Engineering Division Training Manual
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
Audio Signal Visualisation and Measurement
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Audio Signal Visualisation and Measurement Robin Gareus Chris Goddard Universite´ Paris 8, linuxaudio.org Freelance audio engineer [email protected] [email protected] ABSTRACT • At the mastering stage, meters are used to check compliance with upstream level and loudness stan- The authors offer an introductory walk-through of profes- dards, and to optimise the dynamic range for a given sional audio signal measurement and visualisation using medium. free software. Many users of audio software at some time face prob- Similarly for technical engineers, reliable measurement lems that requires reliable measurement. The presentation tools are indispensable for the quality assurance of audio- focuses on the SiSco.lv2 (Simple Audio Signal Oscillo- effects or any professional audio-equipment. scope) and the Meters.lv2 (Audio Level Meters) LV2 plug- ins, which have been developed open-source since August 2. METER TYPES AND STANDARDS 2013. The plugin bundle is a super-set, built upon exist- ing tools adding novel GUIs (e.g ebur128, jmeters,..), and For historical and commercial reasons various measure- features new meter-types and visualisations unprecedented ment standards exist. They fall into three basic categories: on GNU/Linux (e.g. true-peak, phase-wheel,..). Various • Focus on medium: highlight digital number, or ana- meter-types are demonstrated and the motivation for using logue level constraints. them explained. The accompanying documentation provides an overview • Focus on message: provide a general indication of of instrumentation tools and measurement standards in gen- loudness as perceived by humans. eral, emphasising the requirement to provide a reliable and • standardised way to measure signals. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Book Publishing 2006
The research was funded by the Department of Arts and Culture (DAC) through the South African Book Development Council (SABDC) and by the Publishers’ Association of South Africa (PASA) PASA ANNUAL INDUSTRY SURVEY 2006 REPORT SEPTEMBER 2007 Research Team SCHOOL OF INFORMATION TECHNOLOGY Dr Francis Galloway DEPARTMENT OF INFORMATION SCIENCE Dr Rudi MR Venter PUBLISHING STUDIES Willem Struik CONTENTS EXECUTIVE SUMMARY 3 BACKGROUND 6 DATA COLLECTION PROCESS 6 Core list of targeted publishers 7 List of entities that participated in the 2005 and 2006 industry surveys 10 Producer profile of entities that participated in the 2006 survey 11 DATA CAPTURING 14 DATA ANALYSIS 15 TURNOVER PROFILE 16 Total Net Turnover 16 Total Net Turnover: Business Activities 17 Net Turnover: Sales of Local vs. Imported Product – According to Sub-sector 19 Educational Net Turnover per Province 26 Net Turnover of Local Books per Language 27 PRODUCTION PROFILE 32 Local Production of First Editions vs. Subsequent Editions & Reprints According to Sub-sector 32 Total Title Production (incl. New Editions, excl. Subsequent Editions & Reprints) per Language and Sub-sector 34 AUTHOR PROFILE 38 Total Number of Authors / Other Parties Receiving Royalties 38 Author Profile According to Population Group and Sub-sector 38 ROYALTY PROFILE 40 Average % Royalty on Net Turnover According to Sub-sector and Publishers’ Category 40 Rand Value of Royalty as % of Net Turnover of Sales of Local Product According to Publishers’ Category 41 FINAL REMARKS 42 © 2007 Francis Galloway, Rudi MR Venter & Willem Struik, Publishing Studies, University of Pretoria PASA ANNUAL INDUSTRY SURVEY REPORT 2006 2 EXECUTIVE SUMMARY Data collection process The core list for the 2006 survey contained 99 targeted entities. -
A Demonstration Studio for Sound Recording and Reproduction and for Sound Film Projection
