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(Washington, DC). 1935-06-05
CORTELYOU TO RETIRE only), at 10 a m., 12:30, 3:45, 5:45, ! AMUSEMENTS. Where and W hen 8 45 and 10 p.m. Pulitzer Prize Drama Is FROM GAS FIRM POST Tivoli—'Naughty Marietta,” at 2. Iii New Filin at Keith’s 3:55, 5:50, 7:45 and 9 45 p.m. Ambassador—‘ Reckless,” at 8. 7:45 Under Current Theater Attraction* I Tour Secretary of Treasury and 9:35 pm. To Take Long Road and Time of Showing. Theodore Roosevelt, to Relin- of BAND CONCERTS. quish Presidency Company. National—Ethel Barrymore in "De- Into classee," at 2:20 and 8:20 p.m. Concerts at the band stand "Old Maid” Will Go Thirty-Three By the Associated Press. Navy | States| Yard, at 7:30 p.m., the United NEW YORK, June 5 —George B R-K-O Keith'*—"Break of Hearts." by Matinee at States Band Lieut. Charles in Its Travels—Extra Friday at. a Navy who was Secretary of the 11 26 m.. 1 32. 3:38 and 5 44 p.m. Cortelyou, Benter. leader; Ale*. assistant "Escape Me Never," at 7:47 and 9 41 Morris, Season Ends Treasury under President Theodore leader. National, Where Saturday. pm. Roosevelt, yesterday announced his I/oe»'* Fox— The Elame Within." States Marine retirement as of I he Con- Concert by 'he United president, at 11 a.m. 1 40. 4 25. 7:10 and 9:55 RV E. rip S. MELTHER. Band at the United States Capitol at solidated Gas Co. of New York. shows 8t 6:05 pm. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
1 Exploring Detective Films in the 1930S and 1940S: Genre, Society and Hollywood
Notes 1 Exploring Detective Films in the 1930s and 1940s: Genre, Society and Hollywood 1. For a discussion of Hollywood’s predilection for action in narratives, see Elsaesser (1981) and the analysis of this essay in Maltby (1995: 352−4). 2. An important strand of recent criticism of literary detective fiction has emphasised the widening of the genre to incorporate female and non-white protagonists (Munt, 1994; Pepper, 2000; Bertens and D’Haen, 2001; Knight, 2004: 162−94) but, despite Hollywood’s use of Asian detectives in the 1930s and 1940s, these accounts are more relevant to contemporary Hollywood crime films. 3. This was not only the case in B- Movies, however, as Warner’s films, includ- ing headliners, in the early 1930s generally came in at only about an hour and one- quarter due to budgetary restraints and pace was a similar neces- sity. See Miller (1973: 4−5). 4. See Palmer (1991: 124) for an alternative view which argues that ‘the crimi- nal mystery dominates each text to the extent that all the events in the narrative contribute to the enigma and its solution by the hero’. 5. Field (2009: 27−8), for example, takes the second position in order to create a binary opposition between the cerebral British whodunnit and the visceral American suspense thriller. 6. The Republic serials were: Dick Tracyy (1937), Dick Tracy Returns (1938), Dick Tracy’s G- Men (1939) and Dick Tracy vs Crime, Inc. (1941) (Langman and Finn, 1995b: 80). 7. The use of the series’ detectives in spy-hunter films after 1941, however, modifies this relationship by giving them at least an ideological affiliation with the discourses of freedom and democracy that Hollywood deploys in its propagandistic representation of the Allies in general and the United States in particular. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Budd Boetticher ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
Budd Boetticher ì˜í ™” 명부 (작품으로) The Cimarron Kid https://ko.listvote.com/lists/film/movies/the-cimarron-kid-1026484/actors Red Ball Express https://ko.listvote.com/lists/film/movies/red-ball-express-1026650/actors The Man from the Alamo https://ko.listvote.com/lists/film/movies/the-man-from-the-alamo-1026724/actors City Beneath the Sea https://ko.listvote.com/lists/film/movies/city-beneath-the-sea-1216441/actors Decision at Sundown https://ko.listvote.com/lists/film/movies/decision-at-sundown-1392420/actors Bronco Buster https://ko.listvote.com/lists/film/movies/bronco-buster-15628598/actors Comanche Station https://ko.listvote.com/lists/film/movies/comanche-station-1754488/actors The Tall T https://ko.listvote.com/lists/film/movies/the-tall-t-2037090/actors Seminole https://ko.listvote.com/lists/film/movies/seminole-2756846/actors A Guy, a Gal and a Pal https://ko.listvote.com/lists/film/movies/a-guy%2C-a-gal-and-a-pal-2819762/actors Arruza https://ko.listvote.com/lists/film/movies/arruza-2864242/actors Assigned to Danger https://ko.listvote.com/lists/film/movies/assigned-to-danger-2867169/actors Behind Locked Doors https://ko.listvote.com/lists/film/movies/behind-locked-doors-2893895/actors Black Midnight https://ko.listvote.com/lists/film/movies/black-midnight-2905416/actors Escape in the Fog https://ko.listvote.com/lists/film/movies/escape-in-the-fog-3057869/actors Killer Shark https://ko.listvote.com/lists/film/movies/killer-shark-3196638/actors Buchanan Rides Alone https://ko.listvote.com/lists/film/movies/buchanan-rides-alone-3202739/actors -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
