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The Heathen by Jack London
The Heathen by Jack London I met him first in a hurricane; and though we had gone through the hurricane on the same schooner, it was not until the schooner had gone to pieces under us that I first laid eyes on him. Without doubt I had seen him with the rest of the kanaka crew on board, but I had not consciously been aware of his existence, for the Petite Jeanne was rather overcrowded. In addition to her eight or ten kanaka seamen, her white captain, mate, and supercargo, and her six cabin passengers, she sailed from Rangiroa with something like eighty-five deck passengers-- Paumotans and Tahitians, men, women, and children each with a trade box, to say nothing of sleeping mats, blankets, and clothes bundles. The pearling season in the Paumotus was over, and all hands were returning to Tahiti. The six of us cabin passengers were pearl buyers. Two were Americans, one was Ah Choon (the whitest Chinese I have ever known), one was a German, one was a Polish Jew, and I completed the half dozen. It had been a prosperous season. Not one of us had cause for complaint, nor one of the eighty-five deck passengers either. All had done well, and all were looking forward to a rest-off and a good time in Papeete. Of course, the Petite Jeanne was overloaded. She was only seventy tons, and she had no right to carry a tithe of the mob she had on board. Beneath her hatches she was crammed and jammed with pearl shell and copra. -
The Motion Picture Director (1925-1926)
MOTION PICTURE ^ / rrL£ Annie Beginning a Neiv Series WHY HOLLYWOOD? By EDWIN CAREWE Also Two Notable Serials THUNDERING SILENCE THE NIGHT BRIDE By H. H. Van Loan By Frederic Chapin At The Director’s Service! A new, fast-moving, Portable Unit of tre- mendous power — com- pletely self-contained — for broad SOUND- CASTING, makes its bid for Movie Fame in this issue of The Director. Now you can sway that “seething mob” with absolute comfort to your- self and your staff. Terms of rental on application. TUcker 3148 ? MOTION PICTURE Volume Two September Number Three 19 2 5 Dedicated to the Creation of a Better Understanding Between Those Who Make and Those Who See Motion Pictures OLKS, meet the “new” by and for the people of that Director; new in dress industry, and yet possessing F neither the limitations of the and in its increased num- CONTENTS ber of pages, and new in its strictly class or trade publica- added features of interest and Page tion, nor the diverified appeal entertainment value, but, in of the so-called “fan” maga- IN THE DIRECTOR’S CHAIR 5 spirit of helpfulness and sincere zines. George L. Sargent concern for the best interests Insofar as it may be possible 8 of the industry of which it is A TALE OF TEMPERAMENT The Director will endeavor a part, the same Director you George Landy to steer a middle course between these two have known in the past. CAMERA STUDIES OF SCREEN groups and cordially In the development of the solicits the co-operation of all 9 PERSONALITIES are “new” Director it is our pur- who actively concerned with pose, as we enter upon the WHY HOLLYWOOD? (A Series) 17 the making of motion pictures. -
Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1980 Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moreland, David Allison, "Jack London's South Sea Narratives." (1980). LSU Historical Dissertations and Theses. 3493. https://digitalcommons.lsu.edu/gradschool_disstheses/3493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Developments in Polynesian Ethnology
Developments in Polynesian Ethnology Developments in Polynesian Ethnology Edited by Alan Howard and Robert Borofsky Open Access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the author. Derivative works and commercial uses require per- mission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824881962 (PDF) 9780824881955 (EPUB) This version created: 20 May, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. ©1989 University of Hawaii Press All rights reserved For Jan and Nancy CONTENTS Title Page ii Copyright 3 Dedication iv Acknowledgments vi 1. Introduction ALAN HOWARD AND ROBERT BOROFSKY 1 2. Prehistory PATRICK V. KIRCH 14 3. Social Organization ALAN HOWARD AND JOHN KIRKPATRICK 52 4. Socialization and Character Development JANE RITCHIE AND JAMES RITCHIE 105 5. Mana and Tapu BRADD SHORE 151 6. Chieftainship GEORGE E. MARCUS 187 7. Art and Aesthetics ADRIENNE L. KAEPPLER 224 8. The Early Contact Period ROBERT BOROFSKY AND ALAN HOWARD 257 9. Looking Ahead ROBERT BOROFSKY AND ALAN HOWARD 290 Bibliography 307 Contributors 407 Notes 410 v ACKNOWLEDGMENTS A VARIETY of people contributed to the preparation of this book. -
Jack London Papers
