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Power and Paranoia
Power and Paranoia: The Literature and Culture of the American Forties Course instructor: PD Dr. Stefan Brandt Ruhr-Universität Bochum Winter term 2009/10 Bibliography (selection) “A Life Round Table on the Pursuit of Happiness” (1948) Life 12 July: 95-113. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood” (1945) Life 3 Sept.: 53. Asimov, Isaac. “Robbie.” [Originally published as “Strange Playfellow” in 1940]. In: I, Robot. New York: Gnome Press, 1950. 17-40. ---. “Runaround.” [1942]. In: I, Robot, 41-62. Auden, W.H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947. Auster, Albert, and Leonard Quart. American Film and Society Since 1945. London and Basingstoke: Macmillan, 1984. Balio, Tino. The American Film Industry. Madison: University of Wisconsin Press, 1976. Barson, Michael, and Steven Heller. Red Scared: The Commie Menace in Propaganda and Popular Culture. San Francisco: Chronicle Books, 2001. Behlmer, Rudy, ed. Inside Warner Brothers 1935-1951. New York: Viking, 1985. Belfrage, Cedric. The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill, 1973. Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting, 1940-1960. An Exhibition and Catalogue. New Brunswick, N.J.: Rutgers Univ. Art Gallery, State Univ. of New Jersey, 1981. Birdwell, Michael E. Celluloid Soldiers: The Warner Bros. Campaign Against Nazism. New York: New York University Press, 1999. Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Tele- vision, 1940-60.” In: Balio, ed., Hollywood in the Age of Television, 1990. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
FOR IMMEDIATE RELEASE May 24, 2019 Press/Media Contact: Philip Sokoloff, (626) 674-0504, [email protected]
PHILIP SOKOLOFF Publicity for the arts P.O. Box 94387 Pasadena, CA 91109-4387 (626) 674-0504 e-mail: [email protected] FOR IMMEDIATE RELEASE May 24, 2019 Press/media contact: Philip Sokoloff, (626) 674-0504, [email protected] SIERRA MADRE PLAYHOUSE TO OFFER SERIES OF SCREENINGS OF CLASSIC MOVIE MUSICALS; STARTS JUNE 19 Sierra Madre Playhouse inaugurates a projected ongoing film series, Off the Screen @ SMP, in which we’ll feature midweek screenings of films that are in some way related to our current live mainstage productions. During the run of its live stage musical Dames at Sea, itself an homage to the optimistic movie musicals of the 1930s and 1940s, the Sierra Madre Playhouse will offer a series of screenings of classic movie musicals. The films will screen on Wednesday evenings at 8:00 p.m. The series is curated by Rich Procter, an expert in the history of American cinema and a Sierra Madre Playhouse board member. Prior to each screening, Mr. Procter will comment on an aspect of this glorious film genre, the American musical of the 30s and 40s, and cast members of Dames at Sea will sing a live musical number. The films are as follows: June 19: 42ND Street. Directed by Lloyd Bacon. Written by Rian James and James Seymour. Based on the novel by Bradford Ropes. Produced by Darryl F. Zanuck. From Warner Bros. (Black-and-white, 1933, USA, 89 minutes) Starring Ruby Keeler, Warner Baxter, Dick Powell, Ginger Rogers, Bebe Daniels, George Brent. Peggy’s rise from showgirl to star is the stuff of show business dreams. -
Yankee Doodle Dandy, Starring Jimmy Cagney As Playwright George M
ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” During the first half of the 20th century, Americans received most of their news from newspapers & magazines. Weekly magazines like Life, Time & The Saturday Evening Post might arrive by mail, but a regular stop at the newsstand was part of most people’s lives! During the first week of July, 1942, by request of FDR, all of the U.S. magazines patriotically displayed an American Flag on their cover*. Of course by 1942, the movie industry was churning out patriotic movies, which that year included Yankee Doodle Dandy, starring Jimmy Cagney as playwright George M. Cohan & as his wife Mary, the beautiful redhead Joan Leslie. Yankee Doodle Gal: Miss Leslie, one of our favorite actresses, passed away recently at age 90. She often played the young ingénue in WWII movies & besides the somewhat fictionalized account of Mr. Cohan’s life, appeared in many patriotically inspired movies such as Sergeant York, The Sky’s the Limit, This is the Army, Thank Your Lucky Stars & Hollywood Canteen. After the war, she fought Warner Brothers for better roles, eventually breaking her contract. She moved on to independent productions & early television. She retired to focus on raising her young twin daughters, taking occasional TV roles into the 1990s! Watching Yankee Doodle Dandy on TV was a Fourth of July family tradition growing up! The nearly 30-year old movie was inspiring then & remains so today. The Fourth was always this little boy’s favorite holiday, for the same reason as Mr. -
