DOCSLIB.ORG

Seventh Sunday of Easter, 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Seventh Sunday of Easter, 2021 MOUNT CALVARY CATHOLIC CHURCH Baltimore, Maryland † Personal Ordinariate of the Chair of Saint Peter THE SEVENTH SUNDAY OF EASTER MAY 16, 2021 • 10:00 A.M. NOTES ON TODAY’S MUSIC Prelude: “All Glory Be to God on High” F.W. Zachau (1663-1712) was a German Baroque composer who served as Handel’s first music teacher. The chorale prelude sets the familiar German hymn tune: Allein Gott in der Höh’ sei Ehr. Postlude: “God of Grace and God of Glory” arr. Paul Manz (1919-2009) was a renowned American organist, conductor, and composer best known for his improvisations and hymn festivals. He states the Welsh hymn tune CWM RHONDDA on a bold solo trumpet, surrounded by a recurring ritornello. Offertory: “Come, Christians, Join to Sing” arr. Gary Guth. We are grateful to Ezra Melchor for sharing his musical gifts with us this morning. This joyful hymn will be played on the bagpipes with organ accompaniment. Communion: “O sacrum convivium” Roberto Remondi (1851-1928) studied music in Milan and Paris before accepting the position as organist at the Milan Cathedral. The eucharistic anthem was first published in the Secunda anthologia vocalis in 1903. MOUNT CALVARY CATHOLIC CHURCH A Roman Catholic Parish of the Personal Ordinariate of the Chair of Saint Peter THE SEVENTH SUNDAY OF EASTER Organ Prelude All Glory Be to God on High FW Zachau The People stand Sprinkling with Holy Water Vidi aquam plainsong Priest O Lord, show thy mercy upon us. Alleluia. People And grant us thy salvation. Alleluia. Priest O Lord, hear my prayer. People And let my cry come unto thee. Priest The Lord be with you. People And with thy Spirit. Priest Let us pray. Priest Graciously hear us, O Lord, Holy Father, Almighty, everlasting God, and send thy Holy Angel from Heaven to guard, cherish, protect, visit, and defend all who dwell in this Holy Temple, through Christ our Lord. Amen. THE INTRODUCTORY RITES Opening Hymn Crown Him With Many Crowns DIADEMATA Introit Exaudi, Domine Ps 27:8,9,10,1 / plainsong Consider, O LORD, and hear me, when I cry unto thee, alleluia; unto thee my heart hath said, Thy face, LORD, have I sought; thy face, LORD, will I seek: O hide not thou thy face from thy servant, alleluia, alleluia. The LORD is my light and my salvation: whom then shall I fear?. Glory be to the Father… | Consider, O LORD… Collect for Purity Priest In the Name of the Father, and of the Son, and of the Holy Ghost. People Amen. The Priest says Almighty God, unto whom all hearts be open, all desires known, and from whom no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of thy Holy Spirit, that we may perfectly love thee, and worthily magnify thy holy Name; through Christ our Lord. Amen. Summary of the Law pronounced by the Priest Hear what our Lord Jesus Christ saith: Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind. This is the first and great commandment. And the second is like unto it: Thou shalt love thy neighbor as thyself. On these two commandments hang all the Law and the Prophets. Kyrie H. Willan Repeat first verse Gloria in excelsis H. Willan Collect of the Day Priest The Lord be with you. People And with thy Spirit. Priest Let us pray. O God, the King of glory, who hast exalted thine only Son Jesus Christ with great triumph unto thy kingdom in heaven: we beseech thee, leave us not comfortless; but send to us thy Holy Spirit to comfort us, and exalt us unto the same place whither our Savior Christ is gone before; who liveth and reigneth with thee, in the unity of the same Holy Spirit, ever one God, world without end. Amen. THE LITURGY OF THE WORD The First Lesson Acts 1:15-17, 20a, 20c-26 In those days: book of Psalms, ‘His office let another take.’ So one of the Peter stood up among the brethren (the company of men who have accompanied us during all the time that persons was in all about a hundred and twenty), and the Lord Jesus went in and out among us, beginning said, “Brethren, the Scripture had to be fulfilled, which from the baptism of John until the day when he was the Holy Spirit spoke beforehand by the mouth of taken up from us – one of these men must become with David, concerning Judas who was guide to those who us a witness to his resurrection.” And they put forward arrested Jesus. For he was numbered among us, and was two, Joseph called Barsabbas, who was surnamed allotted his share in this ministry. For it is written in the Justus, and Matthias. And they prayed and said, “Lord, who knowest the hearts of all men, show which one of And they cast lots for them, and the lot fell on Matthias; these two you have chosen to take the place in this and he was enrolled with the eleven apostles.. ministry and apostleship from which Judas turned Lector The Word of the Lord. aside, to go to his own place.” People Thanks be to God. The Second Lesson 1 John 4: 11-16 Beloved, if God so loved us, we also ought to love one Savior of the world. Whoever confesses that Jesus is another. No man has ever seen God; if we love one the Son of God, God abides in him, and he in God. So another, God abides in us and his love is perfected in we know and believe the love God has for us. us. God is love, and he who abides in love abides in God, By this we know that we abide in him and he in us, and God abides in him. because he has given us of his own Spirit. And we have Lector The Word of the Lord. seen and testify that the Father has sent his Son as the People Thanks be to God. Alleluia & Verse Regnavit Dominus Ps 47:8; Jn 14:18 / plainsong Alleluia. Alleluia. God reigneth over the nations: God sitteth upon his holy seat. Alleluia. I will not leave you comfortless: I go away and come again unto you, and your heart shall rejoice. Alleluia. The Gospel St. John 17:11b-19 Priest The Lord be with you. People And with thy spirit. Priest A reading from the Holy Gospel according to Saint John. People Glory be to thee, O Lord. Lifting up his eyes to heaven, Jesus prayed, saying, I do not pray that you should take them out of the “Holy Father, keep them in your name, which you have world, but that you should keep them from the evil given me, that they may be one, even as we are one. one. They are not of the world, even as I am not of the While I was with them, I kept them in your name, world. Sanctify them in the truth; your word is truth. which you have given me; I have guarded them, and As you sent me into the world, so I have sent them into none of them is lost but the son of perdition, that the the world. And for their sake I consecrate myself, that Scripture might be fulfilled. But now I am coming to they also may be consecrated in truth you; and these things I speak in the world, that they Priest may have my joy fulfilled in themselves. I have given them your word; and the world has hated them because they are not of the world, even as I am not of the world. The Homily The People stand The Nicene Creed ‘Missa de Angelis’ plainsong The Prayers of the People Priest Let us offer our prayers to Almighty God. Father, we pray for thy holy Catholic Church; People That we all may be one. Priest Grant that every member of the Church may truly and humbly serve thee; People That thy Name may be glorified by all people. Priest We pray for our Holy Father, Pope Francis; Steven, our Bishop; and for all bishops, priests, and deacons; People That they may be faithful ministers of thy Word and Sacraments. Priest We pray for all who govern and hold authority in the nations of the world; People That they may work for thy peace on earth. Priest Give us grace to do thy will in all that we undertake; People That our works may find favor in thy sight. Priest Have compassion on those who suffer from any grief or trouble; People That they may be delivered from their distress. Priest Give to all the departed eternal rest; People And let light perpetual shine upon them. Priest We praise thee for the Blessed Virgin Mary, and for all thy saints who have entered into joy; People May we also come to share in thy heavenly kingdom. Priest Almighty God, the fountain of all wisdom, who knowest our necessities before we ask, and our ignorance in asking; we beseech thee to have compassion upon our infirmities; and those things which for our unworthiness we dare not, and for our blindness we cannot ask, vouchsafe to give us for the worthiness of thy Son Jesus Christ our Lord. Amen. The Penitential Rite Ye that do truly and earnestly repent you of your sins, and are in love and charity with your neighbors, and intend to lead a new life following the commandments of God, and walking from henceforth in his holy ways: Draw near with faith, and make your humble confession to Almighty God, meekly kneeling upon your knees.