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-------------------------~~ VOL 62 No. 2 WE 'VE SELECTED THE FINEST IN HOME VIDEO FOR YOU ... HUNDREDS OF VIDEOCASSETTES! Summer 1989 S3.5ll ® TH E VIDEO COLLE CTO R'S CHOICE! ASPECIAL SALUTE •.. SAVE OVER 200/o CARY GRANT, one of Hollywood's classiest leading men is featured this month in over twenty of his legendary films. SPECIAL LIMITED TIME OFFERI CHOOSE A FULL-LENGTH MOVIE FORONLYS5~ Order Now and get your choice of a selected videocassette for only $5. 00, a savings of 90%. See Order Form for details. ALSO, OVER 800 Of TH BE,r CLASs,c, WfrrERt fcnONTfMPORARY, AND ON/ADVENTURE FILMS AVAILABLE AT . ' ~ THE BLACKHAWK TRADITION We have been in the business of selecting and offering the very best in filmed entertainment for over sixty years, and through that time, Blackhawk has established a reputation as having the foremost and most comprehensive selec tion of classic movies and contemporary hits available. We take pride in being "The Video Col lector's Choice" and we take that respon sibility seriously. For six decades we have maintained a close relationship with our customers by striving to present the most definitive selection of films you should SANDS OF IWO JIMA THE QUIET MAN own and the best examples of our cine Starring Stamnv matic heritage. JOHN WAYNE JOHN WAYNE 4 Academ I Award Nom1'at1ons and Some films are great the day they are mciuding Best Actor MAUREEN O'HARA Black end Wh<te/109 Mmutes Winner of 2 Academy Awards made, others attain greatness over time. IP3556-S mciudir19 Best Director Some films are great examples of excep Color/129 Mmutes tional performances, others are directing IP3J63.S masterpieces, still others are great for their technical achievement. -
Daiicihg “THE STRANGERS RETURN" at SEVEN” Two and Side-By-Side Turized Director Buddy Rogers
OCT. 7, 1933 THE INDIANA’POLIS TIMES PAGE 7 Martens to ROUNDING ROUND Singing nTonigHt’s Radio Excursion Many Great SATURDAY 6 30—Kaltenmever’s Kindergarten (WJZ). 4 OO—Hvmn Sing r WALTER 30—Svmphonette (NBC'. T T-J T? A T T? Q WITH Are P M. 7 00—Roilickers 'WEAF). 4 Movies in Open Sale r 00—Consuella Valdes Boys & (WEAF). 5 4 39—Three Scamp? <NBC> WEAF. 7 15—Herman Banta and orchestra. 1 11 H/A LKo 30—Gene dance 1 D . HICKMAN Nell Sisters 'NBCi WJZ. 7 30—Fiddlers Three 'WEAF'. 5 Burchell orchestra 4 45—Songs NBC) WEAF 7:4 5NRA Talk WEAF). 6 00—Vincent Lopez orchestra. Alice Jot. Spanish Serenade iCBSi. B:oo—Jamboree 'WJZ'. contralto. s:oo—Hall's orchestra CBS'. the Titans (WJZ). 6 30—To be announced 'NBC on fifty-seventh season of the will 9 OO— Tales of 7:oo—Bert Lahr and Rubinoff s orchestra Production Indianapolis Here Himber's NBC) Monday Matinee Musicale Due ensemble WJZ iWJZ). 9:3o—Cuckoo . Viennese (NBC; NBC THEopen with the usual President’s day reception, which will be held at ensemble WEAF 10:00—One Mans Family <WEAF'. 8 OO—Revellers cuartet and A1 Goodman s s:3o—Eddie Doolev Football Reporter 10 30—Carefree Carnival (WEAF >. orchestra NBC'. the Herron Art Institute, Friday. Oct. 13, at 3 p. m. 'CB8) WABC. 11 00—Sign off. 8 30—Walter Winchell. Zorn, Balkan melodies (NBC) to Open A program of unusual interest will be presented by Marie Saengerknaben 'NBC WEAF. 8 45—Southwind Schenck Puts Arliss and Season Soon With Wiener to Sonzs i WJZ. -
LONGACRE THEATER, 220-228 West 48Th Street , Manhattan
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1348 LONGACRE THEATER, 220-228 West 48th Street , Manhattan. Landmark Site: Borough of Manhattan Tax Map Block 1019, Lot 50. Built 1912-13; architect, Henry B. Herts. On June 14 and 15, 1982 , the Landmarks Preservation Commission held a pub 1 ic hearing on the proposed designation as a Landmark of the Longacre Theater and the proposed designation of the related Landmark Site (Item No.44). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Longacre Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Constructed in 1912-13, the Longacre was built to house the productions of Broadway producer and baseball magnate Harry H. Frazee . Designed for Frazee by Henry Herts, prominent theater architect, the Longacre is among the earliest surviving Broadway theaters, and has an exceptionally handsome facade. Like most Broadway playhouses built before World War I, the Longacre was designed by a leading theater architect to house the offices and theatrical productions of its owner. Though known as a baseball magnate, and at one time the owner of the Boston Red Sox, Frazee was also an influential Broadway producer who, besides building the Longacre theater, at one time also owned two other Broadway houses (the Harris and the Lyric). -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.