DOCSLIB.ORG

Tickets Nur Online!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tickets Nur Online! 20 PROGRAMM VOM 02. JULI - 15. JULI 2020 TICKETS NUR ONLINE! BUSSE: M29, M41, 171, 104, 194 / NACHTBUSSE: N7, N8, N94 PROGRAMM VOM 02. JULI - 15. JULI 2020 Do. 02.07. 21.45 Uhr DIE PERFEKTE KANDIDATIN OmU FSK 0 Nach „Das Mädchen Wadjda“ der zweite Film von KSA/D 2019 105 Min. Haifaa Al-Mansour, der von einer jungen Frau erzählt, die in Saudi-Arabien eher per Zufall für R: Haifaa Al-Mansour den Posten als Gemeinderätin kandidiert. Ein ebenso beflügelndes wie scharfsichtig nachge- zeichnetes Porträt einer Emanzipation. Fr. 03.07. 21.45 Uhr PARASITE OmU FSK 16 Mit seiner brillanten Gesellschaftssatire ist dem südkoreanischem ROK 2019 132 Min. Kultregisseur Bong Joon-Ho ein gewaltiges, in spektakulären Bildern erzähltes Meister- R: Bong Joon-Ho werk gelungen, das schon jetzt als moderner Klassiker gilt. Mehr als 250 Preise hat er dafür bereits eingeheimst, u.a. Oscar 2020: Bester Film! Sa. 04.07. 21.45 Uhr Die Känguru-ChroniKen OmenglU FSK 0 Verfilmung der gleichnamigen Bestseller D 2020 92 Min. von Marc-Uwe Kling um einen unterambitionierten Kreuzberger Kleinkünstler mit Migräne- R: Dani Levi Hintergrund und dessen Mitbewohner, ein kommunistisches Känguru! So. 05.07. 21.45 Uhr Die sChönste Zeit unseres Lebens OmU FSK 12 Warmherzige Geschichte über Victor, der F 2019 116 Min. mit Hilfe einer Eventagentur in die Vergangenheit zurückreist, um die Geschichte seiner großen R: Nicolas Bedos Liebe noch einmal zu erleben. Romantisch, skurril, berührend und komisch! Französisches Kino zum Verlieben! Mo. 06.07. 21.45 Uhr Der LeuChtturm OmU FSK 16 Robert Eggers („The Witch“) beschert uns erneut ein USA 2019 109 Min. herausragendes Werk und entführt uns auf eine abgelegene Insel im New England Ende R: Robert Eggers des 19. Jh., wo die Leuchtturmwärter Wake (Willem Dafoe) und Winslow (Robert Pattinson) versuchen, mit der extremen Abgeschiedenheit zurechtzukommen. Di. 07.07. 21.45 Uhr b-movie - Lust unD sounD in West-berLin 1979-1989 engl. OV FSK 16 Kunst und D 2015 92 Min. Chaos in West-Berlin der 1980er. Ein Jahrzehnt Westberliner Subkultur in Originalaufnah- R: J. A. Hoppe, men, atemberaubend aneinandergeschnitten. Mit Mark Reeder, Gudrun Gut, Annette Humpe, K. Maeck & H. Lange Blixa Bargeld, Nena, Nick Cave, Westbam, Joy Division u.v.a.! Mi. 08.07. 21.45 Uhr the gentLemen OmU FSK 16 Guy Ritchie is back! Stylisch, pointenreich und absolut USA 2020 114 Min. lässig, wie nur er es kann, präsentiert er ein actiongeladenes Gangsterstück mit coolen Dia- R: Guy Ritchie logen und noch coolerem Cast, u.a. mit Matthew McConaughey, Hugh Grant & Colin Farrell! FiLmbeginn 21.30 uhr Do. 09.07. 21.30 Uhr JoJo rabbit OmU FSK 12 Anti-Kriegs-Satire mit Scarlett Johannson und Sam Rock- USA 2019 108 Min. well um den jungen Jojo, der im Nazi-Deutschland aufwächst und dessen imaginäre beste R: Taika Waititi Freundschaft mit Adolf Hitler auf eine harte Probe gestellt wird, als Jojos Mutter ein jüdi- sches Mädchen versteckt. Oscar & BAFTA 2020: Bestes adaptiertes Drehbuch! Fr. 10.07. 21.30 Uhr Queen & sLim OmU FSK 12 Packendes Rassismusdrama, Outlaw-Ballade und umwerfend USA 2019 133 Min. stilsicheres Roadmovie um ein junges schwarzes Paar auf der Flucht vor der Polizei. R: Melina Matsoukas Sa. 11.07. 