The Ledger and Times, December 01, 1953
Murray State's Digital Commons The Ledger & Times Newspapers 12-1-1953 The Ledger and Times, December 01, 1953 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, December 01, 1953" (1953). The Ledger & Times. 1465. https://digitalcommons.murraystate.edu/tlt/1465 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. • \ )VEMBER BO, 1953 Selected As A Best All'Round Kentucky Community Newspaper ----.... mong names on file are "Buz- r Roose." "Briar Patch," ack-Of-The Moon," -Black Largest vs," "Pleasant Retreat," and Circulation In The Iiiiii,KZ Fair tonight, iintuckee." cloudinesscl w 35 to City; Largest 40 e mostly cloudy and mild, shOwers CHINA Circulation In likely. west and by afternoon] The County or night in east portion. A Real Gift For 4•MINIMMIN141111111/ CHRISTMAS TOUP United Press rwansitsiviDi ITS ain 'Ili 74intararilli Murray Ky.,•e Tuesday Afternoon, December 1953 MURRAY POPULATION . 5,000 Vol. LXXI7V; No. 252 MURRAY GIFT SHOP National Hotel TUESDAY LECTION DATE SET AT CL THING PLANT and WED. ,) ,er Governor TWO LIVES-L Heavy Marketing Tuberculosis In Crash Allied Talks )11AGEDIES IN Responsible For Calloway Manufacturing Co. Drop In Prices Bt. e CREEK,Mioh. en- Spread,Person tit With PW's Workers To Vote December 16 Einserinn e net, nirn Sigler died a WASHINGTON, Dec. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Congressional Record—Senate S3699
April 27, 2006 CONGRESSIONAL RECORD — SENATE S3699 There are a growing number of reports the Nazis’ systematic state-sponsored Ranger Program, the National Park from North Korea refugees that any persecution and murder of 6 million Service is fostering a new constituency unauthorized religious activity inside Jews. In 1945, the U.S. Third Army’s of park stewards. Today the Junior North Korea is met with arrest, impris- 6th Armored Division liberated the Bu- Ranger Program exists in more than onment, torture, and sometimes execu- chenwald concentration camp and the 286 parks, striving to help connect tion by North Korean officials.’’ U.S. Seventh Army’s 45th Infantry Di- youth to national parks and the Na- Furthermore, the U.S. Department of vision liberated Dachau in Germany. tional Park System and helping them State’s 2005 Country Report on Human We reflect in order to remember— gain an understanding of the important Rights Practices sums up North Ko- honoring the dead, pledging never to role of the environment in our lives. rea’s actions by listing documented or forget atrocities of the past, and fight- The Junior Ranger Program encour- alleged human rights abuses over the ing to stop them today. In 2004, then- ages whole families to get involved in years. Such instances include: U.S. Secretary of State Colin Powell learning about, exploring and pro- abridgement of the right to change the told the U.S. Senate Foreign Relations tecting our Nation’s most important government; extrajudicial killings, dis- Committee that genocide has been scenic, historical, and cultural places. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
MICHAEL CURTIZ: from HUNGARY to HOLLYWOOD Release
The Museum of Modern Art For Immediate Release November 1992 MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD November 27, 1992 - January 23, 1993 A survey of more than fifty films by Michael Curtiz (1888-1962), one of cinema's most prolific directors from the studio era, opens on November 27, 1992, at The Museum of Modern Art. As Warner Bros, house director in the 1930s and 1940s, Curtiz symbolizes the crispness and energy that distinguished the Warners' style. On view through January 23, 1993, MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD explores the consistent quality and versatility of the filmmaker's work. The Hungarian-born Curtiz mastered virtually all genres and, during his twenty-seven-year career at Warner Bros., made every type of film from westerns and musicals to social dramas and comedies. A strong director of actors, he