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Architectural Commentaries by Professor A Collection The Louvre © Katherine Metz The Louvre Paris, France “The new entrance to the museum, inaugurated in 1989, the year of the Bicentenary of the French Revolution, has become the symbol of the Louvre. Formal simplicity and high technology presided over the implementation of this project by the architect Ieoh Ming Pei, with its spider like glass and metal structure and visitors’ reception areas.” “Since its inauguration in 1989, the Pyramid has dominated the cour Napoleon. It was designed by the American Chinese-born architect, Ieoh Ming Pei, as the main entrance to the museum. The glass, which is strong and light, is transparent and makes it possible to admire the palace’s facades from the inside.” Here are Professor’s comments on the Feng Shui of the Louvre in Paris, France: 1. The French government was right in asking Pei to design the new entrance despite the fact that the choice of a non-Frenchman created an uproar. 2. The use of glass was a wise choice, for it allows one to appreciate the architecture of the entire building without disturbing the flow. Another material may have disturbed the flow, blocking the chi and the view. The design “preserved the chi of the Louvre”. 3. If you are inspired by the glass pyramid, do not build one in a client’s garden. Pyramids were originally used as burial sites for Pharaohs, and are, therefore, a sign of death. This is not auspicious for the person living in the house and trying to enjoy the garden. 4. There is a casino in Las Vegas that is built in the shape of a pyramid. It is not doing well, and, in fact, is doing the worst business on the Strip. The owners should do the following: • Add a circulating spotlight to the top of the pyramid. It will elevate the chi, and the finances. 5. When asked about receiving a small crystal pyramid as a gift, Professor made the following comment: • A small pyramid is no problem. A small crystal pyramid paperweight is ok. We are talking here of large structures. © Katherine Metz 2 6. Since a pyramid is really a “monument to death,” I. M. Pei would have been wise to etch a flower pattern into the glass. The flower etchings would have brought life to a structure that is symbolic of death. This would have corrected this shortcoming of the design. 7. It is important to make a “chi connection” between the original museum and the new pyramid. This could have been done during construction by placing the museum logo, or any other symbol of the museum, inside each triangle of the pyramid. © Katherine Metz 3 .

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Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main ofﬁce tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@ﬁnearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar.
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PDF__1563791417226.Pdf
WELCOME LES SALLES DU CARROUSEL CONTENTS A ROYAL PALACE ART, HISTORY, LUXURY AN EYE TO THE FUTURE LES SALLES DU CARROUSEL A ROYAL PALACE FACTS AND FIGURES AT A GLANCE THE STORY OF LES SALLES DU CARROUSEL A PRESTIGIOUS CLIENT LIST FACTS AND FIGURES elegant, Inside the 4 contemporary spaces world’s FROM 750 TO 1,900 SQ.M, THREE OF WHICH ARE number EQUIPPED WITH ADJUSTABLE 1 RISERS museum fully customisable spaces 2 PERFECT FOR CREATING 7,125 SQ.M ONE-OF-A-KIND EVENTS OF MODULAR INTERIOR SPACES IN THE HEART OF PARIS events each year IN55 PARIS, THE CHIC, CULTURAL CAPITAL A ROYAL PALACE . 4 AT A GLANCE A royal welcome, A venue made to measure rich in history and culture A timeless setting with contemporary Sumptuous, appeal one-of-a-kind events Unforgettable encounters in the heart of Paris A ROYAL PALACE . 5 THE STORY OF LES SALLES DU CARROUSEL Les Salles du Carrousel is located at the very centre of the Louvre Palace, a place inextricably linked to French history, and a royal residence until the reign of Louis XIV. Within its walls are archaeological vestiges that were Septembre discovered during its construction. 1993 1991 Inauguration of the Inverted Construction begins on Pyramid, designed by I.M. Pei. 2012 Carrousel du Louvre as an extension Measuring 16 metres on a side, The reception of the museum's main entrance. weighing 180 tons and 7 metres rooms are ﬁtted 1202 The contract is awarded to architects with “sound and 2016 tall, it becomes the architectural Construction of I.M.
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