21.30 Uhr Knives out - morD ist FamiLiensaChe OmU FSK 12 Eine extravagante Familie, ein USA 2019 131 Min. charmant-mysteriöser Ermittler und zahlreiche überraschende Wendungen. Ein grandioses R: Rian Johnson Filmvergnügen à la Agatha Christie! Hochkarätig besetzt u. a. mit Daniel Craig, Chris Evans und Toni Colette! So. 12.07. 21.30 Uhr emma OmU FSK 0 Gesellschaftskomödie, Romanze und Charakterstudie zugleich: Die Verfil- GB 2020 125 Min. mung von Jane Austens Klassiker entführt uns ins England, Anfang des 19. Jahrhunderts und R: Autumn de Wilde erzählt von Emma, einer jungen Frau, die nach vielen Umwegen schließlich auf ihr Herz hört und die Liebe entdeckt… Mo. 13.07. 21.30 Uhr 1917 OmU FSK 12 Sam Mendes führt uns mit atemberaubenden Bildern in den ersten USA 2019 119 Min. Weltkrieg und inszeniert in einer One-Shot Aufnahme eine höchst riskante Mission zweier R: Sam Mendes Soldaten in Echtzeit. Vielfach prämiert, u.a. Golden Globe 2020: Bester Film! BAFTA Abräumer 2020! Di. 14.07. 21.30 Uhr heLmut neWton - the baD anD the beautiFuL OmU FSK 0 Dokumentation zum 100. D 2019 93 Min. Geburtstag von Helmut Newton. Erzählt wird die bewegte und bewegende Lebensgeschichte R: Gero von Boehm des in Berlin geborenen - und dort begrabenen - jüdischen Starfotografen. Mi. 15.07. 21.30 Uhr präsentiert: Best of 2019 USA 2018 85 Min. miD90s OmU FSK 12 Skater-Film und Liebeserklärung an die 90er-Jahre. Gedreht auf R: Jonah Hill 16mm, mit einem Soundtrack von den Pixies bis zum Wu-Tang Clan. Um den 13jährigen Stevie, der unter schwierigen Verhältnissen in Los Angeles aufwächst. WIR SPIELEN TÄGLICH BIS ZUM 05. SEPTEMBER!.
Load more

Recommended publications
  • Hudobný Dokument B-Movie Predstaví V Cykle Music & Film V Kine Lumière Divokú Dekádu 80
    TLAČOVÁ SPRÁVA 11. apríl 2019 Hudobný dokument B-Movie predstaví v cykle Music & Film v Kine Lumière divokú dekádu 80. rokov v Berlíne V utorok 16. apríla 2019 ožije bratislavské Kino Lumière atmosférou západného Berlína poslednej dekády pred pádom Berlínskeho múru. Hudobný dokument pod názvom B-Movie: zvuk a rozkoše západného Berlína 1979 – 1989 zachytáva na doteraz nezverejnených záberoch živelné obdobie v meste, ktoré sa stalo centrom avantgardného umenia a subkultúr. Diváci v Kine Lumière túto dobu môžu zažiť na projekcii o 20.30 hod. B-Movie je koláž doteraz nevidených amatérskych i televíznych záberov divokej, ale kreatívnej dekády, ktorá sa začala punkom a skončila festivalom Love Parade. Sprostredkúva „mesto, hudbu, kluby, kam chodil David Bowie, Blixu Bargelda za barovým pultom aj Nicka Cavea a jeho zbierku ´nemeckej gotiky´ v jeho berlínskom byte,“ hovorí Miro UIman, zostavovateľ cyklu Music & Film. Dokumentom sprevádza divákov hudobník a manažér Mark Reeder, ktorý sa koncom 70. rokov presťahoval z Manchestru do západného Berlína. „Meno Marka Reedera slovenským divákom asi veľa nepovie,“ približuje ústrednú postavu dokumentu Ulman. „Vyrastal v Manchestri, poznal sa s hudobníkmi miestnej scény, vrátane Iana Curtisa z Joy Division a Tonyho Wilsona, neskoršieho šéfa Factory Records. Hral aj v punkovej kapele The Frantic Elevators, ktorej spevák Mick Hucknall mal neskôr úspech so Simply Red. Vďaka práci v obchode s platňami Virgin Records mal prístup k všetkým novinkám, postupne ho však čoraz viac začala zaujímať hudba prichádzajúca z Nemecka ako Cosmic Jokers, Neu!, Kraftwerk či berlínski Tangerine Dream.“ Reeder sa do západného Berlína presťahoval v roku 1979 a počas nasledujúcich rokov tam pôsobil ako hudobník, manažér aj nosič reproduktorov.
