Rossini E La Sua Epoca

Total Page：16

File Type：pdf, Size：1020Kb

COMUNICATO STAMPA ROSSINI E LA SUA EPOCA GIOVEDI’ 18 GENNAIO ore 20.30 Gioachino Rossini (1792-1868) Terza Sonata per archi in do maggiore Girolamo Salieri (1794-1838) Introduzione e Variazioni per clarinetto e archi su un tema dell'opera Edoardo e Cristina di Rossini Niccolò Paganini (1782-1840) Variazioni di bravura sulla quarta corda per violino e archi sul tema della Preghiera Dal tuo stellato soglio dal Mosè di Rossini Domenico Dragonetti (1763-1846) Concerto in la maggiore per contrabbasso e archi Fryderyk Chopin (1810-1849) Variazioni per ottavino e archi sul tema del Rondò Non più mesta dalla Cenerentola di Rossini Luigi Boccherini (1743-1805) La ronda di Madrid Gioachino Rossini (1792-1868) Variazioni in mi bemolle maggiore per clarinetto e archi su temi di Mosé in Egitto e de La donna del lago Direttore: CLAUDIO SCIMONE I SOLISTI VENETI “I Solisti Veneti” diretti da Claudio Scimone, che iniziano nel 2018 la loro 60.a stagione,sono l’orchestra da camera italiana più nota nel mondo per vastità di repertorio – che va dal 1600 a musiche dedicate a loro nel 2018 – e per molteplicità e interesse delle iniziative culturali, editoriali e promozionali. Hanno tenuto oltre 6.000 concerti in più di 90 Paesi e partecipano regolarmente ai massimi Festival internazionali. Sono stati insigniti dei più importanti riconoscimenti esistenti ,quali il Premio Grammy di Los Angeles, il Grand Prix du Disque de l’Académie Charles Cros di Parigi e il particolarissimo premio del Festival Bar del 1970 con 350.000 voti di pubblico giovanile; hanno ricevuto dalla Repubblica Italiana la medaglia d’oro dei benemeriti della scuola, dell’arte e della cultura. Hanno registrato oltre 300 DVD,CD, LP per etichette come Erato-WEA, BMG-RCA, Philips, Frequenz,ecc. Con i Solisti Veneti hanno tenuto esecuzioni e registrazioni i più grandi interpreti dei nostri tempi da Placido Domingo a Andrea Bocelli, June Anderson, Marylin Horne, Itzak Perlmann, Jean Pierre Rampal, James Galway, Salvatore Accardo, Leonid Kogan, ecc.ecc. Importantissime le loro numerose attività in favore dei giovani e giovanissimi ascoltatori e interpreti. Informazioni e prenotazioni: Teatro Rossini, Piazzale Cavour 17, 48022 LUGO (RA) www.teatrorossini.it – [email protected].

Copy Link

Recommended publications

Lafenice Loc.Maometto Secondo
Fondazione Teatro La Fenice di Venezia Stagione 2004-2005 Teatro La Fenice venerdì 28 gennaio ore 19.00 turno A • domenica 30 gennaio ore 15.30 turno B mercoledì 2 febbraio ore 19.00 turno D • venerdì 4 febbraio ore 19.00 turno E • domenica 6 febbraio ore 15.30 turno C Prezzi Platea Palco centrale Palco laterale Galleria e Loggione prime € 150,00 quattro posti quattro posti centrale € 45,00 I e II ordine € 460,00 I e II ordine € 352,00 laterale € 30,00 posto di parapetto € 150,00 posto di parapetto € 115,00 posto non di parapetto € 115,00 posto non di parapetto € 88,00 III ordine € 420,00 III ordine € 288,00 posto di parapetto € 135,00 posto di parapetto € 90,00 posto non di parapetto € 100,00 posto non di parapetto € 72,00 recite pomeridiane € 115,00 I e II ordine € 352,00 I e II ordine € 265,00 centrale € 35,00 e week-end posto di parapetto € 115,00 posto di parapetto € 85,00 laterale € 25,00 posto non di parapetto € 88,00 posto non di parapetto € 65,00 III ordine € 320,00 III ordine € 220,00 posto di parapetto € 100,00 posto di parapetto € 70,00 posto non di parapetto € 80,00 posto non di parapetto € 55,00 recite € 100,00 I e II ordine € 312,00 I e II ordine € 240,00 centrale € 30,00 infrasettimanali posto di parapetto € 100,00 posto di parapetto € 75,00 laterale € 20,00 posto non di parapetto € 78,00 posto non di parapetto € 60,00 III ordine € 280,00 III ordine € 180,00 posto di parapetto € 90,00 posto di parapetto € 60,00 posto non di parapetto € 70,00 posto non di parapetto € 45,00 Lirica e Balletto Stagione 2004_2005 MAOMETTO SECONDO