made stars of such disparate types as Errol Flynn, John Garfield, and Doris Day, and earned an Academy Award and a renewed career for Joan Crawford in Mildred Pierce (1945). Many of his films were popular critical and financial successes. Curtiz possessed an acute narrative sense, displayed in such remarkable films included in the exhibition as The Adventures of Robin Hood (1938), with Flynn and Olivia de Havilland; Casablanca (1942), for which Curtiz received an Academy Award for Best Director; Yankee Doodle Dandy (1942), the musical which won James Cagney an Academy Award; Mildred Pierce, the film noir portrait of an imperfect American family; Young Man with a Horn (1950), starring Kirk - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 Douglas as an obsessed jazz trumpeter and inspired by Bix Beiderbecke's life; and The Breaking Point (1950), based on Ernest Hemingway's To Have and Have Not, His early successes -- Cabin in the Cotton (1932), a melodrama about sharecroppers, and The Mystery of the Max Museum (1933), an early all-color horror film -- are also included in the exhibition. -
Susie & Bobby Thompson
the PINECONEThe Magazine of Kirby Pines LifeCare Community • July 2021 | V. 39 | I.7 SUSIE & BOBBY THOMPSON enjoying the ride of their life at Kirby Pines. Treadmill Safety | Facts On Falling | A Time To Remember | Resident Spotlight: Richard & Arrena Cheek Kirby Pines Retirement LifeCare It's Officially Summer is managed by: Summer is officially here! Although it at Kirby Pines sneaked in towards the end of June, the unofficial hotter, dryer weather arrived In fact, with so much going on at Kirby Pines, the slightly warmer summer days sometime during spring. Luckily for us BOARD OF DIRECTORS all, our large trees and park like acreage, will breeze by almost unnoticed. Dr. James Latimer, Chairman provides us with plenty of areas where we July will be filled with truly important Mr. Rudy Herzke, President can step outside to stroll under the shade of national and community events, Mr. Berry Terry, Secretary/Treasurer numerous majestic trees. We can also enjoy Independence Day being among the Mr. Larry Braughton Mr. Jim Ethridge fishing with friends and grandchildren along most noteworthy. This July, when we Ms. Linda Harrington Ms. Mary Ann Hodges the banks of our very own lake, or enjoy a gather to celebrate the birth of our Mr. Rusty Linkous Mr. Boyd Rhodes, Jr. family picnic in the gazebo cooled by ceiling nation, we will also be ending many RCA STAFF fans, now that outside restrictions for Covid of the national healthcare protocols have been removed. that limited gathering with family and Charlie Trammell President, RCA For those who prefer to stay indoors, the friends, as we welcome back a true July calendar is filled with events to meet feeling of independence. -
Ira Gershwin 6 December 1896-17 August 1983 100 Years Bruce D
Volume 14 Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin 6 December 1896-17 August 1983 100 Years bruce d. mcclung and miles kreuger examine the weill-gershwin collaboration Volume 14 In this issue Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin—100 Years Life after George: The Genesis of Lady in the Dark’s Circus Dream 4 bruce d. mcclung ISSN 0899-6407 Some Words About © 1996 Kurt Weill Foundation for Music Where Do We Go From Here? 10 7 East 20th Street Miles Kreuger New York, NY 10003-1106 tel. (212) 505-5240 Books fax (212) 353-9663 Die Dreigroschenoper: A Facsimile of the Holograph Full Score (Kurt Weill Edition) 13 The Newsletter is published to provide an open forum Hermann Danuser wherein interested readers may express a variety of opin- The American Musical Theatre Song Encyclopedia ions. The opinions expressed do not necessarily represent by Thomas S. Hischak 14 the publisher’s official viewpoint. The editor encourages the Celso Loureiro Chaves submission of articles, reviews, and news items for inclusion in future issues. Ira Gershwin: The Art of the Lyricist by Philip Furia 16 David Anthony Fox Teaching New Classicality: Ferruccio Busoni’s Master Staff Class in Composition by Tamara Levitz 17 David Farneth, Editor Lys Symonette, Translator Stephen Hinton Edward Harsh, Associate Editor Dave Stein, Production Performances Joanna Lee, Associate Editor Brian Butcher, Production One Touch of Venus in New York 18 Kurt Weill Foundation Trustees Jon Alan Conrad Kim Kowalke, President Paul Epstein Der Protagonist in New