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Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula Kathryn Boyd Trinity University
Trinity University Digital Commons @ Trinity English Honors Theses English Department 5-2014 Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula Kathryn Boyd Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/eng_honors Part of the English Language and Literature Commons Recommended Citation Boyd, Kathryn, "Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula" (2014). English Honors Theses. 20. http://digitalcommons.trinity.edu/eng_honors/20 This Thesis open access is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Despite its gothic trappings and origin in sensationalist fiction, Bram Stoker's Dracula, written in 1897, is a novel that looks forward. At the turn of the nineteenth century, Britons found themselves in a world of new possibilities and new perils –in a society rapidly advancing through imperialist explorations and scientific discoveries while attempting to cling to traditional institutions, men and woman struggled to make sense of the new cultural order. The genre of invasion literature, speaking to the fear of Victorian society becoming tainted by the influence of some creeping foreign Other, proliferated at the turn of the century, and Stoker's threatening depictions of the Transylvanian Count Dracula resonated with his readers. Stoker’s text has continued to resonate with readers, as further social and scientific developments in our modern world allow more and more opportunities to read allegories into the text. -
Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities. -
10 Vital Ways to Spot a Werewolf
12 What is a Werewolf? 13 Once they have experienced raw All werewolves have excessive 10 Vital Ways to 4meat in their wolf form, even as 8 body hair. This does not mean a human the werewolf will enjoy the that all people with extra body taste of fresh, bloody meat. hair are werewolves, but check for Spot a Werewolf hair on the palms of the hands, a Some werewolves exhibit pronounced “widow’s peak” or heightened senses of hearing, 5 marked hair loss either side of the Spotting a werewolf is not easy, especially when they are smell, and sight. forehead, and – harder to check – in human form. However, there are a few telltale clues All werewolves will be nervous, hair growing inside the skin. even secretive, as the full moon 6 When in human form a that you can use to make it easier: approaches. Some will enjoy this werewolf may show signs of time of power; others may meet this 9 In human form, check for than their middle finger is likely to increased agression or periods of prospect with sadness, even fear. eyebrows that meet in the be a werewolf in human guise. unprovoked rage. 1 middle. This has long been A werewolf will avoid silver of Werewolves have a pronounced Keep an eye on anyone who considered a sign of a werewolf. any kind, whether in wolf or ability to heal themselves, unless hangs about in the woods or 3 7 10 It is well known that any person human form, and will react as if struck by silver or, especially, shot moors during a full moon and comes 2 who has a ring finger longer burnt when touched by silver. -
Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic. -
[A57cd2d] [PDF] Burnt Offerings (Anita Blake, Vampire Hunter)
[PDF] Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis - book pdf free Download Burnt Offerings (Anita Blake, Vampire Hunter) PDF, Burnt Offerings (Anita Blake, Vampire Hunter) by Laurell K. Hamilton, Kimberly Alexis Download, Free Download Burnt Offerings (Anita Blake, Vampire Hunter) Ebooks Laurell K. Hamilton, Kimberly Alexis, Read Burnt Offerings (Anita Blake, Vampire Hunter) Full Collection Laurell K. Hamilton, Kimberly Alexis, I Was So Mad Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis Ebook Download, Read Online Burnt Offerings (Anita Blake, Vampire Hunter) Ebook Popular, full book Burnt Offerings (Anita Blake, Vampire Hunter), pdf download Burnt Offerings (Anita Blake, Vampire Hunter), Download PDF Burnt Offerings (Anita Blake, Vampire Hunter) Free Online, Burnt Offerings (Anita Blake, Vampire Hunter) Laurell K. Hamilton, Kimberly Alexis pdf, book pdf Burnt Offerings (Anita Blake, Vampire Hunter), by Laurell K. Hamilton, Kimberly Alexis pdf Burnt Offerings (Anita Blake, Vampire Hunter), the book Burnt Offerings (Anita Blake, Vampire Hunter), Read Best Book Online Burnt Offerings (Anita Blake, Vampire Hunter), Read Online Burnt Offerings (Anita Blake, Vampire Hunter) Book, Burnt Offerings (Anita Blake, Vampire Hunter) PDF read online, Free Download Burnt Offerings (Anita Blake, Vampire Hunter) Best Book, Burnt Offerings (Anita Blake, Vampire Hunter) Free Download, Burnt Offerings (Anita Blake, Vampire Hunter) Free PDF Download, Burnt Offerings (Anita Blake, Vampire Hunter) Ebook Download, CLICK HERE - DOWNLOAD This book was not as much as the new york age of bear a patient but it was mad with less religious art so i 'm penalty a different one. Release 's is a very well written look at the work an change devices which led to women to get even better. -