196 PHILIPS TECHNICAL REVIEW VOL. 10, No. 7 A DEMONSTRATION STUDIO FOR SOUND RECORDING AND REPRODUCTION AND FOR SOUND FILM PROJECTION by the ELECTRO-ACOUSTICS DEPARTMENT. 725.81 At the commencement of 1948 a new demonstration studio was placed at the disposal of the Electro-Acoustics Department of the Philips Factories at Eindhoven. Known as the ELA Studio, it is equipped for demonstrations of various types of programme sources, amplifiers, loudspeakers and film projection equipment, as well as for sound recording by different systems. The acoustic properties of the studio are such that the reverberation time at the higher frequencies (0.9 sec at 2000 els) is only slightly less than at the lower frequencies (1.3 sec at 100 cis), this having a very beneficial effect on the high note response. An elaborate relay system permits of any combination of a sound source (microphone, "Philimil" tape, magnetic tape, or radio receiver), an amplifier, and one or more loud- speakers: From the control desk one or several programmes can he passed to different recording equipment, viz. the Philips-Miller, the magnetic or the photographic equipment, or the gramophone recording unit. Arranged round the studio itself are a microphone room, "speech studio", projection, control and recording rooms.. For the effective demonstration of electro- Architecture acoustic equipment such as microphones, pick-ups, In the design of the studio the scope of the amplifiers, loudspeakers and so on, a hall posses- architect was in many respects limited. He was sing certain acoustic properties - amongst others obliged to take into account the special conditions those relating to reverberation time and sound to be met in the matter of acoustics (see later para- insulation - is indispensable. -
Appendix 1: Bibliography
Appendix 1: Bibliography Chapter 1 1 Aston, B. and Williams, M., Playing to Win, Institute of Public Policy Research, 1996. 2 Williams, K., Williams, J. and Thomas D., Why are the British Bad at Manufacturing, Routledge & Keegan Paul, 1983. 3 Economist Intelligence Unit, World Model Production Forecasts 1999. 4 SMMT, Motor Industry of Great Britain 1986, World Automotive Statistics, London. 5 Maxton, G. P. and Wormald, J., Driving Over a Cliff?, EIU Series, Addison-Wesley, 1994. 6 Turner, G., The Leyland Papers, Eyre & Spottiswoode, 1971. 7 World Economic Development Review, Kline Publishing/McGraw Hill, 1994. 8 United Kingdom Balance of Payments, Office for National Statistics, 1998. 9 Court, W., A History of Grand Prix Motor Racing 1906–1951, Macdonald, 1966. 10 Crombac, G., Colin Chapman, Patrick Stephens, 1986. 11 Garrett, R., The Motor Racing Story, Stanley Paul & Co Ltd, 1969. 12 Jenkinson, D., and Posthumus, C., Vanwall, Patrick Stephens, 1975. 13 Hamilton, M., Frank Williams, Macmillan, 1998. 14 Mays, R., and Roberts, P., BRM, Cassell & Company, 1962. 15 Rendall, I., The Power and the Glory, BBC Books, 1991. 16 Underwood, J., The Will to Win. John Egan and Jaguar, W.H.Allen & Co. Ltd, 1989. 17 Henry, A., March, The Grand Prix & Indy Cars, Hazleton Publishing, 1989. 263 264 Britain’s Winning Formula Chapter 2 1 Motor Sports Association, The, British Motorsports Yearbooks, Motor Sports Association [MSA], 1997–9. 2 David Hodges, David Burgess-Wise, John Davenport and Anthony Harding, The Guinness Book of Car Facts and Feats, Guinness Publishing, 4th edn, 1994. 3 Ian Morrison, Guinness Motor Racing Records, Facts and Champions, Guinness Publishing, 1989. -
Peak Programme Meters
Peak Programme Meters Audio signals in nature can cover an extremely wide dynamic range extending from, at the quietest level, below the threshold of hearing to, at the loudest level, greatly in excess of the threshold of pain! Broadcasters of course do not attempt to emulate this dynamic range, and for entirely practical reasons a very much reduced dynamic level variation must be transmitted. The Listener, or Viewer, will adjust the volume setting in their own home environment so that the Programme is clearly audible above the domestic background noise which will vary from location to location. Invariably Broadcasters restrict the dynamic level range of the transmitted Programme in order to increase the "impact" of the programme audio over this domestic ambience. The dynamic range is restricted by a combination of close- microphone and electronic compression using "dynamic limiters", and in essence, these techniques make the programme's audio sound louder than it would otherwise be. This compression is usually gross on Pop Music channels where the dynamic range is severely limited and often pretty obvious on Commercials too. Measuring audio levels, in a programme production environment, is more complicated than appears at first glance. Programme Audio is subject to the following:- 1) Wide, though restricted, dynamic range. 