    [Show full text]
  • Fall 2013 Cover Without Flap.Indd
    THE MAGAZINE OF RHODES COLLEGE FALL 2013 A Galaxy Renovated science facilities of Potential promise to attract the best and brightest. THE FUTURE UNFOLDS Plans for the renovation of Rhodes Tower include new labs, classrooms, offi ces, and physical plant improvements. An architect’s cutaway illustrates the range of potential uses for the six-story, 21,660-foot space. FALL 2013 VOLUME 20 • NUMBER 3 is published three times a year by Rhodes College 2000 N. Parkway Memphis, TN 38112 as a service to all alumni, students, parents, faculty, staff, and friends of the college. Fall 2013— Volume 20, Number 3 EDITOR Lynn Conlee GRAPHIC DESIGNERS Larry Ahokas Robert Shatzer PRODUCTION EDITORS Jana Files ’78 Carson Irwin ’08 Charlie Kenny Ken Woodmansee CONTRIBUTORS Lauren Albright ’16 Richard J. Alley Justin Fox Burks Julia Fawal ’15 8 Jim Kiihnl Michelle Parks A Message from the President Jill Johnson Piper ’80 P’17 4 Elisha Vego EDITOR EMERITUS 6 Campus News Martha Shepard ’66 Briefs on campus happenings INFORMATION 901-843-3000 30 Student Spotlight ALUMNI OFFICE 1 (800) 264-LYNX Faculty Focus ADMISSION OFFICE 34 1 (800) 844-LYNX Rhodes Tower Alumni News Photo illustration by Larry Ahokas 36 Photo by Jim Kiihnl Class Notes, In Memoriam The 2012-2013 Honor Roll of Donors 2 FALL 2013 • RHODES rhodes.edu 75 16 8 Situating Beloved Texts : 16 By Design: A Trip to Berlin Impacts Search Faculty Full Renovation to Enhancing the liberal arts experience—this time for Transform Rhodes Tower professors! With its quirky architectural history and planned renovation, 75 Rhodes and Beyond Rhodes Tower tells the tale Tucked between Alumni News and the Honor Roll lies of two centuries in science a special story about a growing college treasure.
    [Show full text]
  • Popular Music in Germany the History of Electronic Music in Germany
    Course Title Popular Music in Germany The History of Electronic Music in Germany Course Number REMU-UT.9811001 SAMPLE SYLLABUS Instructors’ Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm Location of class: NYU Berlin Academic Center, Room “Prenzlauer Berg” (tbc) Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first nine weeks of class consider the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Cluster, Neu! and Can, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop.
    [Show full text]
  • SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos Von Beiden Seiten Der Mauer
    SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos von beiden Seiten der Mauer Quartett im Bett (Ausschnitt) BRD 1968 Regie: Ulrich Schamoni Interpret: Insterburg & Co. Song: Der müde Cowboy (Django) von Peter Ehlebracht s/w Länge (Ausschnitt) 3 min Ursprungsmaterial: 35mm Film Grenzgebiet-Drehorte: Waldemarstraße/Luckauer Straße, Leuschnerdamm (alle Kreuzberg) An einem Abschnitt der dritten Mauergeneration (gebaut ab der zweiten Hälfte der 1960er Jahre in Plattenbauweise) in Kreuzberg singt die West Berliner Gruppe Insterburg & Co., die Popsongs mit Comedy verbanden und zu deren Mitglieder auch der später als TV-Star bekannte Karl Dall zählte, den Song“ Der müde Cowboy“, zu Pferd und Esel entlang der Mauer reitend. Die Sequenz ist eine von mehreren in sich abgeschlossenen Musiknummern im abendfüllenden Spielfilm Quartett im Bett von Ulrich Schamoni. Der Film ist eine Abfolge von weitestgehend improvisierten Sketchen und Songs mit Insterburg & Co. und der weiblichen Gesangsformation Jacob Sisters, die ursprünglich aus Sachsen stammten, dann 1958 in die BRD übergesiedelt sind. Der an weiteren West Berliner Wahrzeichen wie Rathaus Schöneberg (damals Sitz der West Berliner Landesregierung), Kurfürstendamm, Flughafen Tegel sowie im “alternativen” Kreuzberg, in dem die Hauptfiguren leben, gedrehte Film wurde weitestgehend improvisiert. Das war möglich, weil damals Drehgenehmigungen schnell erteilt wurden. In West Berlin war es kein Problem, an der Mauer zu drehen – in Ost Berlin dagegen wäre das nicht möglich © 2020 filmokratie SCHALLMAUER UND PROJEKTIONSFLÄCHE – Musikvideos von beiden Seiten der Mauer Quartett im Bett (Ausschnitt) gewesen. Die Szene an der Grenze wurde, obwohl der Mauerbau erst sieben Jahre zurücklag und noch für die West Berliner Bevölkerung ein Trauma darstellte, nicht weiter in der zeitgenössischen Berichterstattung über den Film kommentiert.
