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Raymond Unwin (1863 – 1940)
Raymond Unwin (1863 – 1940) Raymond Unwin was born on 2nd November 1863 in Whiston, Rotherham, the younger son of William Unwin, a tutor at Balliol College, Oxford and his wife Elizabeth Sully. He considered entering the Church of England, as his elder brother William did, but he was diverted, to his father's disappointment, into a life of social activism. Unwin was educated at Magdalen College Choir School, Oxford, where he became aware of the Socialist principles of John Ruskin and William Morris. In 1883, he settled in Chesterfield as an engineering apprentice at the Staveley Coal and Iron Company, and came into contact with the Socialist philosopher Edward Carpenter at Millthorpe, Sheffield. In 1885 he obtained a post as an engineering draughtsman in Manchester where he was the local secretary of William Morris's Socialist League, writing articles for its newspaper 'Commonweal'. In 1887 he returned to the Staveley Coal and Iron Company in Barrow Hill as a draughtsman, and although he had no training in architecture, he was working primarily as an architect and was part of the Company team who designed housing at Barrow Hill, Duckmanton and Poolsbrook. At one point, he “offered to resign if bathrooms were not provided to dwellings at Allport Terrace, Barrow Hill.”i Unwin married his cousin, Ethel Parker, in 1893, the same year that he received his first major architectural commission - to build St Andrew’s Church at Barrow Hill. This was completed largely alone, with some collaboration with his brother -in-law, (Richard) Barry Parker. Parker, was staying with the Unwins at Chapel- en-le-Frith when Unwin was building St Andrew’s, and designed a mosaic glass reredos for it. -
MODERN ARCHITECTURE INTERNATIONAL EXHIBITION I, Momaexh 0015 Masterchecklist
BaM-- fu-- ~~{S~ MODERN ARCHITECTURE INTERNATIONAL EXHIBITION I, MoMAExh_0015_MasterChecklist NEW YORK FEB. 10 TO MARCH 23,1932 MUSEUM OF MODERN ART PHOTOGRAPHS IN THE EXHIBITION ILLUSTRATING THE EXTENT OF MODERN ARCHITECTURE AUSTRIA LOIS WELZENBACHER:Apartment House, Innsbruck. 1930. BELGIUM H. L. DEKONINCK:Lenglet House, Uccle, near Brussels. 1926. MoMAExh_0015_MasterChecklist CZECHOSLOVAKIA I OTTO EISLER:House for Two Brothers, Brno, 1931. BOHUSLAVFucns: Students' Clubhouse, Brno. 1931. I I LUDVIKKYSELA:Bata Store, Prague. 1929. ENGLAND AMYAS CONNELL:House in Amersham, Buckinghamshire. 193I. JOSEPHEMBERTON:Royal Corinthian Yacht Club, Burnham-an-Crouch. 1931. FINLAND o ALVAR AALTO: Turun Sanomat Building, Abo. 1930. FRANCE Gabriel Guevrekian: Villa Heim, Neuilly-sur-Seine. 1928. ANDRE LURyAT:Froriep de Salis House, Boulogne-sur-Seine. 1927. ANDRE LURCAT:Hotel Nord-Sud, Calvi, Corsica. 1931. 2!j ,I I I I I I FRANCE (continued) ROBMALLET-STEVENS:de Noailles Villa, Hyeres. "925. PAULNELSON: Pharmacy, Paris. 1931. GERMANY OTTOHAESLER: Old People's Home, Kassel. 1931. LUCKHARDT&' ANKER: Row of Houses, Berlin. "929. ERNSTMAY &' ASSOCIATES:Friedrich Ebert School, Frankfort-on-Main. 1931. 28 0 MoMAExh_0015_MasterChecklist ERICHMENDELSOHN:Schocken Department Store, Chemnitz. "9 -3 . ERICHMENDELSOHN:House of the Architect, Berlin. "930. HANSSCHAROUN: "Wohnheim;" Breslau. 1930. KARLSCHNEIDER:Kunstverein, Hamburg. "930. HOLLAND BRINKMAN&' VAN DERVLUGT: Van Nelle Factory, Rotterdam. 1928-30. I I W, J. DUIKER: Open Air School, Amsterdam. "931. G. RIETVELD:House at Utrecht. "924. ITALY 1. FIGINI &' G. POLLIN!:Electrical House at the Monza Exposition. "930. I' JAPAN ISABUROUENO: Star Bar, Kioto. "931. MAMORU YAMADA: Electrical Laboratory, Tokio. "930. SPAIN LABAYEN&' AIZPUR1JA:Club House, San Sebastian. "930. 26 SWEDEN SVEN MARKELlus &' UNO AHREN: Students' Clubhouse, Stockholm. -
The Work of Clarence S Stein, 1919-1939