Load more

Recommended publications
  • American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN and PATRICK A
    American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA 1 | Jubilate Deo 1,4,5 Craig Phillips (b.1961) 4:25 9 | Magnificat in F 1,3 Harold Friedell (b.1905-1958) 5:13 (Cathedral of St. Philip, Atlanta ) 10 | Nunc dimittis in F 1,3 4:03 2 | Magnificat 2,3 Roland Martin (b.1955) 6:05 11 | Nunc dimittis in D 2,3 Leo Sowerby (1895-1968) 4:34 3 | Nunc dimittis 2,3 4:40 (St. Paul’s Cathedral, Buffalo, in D ) 12 | Te Deum 1,4,5 Phillips 8:41 (Cathedral of St. Philip, Atlanta ) 4 | Magnificat on Plainsong Themes 2,3 Gerald Near (b.1942) 4:30 2 5 | Nunc dimittis on Plainsong Themes 2,3 3:13 13 | Beata es, Maria plainsong antiphon 0:41 2,4,6 6 | A Canticle of Praise 2,3 Larry King (1932-1990) 2:39 14 | Magnificat Martin 6:08 15 | Nunc dimittis 2,4,6 4:28 7 | Magnificat in B flat 2,3 Howard Helvey (b.1968) 6:41 (St. Paul’s Cathedral, Buffalo, in E, for trebles ) 8 | Nunc dimittis in B flat 2,3 3:46 16 | Lord, you now have set your servant free 1,3,5 Phillips 5:33 Total: 75:26 1 Cathedral Choir | 2 Cathedral Schola | 3 David Fishburn, organ | 4 Patrick Scott, organ | 5 with brass and timpani | 6 Megan Brunning, soprano 2 the music American Canticle From the time of Thomas Cranmer and his fellow English reformers, the Church’s earliest days.
    [Show full text]
  • Textbook of Gregorian Chant
    TEXT BOOK OF GREGORIAN CHANT ACCORDING TO THE SOLESMES METHOD BY Dom Gregory SUNOL, 0. S. B., Monk of Montserrat TRANSLATED FROM THE SIXTH FRENCH EDITION WITH AN INTRODUCTION BY G. M. DURNFORD OBLATE OF SOLESHES. SOCIETY OF ST JOHN EVANGELIST D£SCLEE & Co Printers to the Holy See and the Sacred Coogr. of Rites TOURNAI (Belgium) PREFACE. Few words are necessary to introduce the present work to English speaking students of plainsong. Such a handbook has long been needed and is sure of its welcome. Neither the well- known Stanbrook Grammar of Plainsong nor Madame Ward's valuable school courses cover so much ground as Dom Gregory Suflol in his Spanish " Metodo ". The book first appeared in 1905, prefaced by a commendatory letter from Dom Andre Mocquereau, the famous director of the Solesmes School. Its author has many years of teaching experience behind him, as well as sound theoret- ical knowledge of his subject. His work has proved its popu- larity and practical usefulness by going through a number of editions in the original Spanish, besides being translated into French and German. Indeed by compressing the Solesmes teach- ing within the narrow limits of a general text book Dom Sufiol has rendered good service to the Gregorian cause. Not everyone has access to the monumental publications of Solesmes, the Mono- graphies gregoriennes or the Paleographie Musicale> and countless students will be glad to find the subject matter of this latter Work, especially the important seventh volume on Gregorian Rhythm, here summed up and analysed, while the extensive quotations from Dom Mocquereau's Nombre Musical gregorien, with which the Spanish author has enriched his later editions, will make them desirous of seeing this fascinating synthesis of the whole subject brought out in English.