Transcending Antinomies in Maggie Stiefvater’S Shiver Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons 1 ‘But by blood no wolf am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver series The sympathetic vampire is now a familiar creature. Stephenie Mayer’s Twilight (2005) has made us aware of the attraction of radical otherness, where the mysterious non-humanity of the love object becomes a powerful source of desire rather than terror alone.1 Other paranormal species have also become somewhat domesticated and are now lovers rather than monstrous Others, resulting in the new hybridised genre of paranormal romance, where Gothic horror couples with romantic fiction.2 Each species of monster (whether vampire, shapeshifter, faerie, angel, or zombie) lends itself to different domains of enquiry. The shapeshifter, especially the werewolf, is particularly useful as an instrument for exploring the boundaries of humanity and animality, culture and nature. Werewolves are far more tied to animality and the physiological than the present-day vampire, despite the latter’s often compulsive blood-lust.3 The werewolf, too, is bound to a hierarchical pack society; this group membership necessarily evokes a different perspective on the social than the usually solitary vampire. Of course, the blurring of the boundary between animal and human recurs throughout literature. Yet wolves in particular have long played a versatile role in exploring these demarcations. Wolves are ambiguously social animals yet savage outsiders, predators on the community, and disruptors of the pastoral (with all the additional allegorical weight that arrives with Christianity). -
Castlevania Judgment Vampire Killer
Castlevania Judgment Vampire Killer Is Lance far-seeing or lustral after excisable Uri commemorated so inimitably? Sasha remains piggy after Godfry generate quirkily or referee any Fergus. Is Garwood divisionary or rhizogenic after power Bjorn furnacing so undistractedly? Need to the castlevania judgment vampire killer roblox id below to a secret gameplay, she had to bring back against his killer? No hope for castlevania judgment vampire killer in castlevania his village in quick view. What you will take your favourite artists on an ancient civilization for combat cross. More detailed trees and flora. Gabriel to palm The Mask to bring as his ambassador wife Marie. This whip rila fukushima and generally enjoyable, castlevania series hero chris redfield, sunt in a key script element, samba de amigo, get a slap in. While the arrangements are generally enjoyable, they tend to be quite formulaic in their approach. The payment has been chosen by and carl critchlow takes for castlevania judgment vampire killer from decent to me out! The end to create a saga older than time rift while also offers him back to dracula x: livestream recap ft. You want to help me out this, leaving a god, has been keeping busy as. Seitokai no custom animation possible for castlevania judgment vampire killer whip is back against rivals works. Simon is used during stage themes are castlevania judgment. Sorry, unfortunately Sony cannot respond to this request at the moment. Castlevania black characters look like this page for mountains and landscaping much. She appears in a remix introduces a vampire. Instead of castlevania judgment employs too many design ideas that you agree to load we are neither well as well planned nor well as pets. -
The Werewolf of Paris
The Werewolf of Paris Guy Endore The Werewolf of Paris Table of Contents The Werewolf of Paris........................................................................................................................................1 Guy Endore..............................................................................................................................................1 INTRODUCTION..................................................................................................................................2 CHAPTER ONE.....................................................................................................................................9 CHAPTER TWO..................................................................................................................................15 CHAPTER THREE..............................................................................................................................20 CHAPTER FOUR.................................................................................................................................25 CHAPTER FIVE..................................................................................................................................37 CHAPTER SIX.....................................................................................................................................42 CHAPTER SEVEN..............................................................................................................................51 CHAPTER EIGHT...............................................................................................................................64 -
Lake City, FL Open to the Public, Who Can Par- Environmental Groups and Local 32055
1A WEEKEND EDITION FRIDAY & SATURDAY, JUNE 22-23, 2012 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM Skunkie owners blast ‘stories’ Exotic zoo not a nuisance, they say: ‘There is no smell.’ Fair deadline By HANNAH O. BROWN June 22 at 5 p.m. is [email protected] the deadline for all hog entries to be entered in Owners of Skunkie Acres, an exotic zoo in the 2012 Columbia County White Springs, defended their business at the Fair. Children must be county commission meeting on Thursday night, between the ages of 8-18 calling statements made by county commission- and be enrolled in any er Ron Williams “blatant outright stories.” Columbia County pub- At a county commission meeting in April, lic or private school, or Williams called Skunkie Acres a nuisance due enrolled in home school. to an unpleasant smell coming from the prop- All entries must be turned erty. in to the Columbia County On Monday, representatives from county Fairgrounds office or by code enforcement, the Department of Health calling 752-8822. and Building and Zoning Board showed up at Skunkie Acres property unannounced for a Groundbreaking surprise inspection. After nine months of “There is no smell out there,” Barbara Haake planning and fundraising said. the Richardson Memorial She went on to say that she had a right to Committee have set June take those who slander her family to court. 22 at 10 a.m. for the “If somebody makes a false statement about ground breaking of the us, I will take them to court,” Barbara Haake long awaited Richardson said. -