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1977 The Work of Clarence S Stein, 1919-1939 Prudence Anne Phillimore College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Architecture Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Phillimore, Prudence Anne, "The Work of Clarence S Stein, 1919-1939" (1977). Dissertations, Theses, and Masters Projects. Paper 1539624992. https://dx.doi.org/doi:10.21220/s2-thx8-hf93 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE WORK OF CLARENCE S. STEIN 1919 - 1939 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Prudence Anne Phillimore 1977 APPROVAL, SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts f t . P t R u Autho r Approved, May 1977 1 8 Sii 7 8 8 \ TABLE OF CONTENTS PAGE ABSTRACT ....................................................................................... iv INTRODUCTION ...................................................................................... 2 CHAPTER I STEIN'S EARLY LIFE AND THE INFLUENCES ON HIS WORK................... 10 CHAPTER II STEIN’S ACHIEVEMENTS IN HOUSING LEGISLATION IN NEW YORK STATE.. 37 CHAPTER III REGIONAL PLANNING: AN ALTERNATIVE SOLUTION TO THE HOUSING PROBLEM................................... -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
From York to New Earswick: Working-Class Homes at the Turn of the Nineteenth and Twentieth Centuries
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link From York to New Earswick: working-class homes at the turn of the nineteenth and twentieth centuries. Cheryl Buckley School of Arts and Social Sciences Northumbria University Newcastle-upon-Tyne England NE1 8ST Work +44 (0) 191 227 3124 - Mob: 07792194339 Home +44 (0) 1325 484877 – Mob: 07814 278168 [email protected] [email protected] word count 3,844 1 How to improve the lives of the working class and the poor in Britain has been a key concern for social reformers, architects and designers, and local and national governments throughout twentieth century, but the origins of this were in the preceding century. From the middle of the nineteenth century, reformers had understood the necessity of improving the living conditions, diet and material environment of those with low incomes. Housing, at the core of this, was increasingly a political issue, but as this case study of the development of a garden village in the North of England demonstrates, it was also a moral and aesthetic one. Moving home from poor quality housing in York city centre to the garden village of New Earswick begun in 1903 symbolised not only a physical relocation a few miles north, but also an unprecedented change in social and material conditions. Life in New Earswick promised new opportunities; a chance to start afresh in carefully designed, better equipped housing located in a rural setting and with substantial gardens. Largely unexplored -
Cornelia Hahn Oberlander Oral History Transcript
The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interview conducted August 3-5, 2008 Charles A. Birnbaum, FASLA, FAAR Tom Fox, FASLA, videographer The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Cornelia Hahn Oberlander Interview Transcript Table of Contents Cornelia Hahn Oberlander Interview Transcript ............................................................. 4 Introduction .................................................................................................................. 4 Childhood and Education ............................................................................................... 5 Memories of Family Life in Europe .................................................................................... 5 Coming to America ............................................................................................................ 6 Smith College ..................................................................................................................... 7 Smith Professors Made a Difference ................................................................................. 8 Lessons from Harvard ........................................................................................................ 9 Meeting Larry Halprin ..................................................................................................... -
Organic Design in Home Furnishings by Eliot F
Organic design in home furnishings By Eliot F. Noyes Author Noyes, Eliot Date 1941 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/1803 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modernart newyork S/. f % 5"AieKn«oht K&uf Per LIBRARY Museumof ModernArt ARCHIVE WHESlfcP- A design may be called organic when there is an harmonious organization of the parts within the whole, according to structure, material, and purpose. Within this defini tion there can be no vain ornamentation or ORGANICDESIGN: superfluity, but the part of beauty is none the less great — in ideal choice of material, in visual refinement, and in the rational elegance of things intended for