[Show full text]
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
[Show full text]
P I a N O T R I
BOSSI PIANO TRIOS Trio Archè MARCO ENRICO BOSSI MARCO ENRICO BOSSI 1861-1925 Marco Enrico Bossi was a composer of great personality whose thoroughly Piano Trios international outlook distinguished him from most of his colleagues on the Italian music scene of the time. He was born in Salò on Lake Garda in 1861 and died Trio No.1 in D minor Op.107 crossing the Atlantic in 1925, on his way back from a highly successful concert tour Dedicated to Giuseppe Martucci in the United States. Both his parents were organists, and it was his father who first 1. I. Allegro-Moderato 8’22 taught him music. In 1871 he enrolled in the Music High School in Bologna, where 2. II. Dialogue: Larghetto 7’28 he studied piano, and then at the Conservatorie in Milan he studied counterpoint and 3. III. Scherzo: Vivace 5’26 composition with Amilcare Ponchielli and from the attendance of Violin’s lesson with 4. IV. Finale: Festoso 5’17 the virtuoso Antonio Bazzini he pursued his interest in string instruments. Musical life in Milan at the end of the 1800s proved to be highly stimulating, Trio No.2 in D Op.123 and he soon made a name for himself as an excellent pianist and a remarkable Dedicated to Georg Goehler organist, launching into a career as a concert organist that brought him widespread 5. I. Moderato 11’25 international acclaim, to the extent that he was considered one of the foremost 6. II. In memoriam: Adagio 10’26 virtuoso players of the period, along with his friends Cesar Franck and Camille 7.
[Show full text]
ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores.
[Show full text]
CLASSICAL MANDOLIN SOCIETY of AMERICA PRESENTS Dorina Frati, Mandolin and Daniele Roi, Piano Takumi Mamiya, Mandolin CMSA En Masse Orchestra
CLASSICAL MANDOLIN SOCIETY OF AMERICA PRESENTS Dorina Frati, mandolin and Daniele Roi, piano Takumi Mamiya, mandolin CMSA En Masse Orchestra Saturday, November 17, 2018, 7:30 pm Ballroom, Flamingo Resort & Spa, Santa Rosa CA PROGRAM TAKUMI MAMIYA mandolin Piccola gavota Rafaele Calace 2.Jongara Yasuo KUWAHARA 3.Deep Obsession Kzo ISHIBASHI DORINA FRATI & DANIELE ROI Dorina Frati, mandolino; Daniele Roi, pianoforte Adagio ma non troppo in E flat major WoO 43B Ludwig van Beethoven (1770-1827) Andante con variazioni in D major WoO 44B Ludwig van Beethoven (1770-1827) Plenilunio Eugenio Sorrentino (1865-1943) Gavota Paolo Serrao (1830-1907) Romanza senza parole in e minor Franco Margola (1908-1992) Burleta (allegro assai) Armin Kaufmann (1902-1980) Mitoka Dragomirna (vivo) Armin Kaufmann (1902-1980) ― INTERMISSION ― CMSA EN MASSE ORCHESTRA Jim Bates, Conductor Tzigana Peter Tarzia Tanz Suite Nr. 2 Op. 21 Takashi Kubota Cobalt-blue Miracle Rie Muto Canestro di Fiori Giacomo Sartori Adagio Misterioso Achille Bocus Musical entertainment in the Lobby prior to tonight’s concert by La Scuola - 2 - PERFORMERS Now considered one of the greatest contemporary virtuosos of the mandolin, Dorina Frati began studying the instrument at the age of six under the guidance of various mandolin teachers in Brescia. When Italy’s first chair of mandolin was founded at the Conservatory of Padua, she enrolled to complete her training under an exceptional maestro, Giuseppe Anedda - perhaps the greatest mandolin player of the past century and the holder of the chair - and became the first person in the country to graduate in mandolin studies. Her concert career began shortly aferwards.