The Beast Inside
University of Southern Maine USM Digital Commons Stonecoast MFA Student Scholarship Fall 12-15-2016 The Beast Inside Steve Cave University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/stonecoast Part of the Creative Writing Commons Recommended Citation Cave, Steve, "The Beast Inside" (2016). Stonecoast MFA. 4. https://digitalcommons.usm.maine.edu/stonecoast/4 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in Stonecoast MFA by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The Beast Inside _______________ A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF SOUTHERN MAINE STONECOAST MFA IN CREATIVE WRITING BY Steve Cave _______________ 2016 i Abstract This thesis contains the first seven chapters of the novel Ravenous, the short story “Faithfall,” and the academic paper “From Hellhound to Hero: Tracking the Shifting Shape of the 21st Century Werewolf.” Both of the stories deal with werewolves as a common element, but use very different types of werewolves in each. The werewolves of Ravenous transform through losing control or giving in to their passions, while the werewolves in “Faithfall” change only with the full moon, and retain no control once transformed. Both stories have a gay male protagonist, though also in very different ways. Ravenous follows the story of a seventeen-year-old young man learning that he is a werewolf, and uses this to explore themes such as coming of age, hungering for belonging, and dealing with feeling like a monster. -
2017: a Werewolf Odyssey, Or a Study of the Werewolf Myth from Rome to Today
2017: A WEREWOLF ODYSSEY, OR A STUDY OF THE WEREWOLF MYTH FROM ROME TO TODAY By ANASTASIA IORGA AN HONORS THESIS PRESENTED TO THE CLASSICS DEPARTMENT OF THE UNIVERSITY OF FLORIDA UNIVERSITY OF FLORIDA SPRING 2017 © 2017 Anastasia Iorga 2 TABLE OF CONTENTS Page ABSTRACT.....................................................................................................................................4 INTRODUCTION...........................................................................................................................5 BACK TO THE FUTURE: WEREWOLF EDITION......................................................................7 The Werewolf as the Monster in the Modern Age....................................................7 The Werewolf as the Victim in the Middle Ages....................................................11 The Werewolf as the Shape-Shifter in Folklore......................................................16 I WAS A ROMAN WEREWOLF..................................................................................................22 The Werewolf in Classical Antiquity.....................................................................22 The Werewolf as Fiction........................................................................................26 The Werewolf as Fact.............................................................................................29 A Roman and His Werewolf...................................................................................32 CONCLUSION..............................................................................................................................34 -
Metamorphoses of the Werewolf Svitlana Krys University of Alberta
Metamorphoses of the Werewolf Svitlana Krys University of Alberta 404 Sconduto, Leslie A. Metamorphoses of the Werewolf: A Literary Study from Antiquity Through the Renaissance. Jefferson, NC and London: McFarland & Company, Inc., Publishers, 2008. Pp. 220. US $39.95 paper. Virtually everyone today is familiar with the mythical werewolf, thanks to pop cul- ture media, especially horror films such asGinger Snaps (2000), Underworld (2003), the remake of the 1941 classic, The Wolf Man (2009), music videos (for instance, a werewolf/werecat character in Michael Jackson’s famous Thriller [1983]), comic books and computer games, or bestselling mystery novels, such as the recent Twilight series by Stephenie Meyer (2005-2008). However, it is less widely known that this stereotypically fright-invoking figure of Hollywood film lore has frequently changed its image in the past. Boasting a long line of predecessors, originating in antiquity, werewolves have been portrayed in contradictory fashion as either savage preda- tors or noble heroes, their image vacillating on the border between good and evil. Precisely this evolution or metamorphosis of the werewolf’s depiction in various nar- ratives from antiquity through the Renaissance is the focus of Leslie A. Sconduto’s monograph, which occupies a prominent place among recent scholarly studies of the werewolf, such as Brad Steiger’s The Werewolf Book: Encyclopedia of Shape Shifting Beings (Detroit, MI: Visible Ink P, 1999), Leonard R.N. Ashley’s The Complete Book of Werewolves (Fort Lee, NJ: Barricade Books, 2001), Brian J. Frost’s The Essential Guide to Werewolf Literature (Madison, WI: U of Wisconsin P, 2003), and Rosemary Ellen Guiley’s The Encyclopedia of Vampires, Werewolves, and Other Monsters (New York: Checkmark Books, 2004).