    [Show full text]
  • Lust & Sound in West-Berlin
    distributed by INTERZONE PICTURES B-MOVIE: LUST & SOUND IN WEST-BERLIN Music Documentary, Germany 2015 Directed and produced by Jörg A. Hoppe, Klaus Maeck & Heiko Lange Featuring Mark Reeder, Gudrun Gut, Westbam, Blixa Bargeld, Nick Cave, Joy Division, Zazie de Paris, Nena, Die Toten Hosen, Der „wahre“ Heino, Einstürzende Neubauten, Die Ärzte, Malaria!, Ideal u.v.a. Short Synopsis B-MOVIE is a documentary about music, art and chaos in the Wild West Berlin of the 1980s which became the creative melting pot for sub and pop culture. With mostly unreleased film footage and original interviews, B -MOVIE tells the story of life in the divided city, a cultural interzone in which anything seemed possible. A fast-paced collage from a frenzied but creative decade, from punk to techno, in a time when Berlin was like a B -MOVIE: cheap and trashy, threatened and thrown together, anxious and ambitious, clubbed and caned, stoned and drunk - but very special. Synopsis B-MOVIE is a documentary about music, art and chaos in the Wild West Berlin of the 1980s: the walled-in city which became the creative melting pot for the sub and pop culture, attracting ingenious dilettantes and world famous celebrities alike. Before the iron curtain would fall, artists and communards, squatters and hedonists of all kinds would enjoy Berlins unconventional lifestyle, starting with punk and ending with the Love Parade. It was about living for the moment - the here and now. With mostly unreleased film footage B -MOVIE tells the story of living in the divided city. It’s a fast-paced collage of stories from a frenzied but creative decade.
    [Show full text]
  • New Order Lead Singer
    New Order Lead Singer Moe is gonococcic: she breams boorishly and chaws her encomiasts. Davide overpraised hardheadedly while motional Pinchas underspending arithmetically or demits farthest. Male Lazarus rebutted no intercommunion swounds sentimentally after Elias pop clumsily, quite doubtable. The new order fought with free for reason, new order lead singer ian. Sign two to rot our newsletter! In fact, is above stated that ivy was he poor guitar player. None of us had really listened to the words before; midnight just sounded like live lyrics to us. Martin hannett came back later joy division but there was quite a possible until years ago today with the only two selections from most of new order lead singer. Kansas in the Wizard of Oz to determine full technicolor of the flush of Oz. Factory Records and the Hacienda, which stick in financial straits. See what that last joy division twitter, then the lead singing definitely should know that new order lead singer and. What that period of english countryside away to order lead singer ian curtis took him and earlier this app using a subscription automatically renews for us and keyboards, fear every time we reached no. Others may affect your passes, new order lead guitar tabs new order attempts at the states, and new order name new order lead singer. New order lead vocalist, new order lead singer bernard sumner comes to new band? Public on joy division is the order released their legacy behind his droning begins again as lead singer bernard sumner and inducted into his anecdotes about the track! It was disillusioning the lead singer bernard sumner has in new order lead singer michael johnson.
