Hammurabi's Code
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Republic of Iraq
Republic of Iraq Babylon Nomination Dossier for Inscription of the Property on the World Heritage List January 2018 stnel oC fobalbaT Executive Summary .......................................................................................................................... 1 State Party .......................................................................................................................................................... 1 Province ............................................................................................................................................................. 1 Name of property ............................................................................................................................................... 1 Geographical coordinates to the nearest second ................................................................................................. 1 Center ................................................................................................................................................................ 1 N 32° 32’ 31.09”, E 44° 25’ 15.00” ..................................................................................................................... 1 Textural description of the boundary .................................................................................................................. 1 Criteria under which the property is nominated .................................................................................................. 4 Draft statement -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
Gilgamesh Sung in Ancient Sumerian Gilgamesh and the Ancient Near East
Gilgamesh sung in ancient Sumerian Gilgamesh and the Ancient Near East Dr. Le4cia R. Rodriguez 20.09.2017 ì The Ancient Near East Cuneiform cuneus = wedge Anadolu Medeniyetleri Müzesi, Ankara Babylonian deed of sale. ca. 1750 BCE. Tablet of Sargon of Akkad, Assyrian Tablet with love poem, Sumerian, 2037-2029 BCE 19th-18th centuries BCE *Gilgamesh was an historic figure, King of Uruk, in Sumeria, ca. 2800/2700 BCE (?), and great builder of temples and ci4es. *Stories about Gilgamesh, oral poems, were eventually wriXen down. *The Babylonian epic of Gilgamesh compiled from 73 tablets in various languages. *Tablets discovered in the mid-19th century and con4nue to be translated. Hero overpowering a lion, relief from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 721–705 BCE The Flood Tablet, 11th tablet of the Epic of Gilgamesh, Library of Ashurbanipal Neo-Assyrian, 7th century BCE, The Bri4sh Museum American Dad Gilgamesh and Enkidu flank the fleeing Humbaba, cylinder seal Neo-Assyrian ca. 8th century BCE, 2.8cm x 1.3cm, The Bri4sh Museum DOUBLING/TWINS BROMANCE *Role of divinity in everyday life. *Relaonship between divine and ruler. *Ruler’s asser4on of dominance and quest for ‘immortality’. StatuePes of two worshipers from Abu Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure 2’ 6” high. Iraq Museum, Baghdad. URUK (WARKA) Remains of the White Temple on its ziggurat. Uruk (Warka), Iraq, ca. 3500–3000 BCE. Plan and ReconstrucVon drawing of the White Temple and ziggurat, Uruk (Warka), Iraq, ca. -
Orsay Museum
PARIS A UDIO TOURS Orsay Museum Ground Floor PONT ROYAL Bus #69 RUE DU BAC QUAI VOLTAIRE QUAI from Rue Cler to Louvre & Marais Bus #69 from Marais to ESCALATOR UP TO To Louvre Rue Cler via Tuileries Garden IMPRESSIONISM (10 Min. Walk) & Batobus Boat Stop Seine MANET PLACE HENRY DE MONTHERLANT HENRY PLACE REALISM CONSERVATIVE ART River RUE DE LILLE TOUR BEGINS CAFE BOOKSTORE BOOKS VESTIAIRE BAGGAGE SECURITY CHECK QUAI ANATOLE FRANCE ANATOLE QUAI TICKET Bus #69 ENTRANCE ADVANCE TICKET from Marais to PURCHASERS PASS HOLDERS Rue Cler & Eiel Tower Musee Entrance Plaza D’orsay To Louvre via Tuileries Garden RUE DE LA LEGION D’HONNEUR RUE DE LA BELLECHASSE (15 Min. Walk) SOLFERINO PEDESTRIAN BRIDGE RUE DE SOLFERINO To Solférino To Orangerie (15 Min. Walk) (10 Min. Walk) Not to Scale & Rodin Museum q Orsay Museum y Millet—The Gleaners w Tour Begins—Main Floor statues u Manet—Olympia e Ingres—The Source i Opéra Exhibit r Cabanel—Birth of Venus o Grand View of the Orsay t Daumier—Celebrities © Copyright 2015, Rick Steves’ Europe. These maps are excerpted from the guidebook Rick Steves’ Paris by Rick Steves and Gene Openshaw. Published by Avalon Travel Publishing, available at www.ricksteves.com. PARIS A UDIO TOURS Orsay Museum Impressionism Level 2—Post-Impressionism & Beyond CAFE To WC TOUR ENDS & Escalator to Level 2 TERRACE CEZANNE Seine 66 65 36 64 MAIN PISSARRO, 35 SISLEY 61 RENOIR & 69 34 MONET FLOOR 33 59 70 32 Seine BELOW RENOIR & River j Vincent van Gogh MONET DEGAS k Paul Gauguin 71 l Auguste Rodin 55 31 ROOM 72 51 WHISTLER 3O River MANET’S ESCALATORS DEJEUNER FANCY Not to Scale ROOM 29 RESTAURANT VIEW THRU FROM CLOCK ESCALATOR a Impressionists s Manet—Luncheon on the Grass d Edgar Degas f Monet—Rouen and Giverny g Renoir—Dance at the Moulin de la Galee h Paul Cézanne © Copyright 2015, Rick Steves’ Europe. -
