British Canvas, Stretcher and Panel Suppliers' Marks. Part 6, O to Y
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Simeon Solomon and the Hypnerotomachia Poliphili
VISIONS OF LOVE: SIMEON SOLOMON AND THE HYPNEROTOMACHIA POLIPHILI D.M.R. Bentley When Simeon Solomon met his “idol” Dante Gabriel Rossetti “early in 1858” and began working in Rossetti’s studio (Reynolds 7), he entered an artistic circle whose influence on his work was marked enough for it to be considered Pre-Raphaelite. Prior to meeting Rossetti, Solomon had made only a few drawings that show the influence of Pre-Raphaelitism, most notably Faust and Marguerite (1856) and Eight Scenes from the Story of David and Jonathan (1856), but he would soon become in all things Pre-Raphaelite. 1 Love (1858) and The Death of Sir Galahad While Taking a Portion of the Holy Grail Administered by Joseph of Arimathea (1857-59) are Pre- Raphaelite in manner and subject-matter, while Nathan Reproving Daniel (1859), Babylon Hath Been a Golden Cup (1859), Erinna Taken from Sappho (1865), The Bride, Bridegroom and Sad Love (1865), and other works of the late 1850s and early 1860s are Pre-Raphaelite in manner but bespeak, by turns, Solomon’s Jewish heritage and his increasingly forthright homo- sexuality . Portrait of Edward Burne-Jones (1859) is an idealized portrait of the artist as a clear-eyed visionary, and Dante’s First Meeting with Beatrice (1859-63) is an homage to Rossetti that is so extreme in its imitativeness as to verge on parody. But did Solomon’s admiration of Rossetti and Burne- Jones include knowledge of the Hypnerotomachia Poliphili (1499), the book that was arguably as important to the “New Renaissance ” phase (Allingham 140) of Pre-Raphaelitism as was the Morte D’Arthur to its Oxford phase – and, moreover, identified by Rossetti as “the old Italian book .. -
Thornton Avenue, Chiswick, W4 £400,000
Hammersmith 178 King Street London W6 0RA Tel: 020 8748 3630 [email protected] Thornton Avenue, Chiswick, W4 £400,000 - Leasehold 1 bedroom, 1 Bathroom Preliminary Details Situated on this tree lined street is this one bedroom top floor flat in need of modernisation and refurbishment. Located just a stones throw away from the shops and restaurants of Chiswick High Road this property would be ideal as a pied-a- terre or buy to let investment. The accommodation comprises; entrance hallway with stairs leading up to the reception room, partitioned kitchen, bedroom with storage, family bathroom. The property is offered For Sale with No Upward Chain and must be viewed to appreciate the potential available. Key Features • One Bedroom • Period Conversion • Off Chiswick High Road • No Chain Hammersmith | 178 King Street, London, W6 0RA | Tel: 020 8748 3630 | [email protected] 1 Area Overview Chiswick House is arguably one of the best examples of 18th century British architecture and a sight to behold in the Chiswick area with the garden open to the public. Chiswick is situated at the start of the North and South Circular Roads and the M4 thus providing a direct connection to Heathrow and Central London via the Hogarth roundabout. It is also home to Fullers Griffin Brewery established in 1845 and great pubs such as The Barley Mow. © Collins Bartholomew Ltd., 2013 Nearest Stations Turnham Green (0.1M) Stamford Brook (0.3M) Chiswick Park (0.7M) Hammersmith | 178 King Street, London, W6 0RA | Tel: 020 8748 3630 | [email protected] -
Character Overview Westminster Has 56 Designated Conservation Areas
Westminster’s Conservation Areas - Character Overview Westminster has 56 designated conservation areas which cover over 76% of the City. These cover a diverse range of townscapes from all periods of the City’s development and their distinctive character reflects Westminster’s differing roles at the heart of national life and government, as a business and commercial centre, and as home to diverse residential communities. A significant number are more residential areas often dominated by Georgian and Victorian terraced housing but there are also conservation areas which are focused on enclaves of later housing development, including innovative post-war housing estates. Some of the conservation areas in south Westminster are dominated by government and institutional uses and in mixed central areas such as Soho and Marylebone, it is the historic layout and the dense urban character combined with the mix of uses which creates distinctive local character. Despite its dense urban character, however, more than a third of the City is open space and our Royal Parks are also designated conservation areas. Many of Westminster’s conservation areas have a high proportion of listed buildings and some contain townscape of more than local significance. Below provides a brief summary overview of the character of each of these areas and their designation dates. The conservation area audits and other documentation listed should be referred to for more detail on individual areas. 