[Show full text]
“I SOLISTI VENETI” Diretti Da CLAUDIO SCIMONE
VENETO FESTIVAL 2017 (47° Festival Internazionale G. Tartini) “I SOLISTI VENETI” diretti da CLAUDIO SCIMONE MASER – VILLA DI MASER DOMENICA 2 LUGLIO 2017 – ore 18.30 ________________________________________________________________________________ Programma PUGNANI – Introduzione e Allegro per violino e archi VIVALDI - Concerto in re minore op. 3 n. 11 per due violini, violoncello e archi ROSSINI – Variazioni in mi bemolle maggiore per clarinetto e archi su temi di “Mosè in Egitto” e de “La Donna del lago” MOZART – Divertimento in fa maggiore K 138 WAGNER – Adagio in re bemolle maggiore per clarinetto e archi DONAGGIO – da “Lettere” (2016 – dedicato a “I Solisti Veneti”) “Eccesso” per violino e archi “Lettera” per violoncello e archi PAGANINI – Variazioni sul “Carnevale di Venezia” op. 10 per violino e archi ARBAN – Variazioni sulla "Norma" di Bellini per tromba e archi È organizzato in collaborazione con la REGIONE DEL VENETO, con la PROVINCIA DI TREVISO – RETEVENTI CULTURA e con lÍSTITUTO REGIONALE PER LE VILLE VENETE, il prossimo appuntamento del “Veneto Festival 2017” (47° Festival Internazionale Giuseppe Tartini) annunciato per DOMENICA 2 LUGLIO 2017 alle ore 18.30 a MASER nella palladiana VILLA DI MASER. Sul palco per un concerto déccezione intitolato OMAGGIO A PALLADIO E VERONESE che in effetti si terrà in uno dei massimi capolavori palladiani, la celebre Villa di Maser, decorata da uno dei più importanti cicli di affreschi del Veronese, “I Solisti Veneti” diretti da Claudio Scimone, che presenteranno al pubblico un caleidoscopico programma di pagine barocche, classiche, romantiche e contemporanee. Barocche le due composizioni che apriranno il programma, accomunate dal loro virtuosismo, quel virtuosismo che da sempre è un po´ il fiore allócchiello che ha reso celebri i Solisti di Claudio Scimone in tutto il mondo e che senza dubbio è la nota dominante di tutto il concerto del prossimo 2 luglio.
[Show full text]
I Solisti Veneti CLAUDIO SCIMONE Conductor
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN I Solisti Veneti CLAUDIO SCIMONE Conductor TUESDAY EVENING, DECEMBER 6, 1988, AT 8:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN Music of Antonio Vivaldi 1678-1741 "The Seasons" for Violin and String Orchestra from // dmento dell'armonia e dell'invenzione Concerto in E major, RV 269 ("Spring") Allegro Largo Allegro Concerto in G minor, RV 315 ("Summer") Allegro non molto Adagio Presto Concerto in F major, RV 293 ("Autumn") Allegro Adagio molto Allegro Concerto in F minor, RV 297 ("Winter") Allegro non molto Largo Allegro MARCO FORNACIARI, Soloist INTERMISSION Concerto in B minor for Four Violins, Cello, and String Orchestra, RV 580 from L'estro armonico Allegro Largo Allegro MARCO FORNACIARI, KAZUKI SASAKI, GLAUCO BERTAGNIN, STEFANO ZANCHETTA, Violinists GlANANTONIO VlERO, Cellist (Program continued on next page.) The harpsichord heard this evening is a double manual, Jive-octave instrument built in 1978 by Witlard Martin, Opus 101, owned by Marilyn Mason, Professor and University Organist, U-M. I Veneti Solisti are represented by Columbia Artists Management Inc., Neu> York City. Halls Cough Tablets, courtesy of Warner-Lambert Company, are available in the lobby. Seventeenth Concert of the 110th Season Twenty-sixth Annual Chamber Arts Series Concerto in C major for Violin and Double String Orchestra, RV 581 "For the Assumption of the Virgin Mary" Adagio e staccato; allegro, ma poco poco Largo Allegro BETTINA MUSSUMELI, Soloist Concerto in G major for Two Mandolines and String Orchestra, RV 532 Allegro Andante Allegro UGO ORLANDI and DORINA FRATI, Soloists PROGRAM NOTES by CLAUDIO SCIMONE "The Seasons" for Violin and String Orchestra The Seasons are the products of a happy time in the life of Antonio Vivaldi, during which he had reached the pinnacle of his career in the milieu of eighteenth-century Venice, where refinement, elegance, and love of art joined thejoie de vivre of a wealthy world approaching its decline.