Neo Babylonian Rule
Neo Babylonians Rule “The Most Accomplished Empire” *Clears throat* Thank you. Thank you ever so much distinguished colleagues and professors for inviting me to speak to you today. As many of you know I'm professor Olivia Eichman of archeological studies at Stanford University. I have also worked at various dig sites in ancient sumers regions. All of these excavations lead me to countless degrees in antiquity. Enough about me already, I'm here to talk to you about about the great Mesopotamian Empires. But which empire was the greatest? Was it the Akkadians with the first empire? Or the Assyrians who reigned the longest? Neither of these empires strike me as the most accomplished. The Neo Babylonian’s Empire was the most accomplished empire by far and when you leave this room today I guarantee you will think as highly of them as I do too. Why do I think that the Neo Babylonians are the most accomplished? For starters, their ruler knew how to keep his empire safe. He had many safety precautions. One way Nebuchadrezzar II insured safety among his people was by surrounding their city in a wall so great in size two chariots could ride on it side by side. But that isn't all. No. Nebuchadnezzar II built another wall inside of the other wall for added protection. Both walls were named after Mesopotamian gods and goddesses. One of the gates that was built was called Ishtar gate, named after the goddess of war and love. To top it all off the walls were surrounded by a moat. -
THE CENTRE POMPIDOU STRATEGIC DIRECTIONS a Visionary Concept
THE CENTRE POMPIDOU STRATEGIC DIRECTIONS A visionary concept I passionately want Paris to have a cultural institution […] that is both a museum and a creative centre, where art, music, cinema, literature, audiovisual research, etc… would come together. Georges Pompidou An extraordinary success Large popularity Strong identity Leading institution Exceptional building An extraordinary success A large popularity Third cultural institution in France in number of visitors : N°1 Muséedu Louvre 7,5 million visitors N° 2 Eiffel Tower 6,5 million N° 3 Centre Pompidou 5,3 million N° 4 Cité des Sciences 3,4 million N°5 Muséed’Orsay 2,9 million Figures 2005 An institution loved by the public: a positive image for three-quarters of visitors (source: 2006 survey on Centre Pompidou visitors) An extraordinary success A strong identity Dedicated teams A name recognised around the world A unique multi-disciplinary character , that has since inspired all major museums An extraordinary success A leading institution Size of the collection Number and quality of the exhibitions Number of users of the Bpi (Public Library of Information) The music centre Ircam ’s excellence and capacity for innovation Educational activities available for children Programmes for the performing arts, cinema and conferences Editorial excellence An extraordinary success An exceptional building An astonishing, magical building that immediately conveys a very strong image Unique location in the heart of Paris A new environment Growing competition Digital revolution A new relationship between society and contemporary art A new status for creation International context A new environment Growing competition Thirty years ago, the Centre was virtually alone in providing access to modern and contemporary art. -
The Evolution of Fragility: Setting the Terms
McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee The Evolution of Fragility: Setting the Terms McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee with contributions from Tom D. Dillehay, Li Min, Patricia A. McAnany, Ellen Morris, Timothy R. Pauketat, Cameron A. Petrie, Peter Robertshaw, Andrea Seri, Miriam T. Stark, Steven A. Wernke & Norman Yoffee Published by: McDonald Institute for Archaeological Research University of Cambridge Downing Street Cambridge, UK CB2 3ER (0)(1223) 339327 [email protected] www.mcdonald.cam.ac.uk McDonald Institute for Archaeological Research, 2019 © 2019 McDonald Institute for Archaeological Research. The Evolution of Fragility: Setting the Terms is made available under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 (International) Licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ ISBN: 978-1-902937-88-5 Cover design by Dora Kemp and Ben Plumridge. Typesetting and layout by Ben Plumridge. Cover image: Ta Prohm temple, Angkor. Photo: Dr Charlotte Minh Ha Pham. Used by permission. Edited for the Institute by James Barrett (Series Editor). Contents Contributors vii Figures viii Tables ix Acknowledgements x Chapter 1 Introducing the Conference: There Are No Innocent Terms 1 Norman Yoffee Mapping the chapters 3 The challenges of fragility 6 Chapter 2 Fragility of Vulnerable Social Institutions in Andean States 9 Tom D. Dillehay & Steven A. Wernke Vulnerability and the fragile state -
Text: HISTORY ALIVE! the Ancient World
Name and Date: _________________________ Text: HISTORY ALIVE! The Ancient World 6.1 Introduction Ancient Sumer flourished in Mesopotamia between 3500 and 2300 B.C.E. In this chapter, you will discover what happened to the Sumerians and who ruled Mesopotamia after them. The city-states of ancient Sumer were like small independent countries. They often fought over land and water rights. They never united into one group. Their lack of unity left them open to attacks by stronger groups. About 2300 B.C.E., the Akkadians (uh-KAY-dee-unz) conquered Sumer. This group made the Sumerian city-states a part of an empire. An empire is a large territory where groups of people are ruled by a single leader or government. Groups like the Akkadians first conquer and then rule other lands. In this chapter, you will learn about four empires that rose up in Mesopotamia between 2300 and 539 B.C.E. They were the Akkadian Empire, the Babylonian (bah-buh-LOH-nyuhn) Empire, the Assyrian (uh-SIR-ee-un) Empire, and the Neo-Babylonian Empire. This timeline shows four empires that ruled Mesopotamia during a period of almost 1800 years. © Teachers’ Curriculum Institute Exploring Four Empires of Mesopotamia Name and Date: _________________________ Text: HISTORY ALIVE! The Ancient World 6.2 The Akkadian Empire For 1,200 years, Sumer was a land of independent city-states. Then, around 2300 B.C.E., the Akkadians conquered the land. The Akkadians came from northern Mesopotamia. They were led by a great king named Sargon. Sargon became the first ruler of the Akkadian Empire. -
Centre Pompidou Centre
Centre Pompidou Centre Press kit James Coleman Communication and digital department 9 June – 23 August 2021 centrepompidou.fr James Coleman 9 June – 23 August 2021 Gallery 3, Level 1 Centre Pompidou Centre DossierPress kit Content de presse Direction de la communication Communication et du numérique and digital department About the show p. 3 - 4 75191Direction Paris decedex la 04communication centrepompidou.fret du numérique Director p. 5 Agnès Benayer The exhibition layout T.centrepompidou.fr 00 33 (0)1 44 78 12 87 [email protected] Images in question Press officer Some fundamental principles of James Coleman’s work p. 6 - 9 Timothée Nicot T. 00 33 (0)1 44 78 45 79 List of works exhibited p. 10 [email protected] centrepompidou.fr Biography p. 11 #ExpoColeman Publication p. 12 Practical information p. 13 Centre Pompidou Centre James Coleman 9 June – 23 August 2021 Gallery 3, Level 1 1 From 9 June to 23 August 2021, the Centre Pompidou presents Characterised by an extreme economy of means, certain works with a retrospective exhibition dedicated to Irish artist James Coleman an experimental simplicity test the spectator’s own perceptive whose major work since the early 1960s, operating at the limits activity, underscoring the fundamental role of memory and language of distinct traditions – those of painting, photography and film in the apprehension of images. Through them, Coleman radicalises – has never ceased to deconstruct how images function. the heritage of minimalism. The exhibition provides an account of the exemplary He particularly examines how images relate to time: his early interdisciplinarity of an artistic practice that many contemporary films thus use elementary optical traps to question the deceptive artists – among them Douglas Gordon and Tino Sehgal – claim to verisimilitude of simulated movement, while his latest work have been considerably influenced by. -
Fertile Crescent.Pdf