use. "By the beauty of shapes I do not mean, as most "To find beauty in form instead of making it de people would suppose, the beauty of living fig pend on ornament is the goal towards which ures or of pictures, but, to make my point clear, humanity is aspiring." I mean straight lines and circles, and shapes, ADOLF LOOS 1898 plane or solid, made from them by lathe, ruler Ins Leere Gesprochen and square. These are not, like other things, "Our capacity to go beyond the machine rests in beautiful relatively, but always and absolutely." our power to assimilate the machine. Until we PLATO Philebus have absorbed the lessons of objectivity, imper "For beauty three things are required. -
Federal Building Los Angeles, California Name of Property County and State
NPS Form 10-900 0MB No. 1024-0018 United States Department of the Interior I ~ j National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instruction in ~~~WC'nl".),iSQ Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply o Ll!~tl!faJIJ~ ·- documented, enter "NIA" for "not applicable." For functions, architectural classification, materials, and areas of si nifli:1il:i ,.."elffl~m,,,,--....., categories and subcategories from the instructions. 1. Name of Property Historic name: Federal Build.in Other names/site number: Federal Aviation Administration (FAA) Building) Name of related multiple property listing: (Enter "NIA" if property is not part of a multiple property listing NIA 2. Location Street & number: 15000 Aviation Boulevard City or town: Hawthorne State: California County: Los Angeles Not For Publication: □ Vicinity: □ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ~ meets _ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: national _statewide J(local Applicable National Register Criteria: _A _B D eth Savage, Federal Preservation Officer Date eneral Services Administration State or Federal agency/bureau or Tribal Government roperty x_ meets_ does not meet the National Register criteria. -
Sir Raymond Unwin Barry Parker Collaborative Work
Heritage Statement Design and Access Statement PROJECT ‘Sevenways’ 1 College Road, Buxton, Derbyshire, SK17 9DZ Mr N Sheikh 16th April 2018 Revision C Sevenways, 1 College Road, Buxton CONTENTS PAGE INTRODUCTION 3 01 - HERITAGE STATEMENT 4 02 - HERITAGE IMPACT ASSESSMENT 21 03 - DESIGN & ACCESS STATEMENT 28 04 - PLANNING POLICY STATEMENT 31 Sevenways, 1 College Road, Buxton INTRODUCTION This report has been prepared to accompany the The current owners bought ‘Sevenways’, application for planning listed building consent approximately 15 years ago. They were for the property known as ‘Sevenways’ 1 College passionate about owning a house designed by Road, Buxton. Parker and Unwin and they have researched and understood the significance of the architects and The proposals are for a change of use from the house. current single dwelling, previously used as a bed and breakfast, into 4 apartments. The proposals At the time of purchase, the house was in poor also enhance the Grade II listed building. condition following little maintenance since the conversion. Aside from the division of The house is a three storey semi-detached rooms and major changes, all woodwork and property, with cellar and was constructed in 1886. internal stone was covered by modern paint. The house was designed by Barry Parker and During maintenance they have sympathetically Raymond Unwin. Two architects of the Arts and removed these inappropriate finishes, such as Craft movement renowned for their work within the stone column to the hall. However the clients Litchfield Garden City and Hampstead Garden wish to return the house holistically to a more Suburb. sympathetic condition. -
HAPING AMERICAN WRBAN PWBLIC Space from CIAM to New WRBANISM