2) Wide, though restricted, frequency response. 3) Short duration transients 4) Positive and negative signal excursions are often different by many dB. 5) The degree of audio compression will affect measurements. 6) Stereo Phase considerations. 7) The metering must be clear and unambigous. 8).....and other more subtle effects. The characteristics of the measuring device itself totally weight the achieved measurement. -
Spanish Direct Investment in Latin America: Challenges and Opportunities William Chislett
William Chislett Spanish Direct Investment in Latin America: Challenges and Opportunities William Chislett Challenges and Opportunities Spanish Direct Investment in Latin America: William Chislett was born in Oxford in 1951. He reported on Spain’s 1975-78 transition to democracy for The Times. Between 1978 and 1984 he was based in Mexico City for The Financial Times, covering Mexico and Central America, before returning to Madrid in 1986 as a writer and translator. He has written books on Spain, Portugal, Chile, Ecuador, Panama, Finland, El Salvador and Turkey for Euromoney Publications. The Writers and Scholars Educational Trust published his The Spanish Media since Franco in 1979. Banco Central Hispano published his book España: en busca del éxito in 1992 (originally published that same year by Euromoney), Spain: at a Turning Point in 1994, and Spain: the Central Hispano Handbook, a yearly review, between 1996 and 1998. Banco Santander Central Hispano published his dictionary of economic terms in 1999 and his Spain at a Glance in 2001. He wrote the section on Latin America for Business: The Ultimate Resource (Bloomsbury, 2002), and in 2002 the Elcano Royal Institute published his book The Internationalization of the Spanish Economy. He is married and has two sons. Praise for previous books on Spain One of the great attractions is the author’s capacity to gather, analyze and synthesize the most relevant economic information Spanish Direct Investment and explain its implications concisely and directly. in Latin America: Guillermo de la Dehesa, Chairman of the Centre for Economic Policy Research (CEPR), El País Challenges and Opportunities Stylish and impressive. -
Space Hop Book List Leaflets.Qxd
★ The Summer Reading Challenge ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ The ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ Younger ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ Collection★ ★ ★ ★ ★ ★ Contains one copy of each of the titles listed below Book List List Price £199.65 AUTHOR TITLE ISBN - 13 PUBLISHER PRICE £ QTY Complete set of the YOUNGER COLLECTION (one copy of each of the titles listed below) £199.65 ........... Anderson, Scoular Space Pirates 9781845072421 Frances Lincoln Publishers £6.99 ........... Ardagh, Philip Henry’s House: Space 9781407107219 Scholastic UK £5.99 ........... Bartram, Simon Disappearing Moon 9781840117196 Templar Publishing £4.99 ........... Brown, Jeff Flat Stanley In Space 9781405204194 Egmont Children’s Books £3.99 ........... Carter, James Greetings Earthlings (space poems) 9780330471749 Macmillan Children’s Books £4.99 ........... Chatterton, Martin Intergalactic 150 cosmic jokes about space 9780330510196 Macmillan Children’s Books £3.99 ........... Child, Lauren What Planet Are you From, Clarice Bean 9781408300053 Orchard Books £5.99 ........... Docherty, Thomas Big Scary Monster 9781848770331 Templar Publishing £6.99 ........... Dougherty, John Zeus on the Loose 9780552550819 Random House Children’s Books £3.99 ........... Emmett, Jonathan Bringing Down the Moon 9780744589504 Walker Books £5.99 ........... French, Vivian I Wish I