1. Adelphi The Adelphi takes its name from the 18th Century development of residential terraces by the Adam brothers and is located immediately to the south of the Strand. The southern boundary of the conservation area is the former shoreline of the Thames. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Fast Horses The Racehorse in Health, Disease and Afterlife, 1800 - 1920 Harper, Esther Fiona Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Fast Horses: The Racehorse in Health, Disease and Afterlife, 1800 – 1920 Esther Harper Ph.D. History King’s College London April 2018 1 2 Abstract Sports historians have identified the 19th century as a period of significant change in the sport of horseracing, during which it evolved from a sporting pastime of the landed gentry into an industry, and came under increased regulatory control from the Jockey Club. -
The Tyro a Review of the Arts of Painting Sculptore and Design
THE TYRO A REVIEW OF THE ARTS OF PAINTING SCULPTORE AND DESIGN. EDITED BY WYNDHAM LEWIS. TO BE PRODUCED AT INTERVALS OF TWO OR THREE MONTHS. Publishers : THE EGOIST PRESS, 2, ROBERT STREET, ADELPH1. PUBLISHED AT 1s. 6d, Subscription for 4 numbers, 6s. 6d, with postage. Printed by Bradley & Son, Ltd., Little Crown Yard, Mill Lane, Reading. NOTE ON TYROS. We present to you in this number the pictures of several very powerful Tyros.* These immense novices brandish their appetites in their faces, lay bare their teeth in a valedictory, inviting, or merely substantial laugh. A. laugh, like a sneeze, exposes the nature of the individual with an unexpectedness that is perhaps a little unreal. This sunny commotion in the face, at the gate of the organism, brings to the surface all the burrowing and interior broods which the individual may harbour. Understanding this so well, people hatch all their villainies in this seductive glow. Some of these Tyros are trying to furnish you with a moment of almost Mediterranean sultriness, in order, in this region of engaging warmth, to obtain some advantage over you. But most of them are, by the skill of the artist, seen basking themselves in the sunshine of their own abominable nature. These partly religious explosions of laughing Elementals are at once satires, pictures, and stories The action of a Tyro is necessarily very restricted; about that of a puppet worked with deft fingers, with a screaming voice underneath. There is none" of the pathos of Pagliacci in the story of the Tyro. It is the child in him that has risen in his laugh, and you get a perspective of his history. -
Victorian Paintings Anne-Florence Gillard-Estrada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archive Ouverte en Sciences de l'Information et de la Communication Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings Anne-Florence Gillard-Estrada To cite this version: Anne-Florence Gillard-Estrada. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings. Polysèmes, Société des amis d’inter-textes (SAIT), 2016, L’or et l’art, 10.4000/polysemes.860. hal-02092857 HAL Id: hal-02092857 https://hal-normandie-univ.archives-ouvertes.fr/hal-02092857 Submitted on 8 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian Paintings This article proposes to examine the treatment of Greek myths of the golden apples in paintings by late-Victorian artists then categorized in contemporary reception as “classical” or “classic.” These terms recur in many reviews published in periodicals.1 The artists concerned were trained in the academic and neoclassical Continental tradition, and they turned to Antiquity for their forms and subjects. -
Wilde's World
Wilde’s World Anne Anderson Aesthetic London Wilde appeared on London’s cultural scene at a propitious moment; with the opening of the Grosvenor Gallery in May 1877 the Aesthetes gained the public platform they had been denied. Sir Coutts Lindsay and his wife Blanche, who were behind this audacious enterprise, invited Edward Burne-Jones, George Frederick Watts, and James McNeill Whistler to participate in the first exhibition; all had suffered rejections from the Royal Academy.1 The public were suddenly confronted with the avant-garde, Pre-Raphaelitism, Symbolism, and even French Naturalism. Wilde immediately recognized his opportunity, as few would understand “Art for Art’s sake,” that paintings no longer had to be didactic or moralizing. Rather, the function of art was to appeal to the senses, to focus on color, form, and composition. Moreover, the aesthetes blurred the distinction between the fine and decorative