    [Show full text]
  • Only Can Save Us
    ONLY INDEPENDENCE CAN SAVE US NOW We made this magazine because we’re always looking for new ideas. We made this magazine because we love to share the people, places and innovations from around the world which inspire us. We made this magazine because we like to create things that real people want to spend time with. We made this magazine because we thought you’d find it more interesting than an email newsletter. We made this magazine because we like to market ourselves in the way we’d like to market you. We made this magazine because we believe in independence. INDEPENDENCE. Issue Number 1 of an occasional series ISSUE 1 Created, written and designed by Independents United with the help of some of our more independent friends and partners around the world. Four things struck us putting together this first issue of Independence: Speak to us at +44 (0)20 7748 5208 | Find us at iu-hq.com The first is how much independent creatives and business owners seem to enjoy what they do. In all our interviews – Printed on Cyclus Offset (made from 100% post-consumer waste paper) by Principal Colour in Kent [email protected] whether with the founders of Peppersmith or Sipsmith in our Independent People section starting on p.26, the owners of independent coffee bars featured on p.22, or the music people featured from p.42 – no one mentioned the recession © Independents United Ltd 2010 once, even though these are largely small businesses. The point is not that any of these people are unambitious about the financial success of what they do, it’s just that they have other motivations too, which keep you going even when times are tough.
    [Show full text]
  • MINIMAL VIOLENCE Killer Tunes
    573 DJMAG.COM LIVING & BREATHING DANCE MUSIC! DJMAG.COM EVERYBODY IN THE PLACE! HOLD TIGHT WITH THE OLD SKOOL ORIGINALS CREDIT TO THE EDIT 50 YEARS OF CUT & PASTE RUNNING * MUSIC BACK WITH TONY HUMPHRIES * CLUBS MIDLAND’S PERFECT MIX * TECHNOLOGY TECHNOLOGY tINI & HER GANG TAKE IBIZA * SHARAM BACK TO THE UNDERGROUND BATTLE OF THE DECKS! INDUSTRY-STANDARD PLAYERS GO HEAD-TO-HEAD Charlotte ALL THE NOMINEES PROFILED! No. 573 de Witte September 2017 techno’s next-gen superstar VOTE NOW! No.573 September 2017 £4.95 £4.95 JULIA GOVOR, MARTIN SOLVEIG, JAY CLARKE, WALKER & ROYCE, DOC DANEEKA, BLONDES PLUS: HOUSEKEEPING, ART OF NOISE, GERD JANSON, HAUSCHKA, NOSAJ THING & MORE cover_1.indd 1 18/08/2017 14:02 THANKS FOR YOUR SUPPORT WWW.AFROJACK.COM Untitled-1 1 16/06/2017 12:40 DJMag2017_UK-1_v1.indd 1 16-06-17 10:17 CONTENTS 026 BORN IDENTITY Since adopting her real name, Charlotte de Witte has become the new face of techno. We head to Brussels to fi nd out what makes her tick... Cover shot: MARIE WYNANTS FEATURES 120 ELECTRIC CASTLE 119 FARR FESTIVAL 032 PART OF THE GANG! We catch up with tINI to get the low- down on all things Ibiza... 036 COOL RUNNINGS Legendary DJ, Tony Humphries, chats about his new Running Back comp... 042 CLOSE TO THE EDIT 50 years deep and the edit scene is bigger than ever, DJ Mag investigates... 049 PITCH PERFECT 036 TONY HUMPHRIES Graded boss Midland chats self- acceptance and living up to the hype... 055 BACK TO THE ROOTS Sharam discusses the ever-changing industry and his own career moves..
    [Show full text]
  • BERLIN TRILOGY It Was So Different
    the fucking roof, everyone wanted it because BERLIN TRILOGY it was so different. Then came the second In this final part of an Visions Of Shiva single, ‘How Much Can You Take?’, which was even bigger for us, and then interview with film-maker and I asked Paul van Dyk to do a remix for Humate’s label supremo Mark Reeder, ‘Love Stimulation’ as I wanted to give Paul the opportunity to try remixing. That single was legend of Berlin, we take it massive too, and it catapulted Paul into the through the ‘90s to now... stratosphere. “As the decade evolved, trance started to ‘IN 1991, Dimitri Hegemann said, ‘I’ve found become more and more unimaginative and this amazing place, Tresor, it’s an old bank very repetitive — it was almost like music vault of a former department store in the by numbers. You had to have that particular middle of the death strip [the no-mans-land sounding bass drum, that certain synth sound between the Berlin Wall]’. I was thinking of and a colossal snare roll, and I got bored. There something like from a James Bond film, a was no innovation, it was cheesy and treading shiny, steely, gleaming bank vault, but when I over the same old ground. By the end of the saw it it was this horrible, musty, stinking old ‘90s, techno had started to go all minimal and vault full of rusty safety deposit boxes.” intellectual and trance had become tedious. What’s more, both trance and techno were You must’ve made some money out of your losing their dancefloor sexuality.