http://oac.cdlib.org/findaid/ark:/13030/tf8q2nb2xs Online items available Jack London Papers Finding aid prepared by David Mike Hamilton and updated by Huntington Library staff. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 1980, 2015 The Huntington Library. All rights reserved. Jack London Papers mssJL 1-25307, etc.mssJL 1-25307, mssJLB 1-67,mssJLE 1-3525, 1 mssJLK 1-133, mssJLP 1-782, mssJLS 1-76, mssJLT 1-127 Descriptive Summary Title: Jack London Papers Dates: 1866-1977 Bulk dates: 1904-1916 Collection Number: mssJL 1-25307, etc. Collection Number: mssJL 1-25307, mssJLB 1-67,mssJLE 1-3525, mssJLK 1-133, mssJLP 1-782, mssJLS 1-76, mssJLT 1-127 Creator: London, Jack, 1876-1916 Extent: approximately 60,000 items in 622 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection contains the papers of American writer Jack London (1876-1916) and includes literary manuscripts of most of London's works, extensive correspondence files, documents, photographs, ephemera, and scrapbooks. Language of Material: The records are in English. Access Open to qualified researchers by prior application through the Reader Services Department. The scrapbooks and photograph albums are too fragile for reading room use. Microfilm and digitized images are available respectively to view these items. Boxes 433 are available with curatorial approval. -
Jack London's Works by Date of Composition
Jack London's Works by Date of Composition By James Williams The following chronological listing is an aid to further research in London studies. Used with other sources it becomes a powerful means to clarify the obscurities and confusions surrounding London's writing career. The rationale for including the following titles is two-fold. First, all novels and all stories listed in Russ Kingman, "A Collector's Guide to Jack London" have been included. I chose Kingman's list rather than Woodbridge's bibliography because the former is easier to use for this purpose and is as reliable as the latter. In addition, stories, sketches, and poems appear in the following list that were not published by London but are significant because they give us a fuller idea of the nature of London's work at a particular time. This is especially true for the first years of his writing. A few explanations concerning the sources are necessary. I have been conservative in my approximations of dates that cannot be pinpointed exactly. If, for example, a story's date of composition cannot be verified, and no reliable circumstantial evidence exists, then I have simply given its date of publication. Publication dates are unreliable guides for composing dates and can be used only as the latest possible date that a given story could have been written. One may find out if the date given is a publication date simply by checking to see if the source is Woodbridge, the standard London bibliography. If the source used is JL 933-935, then the date is most likely the earliest date London sent the manuscript to a publisher. -
Download PDF ^ the Heathen ~ OOP4QRWLDHK4
C1ZRGCVAH08G / Book « The Heathen The Heathen Filesize: 5.5 MB Reviews Very useful for all group of people. It is amongst the most incredible pdf i actually have read through. Its been written in an extremely straightforward way and it is just right after i finished reading through this pdf by which basically modified me, change the way i think. (Felicia Nikolaus) DISCLAIMER | DMCA GBOCV7HEBJL2 < Doc \ The Heathen THE HEATHEN To get The Heathen eBook, make sure you access the button beneath and save the file or gain access to other information which are related to THE HEATHEN book. Createspace, United States, 2014. Paperback. Book Condition: New. 198 x 129 mm. Language: English . Brand New Book ***** Print on Demand *****.The Heathen is a short story by Jack London. John Griith Jack London (born John Griith Chaney, January 12, 1876 - November 22, 1916) was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories To Build a Fire, An Odyssey of the North, and Love of Life. He also wrote of the South Pacific in such stories as The Pearls of Parlay and The Heathen, and of the San Francisco Bay area in The Sea Wolf. London was a passionate advocate of unionization, socialism, and the rights of workers and wrote several powerful works dealing with these topics such as his dystopian novel The Iron Heel, his non-fiction expose The People of the Abyss, and The War of the Classes. -
The Image of the Journalist in Silent Film, Part One: 1890 to 1919
Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history. -
Carpender, Stevens Held for Grand Jury; No Bail
KET PRESS BUN AVERAGE DAILY CIROUIiATION THE WEATHER. OF THE EVENING HERALD for the month of Joly, 1026. Probably showers late tonight and Friday. Slowly rising tem* 4,872 pOratnre. L tV ------- ^----------------------------------- ■'------- -----------------------i7 d ^ . gVV VOL. XLIV., NO. 273. ClaaeUled AdTertislng on Page 6 MANCHESTER, CONN., THURSDAY, AUGU^'*’ ^ (TWELVE PAGES) PRICE THREE CENTS ITALIAN PRINCE SLAIN DISTANT BLAST FATAL; CANTON PROBE AS HE CATCHES POACHER Lillian Cannon O. K.*s Ederle NO ONE HELD TO BLAME Rome, Aug. 19.— Prince Don Middletown, Aug. 19.— Mike Umberto Ruspoli, member of Swim as Pure Sportsmanship Zahorsky, 34 of Bridgeport, met CARPENDER, STEVENS HELD one of the oldest aristocratic death on the state hospital REACHES JUDGE, families of Italy, was shot .ind grounds here accidentally on killed today by a poacher, whom ’August tenth and no one Is re By LILLIAN C.INNON. I shall not wait for a competitive he had surprised updh the sponsible for' the fact, according <¥>race, unless arrangements are Ruspoli estate near Rome. Cape Gris Nez, Aug. 19.