Eric Mumford HAPING AMERICAN WRBAN PWBLIC SPACe FROM CIAM TO associate professor, Washington University New WRBANISM in St. Louis FAUUSP LECTURE MAY 15, 2001 1 1 2 A b s t r a c t pós- Throughout much of the history of the United Monumentally" which would express popular States its architects have been preoccupied with aspirations using an architectural language based creating urban public spaces. In the nineteenth on the work of modern painters and sculptors as century two broad design directions emerged, one well as architects such as Le Corbusier. pastoral, exemplified by Olmsted and Vaux’s This direction was promoted by CIAM in its postwar Central Park in New York, the other monumental, Congresses, notably CIAM 8, “The heart of the city” based in European classicism but often given a of 1951. In the United States it inspired many particularly american character in projects such as corporate plazas and civic spaces and may have Washington, DC. had some influence on the development of the In the problematic decade of the Depression, typology of the suburban shopping mall. The architects of CIAM (Congressos Internacionais de austrian “émigré” Victor Gruen recreated the Arquitetura Moderna) attempted to introduce new pedestrian urban shopping environment in self- approaches to the design of urban space derived contained centers at the metropolitan periphery, from European avant-garde movements. In the which were intentionally accessible mainly by United States in the early 1940s, the Barcelona automobile. All the earlier problems of congestion architect Josep Uuis Sert, developed a modification and lack of parking were solved by this new form, of CIAM urbanism based on the four functions of which was rapidly replicated around the country in dwelling, work, recreation and transportation which the 1950s and 1960s and has become the added a fifth element, the civic center or core. -
Town Planning in Practice
Table of Contents E-Book Original PDF Introduction 2 Beginning Credits 3 Preface 3 14 Chapter 1 Of Civic Art As The Expression of Civic Life 4 28 Chapter 2 Of The Individuality Of Towns, With A Slight 12 42 Sketch Of The Ancient Art Of Town Planning Chapter 2 Part 2 24 Chapter 3 Of Formal And Informal Beauty 34 152 Chapter 4 Of The City Survey 41 177 Chapter 5 Of Boundaries And Approaches 48 191 Chapter 6 Of Centers And Enclosed Places 52 212 Chapter 7 Of The Arrangement Of Main Roads, Their 67 272 ……………………..Treatment And Planting Chapter 8 Of Site Planning And Residential Roads 82 326 Chapter 9 Of Plots And The Spacing And Placing Of 93 356 ……………………..Buildings And Fences Chapter 10 Of Buildings, And How The Variety Of Each Must 104 397 Be Dominated By The Harmony Of The Whole Chapter 11 Of Co-Operation In Site Planning, And How 113 412 Common Enjoyment Benefits The Individual Chapter 12 Of Building Byelaws 119 423 End Credits 119 1 Introduction This e-book is a direct transcript of the audiobook version of Town Planning in Practice. Images from the original book were not included, however a PDF version of an original scan of the 1909 version of this book can be found at http://raymondunwin.com. This e-book is meant as a companion to the audiobook and a bridge to the images. We hope you enjoy it. Produced by The Overhead Wire Media, 2020 2 Beginning Credits 00:00 The Overhead Wire media presents Town Planning in Practice: An Introduction to The Art of Designing Cities and Suburbs by Raymond Unwin, original publication by T Fisher Unwin London, 1909. -
Garden-Cities-List97-1.Pdf
JANETTE RAY RARE & OUT OF PRINT BOOKS Tel: 01904 623088 Fax: 01904 620814 Email: [email protected] Website: www.janetteray.co.uk 8 Bootham, York YO30 7BL UK Handlist 97 The Garden Cities Movement 1. ALLEN, Gordon. The Cheap Cottage and Small House London B T Batsford nd 1919 Sixth revised edition enlarged. x +142 + [2]pp illustrated with 107 b/w plates including line ills and photographs. Green pictorial cloth using image drawn by the author. Bright copy in slightly worn dust wrapper. Some scattered foxing on end papers. Useful source for garden city houses with illustrations of lesser known garden suburbs including Hull Garden Village, Gretna Green and many others. Draws together contemporary thinking at the time on the design of small cottage homes, including ideas of the Ministry of Works, Raymond Unwin and others. [19066] £38 2. BALLIE SCOTT, M. H. Houses and Gardens London George Newnes Limited 1906 xvi + 247pp + (3)pp illustrated with 17 colour and many b/w plates. Some spotting on end papers and prelims. Decorated end papers. Gilt lettered green cloth. Cloth uniformly darkened else a very good copy of this the first edition of Ballie Scott's study of house design. Includes his own designs from the main period of his career. [Ref: 19176] £380 3. BERSFORD PITE, A(rthur). A Sketch of Town Planning and of Procedure under the Town Planning Act of 1909 Civic Arts Association 1918 20pp, 8vo paper wrappers, title + Civic Arts Association logo on the upper. Spine a little worn at spine else a very good copy.