arts, transforming wallpapers and textiles into objets d’art. The goal was to surround oneself with beauty, to create a House Beautiful. Wilde hitched his star to Aestheticism while an undergraduate at Oxford; his rooms were noted for their beauty, the panelled walls thickly hung with old engravings and contemporary prints by Burne-Jones and filled with exquisite objects: Blue and White Oriental porcelain, Tanagra statuettes brought back from Greece, and Persian rugs. He was also aware of the controversy surrounding Aestheticism; debated in the Oxford and Cambridge Undergraduate in April and May 1877, the magazine at first praised the movement as a civilizing influence. It quickly recanted, as it sought “‘implicit sanction’” for “‘Pagan worship of bodily form and beauty’” and renounced morals in the name of liberty (Ellmann 85, emphasis in original). -
Eccleston Place, London, England
A ULI Advisory Services Panel Report Eccleston Place, London, England 13-18 May 2012 1 A ULI Advisory Services Panel Report About ULI ULI – the Urban Land Institute – is a non-profit research We are a think tank, providing advice and best practices in and education organisation supported by its members. a neutral setting – valuable for practical learning, involving Founded in Chicago in 1936, the Institute now has over public officials and engaging urban leaders who may not 30,000 members in 95 countries worldwide, representing have a real estate background. By engaging experts from the entire spectrum of land use and real estate development various disciplines we can arrive at advanced answers to disciplines and working in private enterprise and public problems which would be difficult to achieve independently. service. In Europe, we have around 2,000 members supported by a regional office in London and a small ULI shares knowledge through discussion forums, research, team based in Frankfurt. publications and electronic media. All these activities are aimed at providing information that is practical, down to ULI brings together leaders with a common commitment to earth and useful so that on-the-ground changes can be improving professional standards, seeking the best use of made. By building and sustaining a diverse network of land and following excellent practices. local experts, we are able to address the challenges facing Europe’s cities. Copyright ©2012 by ULI – the Urban Land Institute. ULI Europe, all rights reserved. No part of this report may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without written permission of the publisher. -
Red Lion Street & Lamb's Conduit Passage
Red Lion Street & Lamb's Conduit Passage London, WC1 Mixed-Use Investment Opportunity www.geraldeve.com Red Lion Street & Lamb's Conduit Passage, WC1 Investment summary • Freehold • Midtown public house, retail unit and residential flat • 3,640 sq ft (338.16 sq m) GIA of accommodation • WAULT of 8.1 years unexpired • Total passing rent of £106,700 pa • Seeking offers in excess of £1,850,000 subject to contract and exclusive of VAT • A purchase at this price would reflect a net initial yield of 5.44%, assuming purchaser’s costs of 6.23% www.geraldeve.com 44 Red Lion Street & Lamb’s Conduit Passage, WC1 Midtown 44 Red Lion Street & Lamb’s Conduit Passage is located in an enviable position within the heart of London’s Midtown. Midtown offers excellent connectivity to the West End, City of London and King’s Cross, appealing to an eclectic range of occupiers. The location is typically regarded as a hub for the legal profession, given the proximity of the Royal Courts of Justice and Lincoln’s Inn Fields, but has a diverse occupier base including, tech, media, banking and professional firms. The area is also home to several internationally renowned educational institutions such as UCL, King’s College London, London School of Economics and the University of Arts, London. The surrounding area attracts a range of occupiers, visitors and tourists with the Dolphin Tavern being a named location on several Midtown walking tours. The appeal of the location is derived in part from the excellent transport links but also the diverse and exciting range of local amenities and attractions on offer, including The British Museum, Somerset House, the Hoxton Hotel, The Espresso Room and the Rosewood Hotel. -
The Burlington Arcade Would Like to Welcome You to a VIP Invitation with One of London’S Luxury Must-See Shopping Destinations