— I have to Coroner if. A. Smith. COPSJAWYER just heard of the offer of NEA Ser quickly made, no matter how rich FOR GRAND JURY; NO BAIL The Ruspoli family has been A jagged piece of shale hurl vice and the Scripps-Howard News the prize. If I delayed and -othera ed 540 feet by a blast penetrat prominently identified with. should not contribute to the purse American society, several of its papers to contribute $5,000 toward ed the man’s skull and he died a $20,000 purse for a competitive to raise it to the amount named by almost instantly, tbe coroner Former Prosecutor Under members marrying American Gertrude, I might sacrifice my last CROSSES OF FIRE women. -
1000 and One--The Blue Book of Non-Theatrical Films
T#e Boctk of Iljoh-Thtefnoaf Pihis. e/., Scanned from the collections of The Library of Congress AUDIO-VISUAL CONSERVATION at The LIBRARY sf CONGRESS Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record 100(W0NE (FOURTH EDITION) IheBlueBook Tbndkatrical THE EDUCATIONAL SCREEN CHICAGO NEW YORK. The Educational Screen, Inc. DIRECTORATE Herbert E. Slaught, President, The Dudley Grant Hats, Chicago Schools. University of Chicago. Frank R. Greene, New York City. Frederick J. Lane, Treasurer, Chicago Schools. William R. Duftet, Marquette University. Joseph J. Weber, University of Ar- Nelson L. Greene, Secretary and Editor, kansas. Chicago, EDITORIAL ADVISORY BOARD A. W. Abrams, N. Y. State Department Dudley Grant Hats, Assistant Sup't. of of Education. Schools, Chicago. Richard Burton, University of Minnesota. F. Dean McCluskt, Purdue University. Carlos E. Cummincs, Buffalo Society of Natural Sciences. Rowland Rocers, Columbia University. Frank N. Freeman, The University of H. B. Wilson, Superintendent of Schools, Chicago. Berkeley, Calif. STAFF Nelson L. Greene, Editor-in-Chief. Geneva Holmes Huston Marie E. Goodenouch, Associate Editor. Rev. Frank E. Jensen Robert E. Clark, Circulation Manager. Marion F. Lanphier George H. Hill, Eastern Representative. Carlos E. Cummincs Stella Evelyn Myers Josephine F. Hoffman Marguerite Orndorfv Publications of The Educational Screen The Educational Screen, (including Moving Picture Age and Visual Education), now the only magazine in the field of visual education. Published every month except July and August. Subscription price, $1.50 a year ($2.00 for two years). -
The Fiction of Jack London
1 The Fiction of Jack London: A Chronological bibliography Compiled and Annotated by DALE L.WALKER The University of Texas at El Paso Original Research and Editing by JAMES E. SISSON III Berkeley, California Updated Research and Editing by Daniel J. Wichlan Pleasant Hill, California 2 TABLE OF CONTENTS Foreword 3 Introduction (Revised) 6 Key to Collections 10 Chronological Bibliography 12 Books by Jack London 48 Jack London: A Chronology 51 Appendix 54 Index 56 Selected Sources 64 3 FOREWORD TO THE NEW EDITION Through the assistance of the late Russ Kingman, the great Jack London authority and long- time friend, I made contact by correspondence with James E. Sisson III, in 1970. I had asked Russ for advice on who I could contact on questions about some of London’s hard-to-find short fiction. "Jim Sisson is the guy," said Russ. Sisson, a Berkeley, California, researcher, was very helpful from the outset and his encyclopedic knowledge of London’s work quickly resolved my questions. In subsequent correspondence I learned that Sisson felt London’s short stories were not adequately treated in Jack London: A Bibliography, compiled by Hensley Woodbridge, John London and George H. Tweney (Georgetown, CA: Talisman Press, 1966). He complained that the stories were buried among magazine articles, chapters from The Cruise of the Snark, The Road, and other nonfiction works, all lost in a welter of foreign language translations including Latvian, Finnish, Turkoman, and Ukrainian. He also claimed that many of London’s stories were missing from Woodbridge, remaining buried in obscure and long-defunct magazines, uncollected in book form. -
South Sea Tales
South Sea Tales Jack London The Project Gutenberg EBook of South Sea Tales, by Jack London #41-48 in our series by Jack London Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: South Sea Tales Author: Jack London Release Date: February, 1998 [EBook #1208] [This edition 11 first posted on February 28, 2004] Edition: 11 Language: English Character set encoding: ASCII, with a few ISO-8859-1 characters *** START OF THIS PROJECT GUTENBERG EBOOK SOUTH SEA TALES *** This e-text was typed by Theresa Armao, Albany, New York. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. SOUTH SEA TALES by Jack London CONTENTS The House of Mapuhi The Whale Tooth Mauki "Yah! Yah! Yah!" The Heathen The Terrible Solomons The Inevitable White Man The Seed of McCoy THE HOUSE OF MAPUHI Despite the heavy clumsiness of her lines, the Aorai handled easily in the light breeze, and her captain ran her well in before he hove to just outside the suck of the surf.