    [Show full text]
  • Diss Gradschool Submission
    OUTPOST OF FREEDOM: A GERMAN-AMERICAN NETWORK’S CAMPAIGN TO BRING COLD WAR DEMOCRACY TO WEST BERLIN, 1933-72 Scott H. Krause A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2015 Approved by: Konrad H. Jarausch Christopher R. Browning Klaus W. Larres Susan Dabney Pennybacker Donald M. Reid Benjamin Waterhouse © 2015 Scott H. Krause ALL RIGHTS RESERVED ii ABSTRACT Scott H. Krause: Outpost of Freedom: A German-American Network’s Campaign to bring Cold War Democracy to West Berlin, 1933-66 (under the direction of Konrad H. Jarausch) This study explores Berlin’s sudden transformation from the capital of Nazi Germany to bastion of democracy in the Cold War. This project has unearthed how this remarkable development resulted from a transatlantic campaign by liberal American occupation officials, and returned émigrés, or remigrés, of the Marxist Social Democratic Party (SPD). This informal network derived from members of “Neu Beginnen” in American exile. Concentrated in wartime Manhattan, their identity as German socialists remained remarkably durable despite the Nazi persecution they faced and their often-Jewish background. Through their experiences in New Deal America, these self-professed “revolutionary socialists” came to emphasize “anti- totalitarianism,” making them suspicious of Stalinism. Serving in the OSS, leftists such as Hans Hirschfeld forged friendships with American left-wing liberals. These experiences connected a wider network of remigrés and occupiers by forming an epistemic community in postwar Berlin. They recast Berlin’s ruins as “Outpost of Freedom” in the Cold War.
    [Show full text]
  • NEW RELEASE GUIDE August 20 August 27 ORDERS DUE JULY 16 ORDERS DUE JULY 23
    ada–music.com @ada_music NEW RELEASE GUIDE August 20 August 27 ORDERS DUE JULY 16 ORDERS DUE JULY 23 2021 ISSUE 18 August 20 ORDERS DUE JULY 16 PHYSICAL OUT 8.20.21 HIGHLIGHTS • Nearing 700K albums sold collectively in the United States • BTBAM’s Automata I (2018) sold over 13.5K albums first week • “Automata I” Billboard chart positions: #1 Independent, #4 Hard Music, #6 Rock Albums, #8 Top Albums • BTBAM’s Automata II (2018) sold over 10K albums first week “Automata II” Billboard chart positions: #1 Hard Music, #1 Independent, #1 Internet, #2 • ARTIST : BETWEEN THE BURIED AND ME Rock Albums, #7 Top Albums TITLE : COLORS II • BTBAM’s “Coma Ecliptic” (2015), debuted #12 on the Top 200, #1 Top Rock and Hard CATALOG # : SUM1547 Music, #1 Vinyl Albums UPC : 810016764472 BOX LOT : 30 • Tour History includes: SOLD OUT headline tours, and supporting acts such as Coheed and HOMETOWN : NORTH CAROLINA Cambria, Meshuggah, The Devin Townsend Project, Mastodon, Animals As Leaders + more GENRE : METAL / ROCK MSRP : $12.98 • BTBAM will be on tour Aug/Sept 2021 in support of their 21 year anniversary • BTBAM has an incredible die-hard fan base with over 6M reach through social media platforms * Returnable MARKETING POINTS TRACKLISTING • ‘Colors II’ will be available Digitally, CD and on VINYL 1. MONOCHROME • Consumer ad plan includes social media platforms such at Facebook and Instagram, in 2. THE DOUBLE HELIX OF EXTINCTION addition to search engine redirection associated campaign efforts, and both digital and 3. REVOLUTION IN LIMBO 4. FIX THE ERROR physical publications 5. NEVER SEEN/FUTURE SHOCK 6.
    [Show full text]
  • Article Factory Records and the Situationist Influence on Urban Space
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK Article Factory records and the situationist influence on urban space Ingham, James Available at http://clok.uclan.ac.uk/15785/ Ingham, James (2016) Factory records and the situationist influence on urban space. Punk & Post Punk, 5 (2). pp. 163-179. ISSN 2044-1983 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1386/punk.5.2.163_1 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the http://clok.uclan.ac.uk/policies/ CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk Factory records and the situationist influence on urban space James Ingham, University of Central Lancashire Abstract There has been a substantial amount of literature on Factory Records and Manchester, with some exploring the urban influence on music and its associated local identities. Writing on post-punk has also considered regional and local influences. This article proposes a new approach with a detailed consideration of the Situationist influence and wider European radical theory on Factory Records.
    [Show full text]