The Burlington Arcade would like to welcome you to a VIP Invitation with one of London’s luxury must-see shopping destinations BEST OF BRITISH SUPERIOR LUXURY SHOPPING SERVICE & England’s oldest and longest shopping BEADLES arcade, open since 1819, The Burlington TOURS Arcade is a true luxury landmark in London. The Burlington Beadles Housing over 40 specialist shops and are the knowledgeable designer brands including Lulu Guinness uniformed guards and Jimmy Choo’s only UK menswear of the Arcade ȂƤǡ since 1819. They vintage watches, bespoke footwear and the conduct pre-booked Ƥ Ǥ historical tours of the Located discreetly between Bond Street Arcade for visitors and and Piccadilly, the Arcade has long been uphold the rules of the favoured by Royalty, celebrities and the arcade which include prohibiting the opening of cream of British society. umbrellas, bicycles and whistling. The only person who has been given permission to whistle in the Arcade is Sir Paul McCartney. HOTEL GUEST BENEFITS ǤǡƤ the details below and hand to the Burlington Beadles when you visit. They will provide you with the Burlington VIP Card. COMPLIMENTARY VIP EXPERIENCES ơ Ǥ Pre-booked at least 24 hours in advance. Ƥǣ ǡ the expert consultants match your personality to a fragrance. This takes 45 minutes and available to 1-6 persons per session. LADURÉE MACAROONS ǣ Group tea tasting sessions at LupondeTea shop can Internationally famed for its macaroons, Ǧ ơ Parisian tearoom Ladurée, lets you rest and Organic Tea Estate. revive whilst enjoying the surroundings of the To Pre-book simply contact Ellen Lewis directly on: beautiful Arcade. -
Download Brochure
A JEWEL IN ST JOHN’S WOOD Perfectly positioned and beautifully designed, The Compton is one of Regal London’ finest new developments. ONE BRING IT TO LIFE Download the FREE mobile Regal London App and hold over this LUXURIOUSLY image APPOINTED APARTMENTS SET IN THE GRAND AND TRANQUIL VILLAGE OF ST JOHN’S WOOD, LONDON. With one of London’s most prestigious postcodes, The Compton is an exclusive collection of apartments and penthouses, designed in collaboration with world famous interior designer Kelly Hoppen. TWO THREE BRING IT TO LIFE Download the FREE mobile Regal London App and hold over this image FOUR FIVE ST JOHN’S WOOD CULTURAL, HISTORICAL AND TRANQUIL A magnificent and serene village set in the heart of London, St John’s Wood is one of the capital’s most desirable residential locations. With an attractive high street filled with chic boutiques, charming cafés and bustling bars, there is never a reason to leave. Situated minutes from the stunning Regent’s Park and two short stops from Bond Street, St John’s Wood is impeccably located. SIX SEVEN EIGHT NINE CHARMING LOCAL EATERIES AND CAFÉS St John’s Wood boasts an array of eating and drinking establishments. From cosy English pubs, such as the celebrated Salt House, with fabulous food and ambience, to the many exceptional restaurants serving cuisine from around the world, all tastes are satisfied. TEN TWELVE THIRTEEN BREATH TAKING OPEN SPACES There are an abundance of open spaces to enjoy nearby, including the magnificent Primrose Hill, with spectacular views spanning across the city, perfect for picnics, keeping fit and long strolls. -
Hammersmith Functional Motor Scale-Expanded
PNCR Network for SMA March 7th Expanded Hammersmith Functional Motor Scale for SMA (HFMSE) 2009 Add-on module presented by PNCR - Expanded Hammersmith Functional Smartnet Motor Scale (HFMSE) &PNCR Hammersmith Functional Motor Scale for SMA (HFMS) With add-on module presented by PNCR - Expanded Hammersmith Functional Motor Scale (HFMSE) Introduction to this collaboration In the UK physiotherapists involved in Smartnet (neuromuscular network aimed at improving the management of individuals with SMA) have been working on establishing a written manual for the Hammersmith Functional Motor Scale (HFMS) which has been shown to successfully assess the ability of non-ambulant individuals with SMA. At the same time, yet independently, in the U.S. the Pediatric Neuromuscular Clinical Research Group (PNCR) has been aiming to achieve the same thing for their Expanded version of the Hammersmith Functional Motor Scale (HFMSE) which combines the original HMFS with an add-on module, consisting of items adapted from the Gross Motor Function Measure (GMFM). The 13 add-on items were selected based on their ability to distinguish motor skills among individuals with SMA II and III and has been shown to do this successfully. This manual provides proforma’s and a detailed manual on operating procedures for both the HFMS and the HFMSE. This is in an effort to reduce fragmentation and promote harmonisation across the international community. Notes on Testing Procedure 1. Intended Population The HFMS is intended to be used with the non-ambulant SMA population and this manual clarifies the procedures. 2. Motor Scale Evaluators HFMS assessments should be performed by individuals who have experience in the handling of children and adults with SMA, such as physical or occupational therapists.