    [Show full text]
  • LALEMANT POLYPHONIC “19 October 2017”
    LALEMANT POLYPHONIC “19 October 2017” The first number is crucial. This unique identifier (4 digits) allows your choir members to instantly find the rehearsal videos—for each individual voice part—on the Lalemant Polyphonic website : CCWATERSHED.ORG/POLYPHONY 4687 • “O Esca Viatorum” (SATB) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 7 5294 • Kyrie Eleison “Missa Iste Sanctus” � � � � � � � � � � � � � � � � � � � � � � � � 10 Francisco Guerrero (d. 1599), who studied with Fr. Cristóbal de Morales. 5294 • Alternate version (with Solfège markings) � � � � � � � � � � � � � � � � � � � 17 5612 • Gloria “Missa Iste Sanctus” � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 22 5454 • Sanctus & Hosanna “Missa Iste Sanctus” � � � � � � � � � � � � � � � � � � 30 5305 • Benedictus “Missa Iste Sanctus” � � � � � � � � � � � � � � � � � � � � � � � � � � 36 5512 • Agnus Dei “Missa Iste Sanctus” (SSATB) � � � � � � � � � � � � � � � � � � � 40 5984 • Credo — Fr� Guillaume de Machaut (d� 1377) � � � � � � � � � � � � � � � 44 Mixing Plainsong & Polyphony, arranged by Laurent Chaumonot. 4456 • “O Sanctissima” arr� Maria Quinn (d� 1977) � � � � � � � � � � � � � � � � � 50 Contains sections for two voices with organ and sections for SATB. 4297 • Agnus Dei “Missa Mille Regretz” � � � � � � � � � � � � � � � � � � � � � � � � � � 54 Six-voice setting by Fr. Cristóbal de Morales (d. 1553) 5909 • “O Filii Et Filiae” arr� Msgr� Jules Van Nuffel (d� 1953) � � � � � � � � � 58 4884 • Kyrie Eleison “Missa Pro Defunctis” (SSATTB)
    [Show full text]
  • The Holy Eucharist the Third Sunday in Lent March 4, 2018 • 11:15 Am Washington National Cathedral
    The Holy Eucharist The Third Sunday in Lent March 4, 2018 • 11:15 am Washington National Cathedral The people’s responses are in bold. The Entrance Rite organ voluntary Romance, from Symphony IV, Op. 32 Louis Vierne (1870-1937) introit Teach me, O Lord Thomas Attwood (1765-1838) Teach me, O Lord, the way of thy statutes; and I shall keep it unto the end. (Psalm 119:33) The people stand. processional hymn • 152 Kind Maker of the world, O hear A la venue de Noël the lenten acclamation Bless the Lord who forgives all our sins. His mercy endures for ever. the penitential sentences If we say that we have no sin, we deceive ourselves, and the truth is not in us. If we confess our sins, he who is faithful and just will forgive us our sins and cleanse us from all unrighteousness. (1 John 1:8, 9) the confession & absolution Most merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen. The presider offers absolution and the people respond, Amen. the trisagion David Hurd (b. 1950) The Word of God the collect for the third sunday in lent The Lord be with you.
    [Show full text]
  • Service & Music List
    Summer Term 2020 Service & Music List Sunday 31st May The Day of Pentecost Thursday 4th June Decani Week 5.30pm Choral Evensong sung by the Lay Vicars Choral 3.15pm Choral Evensong sung by the Cathedral Choir Canticle Nunc Dimittis Dines in E Responses: Rose Introit Come Holy Ghost Plainsong Responses: St Patricks Anthem Sunset and evening star Hewson Psalm: 23 Canticles Noble in B minor Psalm: 150 Anthem A hymn to the virgin Britten Friday 5th June 1.00pm Organ Recital David Leigh Monday 1st June Visitation of the Blessed Virgin Mary music by Bach, Buxtehude & Duruflé 1.00pm Organ Recital David Leigh 5.30pm Choral Evensong sung by the Lay Vicars Choral Messe de la Pentecôte Messiaen Canticle Nunc Dimittis Morley (Fauxbourdons) Resp: Plainsong 5.30pm Choral Evensong sung by the Cathedral Choir Anthem Salvator mundi Tallis Psalm: 29 b Canticle Magnificat Stanford in B Responses: Clucas Anthem A hymn to the virgin Britten Psalm: 8 Saturday 6th June Tuesday 2nd June Sunday 7th June Trinity Sunday Cantoris Week 5.30pm Choral Evensong sung by the Cathedral Choir 11.15am Choral Matins sung by the Cathedral Choristers Canticle Magnificat Noble in A minor Responses: Clucas Canticles Te Deum Plainsong Responses: Plainsong Anthem Save us O Lord Bairstow Psalm: 12 Jubilate Deo Dines in G Psalm: 36 vv 5-12 Wednesday 3rd June Anthem A Gaelic Blessing Rutter 5.30pm Choral Evensong sung by the Cathedral Choir 3.15pm Choral Evensong sung by the Cathedral Choir Canticle Magnificat Wood in D Responses: Clucas Canticle Magnificat Howells (St Paul’s) Responses:
    [Show full text]
  • Beethoven, Merryman, St. Pierre
    Beethoven - Merryman - St. Pierre Performed October 23, 1999 This evening's concert opens with two works which evoke different images of the sea and man's relationship to it: Beethoven's Meerestille und Glückliche Fahrt and Marjorie Merryman's Jonah. Beethoven: Meerestille und Glückliche Fahrt Meerestille and Glückliche Fahrt are two separate poems by Goethe but have always been published back to back and appear to provide a continuous narrative. Their juxtaposition of contrasting elements has inspired their share of musical versions, including Beethoven's 1815 choral setting and Mendelssohn's famous concert overture. The title is often translated as "Calm Seas and Prosperous Voyage", but that fails to convey the sense of the text. Meerestille is better translated as "Becalmed" and the glückliche Fahrt is a happy or successful voyage only in the sense that the travelers finally reach port safely. In the days before steam power, being becalmed at sea was perhaps the worst fate which could befall a ship, and Beethoven does a masterful job not only of conveying the ominous, deadly calm of the ocean but also of suggesting an edge of barely suppressed hysteria. The music brightens as the wind freshens and the prospects of a safe return home suddenly become real, but there is still something a bit frantic about the repeated phrase "schon seh' ich das Land!" (I can already see land!) At the time he was composing Meerestille, Beethoven was also heavily involved in concerts given in conjunction with the Congress of Vienna, which marked the end of the Napoleonic Wars. One of the main attractions was an otherwise eminently forgettable novelty piece of his which enjoyed a brief popularity, Wellington's Victory.
    [Show full text]
  • THE ACCOMPANIMENT of GREGORIAN CHANT by Patricia Burgstahler A.B., Nazareth College, 1956
    THE ACCOMPANIMENT OF GREGORIAN CHANT by Patricia Burgstahler A.B., Nazareth College, 1956 Submitted to the Department of Music and the Faculty of the Graduate School of the University of Kansas in partial fulfill- ment of the requirements for the degree of Master of Arts. April, 1959 ACKNOWLEDGEMENTS I wish first of all to thank my husband, whose constant interest and encouragement made it possible for me to write this thesis, and then Dr. Joseph Yasser, to whom I am deeply indebted for his generous reading of this entire manuscript, his many constructive comments and bibliographical sugges- tions, and his enthusiastic approval of this application of his quartal harmonic system. To Dr. Milton Steinhardt and to Mr. George Michael I express my gratitude for their help- ful direction and valuable advice. 11 CONTENTS Page ACKNOWLEDGEMENTS· . 11 INTRODUCTION .... iv CHAPTER I HISTORICAL SURVEY OF GREGORIAN CHANT .... l Origins . ... 2 Early Forms ...... 3 Medieval Period .... 5 Modern Period ............. 9 ChronoloF," of the Chants. 11 CHAPTER II HISTORICAL SURVEY OF GREGORIAN CHANT ACCOMPANIMENT . 14 Early Polyphonic Settings and Later Art Forms . 16 Early Tertian Harmonizations ....•.• 18 Modern Tertian Harmonizations . .. 19 The Theory of Quartal Harmony ..... 26 CHAPTER III CURRENT RHYTHMIC THEORIES 35 The Mensuralist School. 36 The Accentualist School . 39 The Solesmes School 44 CHAPTER IV METHOD OF THE PRESENT ACCOMPANIMENT . 51 Harmony ....... 52 Rhythm. 57 Selection of Chants .. 60 CHAPTER V QUARTAL ACCOMPANIMENTS .. 63 Mass I. 64 Mass IV . 68 Mass XV • • • • • • • • • • • 73 Mass XVI with Ambrosian Gloria .. 77 Credo I . 81 Tones of the Gloria Patri . ... 85 Psalm Tones . • 87 Nativity Proper: Midnight Mass .•.