Was An Alien 9780237527761 Evans Publishing £4.99 ........... Fusek Peters, Andrew & Polly Megan’s Ticktock Rocket 9780237533421 Evans Publishing £4.99 ........... Gray, Kes Daisy and the Trouble with Kittens 9781862308343 Random House Children’s Books £4.99 ........... Grego, Peter Space Guides: Exploring the Moon 9781848350151 QED Publishing £5.99 ........... Heine, Theresa Star Seeker 9781846863820 Barefoot Books £5.99 ........... Horacek, Petr Elephant 9781406324419 Walker Books £5.99 ........... Kitamura, Satoshi UFO Diary 9781842705919 Random House Children’s Books £5.99 ........... Little, Penny The Blackest Hole in Space 9780340944677 Hachette Children’s Books £5.99 .......... -
Zenker, Stephanie F., Ed. Books For
DOCUMENT RESUME ED 415 506 CS 216 144 AUTHOR Stover, Lois T., Ed.; Zenker, Stephanie F., Ed. TITLE Books for You: An Annotated Booklist for Senior High. Thirteenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0368-5 ISSN ISSN-1051-4740 PUB DATE 1997-00-00 NOTE 465p.; For the 1995 edition, see ED 384 916. Foreword by Chris Crutcher. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03685: $16.95 members, $22.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Fiction; High School Students; High Schools; *Independent Reading; *Nonfiction; *Reading Interests; *Reading Material Selection; Reading Motivation; Recreational Reading; Thematic Approach IDENTIFIERS Multicultural Materials; *Trade Books ABSTRACT Designed to help teachers, students, and parents identify engaging and insightful books for young adults, this book presents annotations of over 1,400 books published between 1994 and 1996. The book begins with a foreword by young adult author, Chris Crutcher, a former reluctant high school reader, that discusses what books have meant to him. Annotations in the book are grouped by subject into 40 thematic chapters, including "Adventure and Survival"; "Animals and Pets"; "Classics"; "Death and Dying"; "Fantasy"; "Horror"; "Human Rights"; "Poetry and Drama"; "Romance"; "Science Fiction"; "War"; and "Westerns and the Old West." Annotations in the book provide full bibliographic information, a concise summary, notations identifying world literature, multicultural, and easy reading title, and notations about any awards the book has won. -
Evaluation of Live Loudness Meters ISBN 978-91-7790-297-3 (Pdf)
DOCTORAL T H E SIS Department of Arts, Communication and Education Division of music, media and theater ISSN 1402-1544 ISBN 978-91-7790-296-6 (print) Evaluation of Live Loudness Meters ISBN 978-91-7790-297-3 (pdf) Luleå University of Technology 2019 Jon Allan Evaluation of Live Loudness Meters of Live Allan Evaluation Jon Jon Allan Audio Technology Evaluation of Live Loudness Meters Jon Allan Luleå University of Technology Department of Arts, Communication and Education Division of music, media and theater Printed by Luleå University of Technology, Graphic Production 2019 ISSN 1402-1544 ISBN 978-91-7790-296-6 (print) ISBN 978-91-7790-297-3 (pdf) Luleå 2019 www.ltu.se Dedicated to my parents and their loved ones. Abstract Discrepancies in loudness (i.e. sensation of audio intensity) has been of great concern within the broadcast community. For television broadcast, disparities in audio levels have been rated the number one cause to annoyance by the audience. Another problem area within the broadcast and music industry is the loudness war. The phenomenon is about the strive to produce audio content to be at least as loud or louder to any other audio content that it can easily be compared with. This mindset, when deciding for audio level treatment, inevitably leads to an increase in loudness over time, and also, as a technical consequence, a decrease of utilized dynamics. The effects of the loudness war is present in both terrestrial radio transmissions as well as in music production and in music distribution platforms. The two problems, discrepancies in loudness and the loudness war, both emanate from the same source; regulations of audio levels and the design of measurement gear have not been amended to cope with modern production techniques.