Fertile Crescent The Earliest Civilization! Climate Change … For Real. ➢ Climate not what it is like today. ➢ In Ancient times weather was good, the soil fertile and the irrigation system well managed, civilisation grew and prospered. ➢ Deforestation - The most likely cause of climate changing in the fertile crescent. ➢ Massive forest have their weather patterns. Ground temperature is lower. More biodiversity. Today vs. Ancient Times Map of the Fertile Crescent A day in the fertile crescent. Rivers Support the Growth of Civilization Near the Tigris and Euphrates Surplus Lead to Societal Growth Summary Mesopotamia’s rich, fertile lands supported productive farming, which led to the development of cities. In the next section you will learn about some of the first city builders. Where was Mesopotamia? How did the Fertile Crescent get its name? What was the most important factor in making Mesopotamia’s farmland fertile? Why did farmers need to develop a system to control their water supply? In what ways did a division of labor contribute to the growth of Mesopotamian civilization? How might running large projects prepare people for running a government? Early Civilizations By Rivers. Mesopotamia The land between the rivers. Religion: Great Ideas: Great Men: Geography: Major Events: Cultural Values: Structure of the Notes! Farming Lead to Division of Labor Although Mesopotamia had fertile soil, Farmers could produce a food surplus, or farming wasn’t easy there. The region more than they needed.Farmers also used received little rain.This meant that the water irrigation to water grazing areas for cattle and levels in the Tigris and Euphrates rivers sheep. -
Puzzles Games What Am I 2
What Am I? GUESS THE MYSTERY THING Here are some clues: I was born in 1503 in Florence, Italy. page 1 My twin lives in Madrid, Spain. page 2 I owe my fame to the study of anatomy. page 3 My name implies happiness. page 4 I am a child of the Renaissance. page 5 My admirers sing my praises. page 6 In my youth, I made the long journey from Italy to France. page 7 I tend to pose in a three-quarter position. page 8 When I was absent, people became more interested in getting to know me. page 9 I once had the opportunity to meet Jackie Kennedy. page 10 People claim that I am priceless. page 11 I have resided at many royal palaces. page 12 People are often disappointed by my size. page 13 The hair around my eyes is blatantly absent. page 14 I am nervous about being hit with flying objects. page 15 During World War II, I was sent away for safekeeping. page 16 I am celebrated the world over. page 17 Under my public exterior lies secrets to my past. page 18 I was once abducted from my home. page 19 My fans frequently send me cards, letters, and emails. page 20 Pablo Picasso was accused of abducting me. page 21 My creator was a part of the last supper. page 22 I belong to the French government. page 23 Many people have speculated about my smile. page 24 If you visit the Louvre Museum in Paris, you will see me. -
2-3-1: the First Empire Builders: Objective: Students Will Trace the Development of the First Empires in Mesopotamia, Akkad and Babylon
CHAPTER 2 Section 3: Empire of the Fertile Crescent 2-3-1: The First Empire Builders: Objective: Students will trace the development of the first empires in Mesopotamia, Akkad and Babylon. Introduction 1. Who fought for control of Mesopotamia from 3000 B.C. to 2000 B.C.? *Kings from different city-states. a. What factor allowed for such invasions? *The land was flat and easy to invade. b. What would one gain from controlling the region? *More land (more land means more wealth and power). 2. Despite the many efforts, how many rulers were able to control ALL of Mesopotamia? *None there were always some parts of Mesopotamia that were independent of the empire and could not be overtaken (its hard in ancient times to control large areaswe will see these struggles throughout the year). The Akkadian Empire: 3. Which ruler took control of Mesopotamia in 2371 B.C.? *Sargon (I) of Akkad a. What was this ruler known as? *Creator of the world’s first empire. How was he able to do this (Hint: think about the definition to # 4/5, the answer is not in your book)? *He conquered the many (12+) city-states of Sumer. 4. Define empire : *group of territories and peoples brought together under one supreme ruler (in this case the Sumerians under the rule of the Akkadians). 5. Define emperor : Person who rules an empire (Sargon I of Akkad) 6. Sargon’s empire was known as the ___ Empire. *Akkadian Empire 7. Define Fertile Crescent : *region stretching from the Persian Gulf through Mesopotamia to the Mediterranean Sea a.