    [Show full text]
  • Shaw-Rebecca-MA-MUSIC-June
    Differentiae in the Cantus Manuscript Database: A Cross-Manuscript Analysis by Rebecca Shaw Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia June 2019 © Copyright by Rebecca Shaw, 2019 Table of Contents List of Tables ....................................................................................................................... iv List of Figures ..................................................................................................................... vii Abstract……………………………………………………………………………………………………………………….viii List of Abbreviations Used .................................................................................................. ix Acknowledgements .............................................................................................................. x Chapter 1: Introduction and Differentia Standardization ................................................... 1 1.1 Overview of the Differentia Standardization Project ..................................... 9 1.2 Analysis enabled by the Differentia Standardization Project ....................... 11 Chapter 2: Differentiae and Mode in Theory and Practise ................................................ 14 2.1 Theorists’ Explanation of Differentia and Mode .......................................... 16 2.2 Elements of Unity and Disparity Within and Between Modes ..................... 19 2.3 Multi-Modal Saeculorum Openings .............................................................
    [Show full text]
  • Basic Gregorian Chant Sight Reading
    THE CHURCH MUSICIANS BOOKSHELF SERIES II NO.4 BASIC GREGORIAN CHANT AND SIGHT READING MOVABLE DO EDITION By Sister Mary Demetria, B.V.M. Pllblished by GREGORIAN INSTITUTE OF AMERICA 2 I 3 2 J e f fer II on A v e n u e • T ole d 0 2, 0 h i 0 ACKNOWLEDGMENTS For kind permission to use copyrighted material, acknowledgment is hereby made to the following: Messrs. Rushworth and Dreaper Ltd., 11 Islington, Liverpool, England, for freely quoting Lessons 33-37 (pp. 75-90) from Gajard, Dom Joseph, The Rhythm of Plainsong. The Gregorian Institute of America for method of chant conducting for Lessons 38 and 39, from The Technique of Gregorian Chironomy, by J. Robert Carroll; for lessons in Psalmody (pages 99-100) from The Catholic Choirmaster Course, by Very Rev. Msgr. Joseph T. Kush, S.T.B.; from An Applied Course In Gregorian Chant, translated from the French by J. Robert Carroll. Solesmes rhythmic signs used with the permission of the proprietors, Desclee and Company, Tournai, Belgium Copyright 1960 by GREGORIAN INSTITUTE OF AMERICA International Copyright Secured Printed in U.S.A. CONTENTS CHAPTER ONE RUDIMENTS OF MODERN MUSIC Basic Chant Theory Lesson 1. Tone. Note values. Clefs........................ 8 Lesson 2. Intervals, Scale Formulas. 10 Lesson 3. Scale Signatures . 11 Lesson 4. Chant notation .................................. 12 Lesson 5. Study of Intervals-Gregorian Clef System .......... 15 Lesson 6. Singing Scales from Gregorian Staff, from Transcrip- tions to Modern Staff, and from Transpositions. 17 Lesson 7. Whole and Half-tone Drills . 19 Lesson 8. Basic Rhythm Exercises .........................