[Show full text]
The Two Piano Trios
WOLF- FERRARI THE TWO PIANO TRIOS Trio Archè ERMANNO WOLF-FERRARI 1876-1948 Prelude To Neglected Originality The Two Piano Trios Dotted throughout the history of western music are a various figures who seem to elude all efforts to classify them, as though they occupied an atemporal plane, equidistant from revolutionary intent and the established genres to which the prefix Piano Trio No.1 Op.5 in D Major “neo” is often added. Certain of these musicians not only shun overt membership of 1. Allegro molto moderato 14’54 contemporary categories, but also tend to steer clear of any one creative idiom. 2. Presto - Vivace - Meno mosso - Vivace - Presto 5’50 Such was the case of Ermanno Wolf-Ferrari (Venice, 1876-1948), a composer who 3. Larghetto (grazioso, molto tranquillo) - deliberately avoided modernism, opting instead for linear communicative immediacy Poco mosso - Più mosso (vivace)-Larghetto 9’22 in a range of different genres that he wove together in a highly individual tapestry 4. Allegro vivace assai - Andante mosso - of language and sound. Open-minded in his approach to the past, he was reserved Tempo I - Andante Sostenuto - Tempo I 9’40 in character and totally averse to innovation as a goal in its own right, despite the surrounding ethos of competition in Europe and the drive to be ‘original’. As Piano Trio No.2 Op.7 in F sharp Major Adriana Guarnieri Corazzol has pointed out, “Wolf-Ferrari’s fellow composers were 5. Sostenuto - Adagio - Agitato - Sostenuto - Agitato 19’27 Malipiero, Casella, Pizzetti, Alfano and Respighi, yet he remained totally aloof from 6.
[Show full text]
21.92 More Lps, Laser Discs. Pp 164-177
LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP.
[Show full text]
Stabat Mater Messa Di Gloria Rossini Puccini
STABAT MATER MESSA DI GLORIA ROSSINI PUCCINI QUAND ET OÙ? QUAND ET OÙ ? > Samedi 12 mai 2018 | 20h > Samedi 26 mai 2018 | 20h Opéra Royal de Wallonie-Liège Opéra Royal de Wallonie-Liège > Dimanche 27 mai 2018 | 20h Eglise Saint-Remacle à Verviers PRIX PRIX > de 7,5€ à 22,5€ TTC > de 10,5€ à 32,5€ TTC Avantage abonnés/Amis Presto : de 6,5€ à 17,5€ Avantage abonnés/Amis Presto : de 8,50€ à 24,50€ Opéra Royal de Wallonie-Liège Place de l’Opéra - B-4000 Liège Infos/réservations : +32 (0) 4 221 47 22 | www.operaliege.be STABAT MATER (ROSSINI) ET MESSA DI GLORIA (PUCCINI) : DEUX GRANDES OEUVRES DE MUSIQUE SACRÉE À L’OPÉRA ROYAL DE WALLONIE-LIÈGE STABAT MATER - LA FINE FLEUR DU CHANT ROSSINIEN POUR UNE OEUVRE À LA GENÈSE TOURMENTÉE Une fois retiré de la vie tumultueuse de compositeur d’opéras à succès, Gioachino Rossini se voit, lors d’un voyage en Espagne en 1831, sollicité pour la composition d’un Stabat Mater. Accablé par un lumbago, il ne parvient pas terminer la partition dans le délai imparti : c’est le compositeur Giovanni Tadolini qui achève le travail. L’œuvre ne sera représentée qu’une seule fois, en 1833. Rossini décide alors de composer lui-même les parties qu’il n’avait pas pu terminer : l’œuvre sera créée, dans sa version finale, en 1842. S’il fait usage des techniques les plus savantes du contrepoint et de l’écriture fuguée, le Stabat Mater de Rossini est aussi le reflet d’un homme d’opéra qui maniait à la perfection la vocalité du belcanto.
