, September-December 2015. Maine Moderns: Art in Seguinland, 1900-1940. Portland Museum of Art, June 4-September 11, 2011. Co-curated with Susan Danly, Senior Curator, Portland Museum of Art. Winner, New England Art Awards, Critic’s Choice for Best Historical Show, 2012 AWARDS AND FELLOWSHIPS: Faculty Senate Research Grant, University of Southern Maine, for 2014-2015. [$2500] Faculty Senate Research Grant, University of Southern Maine, for 2010-2011. [$2500] Alternate, American Academy of University Women [AAUW] Fellowships Program, 2010-2011. Faculty Senate Teaching Award, Humanities, University of Southern Maine, 2009. [$750] Maine Women Writers Collection Research Grant, University of New England, 2009-2010. [$500] North Coast Cultural Trust, Peter E. Palmquist Grant for Historical Photographic Research, 2009. [$750] Ansel Adams Fellowship, Center For Creative Photography, Tucson, Arizona, Summer 2009. [$1000] Donald Gallup Fellowship in American Literature, Beinecke Library, Yale University, 2008-2009. [$4500] Residential Fellow, Georgia O’Keeffe Museum and Research Center for American Modernism, Santa Fe, New Mexico, September-December 2007. [$12,500] Bostonian Society/New England Women’s Club Fellowship, Spring 2007. [$1000] Andrew W. Mellon Fellowship, Massachusetts Historical Society, 2006-2007. [$1500] University Dissertation Fellowship, Boston College, 2003-2004. [$16000] Donald J. White Teaching Excellence Award, Boston College, 2002-2003. Boston College History Department Summer Dissertation Fellowship, 2002. [$2000] TEACHING EXPERIENCE: History Department US History to 1800 (survey) University of Southern Maine US 1800-1900 (survey) US 1900-present (survey) The History of Maine The History of Maine through Art, Literature and Film [Online] Research, Reference and Report Writing [Historical Methods] Photographing American History World War I: Memory, Culture, Politics Senior Seminar: History through Film and Fiction Senior Seminar: Worlds’ Fairs and Exhibitions Senior Seminar: Winslow Homer’s America History of American Popular Culture The Civil Rights Movement History Internship MA Thesis Advising—American and New England Studies Program Post-Doctoral Fellow The Study and Writing of History: 19th century Boston College Boston Society and Culture, Fall 2006. Social and Cultural History of Modern Europe I, Fall 2006.* Senior Honors Thesis Advisor, 2006-2007. American Civilization II: 1877-present, Spring, 2007.* Social and Cultural History of Modern Europe II, Spring, 2007.* Readings and Research [Independent Study] Spring, 2007. Cultural History of Modern Europe I and II, 2005-2006.* Modern History I and II. 2005-2006. *Classes taught as large lectures with Teaching Assistants Adjunct Assistant Professor History of Boston: Spring, 2007. Emmanuel College REFEREED CONFERENCE PAPERS/INVITED LECTURES: “Art, History, and Friendship—The Intertwined Lives of Emma Lewis Coleman, C. Alice Baker, and Susan Minot Lane,” Museums of Old York, September 23, 2015. Invited Panelist for “Underlying Threads: Interpreting the Textile History of a Mill Town,” Common Street Arts, Waterville, Maine, May 14, 2015. Invited Moderator, “Art and Maine’s Immigrant Communities,” for Maine Migrations, Past and Present, Colby College, April 26, 2015. “Parlor Games, Photographs, Panoramas, and Tableaux—Nineteenth Century Entertainments in the Age of Longfellow,” for Brunswick’s Annual Longfellow Days and the Midcoast Senior College Winter Wisdom Series, Curtis Memorial Library, Brunswick, Maine, February 18, 2015. “Post-Mortem Practices in 18th and 19th Century New England,” Spirits Alive Winter Lecture Series and the Maine Historical Society, January 31, 2015. Encore performance for the Vine Lake Preservation Trust, Medfield, Massachusetts, April 11, 2015. “Beyond Nostalgia: Four Maine Women Photographers at the Turn-of-the-Century,” Penobscot Marine Museum History Conference—Wish You Were Here: Envisioning Maine from Postcards to Tweets, November 1, 2014, Searsport, ME. “Site Visits, Blogs, Field Trips: Bringing Local Public History into the Classroom,” as part of the panel “Public History and Students,” Fall Conference, New England Historical Association, Franklin Pierce University, NH, October 18, 2014. “Husbands, Wives, Friends, Lovers: The Intimate Relationship/s of Alfred Stieglitz, Georgia O’Keeffe, Paul Strand, and