    [Show full text]
  • Sacred Song Chanting the Bible in the Middle Ages and Renaissance
    SACRED SONG CHANTING THE BIBLE IN THE MIDDLE AGES AND RENAISSANCE LAURA LIGHT AND SUSAN BOYNTON Preface by Sandra Hindman LES ENLUMINURES LTD. 23 East 73rd Street 7th Floor New York, NY 10021 [email protected] LES ENLUMINURES LTD. 2970 North Lake Shore Drive Chicago, IL 60657 [email protected] LES ENLUMINURES 1, rue Jean-Jacques Rousseau 75001 Paris [email protected] www.lesenluminures.com www.textmanuscripts.com TEXTMANUSCRIPTS 4 LES ENLUMINURES LTD . 23 EAST 73 RD STREET 7TH FLOOR, PENTHOUSE NEW YORK, NY 10021 TEL: (212) 717 7273 FAX: (212) 717 7278 [email protected] EXHIBITION SACRED SONG JANUARY 24 TO FEBRUARY 21, 2014 CHANTING THE BIBLE IN THE MIDDLE AGES AND RENAISSANCE LAURA LIGHT AND SUSAN BOYNTON LES ENLUMINURES LTD . Preface by Sandra Hindman 2970 NORTH LAKE SHORE DRIVE CHICAGO, IL 60657 TEL: (773) 929 5986 FAX: (773) 528 3976 [email protected] LES ENLUMINURES 1, RUE JEAN-JACQUES ROUSSEAU 75001 PARIS TEL: +33 (0)1 42 60 15 58 FAX: +33 (0)1 40 15 63 88 [email protected] WWW.LESENLUMINURES.COM WWW.TEXTMANUSCRIPTS.COM FULL DESCRIPTIONS AVAILABLE ON WWW.TEXTMANUSCRIPTS.COM © SANDRA HINDMAN AND LAURA LIGHT 2014 ISBN 978-0-9838546-8-5 CONTENT preface 6 by Sandra Hindman Introduction: 10 The Music of Medieval Liturgy by Susan Boynton I. In the Church: 14 in the Choir II. Outside the Church: 62 in the Cloister, in the Cemetery, and in the City and Countryside III. Apart from the Church: 90 in the Classroom, in the Chapter House, and in the Congregation Glossary 100 Bibliography 102 5 PREFACE “It may well be that more people listen to Gregorian chant today, or have heard it at some time or other..
    [Show full text]
  • Entrance Organ Prelude Followed by the Plainsong Proper Introit
    Entrance Gospel Organ Prelude followed by the Plainsong Proper Introit Luke 2.15-21 Greeting Priest The Lord be with you. All And also with you. Priest In the name of the Father, and of the Son, Priest Hear the gospel of our Lord Jesus Christ and of the Holy Spirit. according to Luke. All Amen. All Glory to you, O Lord. Priest Grace, mercy and peace, from God our Father At the conclusion and the Lord Jesus Christ be with you. Priest This is the gospel of the Lord. All And also with you. All Praise to you, O Christ. Penitential Rite The Sermon Priest You were born for our salvation. Lord, have mercy. The Nicene Creed All Lord, have mercy. All We believe in one God, Priest You came as Saviour the Father, the almighty, to bring wholeness and peace. maker of heaven and earth, Christ, have mercy. of all that is, All Christ, have mercy. seen and unseen. We believe in one Lord, Jesus Christ, Priest You came to bring light the only Son of God, into the darkness of our lives. eternally begotten of the Father, Lord, have mercy. God from God, Light from Light, All Lord, have mercy. true God from true God, begotten, not made, Almighty God have mercy upon you, of one Being with the Father; forgive you your sins, through him all things were made. and bring you to everlasting life. For us and for our salvation Amen. he came down from heaven, was incarnate from the Holy Spirit and the Virgin Mary and was made man.
    [Show full text]
  • Missa Orbis Factor
    Missa Orbis Factor A Gregorian Mass Edited and arranged by Christopher Moore The Gregorian Mass known as the Missa Orbis Factor is a plainsong mass, designed to be sung in unison and a cappella. This arrangement attempts to keep the essential character of the Mass, whilst providing a harmonically simple modern setting. The transcription of the Mass itself is from the original neumes, and is as consistent as possible with the commonly accepted interpretation of the flow of the music. This is not intended to be an academically precise interpretation ; there is, of course, no such thing. It is, however, based upon the editor’s own experience, and may be regarded as one possible way of interpreting the work. The accompaniment is suitable for both piano and organ. There are four parts to the Mass. • Kyrie – this may be performed with a soloist singing the first Kyrie eleison, the choir the second etc. There are two Kyrie’s in the original, only the second (Kyrie B) has been included here. • Gloria – A soloist may intone Gloria in excelsis Deo, at which point the choir then sings the rest • Sanctus and Benedictus • Agnus Dei The editor would appreciate feedback on this arrangement, and any suggestions for improvement. E-mail may be sent to [email protected]. This edition may be freely copied for non-commercial performance. It may not, however, be changed in any way without the editor’s approval. Dr Christopher Moore Sydney, Australia Rev: November 1999 Missa Orbis Factor Kyrie Arr. Christopher Moore 1 O O K K O Vocal
    [Show full text]