[Show full text]
NEWSLETTER > 2015
www.telmondis.fr NEWSLETTER > 2015 Opera Dance Documentary Concert Circus Cabaret & magic Theater SUMMARY OPERA > MARIINSKY THEATRE War and Peace 2 > THÉÂTRE MUSICAL DE PARIS-CHÂTELET Les Parapluies de Cherbourg 3 > OPÉRA NATIONAL DE PARIS The Barber of Seville 4 Tosca 5 La Traviata 6 DANCE CONCERT > OPÉRA DE LYON > MARIINSKY THEATRE > MARIINSKY THEATRE Le Comte Ory 7 La Bayadère 26 International Piano Festival 40 > TEATRO LA FENICE VENISE Anna Karenine 27 > TCHAIKOVSKY HALL, MOSCOW Capuleti e Montecchi 8 > OPÉRA NATIONAL DE PARIS Concert at the Tchaikovsky Hall, Alceste 9 Les Enfants de Scaramouche 28 Moscow 40 L’Africaine 10 Rain 29 > OPÉRA NATIONAL DE PARIS > OPÉRA ROYAL DE WALLONIE Ballet Evening at Paris Opera 30 Ludwig Van Beethoven Cycle, The Tosca 11 Daphnis et Chloé 31 Nine Symphonies 41 WORK IN PROGRESS La Cenerentola 12 Le Palais de Cristal 32 > GULBENKIAN FOUNDATION DANCE Luisa Miller 13 Dances at a Gathering 32 GRAND AUDITORIUM, LISBON > The Sleeping Beauty 47 Attila 14 Psyché 33 St Matthew Passion 42 > Atvakhabar Rhapsodies 47 Die Entfuhrung aus dem Serail 15 > TEATRO REAL, MADRID War Requiem 42 > Tatjana 47 Guillaume Tell 16 El Amor Brujo 34 > OPÉRA-COMIQUE, PARIS > Casse-Noisette Compagnie 47 L’Italiana in Algeri 17 > OPÉRA NATIONAL DE BORDEAUX Armenian Legends 43 > OPÉRA DE MONTE-CARLO Pneuma 35 OPERA Don Giovanni 18 > CHÂTEAU DE VERSAILLES > The Queen of Spades 48 Il Mondo della Luna 19 The Orangery Nights 36 CIRCUS > Eugene Onegin 48 Ernani 20 > TATAR STATE ACADEMIC OPERA - KAZAN > 36 th Tomorrow's Circus > Jalil 48
[Show full text]
Eine Kleine Nachtmusik, K 525 the Life and Music of Wolfgang Amadeus Mozart
A Music History Overview Janet Lopinski, Joe Ringhofer, and Peteris Zarins Acknowledgements The authors would like to thank the following people for their valuable assistance in preparing this publication: Dr. Laura Beauchamp-Williamson, Editor Elaine Rusk, Director of Publishing, The Frederick Harris Music Co., Limited Aimee Velle, Project Administrator Contents How to Use this Book ...................................................... 6 Unit One—The Materials of Music Building a Musical Vocabulary . 8 Performing Forces ............................................................ 10 Supplemental Activity: Seating Plan of an Orchestra . 13 Recommended Listening: The Young Person’s Guide to the Orchestra ............... 14 Timeline: Four Major Style Periods in Music History ............................. 16 Review and Reflection . 16 Unit Two—The Baroque Period Building a Musical Vocabulary . 18 Listening for Elements of Baroque Style ......................................... 19 Vivaldi and The Four Seasons The Musical Style and Contributions of Antonio Vivaldi . 21 Building a Musical Vocabulary .............................................. 21 Required Listening: “La Primavera” (“Spring”) from Le Quattro Stagioni (The Four Seasons), op. 8, no. 1 . 22 Recommended Listening for Vivaldi . 26 Bach and The Well-Tempered Clavier The Life and Music of Johann Sebastian Bach ................................. 26 Building a Musical Vocabulary .............................................. 28 Supplemental Activity: Identifying Fugal Answers ............................
[Show full text]